"Something's Up! Film, TV & Studio Work 1964-1967" by JOHN BARRY (September 2024 UK Ace Records CD Compilation of Nick Robbins Remasters) - A Review by Mark Barry...

https://www.amazon.co.uk/John-Barry-Somethings-Studio-1964-1967/dp/B0DD453226?crid=2SD1UBUXVCDLP&dib=eyJ2IjoiMSJ9.Albjts1XuQtkx3TjgKthIw.ThjrV-39W9yg0gNbLRL1kgDkqFvRbR3hV0IDBW6aOuA&dib_tag=se&keywords=029667111027&nsdOptOutParam=true&qid=1727867345&sprefix=029667111027%2Caps%2C86&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=5fe7feaa78ac8126262dd1c49e16764c&language=en_GB&ref_=as_li_ss_tl

"…The Man With The Sun In His Hair…"

Being something of a JB trouser-stroking aficionado, lifelong bended-knee bellend and all-round worshiper of all things Baz-like - I had such high hopes for this British CD  compilation of his primo Sixties output. 

But while 85% of "Something's Up! Film, TV & Studio Work 1964-1967" is fabtastic in that so-60Ts way (complete with truly terrific audio) – it just falls short of the magic you'd expect from someone – well – as magical as Soundtrack Composer and all-round suave coolsville champ John Barry.

For starters there is the price and content. Fans will look down through the 25-song track list in September 2024 and know they have many of these obvious choices (a few are B-side rarities but they aren't very good, some Stereo US versions when they were only Mono in Blighty and so on) – and as The Real John Barry 3CD set by Columbia is just £6 or less for nearly 60 tunes (see separate review) – where does Ace get off wanting £14 or more for 1CD?

But - there is that Corking Audio and Ace's usual top-notch booklet with liner notes that go deep - instead of a major label skim (none of The Real triples have liner notes but they do have Top Notch Remastered Audio and basic track details beneath each see-through plastic tray). There are also tracks from two very popular 'remakes' compilations - the 1966 set "Great Movie Sounds Of John Barry" and the 1967 UK LP "John Barry Conducts His Great Movie Hits" - both in Stereo - which will please diehards no end.

Even so - it's a four-star offering from Ace when it could have been a five-star double-apéritif in a Soho boozer with an immaculate King Rat schmoozing hotel chambermaids over by the plastic Pineapple Bucket. But - let's give credit where its due - to the Shaken Martinis and Space Capsules with Dr. Kiss-Kiss Bang-Bang giving it a bit of Quiller and Goldfinger up your séance on a wet afternoon (if you catch my patchouli drift)…

UK released Friday, 27 September 2024 - "Something's Up! Film, TV & Studio Work 1964-1967" by JOHN BARRY on Ace CDTOP 1649 (Barcode 029667111027) is a 25-Track CD Compilation of Remasters that plays out as follows (66:31 minutes):

1. The Syndicate (October 1965 UK 45-single on CBS 201822, A-side)

2. Oublie Ca (July 1964 UK 45-single on United Artists UP 1060, Mono B-side of "Séance On A Wet Afternoon" (Track 3 is the A-side) - for a Stereo Version of "Séance On A Wet Afternoon" from the LP - see Track 24)

3. Séance On A Wet Afternoon (see Track 2 for details)

4. Troubadour (October 1964 UK 45-single on United Artists UP 1068, Mono B-side of "Goldfinger" - for a Stereo Version of "Goldfinger" from the Soundtrack LP - see Track 7)

5. Chicken Delhi Cold (from the 1964 US STEREO LP "Man In The Middle - Original Soundtrack Album" on 20th Century Fox TFS 4128 - Note: the UK variant of the Soundtrack LP on Stateside SL 10087 was only ever issued in MONO)

6. Barbra's Theme (April 1965 UK MONO 45-single on CBS 201747, B-side of "A Man Alone" - for the A-side see Track 10)

7. Goldfinger (Remake of the 1964 classic - from the 1966 UK STEREO LP "Great Movie Sounds of John Barry" on CBS SBPG 62402)

8. The Chase (March 1966 US 45-single on Columbia 4-43544, A-side)

9. Theme From King Rat (from the 1965 US STEREO LP "King Rat - Original Soundtrack Recording" on Mainstream S/6061)

10. A Man Alone (see details on Track 6)

11. The Knack (Remake of the 1965 classic - from the 1966 UK STEREO LP "Great Movie Sounds of John Barry" on CBS SBPG 62402 - for more from 'The Knack' Soundtrack Mono LP - see Track 17 "Something's Up!")

12. Thunderball (Remake of the 1965 classic - from the 1967 UK STEREO LP "John Barry Conducts His Great Movie Hits" on CBS SS 63068)

13. Mister Kiss Kiss Bang Bang (Remake of the 1965 classic - from the 1966 UK STEREO LP "Great Movie Sounds of John Barry" on CBS SBPG 62402)

14. Four In The Morning (from the 1966 UK MONO LP "Four In The Morning" on Ember NR 5029)

15. The Danny Scipio Theme (October 1966 UK 45-single on CBS 202390, B-side of "Vendetta" - for the A-side see Track 19)

16. Theme From "The Quiller Memorandum" - Wednesday's Child (November 1966 UK 45-single on CBS 202451, A-side)

17. Something's Up! (from the 1965 US MONO LP "The Knack...And How To Get It" on United Artists UAL 5129 - see also Track 11 for a Remake of "The Knack" song)

18. The Girl With The Sun In Her Hair (from the 1967 UK STEREO LP "John Barry Conducts His Great Movie Hits" on CBS SS 63068 - written for a Sunsilk Hair Shampoo advert - it was also the UK STEREO 45-single B-side of "You Only Live Twice" in June 1967 on CBS 2825 - see Track 21 for the A-side)

19. Vendetta (see Track 15 for details)

20. The Whisperers (from the 1967 UK STEREO LP "John Barry Conducts His Great Movie Hits" on CBS SS 63068)

21. You Only Live Twice (see Track 18 for details)

22. Space March (Capsule In Space) (Original on the "You Only Live Twice" Soundtrack LP - This Version from the 1967 UK STEREO LP "John Barry Conducts His Great Movie Hits" on CBS SS 63068)

23. Dutchman (from the 1967 UK STEREO LP "John Barry Conducts His Great Movie Hits" on CBS SS 63068)

24. Séance On A Wet Afternoon (from the 1966 UK STEREO LP "Great Movie Sounds of John Barry" on CBS SBPG 62402)

25. Born Free - Main Title (1966 US 45-single on MGM K 13591, A-side)

NOTES: 

Tracks 1 to 4, 6, 10, 14, 15 and 19 in MONO: all others in STEREO

The 20-page booklet curated and penned by affectionate uber-fan BOB STANLEY is a thing of beauty and packed with details ('Mister Kiss Kiss Bang Bang' was the nickname given to Bond in Japan and Italy so Barry was commissioned to pen a song with this dubious moniker by the market-conscious Producers - JB of course delivered with a wry smile). All the entries have mini photos abutting text for their varying UK and US 45s and LPs - for instance there's a full page spread for 'The Quiller Memorandum' on Page 15 and the photograph for the Soundtrack to 'Four In The Morning' features the correct British sleeve art (on Ember Records) because the US variant is different. Page 12 gives the Mono and Stereo artworks for 'The Knack' soundtrack because they differ - Rita Tushingham on the Mono copy and the snapping Fingers entwined with Legs photo on the Stereo - attention to detail in other words. JB himself is pictured across Pages 2 and 3 examining film reels while there is a full-page spread given to 'A Man Alone' - a picture sleeve on Page 10 you just don't see every day of the carboot-sale week. 

But best of all is Remasters by NICK ROBBINS - Ace's vastly experienced Audio Engineer and he canes it on all counts. There cannot be any Barry fans who do not adore "Space March..." where the American capsule is swallowed up by another 'foreign' craft orbiting Earth in "You Only Live Twice" or the menace inherent in the "King Rat" theme - both sounding spiffo here. Personally I would have loved the bouncing super-60Ts "Here Comes Nancy Now!" track from 'The Knack' soundtrack rather than the so-so "Something's Up" choice - but that's just me. And the rare B-sides will please hardcore collectors. To the listen...

With a signature Brass and Drums business - "The Syndicate" piano-pounds out of your speakers like the baby brother of 007 shuffling around a Bahama's beach. Crystal clear audio for "Oublie Ca" but I find it silly and dismissible. The overly-fast pace of "Seance On A Wet Afternoon" seems out of kilter too with its title while the Flute and Spanish Acoustic Guitar of the B-side "Troubadour" hints at greatness in his melodies. The plucked harp-strings and plinking tubular bells of "Chicken Delhi Cold" is another strange choice - pleasant enough - but hardly thrilling. 

At last, and six songs in, we get "Barbra's Theme" - another obscure flute-driven B-side (to "A Man Alone")  when his signature slink starts to truly manifest itself. But good as "Barbra's Theme" is, 'tis no match for the gorgeous "Goldfinger" - all 4:22 minutes of it in sophisticated Super Stereo. "The Chase" sounds like its title - secret agents on the run - bad men close behind - a shuffling high-hat giving it edginess until an Acoustic Guitar and Harmonic take it romping home. Fans will adore the brilliant "Theme From King Rat" that virtually oozes prison-camp sweat, menace and even sadness as the titular 'getter' walks clean and untouched amongst the hurt and dirt because he 'knows people' that others consider sworn enemies. 

The familiar piano-plinking makes "A Man Alone" feel like a very British Spy theme - gorgeous audio as the tambourine shakes. But sophistication and playfulness soon return with "The Knack" resplendent here in 2:52 minutes of Stereo glory (yeah baby). Big and brassy comes a thundering in with "Thunderball" - the strings and flutes lifting it up into total classic mode (dig those tasteful piano fills). More brass blasting with "Mister Kiss Kiss Bang Bang" - naughty Bond sashaying across a hotel lobby as the ladies flutter their eyebrows and whatever little else they're wearing. Melancholy and darkness pervades the lonesome "Four In The Morning" taking the listen down a needed notch with style. "The Danny Scipio Theme" could have been any 60Ts TV Spy theme music - our hero up against the odds but still somehow coming out on top with a rubber band and roll of sticky tape as his only weapons. 

A clever downturn in the pace comes with the quiet but effective "Wednesday's Child" from 'The Quiller Memorandum' (an Adam Hall novel adaptation) - the saw warbling Flexatone being the instrument of unusual choice. Very clever sequencing throws "Something's Up" on as a follow-through - organ and ladies voices brought to a crescendo. But this is whomped by blonde nubiles washing their hair in Sunsilk Shampoo as "The Girl With The Sun In Her Hair" plays them (surely there's a waterfall in there Mr. Bond). What a gorgeous and evocative piece of JB magic this is. A reformed Mafioso begins working for the Vatican's anti-Mafia unit - "Vendetta" offering us a so 1966 BBC Spy Show them song (Stelio Candellli was the actor playing Danny Scipio). But good as that is, I'd forgotten how gorgeous the sad and powerful music to "The Whisperers" is - a Bryan Forbes movie about Oldham in 1967. But again all is whacked into touch with the most glorious Bond Theme ever - "You Only Live Twice"  - here in its instrumental magic - all exploding dug-out Japanese volcanoes and Little Nellie suitcases. And I love love (did I say love) "Space March (Capsule In Space)" in all its creeping magnificence - surely the primo example of Barry's genius in setting a film alight whilst making it exotic at one and the same time. And on it goes...

"Something's Up! Film, TV & Studio Work 1964-1967 could be longer (at least ten more minutes) and could include music that tingles rather than just being rare. But as it's John Barry - and as it's his wonder-years - you can only call this Ace Records CD compilation another world-saving gadget success. Goodbye Mr. Bond! Not so fast Blofeld! Recommended like a night out with Moneypenny..

"This Is Goldwax 1964-1968" by VARIOUS ARTISTS – Features Mono US 45-Singles and CD Compilation Rarities by James Carr, Spencer Wiggins, Percy Milem, Louis Williams, 'Wee' Willie Walker, Gene 'Bowlegs' Miller, Phillip & The Faithfuls, Barbara Perry, O.V. Wright, The Merits, Timmy Thomas, Dorothy Williams, Jeanne Newman, George Jackson & Don Greer and more (August 2024 UK Ace Records/Kent Soul CD Compilation with Nick Robbins Remasters) - A Review by Mark Barry...

https://www.amazon.co.uk/This-Goldwax-1964-1968-Various-Artists/dp/B0D9QR8L25?crid=1TQ1EJ5Z5LY3A&dib=eyJ2IjoiMSJ9.hipKwIN_4iYPjKcLLSMR9A.cZBv9KgIL_XlAm60mvNKLRSXdmvubgzJmM9OJ8Ja4To&dib_tag=se&keywords=029667111225&qid=1726590159&sprefix=029667111225%2Caps%2C99&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=f2b9c8a1323bb2eb7b0fd0bbf586af54&language=en_GB&ref_=as_li_ss_tl

"…Hiding In Shadows Where We Don't Belong…"

RATING: 

Overall: ****

Presentation: *** to ****

Sound: *** to *****

A joyful release this for end of August 2024 – the USA's Goldwax label being the home of huge faves amongst Mod and Northern Soul nutters – intensity purveyors like James Carr, Spencer Wiggins, O.V. Wright, George Jackson – all of whom Ace has covered in extensive solo CD compilations across the last three decades.

What you get here in this overview of the Goldwax Label is twenty-eight Mono cuts of varying salivation (most are US 45s), and at seventy-minutes-plus, it's a generous dollop of known vs. unknown Sixties R&B. Another clever trick is to pepper the listen with unissued tracks you probably missed on CD compilations of old (see list). Once more unto the bowlegged heartache…

UK released Friday, 30 August 2024 - "This Is Goldwax 1964-1968" by VARIOUS ARTISTS on Ace Records/Kent Soul CDTOP 530 (Barcode 029667111225) is a 28-Track CD Compilation of Remasters that plays out as follows (70:43 minutes):

1. The Dark End Of The Street – JAMES CARR (December 1966 US 45 on Goldwax 317, A-side – a Dan Penn and Chips Moman song)

2. Up Tight Good Woman – SPENCER WIGGINS (April 1967 US 45 on Goldwax 321, A-side – a Dan Penn and Spooner Oldham song)

3. To Me It's Storming – GEORGE & GREER (a James Carr and Spencer Wiggins duet under pseudonyms – an Original Unissued Recording first UK issued 27 April 2009 on "Goldwax Northern Soul" on Ace/Kent Dance CDKEND 313 (Barcode 029667231329)

4. Call On Me – PERCY MILEM (December 1966 US 45 on Goldwax 315, B-side of "Crying Baby Baby Baby" – a George Jackson song)

5. I'm Living Good – THE OVATIONS featuring LOUIS WILLIAMS (August 1965 US 45 on Goldwax GW-117, A-side – a Dan Penn and Oldham song)

6. I Don't Want To Take A Chance - 'WEE' WILLIE WALKER (Original Unissued 1966 Recording, a George Jackson song, first UK released 2 February 2004 on "The Goldwax Story Volume 2" on Ace/Kent Soul CDKEND 225 (Barcode 029667222525)

7. Toddlin' – GENE 'Bowlegs' MILLER (December 1964 US 56 on Goldwax 117, B-side of "Bow-Legged")

8. Freedom Train – JAMES CARR (October 1968 US 45 on Goldwax 338, A-side)

9. I'm A Poor Man's Son – SPENCER WIGGINS (February 1968 US 45 on Goldwax 333, B-side of "That's How Much I Love You" – was issued 1970 in the UK as the A-side to Pama PM 794 – his second and last 45 there)

10. Ticket To Ride - 'WEE' WILLIE WALKER (August 1967 US 45 on Goldwax 329, A-side – a Beatles cover version)

11. What'cha Gonna Do – PHILLIP And THE FAITHFULS (featuring Phillip Reynolds and Timmy Thomas (of "Why Can't We Live Together" fame) – an Original Unissued Recording first UK released 27 April 2009 on "Goldwax Northern Soul" on Ace/Kent Dance CDKEND 313 (Barcode 029667231329) – was also issued March 2010 in the UK as a 45-single on Kent Select CITY 014, A-side)

12. Say You Need It – BARBARA PERRY (January 1967 US 45 on Goldwax 318, A-side)

13. When You Look In The Mirror – EDDIE JEFFERSON (December 1966 US 45 on Goldwax 316, A-side)

14. That's How Strong My Love Is – O.V. WRIGHT (June 1964 US 45 on Goldwax 106, B-side of "There Goes My Used To Be")

15. Love Attack – GEORGE and GREER (George Jackson and Dan Greer – original 1960s recording first issued 26 January 2015 on the UK CD compilation "At Goldwax" on Ace/Kent Soul CDKEND 428 – Barcode 029667242820)

16. Once In A While (Is Better Than Never At All) – SPENCER WIGGINS (November 1968 US 45 on Goldwax 337, A-side)

17. A Man Needs A Woman – JAMES CARR (December 1967 US 45 on Goldwax 332, A-side – Obie McClinton song – see Track 18)

18. They Say – THE OVATIONS (October 1966 US 45 on Goldwax 314, B-side of "Me And My Imagination" – an Obie McClinton song)

19. A Lucky Loser - 'WEE' WILLIE WALKER (November 1968 US 45 on Checker 1211, A-side – Allen Jones and Homer Banks song)

20. Arabian Jerk – THE MERITS (February 1965 US 45 on Bandstand USA 1002, A-side)

21. Have Some Boogaloo – TIMMY THOMAS (March 1967 US 45 on Goldwax 320, A-side)

22. The Well's Gone Dry – DOROTHY WILLIAMS (June 1965 US 45 on Goldwax 115, B-side of "Country Style")

23. Spoonful – THE PLAYBOY FIVE (October 1964 US 45 on Bandstand USA 1001, A-side – Willie Dixon song, Howlin Wolf cover)

24. I Don't Know What You've Got (But It's Got Me) – PERCY MILEM (August 1967 US 45 on Goldwax 326, A-side)

25. A Man Is A Mean Thing – BARBARA PERRY (Originally unissued recording first released February 2008 on the UK CD compilation "New Breed R&B with Added Popcorn: Early 60s R&B Dancers Right in Today's Groove" on Ace/Kent Dance CDKEND 291 – Barcode 029667229128)

26. Will I Ever Be Free – JEB STEWART (1965 US 45 on Bingo 1001, A-side)

27. She's Better Than You – OBOE with THE KEYS (1964 US 45 on Goldwax 104, B-side of "Too Slow" – an Obie McClinton song)

28. He Called Me Baby – JEANNE NEWMAN (October 1967 US 45 on Goldwax 331, A-side)

The 16-page booklet has typically packed liner notes from the hugely knowledgeable DEAN RUDLAND – but it foregoes Ace's usual song-by-song paragraphs for one long block of text instead – and I think that's a mistake. The former method allows you to locate the in-depth info quickly (Tracks are numbered, pictures correspond) – this way you must wade through the blocks of text (Rudland discusses the songs (roughly) in appearance order) making it hard to find the song info you want. Apart from four lovely full-page promo photos of O.V. Wright, Willie Walker, Timmy Thomas and Barbara Perry (rear page) – the rest of the text is peppered with small US 45-single repro labels but it somehow feels like a lot less than we are usually used to. Audio comes by way of NICK ROBBINS – a Remaster Engineer Ace have been using for probably more than three decades. This guy knows his way around a tape box and it shows. All the MONO stabs at moochers and dancers sound punchy and alive. To the tunes…

The underlying current/theme is that much of the listen was Produced by the dynamic duo of Quinton Claunch and Rudolph Russell with many of the tunes provided by Obie McClinton. Moochers sit beside Dancers and it opens with the balls-to-the-wall Southern Soul classic "The Dark End Of The Street" by James Carr – one the Memphis label’s truly great moments. The second funerial organ-grinder that comes-at-ya is Spencer Wiggins looking for a mighty good lady with two loving arms to keep him safe - "Uptight Good Woman" shuffling out of your speakers like James Brown leaving the stage in stop-start pain. Things soon liven however with a genius inclusion – the fabulous shuffle-New-Breed-dancer "To Me It's Storming" by  George and Greer. The first of six unreleased tracks that appeared on previous CD compilations - it's a cracker and hard to believe it was canned back in the day. 

Very Otis Redding meets Wilson Pickett – the pace increases with the kicking Midnight Hour vibe of "Call On Me" – Percy Milem giving it some 1966 shimmy while the girls go mm-hm in the background. You might be a betting man, but you are going to lose money when you swear to all and sundry that as Louis Williams sings with his group The Ovations – that it is Sam Cooke. The similarity is staggering – his gorgeous tone and phrasing – even the RCA beat to Sam’s Soul-Pop outings – you must look again at the back inlay to see it says Louis Williams and not Sam Cooke (Williams crops again on Track 18). Another CD compilation unreleased winner comes in the smooth "I Don't Want To Take A Chance" - but for me it's whomped by the fantastic and infectious Brass Instrumental "Toddlin'" from Gene Miller of 'Bowlegs' fame – his shuffler having a very Mar-Keys "Last Night" party joy about it.

Things start to reflect the politics raging all about them – the frantic "Freedom Train" by James Carr channelling his inner Otis Redding – his vocals straining with real emotion – getting it together – taking it to the man – taking it no more. Unfortunately for me Tracks 9 and 10 see things slide – a lame Spencer Wiggins dancer followed by a funked-up cover of The Beatles classic "Ticket To Ride" by Willie Walker. Northern Soul fans have long lusted after the great shuffler vibe in "What'cha Gonna Do" by Phillip and The Faithfuls featuring Phillip Reynolds and a pre-1973 "Why Can't We Live Together" fame Timmy Thomas. To satisfy demand, Ace Records of the UK even gave it a 45-release on their Kent Select label in March 2010 with The Additions doing "Until The End Of Time" on the flip-side. Gorgeous production values on the loving-bopper "Say You Need It" – Barbara Perry ably supported by baby-baby backing singers. Things go back to mooch with the brass-and-guitar-flicking shuffler "When You Look In The Mirror" – Eddie Jefferson getting his aching moment.

Fans of hug-your-baby Soul will know O.V. Wright getting all deep on "That's How Strong My Love Is" – his great pipes elevating an often-repeated pacer into Redding-like greatness. Demo quality comes at you with George & Greer doing "Love Attack" but the lame lyrics do its vocal passion no favours. Far better is the Spencer Wiggins wailer where our Spence passes by her house and sees that her used-ta-be is gone - so The Wig suggests from a payphone that "Once Is A While (Is Better Than Never At All)". The slow set continues with a classic - "A Man Needs A Woman" - James Carr telling us that windows need paint and highways need two lanes and a man needs… Finally, things pick up pace with The Ovations fronted by the mighty pipes of Louis Williams giving it some Motown meets Sam Cooke bop in their "They Say". Blues meets with Soul in an Albert King-stylee for the excellent "A Lucky Loser" – Willie Walker not in the least bit wee as gets stuck in. But again a drop with the gimmicky "Arabian Jerk" – fast forward button. 

On the homeward stretch we get a cha-cha organ-dancer - "Have Some Boogaloo" by Timmy Thomas has our giddy-soul shouting encouragements and jokes throughout the hipshaker – cool tune. But much better is Dorothy Williams telling her man he can't get rain from a cloudless sky in her nerk-jerking dancer "The Well's Gone Dry" – itself followed by a rather cool organ-shuffler where The Playboy Five do an early instrumental cover version of the Chess Records Howlin Wolf classic "Spoonful". Things slow when Percy Milem bemoans the lady who parties all the time while he moans in the shadows - but the man is obsessed – he'd leave her if he could in "I Don't Know What You've Got (But It's Got Me)". 

Back to boppers that tick - "A Man Is A Mean Thing" by Barbara Perry was one of eight Previously Unreleased cuts on the 2008 Ace/Kent Dance CD compilation "New Breed R&B with Added Popcorn: Early 60s R&B Dancers Right in Today's Groove" – itself one of seven comps in the hugely popular New Breed Series. Barbara provides a cool one and I'm sure some DJ will dig this gem with its great Guitar and Sax solos as the band goes all Ike Turner on the shimmy. The last three feel tagged on – Jeanne Newman being the cream of the trio – a sort of female Tony Joe White groove with fab production – "He Called Me Baby" is definitely a tune that's turning up on a cool period-conscious TV episode near you someday real soon.

Not quite 5-stars but with enough to satisfy my Soul-cravings – and as ever – another classy release from Ace Records of the UK. Recommended...

PS: There is also a UK 2LP VINYL variant issued 6 September 2024 as "This Is Goldwax 1964-1968" on Ace/Kent Soul KENT2 530 (Barcode 029667027319). It contains all 28-songs of the CD compilation (7 tracks per side) and is a Limited Edition.

"Atlanta: Hotbed Of 70s Soul" by VARIOUS ARTISTS – Featuring Sixteen Previously Unreleased Tracks from the vaults of GRC, Aware and Hotlanta Records and other Michael Thevis Related Labels - Featuring Songs by Sam Dees, Joe Hinton, Kenneth Wright, Louvain Demps, Dee Ervin, King Hannibal and more (March 2024 UK Ace/Kent Soul CD Compilation with Nick Robbins Remasters) - A Review by Mark Barry...

https://www.amazon.co.uk/Atlanta-Hotbed-Soul-Various-Artists/dp/B0CVS838KQ?crid=3E3EBJV37RDET&dib=eyJ2IjoiMSJ9.tXsscEnXTbbzj-o0pRb6OQ.xOdwXmy25XCJ6428c60q_g9N4T-VwUzmEjQZgV29jeE&dib_tag=se&keywords=029667109826&qid=1713357440&sprefix=029667109826%2Caps%2C71&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=6d5cfee0f6023ff3a582616ff99c6caf&language=en_GB&ref_=as_li_ss_tl

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RATINGS:

*** Material

**** Audio Remasters

***** Presentation

"…Grant Me One More Day…"

Ace Records of the UK via their Kent-Soul label imprint have been on a crusade for a decade-plus now to repatriate the city of Atlanta in our hearts as a (as they would put it) criminally unacknowledged hotpot of US Soul. 

None no more so than the labels around entrepreneur Michael Thevis who owned and went to jail for GRC Records (General Recording Company). Giving a platform to quality singers and Southern-Soul songwriters like Sam Dees, Jimmy Lewis, Joe Hinton, Kenneth Wright, Joe Graham, Louvain Demps, Dee Ervin and James Shaw aka King Hannibal (to name but a few) – this 30 March 2024 CD compilation offers up a whopping Sixteen Previously Unreleased - sat comfortably alongside Eight other hard-to-find Soul Rarities. 

I would however counter Ace's claims that this is Primo Material – there's a feeling throughout the listen that these OK-renditions remained in the cans for reasons. Sure there are great discoveries and worthy inclusions (Miss Louistine, Shirlean Fant and Lorraine Johnson) and the Audio is far better than it had any divine right to be - but there are too many of the opposite to justify claims of Holy Grails. To the Love Making and the Love Stopping…here are the Hotlanta details...

UK released Friday, 29 March 2024 - "Atlanta: Hotbed Of 70s Soul" by VARIOUS ARTISTS on Ace/Kent Soul CDKEND 518 (Barcode 029667109826) is a 24-Track CD Compilation of Remasters that plays out as follows (79:15 minutes):

1. Con Me – MISS LOUISTINE (Previously Unreleased, 2024 – a David Camon and Sam Dees song)

2. Paper Man – ALPACA PHASE III (2023 UK 45-Single, Deep Soul 16, A-side – a 1974 Recording by Sam Dees, Wes Lewis, and Ken Walker)

3. Is There Someone Else – DEEP VELVET (Previously Unreleased, 2024 – a Mose Davis song)

4. The Soul Of Black Folks – KENNETH WRIGHT (Previously Unreleased, 2024 - a Kenneth Wright song)

5. Grant Me One More Day – JOE HINTON (Previously Unreleased, 2024 – a Louvain Demps and Joe Hinton song)

6. Keep On Walking – THE STEPPERS (Previously Unreleased, 2024 – a JJ Barnes, James Davis and Herbert Ross song)

7. Time Is Winding Up – DOROTHY NORWOOD (from the 2011 UK 2LP set "Superfunk's Mission Impossible: Hard To Find And Unreleased Funk Masters (Volume 7)" on Ace/BGP Records BGP2 234 - CD Version is BGP Records CDBGPD 234 – a Kenneth Mims, Dorothy Norwood and Lois Snead song)

8. Love Making – JEAN BATTLE (April 1972 US 45-single, Red Lite RL 119, A-side – May 1972 UK 45-single, Mojo 2027 010, A-side – a Sam Dees song)

9. Extra-Extra – MISS LOUISTINE (Previously Unreleased, 2024 – a Sam Dees song)

10. I'm Tired Of Dreaming – DEEP VELVET (Previously Unreleased, 2024 – Joe Hinton and Marlin McNichols song)

11. Depend On Me – JOE HINTON (Previously Unreleased, 2024 – a Louvain Demps and Joe Hinton)

12. Me And Jen – KENNETH WRIGHT (Previously Unreleased, 2024 – a Kenneth Wright song)

13. What Am I To Do – JOE GRAHAM (Previously Unreleased, 2024 – a Joe Graham song)

14. Sure Could Do With Some You – SHIRLEAN FANT (Previously Unreleased, 2024 – a Brad Baker, Shirlean Fant and Ed Williams song)

15. Someone To Run To – ALPACA PHASE III (Originally an Alternate Version first issued January 2015 on the Sam Dees UK CD Compilation "It's Over: 70s Songwriter Demos & Masters", Ace/Kent Soul CDKEND 426)

16. Can I Hold You To It – LORRAINE JOHNSON (May 1973 US 45-single, Atlantic 45-2967, A-side – Sam Dees, Albert Gardner, Jesse Lewis, and Clinton Moon song)

17. When Will I Stop Loving You – LORRAINE JOHNSON (Previously Unreleased, 2024 – an Albert Gardner and Jesse Lewis song)

18. I Need Me Some More Of You – DEE ERVIN (Previously Unreleased, 2024 – Di Fosco Ervin and Dee Dee McNeil song)

19. Shouldn't I Be Given The Right To Be Wrong – JOE HINTON (1974 US 45-single, Hotlanta HL 306, B-side of "Hanna's Love")

20. Fight Fire With Fire – KING HANNIBAL (Originally issued on the July 2022 UK LP "Atlanta Soul Artistry 1965-1975" on Ace/Kent Soul KENT 523 – a James Shaw and Delia Gartell song – Shaw is King Hannibal)

21. Talk's Cheap – THE SURPRISE SISTERS (from the 2011 UK 2LP set "Superfunk's Mission Impossible: Hard To Find And Unreleased Funk Masters (Volume 7)" on Ace/BGP Records BGP2 234 - CD is BGP Records CDBGPD 234 – a Sam Dees song)

22. Loneliness Hurts Just A Little Bit – JOE GRAHAM (Previously Unreleased, 2024 – a Joe Graham song)

23.There'll Always Be Forever – LOMITA JOHNSON (Previously Unreleased, 2024 – a Di Fosco Ervin and Dee Dee McNeill song)

24. My Peaceful Forest – DEE CLARK (Previously Unreleased, 2024 – a Herb Ryals song)

NOTES: 
All Tracks STEREO except Tracks 8, 10, 12, 17, 19 and 20 in MONO

ADY CROASDELL does the honours once more for Ace in this latest Kent Soul CD compilation breaking down the liner notes info into Artists sections rather than a strict track-by-track. His vast and enthusiastic knowledge is key – swathes of facts and names and Promo photos for Deep Velvet, Miss Louistine, Joe Hinton, Lorraine Johnson, King Hannibal, and Dee Clark bringing up the rear (the last page of 20). The front cover of the booklet is The Steppers in all their 70ts regalia. The Audio is uniformly great even on some of the Demo-ish sounding Mono cuts (NICK ROBBINS for Ace once again displaying his transfer skills) but I wish I could be more enthusiastic about the actual playlist. It feels like 3-star material with 4-star Audio in a 5-star presentation. To the Soul Music…

"Atlanta: Hotbed Of 70s Soul" opens very strongly with a gorgeous Stylistics type Sitar Soul Ballad in Stereo from Miss Louistine – her "Con Me" promising a feast of similar discoveries. "Paper Man" too from Alpaca Phase III – only just issued in 2023 as a 45-single with a Sam Dees cut on the B-side – you can hear why its 3:37-minute warmth and great vocal would appeal. But then the CD starts to taper off into what feels like tunes that are good without ever having that magic. 

Things pick up with the Jesus-righteous Dorothy Norwood getting funky about the world falling apart in her excellent "Time Is Winding Up" (even the congregation is being attacked) while a genuinely uplifting sexy moment arrives with Jean Battle and her only UK 45-single – the decidedly racy and bedroom-saucy needs of a motivated lady in her "Love Making". Just the right side of Jean Knight and "Mr. Big Stuff" attitude – Jean had a great voice and with its Brass vs. Piano Funky groove and its my-man-is-a-top-man-in-loving lyrics, you can hear why this Red Lite Records US 45-obscurity from 1972 is garnishing interest. Unfortunately it is ruined by the manic Disco vibe of Extra-Extra by Miss Louistine – might have been a hit back in the day had it been released – but here in 2024 it just sounds painful.

Deep Velvet score for a second time with the excellent "I'm Tired Of Dreaming" – written by Joe Hinton and Marlin McNichols – it was mistakenly credited to just Joe Hinton on the July 2022 UK LP "Atlanta Soul Artistry 1965-1975" - but Kent Soul now credit it properly to Deep Velvet. Unfortunately the Kenneth Wright track "Me And Jen" has good ideas going on, but a DIY recording and his over-echoed refrains feel like bad Sly Stone doing a demo he won't make public any time soon. The Country-Soul Drifters-light smooch of "What Am To Do" by Joe Graham might have had a chance in the charts of the day, but his flat delivery on some lines explains why it was canned. And on it goes…

I love Sam Dees songs (his influence is everywhere on this disc) – but I found I was trying too hard to like "Atlanta: Hotbed Of 70s Soul" without getting a return. 

Fans will have to own it, but for the uninitiated, I would suggest a listen first…

"Choctaw Ridge: New Fables Of The American South 1968-1973" by VARIOUS ARTISTS [Bob Stanley and Martin Green Present] – Featuring Lee Hazlewood, Chris Gantry, Jerry Reed, Jeannie C. Riley, Hoyt Axton, Tom T. Hall, Dolly Parton, Charlie Rich, Kenny Rogers, Tony Joe White and more (July 2021 UK Ace Records CD Compilation – Nick Robbins Remasters) - A Review by Mark Barry...

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"...Shavings Of Your Mind..."

Blame it all on "Ode To Billie Joe" – Bobbie Gentry's 1967 Southern Country Rock anthem to infidelity, appetite loss, sawmills and death by Tallahatchie bridges. 

Coming on like a really, really good Lee Hazlewood album that you haven't yet heard – compilers Bob Stanley and Martin Green have pulled out a genuine winner with Ace Records' 2021 compilation "Choctaw Ridge..."

Available as a CD and 2LP Vinyl Album (24-tracks for both, see below for catalogue numbers and barcodes) - there is much to savour on here that even diehard collectors will not have heard. So let's return to the back side of Dallas, Logan courthouses, summer coming early to Strawberry Farm and marooned pregnant girls longing for wayward straw-hatted beaus chasing other unwedded pageant queens with pedal steel guitars down in Dover...

UK released Friday, 30 July 2021 - "Choctaw Ridge: New Fables Of The American South 1968-1973" by VARIOUS ARTISTS on Ace Records CDCHD 1585 (Barcode 029667102322) is a 24-Track CD and 2LP VINYL compilation (Ace Records XXQLP2 078 – Barcode 029667012911) that plays out as follows (76:51 minutes): 

1. The House Song – LEE HAZLEWOOD (June 1968 US 45-single on Reprise 0699, B-side of "Morning Dew" – also on the 1968 US Stereo LP "Love And Other Crimes" on Reprise RS 6297)

2. If Only She Had Stayed – CHRIS GANTRY (from the 1968 US Stereo LP "Retrospection" on Monument SLP 18100)

3. Endless Miles Of Highway - JERRY REED (from the 1972 US LP "Smell The Flowers" on RCA Victor LSP 4660)

4. The Back Side Of Dallas - JEANNIE C. RILEY (from the 1969 US Stereo LP "Things Go Better With Love" on Plantation PLP 3)

5. Way Before The Time Of Towns - HOYT AXTON (from the 1969 US Stereo LP "My Griffin Is Gone" on Columbia CS 9766)

6. Strawberry Farms - TOM T. HALL (from the 1969 US Stereo LP "Homecoming" on Mercury SR 61247)

7. Down From Dover - DOLLY PARTON (from the 1970 US Stereo LP "The Fairest Of Them All" on CA Victor LSP 4288)

8. July 12, 1939 - CHARLIE RICH (from the 1970 US Stereo LP "The Fabulous Charlie Rich" on Epic BN 26516)

9. What Am I Doing In L.A.? - NAT STUCKEY (July 1970 US MONO 45-single on RCA Victor 47-9884, B-side of "Whiskey, Whiskey" – Stereo Version also on the 1970 US LP "Country Fever" on RCA Victor LSP 4389)

10. Mr. Stanton Don't Believe It - ROB GALBRAITH (from the 1970 US Stereo LP "Nashville Dirt" on Columbia CS 1057)

11. Saunders' Ferry Lane - SAMMI SMITH (August 1971 US 45-single on Mega 615-0039, A-side - also from the 1970 US Stereo LP "He's Everywhere" on Mega Records M31-1000 - renamed "Help Me Make It Through The Night" with the same catalogue)

12. Four Shades Of Love - HENSON CARGILL (March 1970 US 45-single on Monument MN45-1198, B-side to "The Most Uncomplicated Goodbye I've Ever Heard" - and from the 1970 US Stereo LP "The Uncomplicated Henson Cargill" on Monument SLP 18137)

13. Drivin' My Nails In The Wall - WAYLON JENNINGS & THE KIMBERLYS (from the 1969 US Stereo LP "Country-Folk" on RCA Victor LSP 4180)

14. Ruby, Don't Take My Love To Town - KENNY ROGERS & THE FIRST EDITION (May 1969 US 45-single on Reprise 0829, A-side - also from the 1969 US Stereo LP "'69" on Reprise Records RS 6328)

15. Why Can't I Come Home - ED BRUCE (from the 1968 US Stereo LP "If I Could Just Go Home" on RCA Victor LSP 3948)

16. Mr. Walker, It's All Over - BILLE JO SPEARS (February 1969 US 45-single on Capitol 2436, A-side - also from the 1969 US Stereo LP "Mr. Walker, It's All Over" on Capitol ST 224)

17. Harlan County - JIM FORD (August 1969 US 45-single on Sundown SD-115, A-side - also on the 1969 US Stereo LP "Harlan County" on Sundown JHS 1002)

18. Widow Wimberly - TONY JOE WHITE (from his 1970 3rd US Stereo LP "Tony Joe" on Monument SLP 18142)

19. Belinda (Alternate Take) - BOBBIE GENTRY (recorded in 1970, first issued on the September 2018 UK/Europe 8CD Box Set "The Girl From Chickasaw County (The Complete Capitol Masters)" on Universal/UMC 5383971)

20. Joanne - MICHAEL NESMITH & THE FIRST NATIONAL BAND (from his 1970 US Stereo LP "Magnetic South" on RCA Victor LSP 4371)

21. Mr. Jackson's Got Nothing To Do - JOHN HARTFORD (from his 1969 US Fifth Stereo LP "John Hartford" on RCA Victor LSP 4156)

22. Alone - LEE HAZLEWOOD & SUZI JANE HOKOM (November 1969 Promo-Only MONO US 45-single on LHI Records LHI 19, B-side to "Same Old Songs")

23. Fabulous Body And Smile - SIR ROBERT CHARLES GRIGGS [aka Bobby Charles] (1973 US 45-single on Capitol 3714, A-side - also from his 1973 US Stereo LP "The Legend Of Sir Robert Charles Griggs" on Capitol St-11234)

24. I Feel Like Going Home - CHARLIE RICH (August 1973 US 45-single on Epic 5-11040, B-side of "The Most Beautiful Girl In The World")

NOTES: All Tracks in STEREO except No. 9 and 22 in MONO

The 24-page booklet is a thoroughly satisfying feast of knowledge and affection from compiler BOB STANLEY (with nods to friends who helped) that's also jam-packed with rare US 45/LP artwork with the occasional trade adverts (full pages to Michael Nesmith and Charlie Rich). Top quality Audio is by Ace's long-standing and mucho-experienced NICK ROBBINS - 22 Stereo cuts with only Nat Stuckey and the Lee Hazelwood/Suzi Jane Hokom duet in Mono. VINYL collectors should also note that all Ace Records issues of the double are black vinyl, but there's a rare GREEN VINYL variant of 500 copies (with the same catalogue number) on Rough Trade, which was available direct from their mail order. To the chunes... 

The underling menace/relationship-sleaze inherent in the song "Ode To Billie Joe" acts as an idea springboard for this collection of lesser-heard 60ts and 70ts Country and Folk Rock from Southern States USA (not surprisingly most of these songs were on RCA Victor or Columbia - two principal homes of Country). What comes as something of a surprise though is how this compilation proves the extraordinary reach of that song - its unusual structure, words, weirdly downbeat yet intriguing story - all of it – beguiling and inspiring. Five tracks in and it's pretty clear that huge swathes of great artists had heard Bobby Gentry and her stunning 'Son Of A Preacher Man' type-tune and had been duly blown away (Tony Joe White practically started writing his own material because of it). Seizing the sluice-gates day, they too began aping its searing lyrical honesty and between 1968 and 1970 (especially) tackled subjects usually off-limits to a three-minute radio song appealer. 

But amongst these knowing tales of serial cheaters, guitar-case railroad-track walkers and swamp-rocking widows are surprisingly touching odes to genuinely tremulous hurt and loss. It opens with a gorgeous remastered Stereo cut from Lee Hazlewood (the king of deadpan drama, lyrics from it title this review) where a tempestuous marriage puts the house up for sale every Wednesday morning only to see it taken off the market that afternoon once their even hastier make-up kicked in. Dolly Parton too – so often seen as a bubble-headed Barbie Doll in mock Cherokee tassels singing about good old Kentucky gals – stuns with her open-wound pain story of a pregnant girl hiding her smock bump - abandoned by a huckster in "Down From Dover". Bob Stanley quite rightly calls it brave at a time when so many in her genre wouldn’t have gone near such real-world nastiness with a barge pole. And just how early-morning God-of-life beautiful is Hoyt Axton's "Way Before The Time Of Towns" – a stunning soft-as-silk orchestrated acoustic epic from a writer normally associated with Rock stuff like Three Dog Night's keyboard-upbeat chart-topper "Joy To The World" and Steppenwolf's hard-hitting anti-drug song "The Pusher".

Gentry herself gets a showing with an Alternate Acoustic rendering of "Belinda", a song that turned up on her fifth and final album "Patchwork" for Capitol Records in 1970. Its first appearance came on CD7 of the exemplary and seriously sought after September 2018 8CD Box Set "The Girl From Chickasaw County". Sat on the front-door steps of some large house in her patchwork dress, tasselled hair and wicker basket of oh-so-darlin' flowers - it's a pared-back acoustic rendering and a clever choice over the issued version – this brute being starker and darker and better for it. Before the Nancy Sinatra duets, Lee Hazlewood over on his Lee Hazlewood Industries LHI label had been pairing with Suzi Jane Hokom and their Jack Nitzsche-arranged "Alone" makes for another slyly dark sleeper (a Promo-only 7" in the USA). Other genius inclusions are the hard-to-find-on-CD B-side "I Feel Like Going Home" by Charlie Rich (flip of the Silver Fox's huge hit "The Most Beautiful Girl") and anything from the Country-Soulful Jim Ford album "Harlan County" is a doozy in my books. And on it goes...

I would admit that this CD would be an acquired-taste listen for some – a lick-of-the-lips they don't ever want to experience. But "Choctaw Ridge..." is the kind of compilation that's rare in the 2020s - the listen is good (discoveries galore); it sounds great and has on-the-money annotation that will make you dig deeper and explore. And all of it collated by British men brandishing brave trouser choices - decent chappies proffering us American Country Music cultural-less Neanderthals with tunes and artists we really need to pay more attention to/reappraise. Top stuff and well done to all involved...

"Northern Soul's Classiest Rarities Volume 6" by VARIOUS ARTISTS – Featuring 1963 to 1971 US 45-Singles and Previously Unreleased Material (November 2017 UK Ace/Kent Dance CD Compilation of Remasters) - A Review by Mark Barry...

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RATING: *****

"...I Only Cry Once A Day Now..."

There was a two-and-half-year lapse between Vol. 5 and Vol. 6 in this exemplary series from Ace Records of the UK (the premier label for oldies of this ilk) – but as always – they made it worth the nerve-shredder wait. And as of March 2024 (as I write this) - "Northern Soul's Classiest Rarities Volume 6" in Number Six in a Series of Seven (see list below).

You get Twenty-Four more US dancers, shufflers and talcum powder mufflers stretching from 1963 to 1971. Amongst the crying and the wailing and the dying of hearts to a danceable beat – you are plied with Four Unreleased cuts, several originally unissued slices from now deleted rarity compilations as well as the usual plethora of choice 45 A's, B's and LP tracks.

And while names like J.J. Barnes, Maxine Brown, The Detroit Emeralds, Betty Everett and Johnnie Taylor will be well known to Northern Soul afficionados - Kent Dance (Kent Soul and Kent Dance are label imprints Ace Records of the UK employs) present enough obscurity finds and re-discoveries to keep the faithful popping. Volume Five was a great listen – but I think Volume Six is even better. Here are the low-down production details that produced big bucks collectables...

UK released 24 November 2017 – "Northern Soul's Classiest Rarities Volume 6" by VARIOUS ARTISTS on Ace/Kent Dance CDKEND 471 (Barcode 029667085922) is a 24-Track CD Compilation that pans out as follows (63:55 minutes):

1. Love Is Gonna Get You – PEGGY WOODS (Originally Unissued 1966 Murco Recording, first released 1988 as a 100-Club Anniversary UK 45-single on Kent 6T 4, then issued in 1992 on CD but with wrong mix, here presented in 2017 as a Full Finished Version)

2. You Won't Saying Nothing – TAMALA LEWIS (June 1965 USA 7" single on Marton 1002, A-side)

3. I Only Cry Once A Day Now – THE FIDELS (Previously Unissued 1966 Doré Records recording)

4. Friday Night – JOHNNIE TAYLOR (August 1970 USA 7" single on Stax Records STAX 0068, B-side of "Steal Away")

5. I Got To Tell Somebody – BETTY EVERETT (October 1970 USA 7" single on Fantasy 652, A-side, Arranged Donny Hathaway)

6. I Can Fly – THE MAGNIFICENTS (Originally Unissued 1973 Just Productions recording (written and produced by Jack Ashford), issued 2017 as a UK 7" single on Kent ST 33, B-side. The A-side is Lorraine Chandler "Ease My Mind" and is part of the Kent Anniversary Special Series of UK 45s)

7. Why You Wanna Treat Me The Way You Do – THE HYPERIONS (March 1965 USA 7" single on Chattahoochee CH 669, A-side)

8. Sunshine Love – DIFOSCO (1971 USA 7" single on Earthquake EQ-2, A-side – Difosco is Dee Ervin aka Big Dee Irwin)

9. I Wanted To Tell You – LITTLE NICKY SOUL (August 1964 USA 7" single on Shee Records SR-101, A-side – co-written and produced by Sidney Barnes of The Rotary Connection)

10. Young Boy Blues – DANIEL A. STONE (Originally Unissued 1965 recording from "Phil Spector's III", a 2007 UK CD Compilation on Ace CDCHD 1149)

11. No Mad Woman – JOCK MITCHELL with THE FABULOUS AGENT'S (1968 USA 7" single on Golden Hit Productions 103, A-side)

12. Sad Tomorrows – NOONEY RICKETT (Previously Unissued 1965 recording – Produced by Jack Nitzsche – the Jack Greenwich and Jerry Marcellino song was originally a 1964 hit for Trini Lopez on Reprise Records)

13. Wait A Minute (You're Getting Careless With My Heart) – THE KITTENS (1963 USA 7" single on Vick 300, B-side to "Somebody New")

14. One In A Million – MAXINE BROWN (Previously Unissued Take of US 45-Single Wand WND 1117 - original was an April 1967 A-side)

15. Naughty Boy – JACKIE DAY (1965 USA 7" single on Phelectron PH-382, B-side of "I Want Your Love")

16. The Winds Kept Laughing – BETTY TURNER and THE CHEVELLES (1964 USA 7" single on Crescent 637, A-side)

17. Lost In The City – THE VOWS (December 1964 USA 7" single on Big 3 Records 400, A-side)

18. Poor – Unfortunate – Me (I Ain't Got Nobody) – J.J. BARNES (November 1964 USA 7" single on Ring Records RING 101, A-side)

19. Cry In The Arms Of Another Love – ANDRE SCOTT with JESSIE, OTIS & SHOTGUN (1968 USA 7" single on Sunflower 101, B-side to "One Girl")

20. Love Live The King – THE DETROIT EMERALDS (from the 1971 US LP "Do Me Right"  on Westbound WB 2006, Janus 6310 204 in the UK)

21. Love Hangover – JEAN CARTER (1968 USA 7" single on Sunflower 102, B-side to "I Bet You")

22. (Marriage Is Only) A State Of Mind – O.C. TOLBERT (Originally Unissued 1972 recording, finally issued 30 June 2017 in the USA on Remined RMND-102)

23. Dream Girl – LON-GENES (1964 USA 7" single on Romark 108, A-side)

24. Little Boy – CARLA THOMAS (Originally Unissued 1961 recording first released 1991 on the UK Carla Thomas CD compilation "Hidden Gems" on Ace Records/Stax CDCHD 039)

NOTES:
Tracks 3, 12, 14 and 23 are PREVIOUSLY UNRELEASED (2017)
All tracks in MONO except track 6 which is STEREO

Compiled and Annotated by long-time Soul Nutter ADY CROASDELL – his 20-pages of liner notes are the usual plethora of repro labels (Fantasy, Kent and Chattahoochee on Page 6) with rare publicity photos for Johnnie Taylor, Betty Everett, Carla Thomas and a black and white of The Vows on the back page few will ever have seen. The mighty Sidney Barnes is looking good in a Northern Soul teeshirt on Page 16 with another rarity – a colour snap of O.C. Tolbert on Page 17. NICK ROBBINS has done the remasters/transfers and given that all but one is in homemade Mono – most sound good to great – with the lobe Stereo cut singing. There is joy in these songs and even if they are not audiophile – Robbins has given them the just-enough oomph they need. To the pocket-draining joy unto the rave fantastic…

Volume 6 opens with an unissued by Peggy Woods and I can hear why they chose it, but I am not entirely convinced. Better for me is a very cool run of  Tamala Lewis, The Fidels and old Johnnie Taylor fretting about Friday Night – another Stax cut that I must admit passed me by. The unreleased Fidels song is a great discovery as is the Nooney Rickett cover of a Trini Lopez hit from 1964. 

The Little Nicky Soul seven-inch has ludicrously high market values of over £3000 and Ace have uncovered the story behind the single by Producer and Co-Writer SIDNEY BARNES who would late join Minnie Riperton in The Rotary Connection on Chess’s Cadet Concept Records before she went onto to solo fame in the 70ts on Epic. Barnes tells us that his real name was Nicholas Faircorth, and the name-change was of course to spruce up the showbiz presentation. Not only did Sidney give this young singer a break on Shee Records (he even designed the label) – the session included such luminaries as Bernard Purdie on Drums, Eric Gale on Guitar, Richard Tee on Keyboards with Jean Carter, Himself (Sidney Barnes) and a lady called Gena doing the backing vocals. Although most all these names would have been virtual unknowns at the time (1964) – they later became huge in their own Soul, Funk and Jazz-Fusion way. 

The ultra-desirable US 45 (co-penned with Lucille White of Motown's Jobette Music) apparently got a lot of radio play in New York (maybe not so many sale) and made Nicky a star for a while but then he disappeared. A killer dancer with a great lead vocal and backing vocal wall that dominates as much as the bemoaning lead - it was of course the Northern Soul nuts of the UK that picked up on "I Wanted To Tell You" and Barnes has cited them as the reason for its resurgence and staggering value. What a joy it is to have on here. 

Another staggeringly cost-prohibitive tune (near three and half grand sterling) comes in the shape of the Jackie Day 1966 B-side "Naughty Boy" on the obscure Phelectron Records – an unknown to aficionados until it was spun at an 80ts all-nighter in Stafford. Ace have even managed to uncover a photo of the classy-looking lady stood beside a smiling Big Jay McNeely (Page 11) – winners both. And there is no one who loves Sweet Soul Music can ever get enough of Maxine Brown – Ace having found an alternate and unissued take on "One In A Million" – a Northern Soul scene standard floorfiller for over 40-years – wow – how very cool! The San Diego based Crescent Records is another absolute unknown where the brass on the dancer "The Winds Kept Laughing" (Crescent 637) was supplied by a local school band sometime in 1964. And again, The Vows from Chicago on Big 3 Records score a ballad belter with "Lost In The City" – the kind of scorched-earth soul that sends fans into a froth at the gills (a steal at just under six-hundred and fifty quid to us mere digital mortals).

With a Detroit ensemble J.J. Barnes cut his hugely enjoyable "Poor – Unfortunate – Me (I Ain't Got Nobody)" in Chicago with a Marvin Gaye Motown sound in mind (there is a picture of this Soul Hero on Page 13 showing him on stage in a 1975 London visit). Once again Chess Records genius Sidney Barnes helped a teenage street vocal group Jessie, Otis & Shotgun by bringing in a young singer called Andre Scott and whipping their "Cry In The Arms Of Another Love" into a slice of Temptations-like commerciality. Tall tales surrounded Roosevelt Anderson (the Shotgun in the original trio) because his nickname came from the fact that he carried such a weapon with him to school – sawn-off and hidden under his jacket (nice) – no wonder he had such a high voice and low tolerance. And on it goes…

I didn't love everything on Volume 5 of this "Northern Soul's Classiest Rarities …" Series – but here in Volume 6 - the goodies are more abundant and outweigh the unissued-for-a-reason disappointments (of which there are thankfully very few).

Another must-own-or-I-die comp from Ace's Kent Dance and Volume 7 (although I have not heard it yet) that followed in 2021 is apparently just as boss. 

Would we expect anything else from this giant of a reissue label…

Ace's "Northern Soul's Classiest Rarities" Series (up to July 2024)

27 August 2001 - "Northern Soul's Classiest Rarities" on Ace/Kent Dance CDKEND 192 (Barcode 029667219228)

30 May 2005 - "Northern Soul's Classiest Rarities Volume 2" on Ace/Kent Dance CDKEND 248 (Barcode 029667224826)

26 May 2008 - "Northern Soul's Classiest Rarities Volume 3" on Ace/Kent Dance CDKEND 338 (Barcode 029667229524)

28 June 2010 - "Northern Soul's Classiest Rarities Volume 4" on Ace/Kent Dance CDKEND 338 (Barcode 029667233828)

30 March 2015 - "Northern Soul's Classiest Rarities Volume 5" on Ace/Kent Dance CDKEND 432 (Barcode 029667243223)

24 November 2017 - "Northern Soul's Classiest Rarities Volume 6" on Ace/Kent Dance CDKEND 471 (Barcode 029667085922)

26 February 2021 - "Northern Soul's Classiest Rarities Volume 7" on Ace/Kent Dance CDKEND 498 (Barcode 029667101721)