Sunday, 12 June 2016

"Link Wray" by LINK WRAY (Inside 2015's 2CD Remaster Set "3-Track Shack" by Ace Records of the UK) - A Review by Mark Barry...



This Review Along With More Than 480 Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites
CLASSIC 1970s ROCK On CD - Exception Remasters  

Just Click Below To Purchase for £3.95
Thousands and thousands of E-Pages
All Details and In-Depth Reviews From Discs Themselves
(No Cut and Paste Crap) 


"...I Feel The Thunder...I Feel The Fallin' Rain..."

"Link Wray" by LINK WRAY (1971 LP on Polydor Records)

Even as a veteran of secondhand record shops and a rarities buyer for nearly 20 years at the fab Reckless Records in London – I'm kind of shocked at the sheer undiscovered classiness of this Link Wray music. Truthfully I never gave it the time of day back in the day. In fact I can recall seeing British copies of 1971's "Link Wray" turn up in our busy Berwick Street shop in its American die-cut gatefold sleeve with his side profile face – and we’d all sigh.

The same would apply to the other album culled from these sessions - the single sleeve UK issue of Mordicai Jones by MORDICAI JONES (a gatefold in the USA with different artwork). We knew from previous experience that these obscure LPs would sit in our racks for months on end - until eventually reduced to a nominal amount - someone would buy them as a curio rather than a sought-out deliberate purchase. How times have changed...

For this superb UK 2CD reissue the simplest comparison musically is The Band and Folk-Rock Americana. Most fans who worship the ground that The Band's "Music From Big Pink" (1968) and "The Band" (1969) walks on – they would never in their wildest dreams look at the Rock 'n' Roll guitar 'rumble' of Carolina Shawnee Indian LINK WRAY and think 'Americana' – the beginnings of Tony Joe White, J.J. Cale, Townes Van Zandt and then onwards into the Indi Folk-Rock of Ryan Adams, The Jayhawks, Bon Iver, Sufjan Stevens and The Fleet Foxes. But that's what this rather brilliant little reissue contains. Simple but original Country, Folk, Blues and Roots tunes recorded live on guitars and upright piano in a converted Chicken Shack in Accokeek in the State of Maryland on his brother's farm (Doug Wray) with no overdubs and barely enough electricity. If they had no drums – they simply stomped feet hard and rattled those loose nails. If the song was quiet - it's said you can hear bullfrogs croaking and dogs howling outside the miked-up windows. Throw in Wray's strangely expressive Paul Siebel/Mickey Newbury twanging-voice and the results are earthy, real, simple and wonderfully melodic. Like classic J.J. Cale albums from the 70s – each guitar-chug and clever string-bend eats its way into your heart – each tune is simple and direct and warm and full of local stories ("Rise And Fall Of Jimmy Stokes"). I can even hear traces of a hopeful Rodriguez in his vocal style and lyrics - his commentaries on urban life and people trying to find their way in a mixed up world – elegant and truthful ("Fallin' Rain" and "Ice People"). There's a lot to get through so once more unto the backwater shed and that Ampex 3-track...

UK released August 2015 (September 2015 in the USA) – "3-Track Shack" by LINK WRAY on Ace Records CDCH2 1451 (Barcode 029667073820) offers up 3LPs from 1971 and 1973 onto 2CDs with one British 7" single edit as a bonus track. The "Link Wray" LP portion of it plays out as follows:

Disc 1 (63:36 minutes):
1. La De Da
2. Take Me Home Jesus
3. Juke Box Mama
4. Rise And Fall Of Jimmy Stokes
5. Fallin' Rain
6. Fire And Brimstone [Side 2]
7. Ice People
8. God Out West
9. Crowbar
10. Black Rover Stomp
11. Tail Dragger
Tracks 1 to 11 are the album "Link Wray" – released June 1971 in the USA on Polydor 24-4064 and September 1971 in the UK on Polydor Super 2425 029

You can't argue that the chunky 28-page booklet scrimps it on details or photos – recounting his career from Fifties and Sixties 'rumble' style guitar Rock 'n' Roll into these three albums - a 70's change of gear into Americana where the loud guitars of old are replaced with downhome acoustic tunes. The fantastic DAVE BURKE and ALLAN TAYLOR liner notes (co-editors of the "Pipeline" Fanzine on Rock Instrumentals) also do a lot to unravel the mysterious 'Mordicai Jones' project issued only months after the failed "Link Wray" album of June 1971. It turns out that the stunning Terry Reid-type vocals by the fictional Mordicai Jones character are in fact by Gene Johnson and not the keyboardist in Wray’s band Bobby Howard (as had been presumed). But the big news for fans (apart from the availability of this music after decades in the wilderness) is the amazingly clear remasters by long-time Engineer NICK ROBBINS – a name that has graced hundreds of quality British reissues. There is nothing lo-fi about these transfers despite how the original recordings were laid down.

A world away from his previous style of instrumental Rock 'n' Roll guitar – the two more Folksy albums were not well received at the time. "Link Wray" barely scraped into No. 186 on the American album charts in July 1971 (lasting only 4 weeks) - while the pseudonym "Mordicai Jones" project advertised in early June 1971 but not released until November simply confused people and most ignored it. Let's get to the music...

The openers "La De Da" and "Take Me Home Jesus" set the tone for the "Link Wray" album – The Band recording Americana with two-fingers held up to 24-track mixing consoles. There's Washboard melodrama to the catchy "Juke Box Mama" which Polydor USA put on the flipside of the 45 for the beautiful "Fallin' Rain" (Polydor PD 14096). We get a little Elvin Bishop and J.J. Cale with the very cool chugger "Rise And Fall Of Jimmy Stokes" which chronicles a boy with a shirt on his back trying to make it in the big city. It's amazing to think now that something as obviously lovely and topical as "Fallin' Rain" with lyrics like "...where kids lay bleeding on the ground...there's no place where peace can be found..." didn’t make an impression on the radios of the day – very Mickey Newbury and Eric Andersen. The hugely likeable "Fire And Brimstone" opens Side 2 in style – Jug Band music with a Mungo Jerry commerciality. "Ice People" bemoans the Red Man’s fate on the Reservation and again Link's vocals remind you of Levon Helm at his touching best. The ragged electric lead guitar in "God Out West" is the nearest nod to his loud 'rumbling' style of old (that guitar sound would turn up on the outtakes album "Beans And Fatback" in 1973). The acoustic-slide Blues of "Crowbar" reminds me of James Taylor's "Steamroller" on "Sweet Baby James" where Link tells his girl "...I'm a crowbar baby and I’m sure gonna ply you loose..." (how very gentlemanly of him). The opening flickering mandolin strums of "Black River Swamp" suit an impossibly laconic melody that’s full of Southern Soul (voices and guitars recorded for pure feel). Wray means it as he sings "...I can hear them bullfrogs croaking...calling me back to my childhood...down here in Black River Swamp..." The album ends on the only cover version – a fantastic Bo Diddley guitar chug at "Tail Dragger" (written by Willie Dixon for Howlin' Wolf). I'm a sucker for slide bottleneck guitar and this baby has guitars going on everywhere as Link does his best Chester Burnett vocal growl.

One of the Backing Vocalists credited simply as 'Gene' on the "Link Wray" albums turns out to be GENE JOHNSON – the principal vocalist for the Mordicai Jones album and project (not Bobby Howard as was long thought). The moniker of Mordicai Jones might have been Polydor's way of dealing with the fan backlash/indifference to "Link Wray" (hide him behind some other band). The booklet also reproduces in full the gatefold artwork of the American LP (the shack pictured in the woods nestled in a canopy of trees). The inside photo on the inner gatefold was used by British copies on their front covers and reduced to a single matt sleeve. The inner right side of the gatefold was used as the artwork for the rear of the British LP and the album didn’t show until early 1972 (about March) where it was met with as much non-interest as it had been in 1971 USA.

So why did it all fail – why don’t you know about these albums? I suppose you could say that all three records lacked an overall impact to make them classics of the day – but in hindsight - these Countrified Americana albums by Link Wray make for a fabulous listen - offering up music that gets to you after repeated listens – music you want to champion and rave about.

A stunning release then from Ace Records of the UK and a reminder that there’s so much great music out there to still find and cherish. "Link Wray" from 1971 is an album you want in your life. Properly impressed I am...

No comments:

Spines of Exceptional CD Remasters

Spines of Exceptional CD Remasters

INDEX - Artists, Albums, Record Labels, CD Remaster Engineers, Liner Notes Authors, Links etc