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Showing posts with label Mike Gibbins. Show all posts
Showing posts with label Mike Gibbins. Show all posts

Friday, 25 February 2011

"No Dice" by BADFINGER - November 1970 Second Album on Apple Records (October 2010 UK Apple 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...



"...Knock Down The Old Grey Wall...Be A Part Of It All..."

Monday 25 October 2010 in the UK saw 14 of the 'Apple' label albums remastered and reissued (see list below) - alongside a first-time-ever label 'Best Of' compilation CD not surprisingly called "Come And Get It" (named after a huge BADFINGER hit penned by Paul McCartney specifically for the band). This zippy little expanded CD reissue of their 2nd album "No Dice" is one of them. Details...

"No Dice" by BADFINGER on Apple 5099990580727 (Barcode 5099990580727) is a 25 Oct 2010 CD Reissue and Remaster with Five Bonus Tracks that breaks down as follows (57:42 minutes):

1. I Can't Take It [Side 1]
2. I Don't Mind
3. Love Me Do
4. Midnight Caller
5. No Matter What
6. Without You
7. Blodwyn [Side 2]
8. Better Days
9. It Had To Be
10. Watford John
11. Believe Me
12. We're For The Dark
Tracks 1 to 12 are the Stereo LP "No Dice" by BADFINGER released 27 November 1970 in the UK on Apple SAPCOR 16 and on Apple SKAO-3367 in the USA (it reached number 28 on the American Billboard Top 100). Note: "Love Me Do" is not Beatles cover but a Joey Molland original and "Without You" is the song made famous by NILSSON (Number 1 in the UK in February 1972).

Tracks 13 to 17 are all previously unreleased and exclusive to this 2010 reissue:
13. "I Can't Take It" is an Extended Version - 4:14 as opposed to 2:55minutes
14. "Without You" is a Studio Demo Version
15. "Photograph (aka "Friends Are Hard To Find')" is a Previously Unreleased Version
16. "Believe Me" is an Alternate Version
17. "No Matter What" is a Studio Demo Version

Requiring extra payment there are also 2 more tracks available via Digital Download from iTunes or Amazon - an Instrumental Version of "Love Me Do" and an Extended Stereo Version of "Get Down" (see either site for details).

BOOKLET/PACKAGING:
The gatefold sleeve of the original vinyl LP is reproduced while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and there are 4 superb colour portraits of the band - PETE HAM, TOM EVANS, JOEY MOLLAND and MIKE GIBBINS.  It's cute, but you do wish there was more...

PLAYERS/CONTENT:
The original album was produced by GEOFF EMERICK of Beatles/Abbey Road fame (except for "No Matter What", "Believe Me" and the bonus tracks from 14 through to 17 which were produced by MAL EVANS). Unlike so many of the sessions of the time, the recordings 'didn't' include a number of The Beatles and their talented friends - so the band got to shine all by themselves.

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters have done this too - GUY MASSEY, STEVE ROOKES, SAM OKELL and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement - makes you reassess a lot of the songs.

The album opens strongly with a Pete Ham original "I Can't Take It" - rocking guitars and pumping brass - it sounds really great. It's followed by the Big Star feel of "I Don't Mind" co-written by Tom Evans and Joey Molland - a song that starts out gently and then builds into an impressive melodious tune - it's excellent. Not so I'm afraid with "Love Me Do" (no relation to The Beatles song) - it's a poor man's rocker and doesn't really work. But then you're hit with a double-whammy of Badfinger excellence - "Midnight Caller" and the sublime "No Matter What" (lyrics above). Both stand the test of time - especially "No Matter What" - surely a contender for a Top Ten position in the list 'best 7" single ever released'.

"Without You" would of course be taken by NILSSON and transformed into one of the most extraordinarily powerful cover versions ever made. I heard in a car on the radio a few weeks back in the early morning on the way into work - and to this day it moves me - its opening chords still capable of calling up a shivering memory. "Blodwyn" is a ditty while the excellent "Better Days" turned up as the B-side to the UK 7" single of "No Matter What" (Apple 31) in November 1970 - they used "Carry On Till Tomorrow" as the B on the USA 7" (Apple 1822) - a track off their debut album "Magic Christian Music". The Mike Gibbins penned "It Had To Be" is a lovely song, while the band-composed "Watford John" is a rocker written about an Apple Studio Engineer called John Smith. The last two on the album are huge favourites among fans - Tom Evans' sweet "Believe Me" and Pete Ham's acoustic "We're For The Dark" - accomplished playing, melody builders - both define that certain 'Badfinger' sound. They end the album proper on a definite musical high note.

But like the other issues in this series, the best seems to be kept until last. Having grown used to the short album cut of "I Can't Take It" - I must say that I love the way it's spread out more on the fantastically rocking 'Extended Version'. You can see why it was cut, but in 2010 I'll take the 'indulgent' version any day of the week. Then fellows the 'Demo' of "Without You" which I find more affecting than the finished track - more akin to what Nilsson did with it - it's a gem. "Photograph" is a rough rock song - it's good, but it's eclipsed big time by a sweet-as-honey Alternate Take of "Believe Me" with more Piano and Electric Guitar - what a treat. The 'Demo' of "No Matter What" is close to the finished track, but without that killer electric guitar that made it. I must say that the bonus tracks are impressive rather than being superfluous. Very, very good indeed...

Niggles - the 2 download tracks will be desirable to fans and making them pay extra dollars for them via Download is cheapskate and crappy - and as you can see from the playing time above, there was plenty of room to include them on here (they're available as hardcopy on the double-CD that comes with the "Apple Box Set"). The gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should also have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). They're minor points I know, but they're worth making...

One star or Five - Badfinger have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight. I'd say that if you're coming to them cold in 2014 then it's probably somewhere in between. But fans will see it differently - they will eat this reissue up big time. To sum up - I still see "No Dice" as a great album - with songmanship that shines through even now. And they repeated that craft and warmth on their next album "Straight Up" too.

Recommended - especially given the massive improvement in sound quality and those shockingly good bonus tracks.

The October 2011 Apple CD Remasters are (I've reviewed most):
1. Magic Christian Music - BADFINGER (January 1970)
2. No Dice - BADFINGER (November 1970)
3. Straight Up - BADFINGER (1972)
4. Ass - BADFINGER (1974)
5. Postcard - MARY HOPKIN (1969)
6. Earth Song - Ocean Song - MARY HOPKIN (1971)
7. Is That What You Want? - JACKIE LOMAX (1969)
8. Under The Jasmine Tree / Space - THE MODERN JAZZ QUARTET (1968 and 1969 - 2LPs on 1CD)
9. That's The Way God Planned It - BILLY PRESTON (1969)
10. Encouraging Words - BILLY PRESTON (1970)
11. The Radha Krishna Temple - THE RADHA KRISHNA TEMPLE (1971)
12. The Whale / Celtic Requiem - JOHN TAVENOR (1970 and 1971 - 2LPs on 1CD)
13. James Taylor - JAMES TAYLOR (1968)
14. Doris Troy - DORIS TROY (1970)

Friday, 12 November 2010

"Ass" by BADFINGER - November 1973 Fourth Album on Apple Records USA (March 1974 in the UK) - featuring Todd Rundgren (October 2010 UK Apple CD Reissue and Remaster with Bonus Tracks) - A Review by Mark Barry...ple Label in 1973/1974 – Now Reissued Onto A 2010 Extended CD.


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"…I'm Sorry But It's Time To Move Away…"

By the time the British band BADFINGER had reached 1974 - and despite a fresh signing to the mighty Warner Brothers - no one was really listening.
 
Hence their last album for The Beatles Apple label "Ass" - which snook out just before their self-titled Warners debut - got lost in a confusing mix of conflicting material and contractual shenanigans (November 1973 US release, but it would have to wait until March 1974 in their own UK). That doesn't mean to say that there isn't great music on worth checking out…

UK released Monday 25 October 2010 - "Ass" by BADFINGER on Apple 5099964243924 is an 'Expanded Edition' CD Remaster and breaks down as follows (53:46 minutes):

1. Apple Of My Eye
2. Get Away
3. Icicles
4. The Winner
5. Blind Owl
6. Constitution [Side 2]
7. When I Say
8. Cowboy
9. I Can Love You
10. Timeless
Tracks 1 to 10 are the LP "Ass" released 26 November 1973 in the USA on Apple SW-3411 and 8 March 1974 on Apple SAPCOR 27 in the UK (it reached number 122 on the American Billboard Top 100).

Tracks 11 to 15 are bonus tracks exclusive to this 2010 CD reissue:
"Do You Mind (Previously Unreleased Version)" is a Joey Molland song (11)
"Apple Of My Eye (Previously Unreleased Early Mix)" is a Pete Ham song (12)
"Blind Owl (Previously Unreleased Version)" is a Tom Evans song (13)
"Regular (Previously Unreleased)" is a Joey Molland song (14)
"Timeless (Previously Unreleased Version)" is a Pete Ham song (15)

Requiring extra payment, there are also 5 more tracks available via Digital Download from iTunes or Amazon – "Get Away (Bonus Track Version)", "I Can Love You (Bonus Track Version)", "Piano Red (Previously Unreleased)", "When I Say (Bonus Track Version)" and "The Winner (Bonus Track Version)" (see either site for cost details).

BOOKLET/PACKAGING:
The front & rear of the original vinyl LP sleeve is reproduced on the gatefold card sleeve (with the black and white 'Ass' inner bag on the inside of the gatefold), while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and there are black & white studio shots of the band - PETE HAM, TOM EVANS, JOEY MOLLAND and MIKE GIBBINS.  It's cute, but you do wish there was more...

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters have done this too - GUY MASSEY, STEVE ROOKES, SAM OKELL and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement - makes you reassess a lot of the songs.

PLAYERS/CONTENT:
The album was produced by CHRIS THOMAS except for "The Winner" and "I Can Love You" - which had TODD RUNDGREN at the controls (Todd also produced their preceding album "Straight Up"). The 'bonus tracks' were self-produced by the band.

It opens well with Pete Ham and Joey Molland double – the melodic "Apple Of My Eye" (lyrics above) followed by the rocking "Get Away". "Apple Of My Eye" was in fact chosen as the album's lone single (March 1974 in the UK on APPLE 49, Apple 1864 in the USA) both with "Blind Owl" on the B-side. "Icicles", "The Winner" and "Constitution" are all Joey Molland songs and aren't great – typically dull mid-Seventies rock fare. The pretty "When I Say" by Tom Evans lifts things a bit, while "Cowboy" sounds like a poor man's Ozark Mountain Daredevils or McGuinness Flint looking for a hit they couldn't find. The last two tracks, however, finish the album with conviction – Joey Molland’s world-weary "I Can Love You" and Pete Ham's epic "Timeless". On here twice (a superb final bonus track), "Timeless" drags out its near eight minutes duration like "I Want You" that ends Side 1 of "Abbey Road" by The Beatles - it's huge in every way with equally impressive multi-layered instrumentation.

Their 2nd album "No Dice" from 1970 is a gem, but Badfinger surpassed even that with their 3rd from 1972 "Straight Up" - leagues ahead of their patchy 1969 debut "Magic Christian Music" both in terms of songwriting quality and sheer polish. "Ass" was their last album for Apple and even then seemed like an afterthought. Perhaps with more Pete Ham compositions… It dribbled out in late November 1973 in the USA and early March 1974 in the UK - and even as it was released - they'd moved on to Warner Brothers and begun recording for them. “Ass” also used to be the easiest one of Badfinger's valuable catalogue to find in dollar bins. In order words, it’s a good album rather than a great one.

Niggles – in order to give a fuller review, I paid for the extra 5 downloads – and typically their quality is superb. When you add their 18 minutes or so onto the 54:36 minutes playing time, you see that they could all have easily fitted onto 1CD. I've Bear Family titles that regularly push past 85 minutes with no deterioration in sound for God's sake, so it's a crappy scam to have us fork out five more pounds for versions EMI know fans will want – and badly. There’s also a MONO MIX on the promo 7" single of "Apple Of My Eye" that is nowhere to be seen.

The gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should also have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). The packaging issues are minor points I know, but this least desirable of their albums could have been made into something superb with 5 more quality bonuses (there's a 2CD set called "Complete Ass" which has 37 tracks!).

One Star or Five - Badfinger have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight (most of the first album, bits of the second and some parts of this – their 4th). But there’s still so much on here to genuinely admire and love.

To sum up – I still recommend it - especially given the massive improvement in sound quality and those shockingly good bonus tracks. Shame about those downloads though…

PS: see also my reviews for other releases in this October 2010 series:

"That's The Way God Planned It" (1969) and "Encouraging Words" (1970) by Billy Preston, "Doris Troy" (1970), "James Taylor" (1968), "Is This What You Want?" (1969) by Jackie Lomax, “Magic Christian Music” (1969), “No Dice” (1970) and “Straight Up” (1972) by Badfinger

Tuesday, 9 November 2010

“No Dice” by BADFINGER. A Review Of Their 2nd Album For The Beatles Apple Label in 1970 – Now Reissued Onto A 2010 Extended CD.


"...Knock Down The Old Grey Wall...Be A Part Of It All..."

Monday 25 October 2010 in the UK saw 14 of the 'Apple' label albums remastered and reissued (see list below) - alongside a first-time-ever label 'Best Of' compilation CD not surprisingly called "Come And Get It" (named after a huge BADFINGER hit penned by Paul McCartney specifically for the band). This zippy little expanded CD reissue of their 2nd album "No Dice" is one of them.

Apple 5099990580727 breaks down as follows (57:42 minutes):

1. I Can't Take It
2. I Don't Mind
3. Love Me Do
4. Midnight Caller
5. No Matter What
6. Without You
7. Blodwyn
8. Better Days
9. It Had To Be
10. Watford John
11. Believe Me
12. We're For The Dark
Tracks 1 to 12 are the Stereo LP "No Dice" by BADFINGER released 27 November 1970 in the UK on Apple SAPCOR 16 and on Apple SKAO-3367 in the USA (it reached number 28 on the American Billboard Top 100). Note: "Love Me Do" is not Beatles cover but a Joey Molland original and "Without You" is the song made famous by NILSSON (Number 1 in the UK in February 1972).

Tracks 13 to 17 are all previously unreleased and exclusive to this 2010 reissue:
13. "I Can't Take It" is an Extended Version - 4:14 as opposed to 2:55minutes
14. "Without You" is a Studio Demo Version
15. "Photograph (aka "Friends Are Hard To Find')" is a Previously Unreleased Version
16. "Believe Me" is an Alternate Version
17. "No Matter What" is a Studio Demo Version

Requiring extra payment there are also 2 more tracks available via Digital Download from iTunes or Amazon - an Instrumental Version of "Love Me Do" and an Extended Stereo Version of "Get Down" (see either site for details).

BOOKLET/PACKAGING:
The gatefold sleeve of the original vinyl LP is reproduced while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and there are 4 superb colour portraits of the band - PETE HAM, TOM EVANS, JOEY MOLLAND and MIKE GIBBINS.  It's cute, but you do wish there was more...

PLAYERS/CONTENT:
The original album was produced by GEOFF EMERICK of Beatles/Abbey Road fame (except for "No Matter What", "Believe Me" and the bonus tracks from 14 through to 17 which were produced by MAL EVANS). Unlike so many of the sessions of the time, the recordings 'didn't' include a number of The Beatles and their talented friends - so the band got to shine all by themselves.

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters have done this too - GUY MASSEY, STEVE ROOKES, SAM OKELL and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement - makes you reassess a lot of the songs.

The album opens strongly with a Pete Ham original "I Can't Take It" - rocking guitars and pumping brass - it sounds really great. It's followed by the Big Star feel of "I Don't Mind" co-written by Tom Evans and Joey Molland - a song that starts out gently and then builds into an impressive melodious tune - it's excellent. Not so I'm afraid with "Love Me Do" (no relation to The Beatles song) - it's a poor man's rocker and doesn't really work. But then you're hit with a double-whammy of Badfinger excellence - "Midnight Caller" and the sublime "No Matter What" (lyrics above). Both stand the test of time - especially "No Matter What" - surely a contender for a Top Ten position in the list 'best 7" single ever released'.

"Without You" would of course be taken by NILSSON and transformed into one of the most extraordinarily powerful cover versions ever made. I heard in a car on the radio a few weeks back in the early morning on the way into work - and to this day it moves me - its opening chords still capable of calling up a shivering memory. "Blodwyn" is a ditty while the excellent "Better Days" turned up as the B-side to the UK 7" single of "No Matter What" (Apple 31) in November 1970 - they used "Carry On Till Tomorrow" as the B on the USA 7" (Apple 1822) - a track off their debut album "Magic Christian Music". The Mike Gibbins penned "It Had To Be" is a lovely song, while the band-composed "Watford John" is a rocker written about an Apple Studio Engineer called John Smith. The last two on the album are huge favourites among fans - Tom Evans' sweet "Believe Me" and Pete Ham's acoustic "We're For The Dark" - accomplished playing, melody builders - both define that certain 'Badfinger' sound. They end the album proper on a definite musical high note.

But like the other issues in this series, the best seems to be kept until last. Having grown used to the short album cut of "I Can't Take It" - I must say that I love the way it's spread out more on the fantastically rocking 'Extended Version'. You can see why it was cut, but in 2010 I'll take the 'indulgent' version any day of the week. Then fellows the 'Demo' of "Without You" which I find more affecting than the finished track - more akin to what Nilsson did with it - it's a gem. "Photograph" is a rough rock song - it's good, but it's eclipsed big time by a sweet-as-honey Alternate Take of "Believe Me" with more Piano and Electric Guitar - what a treat. The 'Demo' of "No Matter What" is close to the finished track, but without that killer electric guitar that made it. I must say that the bonus tracks are impressive rather than being superfluous. Very, very good indeed...

Niggles - the 2 download tracks will be desirable to fans and making them pay extra dollars for them via Download is cheapskate and crappy - and as you can see from the playing time above, there was plenty of room to include them on here (they're available as hardcopy on the double-CD that comes with the "Apple Box Set"). The gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should also have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). They're minor points I know, but they're worth making...

One star or Five - Badfinger have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight. I'd say that if you're coming to them cold in 2014 then it's probably somewhere in between. But fans will see it differently - they will eat this reissue up big time. To sum up - I still see "No Dice" as a great album - with songmanship that shines through even now. And they repeated that craft and warmth on their next album "Straight Up" too.

Recommended - especially given the massive improvement in sound quality and those shockingly good bonus tracks.

The October 2011 Apple CD Remasters are (I've reviewed most):
1. Magic Christian Music - BADFINGER (January 1970)
2. No Dice - BADFINGER (November 1970)
3. Straight Up - BADFINGER (1972)
4. Ass - BADFINGER (1974)
5. Postcard - MARY HOPKIN (1969)
6. Earth Song - Ocean Song - MARY HOPKIN (1971)
7. Is That What You Want? - JACKIE LOMAX (1969)
8. Under The Jasmine Tree / Space - THE MODERN JAZZ QUARTET (1968 and 1969 - 2LPs on 1CD)
9. That's The Way God Planned It - BILLY PRESTON (1969)
10. Encouraging Words - BILLY PRESTON (1970)
11. The Radha Krishna Temple - THE RADHA KRISHNA TEMPLE (1971)
12. The Whale / Celtic Requiem - JOHN TAVENOR (1970 and 1971 - 2LPs on 1CD)
13. James Taylor - JAMES TAYLOR (1968)
14. Doris Troy - DORIS TROY (1970)

INDEX - Entries and Artist Posts in Alphabetical Order