Friday, 19 May 2017

"Songs From The Wood: 40th Anniversary Edition - The Country Set" by JETHRO TULL (May 2017 Parlophone/Chrysalis 3CD + 2DVD Reissue - Steve Wilson Remixes and Remasters) - A Review by Mark Barry...









"...Ring Out, Solstice Bells..."

Lavish and Loony are the words that come to mind.

I must admit by the time Tull's 10th studio album came out in February 1977 - my mind and musical interests were elsewhere. As I recall I bought the UK Chrysalis Records LP as an afterthought later that year and reckoned it was good rather than great. But my God this extraordinary 2017 five-disc reissue has made the country squire in me sit right back up and take notice (pass the jugs of mead boys).  Everything about this fan-pleasing '40th Anniversary Edition' Reissue is utterly exceptional and at an opening gambit of twenty-two pre Brexit quid represents genuinely good value for money in my manure patch. Time to ring out those Solstice Bells methinks...

UK and USA released Friday, 19 May 2017 - "Songs From The Wood: 40th Anniversary Edition - The Country Set" by JETHRO TULL on Parlophone/Chrysalis 0190295847876 (Barcode 0190295847876) is a 3CD + 2DVD Reissue and Remaster with Stereo and 5.1 Surround Remixes by Steven Wilson in a 96-page Hardback Book Pack that plays out as follows:

CD 1 (76:55 minutes):
A Steven Wilson Stereo Remix
1. Songs From The Wood [Side 1]
2. Jack-In-The-Green
3. Cup Of Wonder
4. Hunting Girl
5. Ring Out, Solstice Bells
6. Velvet Green [Side 2]
7. The Whistler
8. Pibroch (Cap In Hand)
9. Fire At Midnight
Tracks 1 to 9 are their 10th studio album "Songs From The Wood" - released 4 February 1977 in the UK on Chrysalis CHR 1132 and 21 February 1977 in the USA also on Chrysalis CHR 1132. Written and Produced by IAN ANDERSON - it peaked at No. 13 in the UK and No. 8 in the USA

Associated Recordings
10. Old Aces Die Hard - Previously Unreleased Studio Outtake (Take 3) recorded October 1976 (working title was "Dark Ages")
11. Working John, Working Joe - Previously Unreleased Studio Outtake (Take 5) recorded September 1976
12. Magic Bells (Ring Out, Solstice Bells)
Track 12 is a Studio Outtake recorded September 1976 - first appeared on the November 2016 "Ring Out, Solstice Bells" UK 7" double pack on Chrysalis CX 40 - a Record Store Day Limited Edition Reissue (2000 Copies only) with Different Tracks to the December 1976 UK 7" double-pack originally on Chrysalis CXP2.
13. Songs From The Wood (Unedited Master)
14. Fire At Midnight (Unedited Master - Previously Unreleased)
15. One Brown Mouse (Early Version - New Mix)
16. Strip Cartoon - non-album B-side to the UK 7" single for "The Whistler" released 4 February 1977 on Chrysalis CHS 2135
17. The Whistler - Original 1977 US Stereo Single Mix - released March 1977 in the USA on Chrysalis CHS 2135 (peaked at No. 59)

CD 2 - Live In Concert 1977 (Part One) – Mixed to Stereo by Jakko Jakszyk (52:09 minutes)
1. Wond'ring Aloud
2. Skating Away On The Thin Ice Of A New Day
3. Jack-In-The-Green
4. Thick As A Brick
5. Songs From The Wood
6. Instrumental
7. Drum Solo Improvisation
8. To Cry You A Song
9. A New Day Yesterday
10. Flute Solo Improvisation/God Rest Ye Merry gentlemen/Bouree
11. Living In The Past

CD 3 - Live In Concert 1977 (Part Two) – Mixed to Stereo by Jakko Jakszyk (59:49 minutes):
 1. Velvet Green
2. Hunting Girl
3. To Old To Rock 'n' Roll: Too Young to Die
4. Minstrel In The Gallery
5. Cross-Eyed Mary
6. Aqualung
7. Instrumental Improvisation
8. Wind-Up
9. Back Door Angels/Guitar Improvisation/Wind-Up (Reprise)
10. Locomotive Breath
11. Land Of Hope And Glory/Improvisation/Back Door Angels (Reprise)

DVD 1 (Audio) - NTSC, Region 0 Coding (All Regions)
(i) Contains "Songs From The Wood" album with all associated recordings on CD1 except Tracks 13, 14 and 17 - Remixed to 5.1 DTS, AC3 Dolby Digital Surround Sound and 96/24 LPCM Stereo
(ii) "Songs From The Wood (Unedited Master)" and "Fire At Midnight (Unedited Master)" as 96/24 LPCM Stereo
(iii) The original 9-Track Album as 96/24 LPCM Stereo
(iv) Original Quad Mixes for "Songs From The Wood", "Jack-In-The-Green", "Velvet Green" and "The Whistler" with DTS 4.0 and Dolby Digital AC3 4.0 Surround Sound

DVD 2 (Audio/Video) - NTSC, Region 0 (All Regions)
(i) Jethro Tull live on video for almost two hours at the Capitol Centre, Landover MD, 21 November 1977 - Mixed to Stereo, 5.1 DTS and AC3 Dolby Digital Surround
(ii) Beethoven's Ninth (Original Audio)
(iii) Promotional Footage of "The Whistler"

Like all of these Jethro Tull Book Packs so far - the visuals are truly spectacular and put most other reissues from major labels firmly in the 'D' for dunce corner. A 96-page booklet attached to a Hardback Book Pack assaults your senses with essays and a memorabilia collection that borders on 'W' for worry. Using lyrics from the title track - Pages 8 to 51 start proceedings with a lengthy and definitive new set of liner notes entitled "Let Me Bring You..." It features reminiscences on the mythology surrounding the songs (Anderson living as a 'country squire' in the UK and how the set would be written in-between gigs and influenced by books he was reading whilst on the road), the record's launch, public and press reaction (good and bad) and the subsequent US Tour – all of which was told to MARTIN WEBB by principal band members Ian Anderson (Lead Vocals, Flute, Principal Songwriter), Martin Barre (Guitars and Vocals), David 'Dee' Palmer (Keyboards) and Barrie Barlow (Drummer).

The memorabilia stuff is amazing and exhaustive - Barrimore Barlow draped in suitable Tull attire in front of his kit for a full-page advert selling 'Rose-Morris Ludwig' Drums - differently designed Backstage Passes for Detroit, Toronto and Maryland's Landover (where the live gig on CDs 2 and 3 was recorded) - trade adverts for the album that played on the pun of trees - colour photos from the tour, the lyrics in suitably pretty script, repros of reviews, master-tape boxes, foreign picture sleeves, Chrysalis promotional photos, Dee Palmer's orchestration charts, a day-by-day tour date guide and finally interviews with Trevor White and Jakko Jakszyk about the 21st Century problems of remastering 1977 tapes with inherent audio faults (the live stuff). They've even got a photo of Morgan Studios and the mixing desk used.

But for most fans it will be the STEVEN WILSON Remixes and Remasters that draw. And once again his legendary empathy with Prog Rock and a mixing desk do his growing legend proud. I had the 2003 variant for a while but sold it and I honestly can't A/B this. But I'm thinking I don't need to because my ears are opened. The Acapella voices that begin "Songs From The Wood" are beautiful - the madrigal instruments that usher in the song so clear - those Prog Rock keyboard flourishes from John Evans and David Palmer are everywhere. "Jack-In-The-Green" is sensational - Anderson's slightly echoed vocals perfectly aligned with those acoustic strums - it sounds just huge. "Cup Of Wonder" is the same - the instruments alive and swimming in your speakers - amazing to think that this much musical complexity and precision was Take 1. Synth sounds open "Hunting Girl" which for me is the most Prog sounding romp on the LP - those rattling Barrie drums - that flanged guitar - now right up and in your face. You feel that Bass in the festive "Ring Out, Solstice Bells" - kitchen prose and gutter rhymes indeed. "Velvet Green" is probably the most impressive of tracks improvement-wise - that final Flute and Piano battle - those acoustic strums that hark back to "Living In The Past" Tull - brilliant. At 3:32 minutes and sporting a vaguely usable melody (treated vocals and a bop-Irish beat) - "The Whistler" was issued as a 45 in March 1977 and amazingly its Gordon Giltrap vibes pushed it all the way up to No. 59 on the US singles charts. The mad Prog guitars that open "Pibroch (Cap In Hand)" take no prisoners - floating in and out of the soundstage until they settle into a familiar Tull shuffle. The album ends on the ethereal drums of "Fire At Midnight" - so eccentrically Jethro Tull.

Fans will flip for the near nine-minutes of the Previously Unreleased "Old Aces Die Hard" - gorgeous acoustic guitars - brilliant vocals and choppy rhythms alternating between Folk and Prog. It's almost like an "Aqualung" outtake as the electric guitars build and build towards the end in a very Yes kind of way (nice touch to include the lyrics on Page 64). Someone sawing wood opens the second genuine outtake offered here - "Working John, Working Joe". Again it's shockingly good with fantastic guitar chops from Martin Barre – the character in the song waxing angry about how he slaves while others sloth - working thirteen hours when most work only eight. And as far as I know this is also the first CD appearance of the November 2016 Record Store-only 7" single track "Magic Bells (Ring Out, Solstice Bells") – a rarity in itself after less than a year in the vinyl marketplace. "Old Brown Mouse" is a great Anderson acoustic jangle and if it is 'probably a Demo' as the liner notes suggest – it's an amazingly accomplished one. Fans will appreciate the B and A-side singles of "Strip Cartoon" and "The Whistler" - both of which bring a near perfect CD1 to a close.

I suspect that some judicious editing was done on the two live CDs (not that I'm complaining) because they work so well thematically and the Audio is also shockingly good. Introducing every song with his customary witticisms and broad English squire voice - Ian Anderson opens proceedings by announcing himself as the support act 'Arnold Stirrup'. He then promptly thrills the crowd with a one-two of Acoustic goodies - "Wond'ring Aloud" and the US hit single "Skating Away On The Thin Ice Of A New Day". Even though the audience seems miles away if not entirely removed from the tapes - the band and the instrumentation feel live and in your living room - superbly cleaned up and with their playing prowess as impressive as ever - something that becomes very evident when they go into the complexities of "Thick As A Brick" (announced with a Led Zeppelin jab) and the Medieval Acapella beginning of "Songs From The Wood" (John Evans has Bronchitis so he’ll be crap Anderson teases). The same applies on Disc 2 with the "Aqualung" tracks "Cross-Eyed Mary" and "Wind-Up" eliciting frenzy. Jakko Jakszyk did the Stereo masters and Audio transfers and I think Tull fans will be licking their lips at the thought of "Bursting Out - Live" Part 2 – because that’s what this 100-minutes of primo JT feels like.

After the high of the three CDs - DVD 2 comes as a slight letdown. The Audio is the same top-notch job but the video is blurry (so very Seventies) and is best described as a really good bootleg rather than anything better than that. With his red bowler hat, half beard, acoustic guitar and mad bug eyes - Ian Anderson's witty ad-libs between songs suddenly start to make sense when you see what accompanied them - his band looking like a troupe of woodland gypsies that have gorged on too many wild mushrooms or extras from "One Flew Over The Cuckoo Nest". But the concert is great and it also allows you to pick three Audio options from the Menu - Stereo LPCM, DTS 5.1 Surround and Dolby AC3 5.1 Surround.

To sum up - Jethro Tull are very much a Marmite band - they engender true collector's passion amongst fans whilst others will develop a fatal Ebola rash at the mere mention of their Minstrel Name. But there's no doubting in my mind that like 'em or no - this is already a contender for 'Reissue Of The Year' 2017. Well done to all involved and please apply the same lavish lust to 1972's "Living In The Past" double-album - 45 years young this very year.

"...Let me bring you love from the field..." - Ian Anderson sang on the title track to "Songs From The Wood". Job done mate...

"One Step Beyond... - 35th Anniversary Edition" by MADNESS (October 2014 Salvo '35th Anniversary Edition' CD+DVD Reissue and Remaster) - A Review by Mark Barry...







"...The Heavy, Heavy Monster Sound..."

Ah the 'heavy heavy monster sound'. There are some LPs that make you grin from ear-to-ear just looking at them - "The Undertones" debut on Sire - "The Specials" on 2-Tone and that other sweaty beauty from 1979 - "One Step Beyond" by London's Madness on Stiff Records.

But what CD variant of their debut do you buy? Virgin have had two - a 1989 basic issue and a Remaster in 2000 - while Union Square stumped up a '30th Anniversary Edition' in 2009 that received mixed reviews. I'm going to argue that this 2014 '35th Anniversary Edition' on Salvo's Sound and Vision is the four-star one to get (some poorly recorded cassette tape rehearsals masquerading as Bonus Material on Disc one lose it a star).

You get new Remasters from the original quarter-inch tapes of the 15-track album as well as a further 14 Previously Unreleased Demo and Rehearsal Versions on Disc 1 (29 tracks in all) with 10 Videos over on Disc 2 - the non region-coded DVD. To compliment these is an upgraded digipak and booklet featuring new interviews with the men who were there - original Producer and Engineer Clive Langer and Alan Winstanley. Overall it's impressively presented and exudes that sense of fun the band had. Here come the Night Boats To Cairo...

UK released 13 October 2014 - "One Step Beyond..." by MADNESS on Salvo SALVOSVX034 (Barcode 698458063427) is a '35th Anniversary Edition' CD + DVD Reissue and Remaster with Previously Unreleased material that plays out as follows:

CD (78:53 minutes):
Original Album
1. One Step Beyond... [Side 1]
2. My Girl
3. Night Boat To Cairo
4. Believe Me
5. Land Of Hope & Glory
6. The Prince
7. Tarzan's Nuts
8. In The Middle Of The Night [Side 2]
9. Bed And Breakfast Man
10. Razor Blade Alley
11. Swan Lake
12. Rockin' In A Flat
13. Mummy's Boy
14. Madness
15. Chipmunks Are Go!
Tracks 1 to 15 are their debut album "One Step Beyond..." - released October 1979 in the UK on Stiff Records SEEZ 17

Fab Toones! Rehearsal Tape, 1979
16. Nutty Sounds
17. Mistakes
18. Sunshine Voice
19. My Girl
20. Memories
21. Believe Me
22. Lost My Head
23. Razor Blade Alley
24. Land Of Hope & Glory
25. Mummy's Boy
26. In The Middle Of The Night
27. You Said
28. Stepping into Line
29. Bed And Breakfast Man
Tracks 16 to 29 recorded on a portable cassette recorder so sound quality varies.

DVD – NTSC, Region 0 (No Coding), Aspect Ratio 4:3 PAL, English
1. One Step Beyond... (Video)
2. Bed And Breakfast Man (Video)
3. My Girl (Video)
4. Night Boat To Cairo (Video)
5. One Step Beyond... ('Top Of The Pops' appearance 1979)
6. The Prince ('Top Of The Pops' appearance 1979)
7. My Girl ('Top Of The Pops' appearance 1980)
8. Bed And Breakfast Man ('Old Grey Whistle Test' appearance, 1979)
9. Night Boat To Cairo ('Old Grey Whistle Test' appearance, 1979)
10. "Young Guns" Documentary (BBC, 2000)
Tracks 5 to 10 are all BBC Recordings

MADNESS was:
SUGGS (Graham McPherson) - Lead Vocals
LEE 'Kix' THOMPSON - Lead Vocals, Tenor and Baritone Saxophones
MIKE BARSON (Monsieur Barso) - Keyboards
CHRIS FOREMAN (Chrissy Boy) - Guitars
MARK BEDFORD (Bedders) - Bass
WOODY 'Woods' WOODGATE (Don Woodgate) - Drums and Percussion
CHAS SMASH (Cathal Smyth) - Backing Vocals etc

The card digipak folds out into three flaps with both the CD and DVD see-through trays having that famous cover photo of the six dancing underneath each disc. Both sides of the inner sleeve that came with original British LPs is spread across two of the flaps - that collage of black and white Polaroids - the band - fans and friends - it's all here. The 16-page booklet is a cleverly laid out and pleasingly in-depth affair. Around the text we get all that black and white Madness/Stiff memorabilia that surrounded the band - buttons, shaped discs, picture sleeves, tour passes, 2-tone label bags, a Madness watch with the cover as a face dial, cassette tapes, different variant label repros of the LP and a very fetching Japanese 7" single picture sleeve of "One Step Beyond" with a different B-side to the British issue - "Tarzan's Nuts" (the UK copy has "Mistakes" - included here in Rehearsal form on Disc 1).

There are new May 2014 liner notes from music-lover and author STEVE CHICK that include reminiscences from Chrissy Boy (the Bass player) and Producer Clive Langer and Engineer Alan Winstanley. Clive tells of the band working all hours to get the album done - Lee Thompson a semitone out of tune but because his playing had great feel - they left it as is - and of course became part of their homemade rough 'n' tumble Carry On Up The Khyber sound. Although the sticker on the shrinkwrap assures us that a new remaster appears here - neither the digipak nor booklet confirm this. Yet to my ears the core album sounds brighter and more alive than it did on the 30th Anniversary issue I had. And there is more bottom end too which beefs up the audio without making it into loudness wars. Let's get to the music...

"...Hey You! Don't Watch That! Watch This! 
Move Your Feet To The Rockinest Sound Around!" 

How many of us have bopped to the brilliant opening declaration that is "One Step Beyond..." - quietly tearing up a dancefloor somewhere as worried older types looked on in muted suburban disapproval. They follow that corker of an opener with more wit - "...My girl's mad at me...she takes it all the wrong way..." - we sang along to "My Girl" - giggling like loons as we did the Monster Mash with our 2-tone badges and pencil ties. My memories of "Night Boat To Cairo" is a heaving dancefloor with half cut students, afterhours office types and leather-bound rockers all letting loose – abandoning the buffet and bar for the Saxophone joy of Madness Ska. Both the loafer on the sofa "Bed And Breakfast Man" and the school to your home danger of "Razor Blade Alley" all speak of social realities in 1979 – ordinary people trying to make it through life on the estate. The piano-instrumental Swan Lake cover lifts the spirit and is a hoot - but much better is the cup of tea and geezers bop of "Rocking In A Flat". Then it all ends on the Prince Buster cover of "Madness" that started it all when it was released as the B-side to their own composition "The Prince" - their debut UK 45 in August 1979 on 2-Tone – 60ts Ska alive and well in Putney and Camden Town.

It has to be said that the new unreleased "Fab Toones!" rehearsal material is very lo-fi and reflects a hissy cassette tape source (they clearly state on the packaging that the sound isn't state-of-the-art) – but once you get used to the less than stellar Audio then things like "Mistakes" and "Sunshine Voice" have a certain charm. But in truth I'm not sure how many will want to return to these no matter how much of a fan they are. The DVD disc is a far better value item and captures the sheer fun and street-savvy wit of this band in a way that the weedy cassette can't.

There is something wonderfully British-nutjob about Madness that has engendered them into the hearts of the music buying public - giving them a 40-year career that proves they are way more than a novelty act being fondly remembered here. Like The Undertones and The Clash and The Stranglers – their music grew and the singles only got better and better.

O.K. – those demos slightly let the side down for sure but the Remaster and the DVD more than make up for those shortcomings. 1979's "One Step Beyond..." is where it all started for MADNESS and I remember the album (as do so many others) with genuine tearful affection and this reissue (35 years on) has only brought that rock-steady beat back home again.

My girl's mad at me. No she's not Suggs...

"Graham Bonnet/No Bad Habits" by GRAHAM BONNET (2016 Cherry Red/HNE Recordings Ltd 2CD 'Expanded Edition' Remasters) - A Review by Mark Barry...





"...It Ain't Easy When You're Going Down..."

Hindsight can be a great thing - or in the case of Lancashire's Graham Bonnet - a little bittersweet too. Before he joined the ranks of Ritchie Blackmore's Rainbow as Lead Vocalist for their 1979 "Back To Earth" LP on Polydor Records (following the departure of Ronnie James Dio) - Skegness Hard Rocker Graham Bonnet made a failed bid in the late Seventies for the White Soul Boy market with two albums  - "Graham Bonnet" from 1977 on Ringo Starr's Ring O'Records and "No Bad Habits" – a 1978 Euro LP on Mercury.

Virtually ignored in Blighty – the albums and several singles off them were big however in Australia and Europe and in a very roundabout twist of fate - his rocked-up cover of The Shirelles hit "Will You Still Love Me Tomorrow" got him the Rainbow audition (and subsequently stints with hard rock bands like The Michael Schenker Group and Alkatraz). Blackmore wanted the singer to "Only One Woman" – a Bee Gees tune sung in 1968 on Polydor Records by Marbles. Bonnet was that vocalist. And that's where this twofer CD Reissue on HNE Recordings Ltd (part of England's Cherry Red) comes stomping in...

It has to be said that neither record is a gem by any stretch of the wildest imagination - and the while the new Andy Pearce Remasters for both LPs 'Rock' (as all his transfers do) - the bonus cuts on this double suffer from truly crappy sound never mind their utterly dismissible musical quality. The presentation is top notch though - so a case of oranges and lemons I'm afraid. Here are the habitual details...

UK released May 2016 - "Graham Bonnet/No Bad Habits" by GRAHAM BONNET on Cherry Red/HNE Recordings Ltd HNECD968D (Barcode 5013929916821) is an 'Expanded Edition' 2CD Reissue and Remaster offering two albums and 12 Bonus Tracks that plays out as follows:

Disc 1 (63:09 minutes):
1. It's All Over Now, Baby Blue [Side 1]
2. Will You Still Love Me Tomorrow?
3. Tired Of Being Alone
4. Wino Song
5. It Ain't Easy
6. Goodnight And Goodmorning [Side 2]
7. Danny
8. Sunday 16
9. Rock Island Line
10. Soul Seeker
Tracks 1 to 10 are his debut LP "Graham Bonnet" - released September 1977 in the UK on Ring O'Records 2320 103.

BONUS TRACKS:
11. Heroes On My Fortune Wall - Non-album B-side to "It's All Over Now, Baby Blue", a UK 7" single released June 1977 on Ring O'Records 2017 105
12. Goodnight And Goodmorning (Single Edit) - A-side to a UK 7" single released November 1977 on Ring O'Records 2017 110. The full album version is 5:31 minutes; the 7" single edit is 3:21 minutes
13. I Who Am I
14. The Loving Touch
15. Do What You Gotta Do (Demo)
16. It Ain't Easy (Demo)
17. You've Lost That Lovin' Feeling (Demo)
Track 12 is Previously Unavailable on CD
Tracks 13 to 17 are Previously Unreleased

Disc 2 (63:22 minutes):
1. I'll Be Your Baby Tonight [Side 1]
2. Won't You Join Me
3. Warm Ride
4. Is There A Way To Sing The Blues
5. Can't Complain
6. Givin' Up My Worryin'
7. Pyramid [Side 2]
8. Only You Can Lift Me
9. Stand Still Stella
10. High School Angel
11. Cold Lady
Tracks 1 to 11 are his second studio album "No Bad Habits" - released in the Netherlands in late 1978 on Mercury 6304 504.

BONUS TRACKS:
12. 10/12 Observation - Non-album B-side to the 7" single for "Warm Ride" - UK released March 1978 on Ring O'Records POSP 002 (2017 114)
13. Only You Can Lift Me (Single Edit)
14. Such A Shame
15. Warm Ride (12" Long Disco Version)
16. Warm Ride (12" Long Version)
Tracks 13, 15 and 16 are Previously Unavailable on CD

The 16-page booklet is packed with rare 7” single picture sleeves, period photos and typically great liner notes from noted writer MALCOLM DOME that include new interviews with Bonnet and Producer/Songwriter Pip Williams. The Remaster is carried out by one of my favourite Engineers ANDY PEARCE and MATT WORTHAM and the albums are great. But something's gone horribly wrong with the Bonus Tracks most of which sound like they were taken off a stretched cassette tape - horrible sound. You wouldn't mind if they were worth your time - they're not. Let's get to the core albums...

"Graham Bonnet" is seriously top-heavy with cover versions with only the weedy "Wino Song" and "Soul Seeker" being originals. Ring O'Records tried the Bob Dylan cover of "It's All Over Now, Baby Blue" as a UK 7" single in June 1977 before the album's release (it's non-album B-side is one of the Bonus Tracks on Disc 1 but in crap sound quality). It didn't take in England but became a huge hit in Australia. Some of the covers work - the amazing orchestration on the Soul-Rock of "Goodnight And Goodmorning" (a Hall & Oates song) and his rocking version of Ron Davies fabulous "It Ain't Easy" - a song Three Dog Night covered and called an album after and a tune most people know through David Bowie who covered it on "Ziggy Stardust" in 1972. It's one of the few places Snafu guitarist Micky Moody gets to shine. "Danny" first showed in Presley's "King Creole" movie in 1958 - but far better would have been Conway Twitty's version in the Sixties that changed the title (not the music) to "Lonely Blue Boy" - a song used to end a Mad Man episode (a sure sign of cool). Bonnet hams up the Rock 'n' Roll elements of "Danny" but his return to cod Rock 'n' Roll on Lonnie Donegan's "Rock Island Line" doesn't far any better either. The John Kongos track "Sunday 16" isn't anything memorable ("Jubilee Cloud" would have been better) and despite a fairly good Sax solo in Al Green's "Tired Of Being Alone" - his version just feels opportunistic rather than inspired. Perhaps with better song choices - the LP "Graham Bonnet" might have tapped into that Robert Palmer market but instead he comes across as a weaker version of Steve Gibbons. Still - those good tunes are great.

The second LP opens strongly on a radically re-worked "I'll Be Your Baby Tonight" - a funky Rock jaunt through another Bob Dylan classic. His vocals are stronger too. "Won't You Join Me" begins a run of three John Kongos covers - the other two being "Pyramid" and "Only You Can Lift Me". England’s hottest hitmakers in 1978 The Bee Gees provided "Warm Ride" - but it's a turgid Disco-Rock song that's best left in Hades from whence it came. "Is There A Way To Sing The Blues" is the big ballad that half works. English eccentric John Otway becomes the unlikely recipient of a cover with "Can't Complain" - but it feels like badly recorded Elvis Costello. The Quo even get a look in on the identikit-sounding "Givin' Up My Worryin'" and Pip Williams rocks the LP to a close with "Cold Lady" - another love me or leave me alone tale of male woe.

Despite my reservations about those dreadful-sounding hissy extras (most should have been left in the can because they detract rather than add to this otherwise good reissue) - fans of the albums and Bonnet's great voice will want it. But for all others I'd advise a listen first...

Thursday, 18 May 2017

"Rebel" by JOHN MILES (March 2008 Lemon Recordings 'Expanded Edition' CD - Tim Turan Remaster) - A Review by Mark Barry...




"...The Man Behind The Guitar..."

Jarrow's JOHN MILES popped out his debut album "Rebel" in March 1976 on Decca Records and promptly took his native Blighty by storm (and everywhere else for that matter as evidenced by the number of picture sleeves to the "Music" single on Page 2 of the gorgeous booklet).

Produced by studio whizz Alan Parsons who’d steered Pink Floyd’s "The Dark Side Of The Moon" to global domination in 1973 and containing the reasonable hit "Highfly" from the preceding year (No. 17 in October 1975) - "Rebel" the album had one further absolute ace up its tootin' sleeve - the single "Music".

Clocking up a whopping 10 failed singles on Orange and Decca Records since 1970 - Miles had been around for years - writing and slugging away. But the six-minute "Music" released in the same month as the album (March 1976) caught the public's imagination and heart completely. I remember it was absolutely huge - people basking in its sentiment, brilliant slow-to-funky structure and those epic Andrew Powell string arrangements. Tapping into that Elton John "Captain Fantastic And The Brown Dirt Cowboy", Wings "Venus And Mars" and 10cc "How Dare You" marketplace for sophisticated rock - "Music" pushed up to No. 3 on the UK pop charts and would come to define John Mile's song legacy for decades after. 

But there's other goodies on this album worth seeking out and that's where this rather superb Lemon Recordings CD reissue comes shooting in. Here are the details...

UK released March 2008 (May 2008 in the USA) - "Rebel" by JOHN MILES on Lemon Recordings CD LEM 105 (Barcode 5013929770522) is an 'Expanded Edition' CD Reissue and Remaster with Two Bonus Tracks that plays out as follows (49:53 minutes):

1. Music [Side 1]
2. Everybody Wants Some More
3. Highfly
4. You Have It All
5. Rebel [Side 2]
6. When You Lose Someone So Young
7. Lady Of My Life
8. Pull The Damn Thing Down
9. Music (Reprise)
Tracks 1 to 9 are his debut album "Rebel" - released March 1976 in the UK on Decca SKL 5231 and April 1976 in the USA on London PS 669. Produced by ALAN PARSONS - it peaked at No. 9 in the UK and No. 171 in the USA. John Miles and Bob Wallace wrote all songs except "Music" and "Lady Of My Life" by John Miles.

BONUS TRACKS:
10. There's A Man Behind The Guitar - non-album B-side to the UK 7" single for "Highfly" released September 1975 on Decca F 13595
11. Putting My New Song Together - non-album B-side to the UK 7" single for "Music" released March 1976 on Decca F 13627

JOHN MILES - Lead Vocals, Guitars, Keyboards
BOB MARSHALL - Bass
BARRY BLACK - Drums And Percussion
Guests:
The Maggini Quartet - Strings on "Music"
Phil Kenzie - Saxophone solo on "Lady Of My Life"
Andrew Powell - String Arrangements

The 16-page booklet is a feast of foreign pictures sleeves for the albums two big hitters "Highfly" and "Music" - rare issues from around the word - sheet music and more. You also get the lyrics and new decently in-depth liner notes from STEPHEN CARSON. The foldout poster that came with original copies of the British vinyl LP was the front sleeve photographed by Terry O'Neill but because of the cover art to the booklet is exactly that - it's kind of superfluous to requirements so Lemon have left it out. TIM TURAN - who handled the Nazareth catalogue to such great effect - has taken a beautifully produced album and given it the CD upgrade it deserves. This disc sounds great and fans are also going to appreciate those two rare non-album B-sides in such rocking audio.

The album opens and closes on the epic "Music" - his piano gently leading in the song before funk and strings take it to another level. Overplayed a tad on radio these days - it still holds up and you can so hear why it was so huge 40 years ago. That's followed by another one of the album's genuinely great tracks - the very 10cc-meets-ELO "Everybody Wants Some More" where his great vocals soar up and down to complimentary strings and clever arrangements. The incredibly Pilot-meets-The Hollies sounding "Highfly" was an obvious single and came out as far back as September 1975 and was rewarded with his taste of chart action - No. 17. The side ends on the seven-minute "You Have It All" and feels so Captain Fantastic Elton John it's not true - all guitars and keyboards that funk and boogie like they're making a Prog record.

I've always felt that "Rebel" was the hammy overdone moment on the record - better is the touching "When You Lose Someone So Young" which is almost done for by strings but gets through. Hall & Oates fans might like the keyboard slink of "Lady Of My Life" which has a very "Abandoned Luncheonette" feel to it. It ends on the seven-minute "Pull The Damn Thing Down" - a ecology song about over-building that rocks to the finish with a segue into a "Music" Reprise. Of the two B-sides I prefer the rocking "Putting My New Song Together" where words and music are going around his head while riffage threatens to do your speakers in.

I've always wondered why "Rebel" receives so many five-star reviews - it just isn't that great an album (a good one yes, a great one, no). In fact I think his follow-up "Stranger In The City" from February 1977 also reissued with Bonus Tracks by Lemon was a better record overall. But if you've any love for the "Music" of 1976 - then this is most definitely the version of "Rebel" to let into your living room. Well done to all involved...