"This Is Clarence Carter/The Dynamic Clarence Carter...And More" by CLARENCE CARTER (January 2016 Ace/Kent Soul CD Remasters) - A Review by Mark Barry...

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"...That Old Time Feeling..." 

Alabama's CLARENCE CARTER has had his Atlantic Records catalogue reissued a number of times before in both the UK and the USA by good labels like Rhino, Sequel and Collectables. I've even got Japanese Atlantic versions from two years back with great sound and a reasonable price. So why buy yet again?

Because this January 2016 CD reissue is by 'Ace Records of the UK' (using their Kent Soul label imprint) and 'best ever audio' hardly even scrapes the surface. This CD reissue sounds truly amazing – presented in crystal clear glorious STEREO. As if that's not enough enticement this new version also offers up something quite rare – five Previously Unreleased album outakes tagged on at the end that are actually worth shelling out for. 
Ho! Ho! Ho! as the visually-impaired Montgomery Soul Singer would say-chuckle. 
Let's get to the 'looking for a fox' details...

UK released Friday, 29 January 2016 (5 February 2016 in the USA) – "This Is Clarence Carter/The Dynamic Clarence Carter...And More" by CLARENCE CARTER on Ace/Kent Soul CDKEND 444 (Barcode 029667244428) offers 2LPs onto 1CD plus Five Previously Unreleased Outtakes and plays out as follows (76:41 minutes):

1. Do What You Gotta Do [Side 1]

2. Looking For A Fox

3. Slippin' Around

4. I'm Qualified

5. I Can't See Myself

6. Wind It Up

7. Part Time Love [Side 2]

8. Thread The Needle

9. Slip Away

10. Funky Fever

11. She's Ain’t Gonna Do Right

12. Set Me Free

Tracks 1 to 12 are his debut album "This Is Clarence Carter" in Stereo – released December 1968 in the USA on Atlantic SD 8192 and in the UK on Atlantic 588 152

13. I'd Rather Go Blind [Side 1]

14. Think About It

15. The Road Of Love

16. You've Been A Long Time Coming

17. Light My Fire

18. That Old Time Feeling

19. Steal Away [Side 2]

20. Let Me Comfort You

21. Look What I Got

22. Too Weak To Fight

23. Harper Valley PTA

24. Weekend Love

Tracks 13 to 24 are his 2nd album "The Dynamic Clarence Carter" in Stereo – released March 1969 in the USA on Atlantic SD 8199 and in the UK on Atlantic 588 172

BONUS TRACKS Recorded 1966-1967:

25. I'm Happy-Go-Lucky (Mono)

26. She Ain't Gonna Do Right (Mono)

27. Take Me, Use Me (Stereo)

28. There Won't Be Another Sunset (Mono)

29. I'll Be Over After A While (Mono)

The 16-page booklet features full plates of the American artwork front and rear for both LPs – but cleverly Ace have reproduced the 'Original Notes' on the rear of each LP in clear print so fans can actually read the text. There's new liner notes from Soul Expert DEAN RUDLAND that goes into wonderful track-by-track knowledge. The two other Ace CDs they've done for Clarence Carter have been for his Fame Records 7" singles – the vast majority of which were in MONO – so these album in glorious true STEREO are something to behold. The reissue label's long-standing Audio Engineer DUNCAN COWELL handled the transfers and Remasters – and wow is all I can say. I've adored "Looking For A Fox" as one of those sneakily great 60ts Soul groovers that slaughter all in its path when you're out on the dancefloor. The album STEREO cut of "Looking For A Fox" presents subtle differences in that it loses the background singers that were on the Mono single cut – but the upside is that the Audio punch is unbelievable and the thrill factor just as good. This is a fantastic sounding CD and Carter fans will absolutely have to ditch all previous versions...

The debut album had been two years in the making for the blind singer – gathering songs and finally getting into Rick Hall's Fame Studios. His debut opens with the rather schlocky Johnny Rivers and Jimmy Webb vehicle "Do What You Gotta Do" – but by the time you get to his fabulous ballad "I Can't See Myself (Crying About You)" and the funky keyboard groove of "Wind It Up" – you're being hit with a lethal combo – great tunes transferred with rolicking audio. Side 2 opens with the chugging Soul of Clay Hammond's "Part Time Love" – the Fame Gang Session Players laying down a blinder on Guitar, Piano and Horns (wow city). Rudland rightly points out that there's a cymbal on "Thread The Needle" that seems to have been overdubbed onto the Stereo mix – the thing is that this sucker sounds so clear - it threatens to punch a hole in your speaker stack. Clarence's utterly gorgeous "Slip Away" is full and clean - and many people's fave raver "Funky Fever" is surely going to make you shimmy your shammy and not give a monkeys what the neighbours think...

His 2nd album only cemented the building reputation of the debut – it opens with a truly stunning transfer of "I'd Rather Go Blind" – a cover of an Etta James classic on Chess. Don Covay & Otis Redding's "Think About It" sounds fantastic too – but Duane Allman fans will freak out for "The Road To Love" – their hero plays a wild guitar solo half way through (flanged left to right and away) and its never sounded this clear to me (and I've had this track at least five times before on varying compilations). Two great sounding tracks follow – Barry Mann and Cynthia Weil's "You've Been A Long Time Coming" and The Doors classic "Light My Fire" – but despite the quality transfer neither ignite and in fact feel slightly uncomfortable against the rest of the real Soul Music on the album. Things return to kick ass with the wonderful slink-funk of "That Old Time Feeling" – a co-write between Carter and Rick Hall. His lovely cover of the Jimmy Hughes chart winner "Steal Away" comes at you with such clarity as to make you double take. But my itchy fingers immediately flick to my double Side 2 craves – "Too Weak To Fight" and the fabulous guitar-funk of "Weekend Love" - both dancing like Abbot Costello with ants in his pants. Even his cover of Jeannie C Riley's "Harper Valley PTA" rocks – a cautionary tale where we're reliably informed by the nice principals of said educational establishment that "...Mrs. Johnson...you're wearing your dresses too high..." (oh dear).

I had though the Previously Unreleased would be throw away (four in Mono and one in Stereo) – but thankfully they're not. After all that Stereo bliss – the Mono "I'm Happy-Go-Lucky" comes as an audio shock but a minute in and I'm hooked – a great groove that shows his undeniable knack for picking a 'feeling' and nailing it. Both it and "There Won't Be Another Sunset" are from the same 1967 session and Rudland is right to describe them as 'rather wonderful'. Spooner Oldham and Dan Penn's "She Ain't Gonna Do Right" is a demo and despite its 'frail' audio still sounds great - while the Stereo "Take Me, Use Me" features some lady vocalists to great effect (uncredited unfortunately). His own "I'll Be Over After A While" ends the music fest on an upbeat note...

I've loved Ace's commitment to Soul and R&B across the four long decades they been in the Reissue game. But for me - a long time reviewer and passionate lover of both genres – this CD is something of an Audio milestone. Fantastic music accompanied by truly awesome transfers of it. 

I know its only the end of January but for little old fart me - this is already a shoe in for 2016 'Soul CD Reissue Of The Year'...

PS: I also highly recommend "The Fame Singles Volume 1: 1966-70" by Clarence Carter that Ace put out in 2012 – it has 24 Mono Tracks in blistering sound quality and features many non-album cuts too. See my review...

This review is part of my SOUNDS GOOD Music Book Series. One of those titles is SOUL, FUNK & JAZZ FUSION - an E-Book with over 240 entries and 2100 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap). 

"Visions Of A New World" by LONNIE LISTON SMITH & THE COSMIC ECHOES - October 1975 US, January 1976 UK Album on Flying Dutchman Records and RCA Victor (July 2015 UK Ace/Beat Goes Public CD Reissue and Remaster) - A Review by Mark Barry...

This Review Along With 145 Others Is Available In My

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MORE THAN A FEELING 

1976

Your All-Genres Guide To 

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"...Soul Flow..." 

Jazz Funk and Fusion has a bedrock of superstar albums like Donald Byrd's "Spaces And Places", Herbie Hancock's "Headhunters", The Crusaders "Free As The Wind", George Benson's "Breezin'" and even Grover Washington Jr.'s "Winelight" from 1980. High on that list has to be Lonnie Liston Smith's April 1975 masterpiece "Expansions" which preceded "Visions Of A New World" by only five months ("Visions..." was released Stateside in October 1975). The tendency then is to overlook the albums after and before those smashes and Lonnie's wonderful follow up to "Expansions" is a case in point. "Visions Of A New World" is a melodic, mellow and Soulful Jazz Funk and Fusion gem and has had the heart of genre lovers for four decades since its release. And now Ace Records of the UK (through their Beat Goes Public label imprint) has given it a new 2015 CD remaster and reissue and the bugger only sounds gorgeous - properly ripe for rediscovery by a new generation. Here are the stellar details...

UK released 31 July 2015 (August 2015 in the USA) - "Visions Of A New World" by LONNIE LISTON SMITH & THE COSMIC ECHOES on Ace/Beat Goes Public CDBGPM 294 (Barcode 029667529426) is a straightforward mid-price CD transfer in their 'Flying Dutchman Jazz Classics' Reissue Series and breaks down as follows (33:57 minutes):

1. A Chance For Peace

2. Love Beams

3. Colors Of The Rainbow

4. Devika (Goddess)

5. Sunset [Side 2]

6. Visions Of A New World (Phase I)

7. Visions Of A New World (Phase II)

8. Summer Nights

The 8-track album was originally released October 1975 in the USA on Flying Dutchman Records BDL1-1196 and January 1976 in the UK on RCA Victor SF 8461.

Lonnie Liston Smith plays keyboards on every track, Donald Smith puts in vocals on three – "A Chance For Peace", "Colors Of The Rainbow" and "Visions Of A New World (Phase I)" and also contributes Flute and Horns on "Love Beams", "Sunset", "Visions Of A New World (Phase II)" and "Summer Nights". The band includes Clifford Adams on Trombone, Cecil Bridgewater on Trumpet, Reggie Lucas on Guitar, Greg Maker on Bass, Wilby Fletcher on Drums with Ray Armando, Angel Allende and Lawrence Killan on Percussion.

NICK ROBBINS has carried the CD Remaster at Sound Mastering in London (an Engineer of long-standing and skill) and it sounds beautiful – bringing out the superb Bob Thiele Production values applied to all his Flying Dutchman releases (LLS co-produced this LP with him). The inlay is a four-part foldout – with new liner notes by noted writer DEAN RUDLAND, label repros, trade advert and the original LP credits. Its functional but highly informative.

It opens with the sublime "A Chance For Peace" – a track beloved by adventurous DJs, Funk lovers and CD compilation compliers. But what gets me is that I'd forgotten how perfect the 'whole' LP is - giving you moods and rare grooves – funky one moment – Soulful and smoochy the next – all Cosmic and peaceful thereafter. In fact its even commercial if you think about it (it charted at a healthy 14 in the USA). RCA Victor in the UK gave "A Chance For Peace" an airing in March 1976 on a British 45 (RCA 2668) but amazingly it sank without a trace (the LP was deleted in early 1977 too). We get all trippy on "Colors Of The Rainbow" as Donald Smith sings with abandon about Mother Nature smiling tears of joy. But we then get hit with the other mellow masterpiece on here "Devika (Goddess)" written by Soprano Saxophone player David Hubbard (with Sarina Grant). It grooves along to his lovely flourishes and is 5:16 minutes of pure Jazz Funk sexiness. Side 2 opens with a sensual piano intro to the wonderful "Sunset" – the track sounding and feeling like you’re witnessing the title – a Sunset. The two parts of “Visions” are piano-heavy Fusion with Donald Smith handling the spacy vocal on Phase I until it goes into George Duke Funk territory for Phase II. The LP ends on a swirling "Summer Nights" – again with cool Audio as its bedtime sexiness caresses your speakers...

A fabulous Reissue then - and if you don’t have the album – waste no time – it’s a steal at twice its mid-price...

Titles in the 'Flying Dutchman Jazz Classics' Series of CD Reissues 

by Ace/Beat Goes Public of the UK include:

1. Fenix - GATO BARBIERI (Ace/BGP Records CDBGPM 268)

2. The Third World - GATO BARBIERI (Ace/BGP Records CDBGPM 272)

3. El Pampero – GATO BARBIERI (Ace/BGP Records CDBGPM 283)

4. Cesar 830 – CESAR (Ace/BGP Records CDBGPM 261)

5. Friends And Neighbors: Ornette Live At Prince Street – ORNETTE COLEMAN (Ace/BGP Records CDBGPM 266)

6. Afrique – COUNT BASIE (Ace/BGP Records CDBGPM 271)

7. Barefoot Boy - LARRY CORYELL (Ace/BGP Records CDBGPM 269)

8. George Russell Presents… - THE ESOTERIC CIRCLE (Ace/BGP Records CDBGPM 284)

9. Small Talk At 125th & Lenox - GIL SCOTT-HERON (Ace/BGP Records CDBGPM 290) - see REVIEW

10. Pieces Of A Man – GIL SCOTT-HERON (Ace/BGP Records CDBGPM 274)

11. Free Will – GIL SCOTT-HERON (Ace/BGP Records CDBGPM 281)

12. Astral Traveling – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 273)

13. Cosmic Funk - LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 278)

14. Expansions – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 263)

15. Visions Of A New World – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 294)

16. Reflections Of A Golden Dream – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 296)

17. Cosmic Funk And Spiritual Sounds; The Best Of The Flying Dutchman Years – LONNIE LISTON SMITH (Ace/BGP Records CDBGPM 254)

18. Newport News, Virginia – ESTHER MARROW (Ace/BGP Records CDBGPM 264)

19. Swiss Suite: Recorded Live At The Montreaux Jazz Festival - OLIVER NELSON (Ace/BGP Records CDBGPM 279)

20. Soul Is… - PRETTY PURDIE (Ace/BGP Records CDBGPM 282)

21. Head Start – BOB THIELE EMERGENCY (Ace/BGP Records CDBGPM 265)

22. Spirits Known And Unknown – LEON THOMAS (Ace/BGP Records CDBGPM 262)

23. The Leon Thomas Album - LEON THOMAS (Ace/BGP Records CDBGPM 270)

24. Blues And The Soulful Truth – LEON THOMAS (Ace/BGP Records CDBGPM 277)

25. The Creator: The Best Of The Flying Dutchman Masters – LEON THOMAS (Ace/BGP Records CDBGPD 257) 

"Reflections Of A Golden Dream" by LONNIE LISTON SMITH & THE COSMIC ECHOES (2015 Ace/Beat Goes Public CD Remaster) - A Review by Mark Barry...

This Review Along With 100s Of Others Is Available in my

SOUNDS GOOD E-Book on all Amazon sites

SOUL, FUNK and JAZZ FUSION - Exception CD Remasters  

Just Click Below To Purchase for £3.95

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(No Cut and Paste Crap)

"...Journey Into Space..."

Using their Beat Goes Public imprint (BGP) - Ace Records of the UK continue their wonderful reissue of Lonnie Liston Smith's trio of Jazz-Funk meisterworks with his 'Cosmic Echoes' band on Bob Thiele's Flying Dutchman Records back in the mid Seventies – albums that collectors and lovers of the genre have lusted after on more than a few Funky occasions.

April 2013 saw Smith’s hugely popular "Expansions" album from May 1975 get a 5-star CD reissue – while the second LP "Visions Of A New World" from October of that same year came our CD way in July of 2015. And now in November 2015 – the third and forgotten nugget in his initial cannon – April 1976's "Reflections Of A Golden Dream" with the massively popular Soul-Funk smash "Get Down Everybody (It's Time For World Peace)". All three reissues are part of Ace's 'Flying Dutchman Jazz Classics' CD Remasters Series. Here are the dreamscapes for Volume 3...

UK released 27 November 2015 (December 2015 in the USA) - "Reflections Of A Golden Dream" by LONNIE LISTON SMITH & THE COSMIC ECHOES on Ace/Beat Goes Public CDBGPM 296 (Barcode 029667529624) is a straightforward mid-price CD transfer in their ‘Flying Dutchman Jazz Classics’ Reissue Series and plays out as follows (38:57 minutes):

1. Get Down Everybody (It’s Time For World Peace)

2. Quiet Dawn

3. Sunbeams

4. Meditations

5. Peace And Love

6. Beautiful Woman [Side 2]

7. Goddess Of Love

8. Inner Beauty

9. Golden Dreams

10. Journey Into Space

The 10-track album was originally released April 1976 in the USA on Flying Dutchman Records BDL1-1460 and July 1976 in the UK on RCA Victor RS 1053.

Lonnie Liston Smith plays keyboards and 'funky electronic textures' on every track while singing lead on "Get Down Everybody (It's Time For World Peace)". As was the case on the "Visions Of New Worlds" LP earlier that year (1975) - Donald Smith puts in lead vocals on three songs – "Peace And Love", "Beautiful Woman" and "Inner Beauty" and also contributes Flute on three more - "Quiet Dawn", "Sunbeams" and "Golden Dreams". The band includes David Hubbard and Arthur Kaplin on Saxophones, Joe Shepley and Jon Faddis on Trumpets, Al Anderson on Bass, Wilby Fletcher on Drums with Guilherme Franco and Leopoldo Fleming on Percussion - while Maeretha Stewart, Patti Austin and Vivian Cherry sang Backing Vocals on tracks 1 and 5.

NICK ROBBINS has carried out the CD Remaster at Sound Mastering in London (an Engineer of long-standing and skill) and it sounds beautiful – bringing out the superb Bob Thiele Production values applied to all his Flying Dutchman releases (LLS co-produced this LP with him). The 8-page inlay features new liner notes by noted writer DEAN RUDLAND, label repros of Side 1 and 2 of the original Flying Dutchman LP and the US 7" single for "Get Down Everybody..." with "Goddess Of Love" on the B-side (Flying Dutchman JB 10616). There's also a two-page spread which repros the musician credits from the gatefold sleeve. It’s functional but highly informative.

It opens with the album’s most famous track – Lonnie Liston Smith giving it some rare vocals on the Jazz-Funk Rare Groove monster "Get Down Everybody (It's Time For World Peace)" – an anthem in clubs that pumps out the Brass and Rotary Connection vocals with a rapid backbeat. And again like "Visions Of A New World" from 1975 which I reviewed a few months back (also reissued by Ace’s BGP) - I'd forgotten how good the 'whole' LP is - giving you bedroom moods like the beautiful piano instrumental "Quiet Dawn" and then zither-slick grooves like the funky "Sunbeams" which feels like Dexter Wansel or Donald Byrd at their Philly International/Blue Note best. Swirling keyboard and vibe beauty follows once again with the gorgeous textures of "Meditations" - while the side ends on the Acoustic Bill Withers funk of "Peace & Love" – another stab at the vocal commercial hit of "Get Down Everybody" that even has a slightly Brazilian sway to it. It’s a winner and the label put it out as a 45 on Flying Dutchman DB-10702 with the wicked "Quiet Dawn" as its B-side. 

Side 2 opens with the good but slightly less convincing shuffle of "Beautiful Woman" which I always skipped for the far better chunky-funk of “Goddess Of Love” – a flute-driven mid-tempo number that sounds sexy and sweet. The swirling “Inner Beauty" is the kind of ethereal Fusion I love – all spacey and magical somehow yet you can’t quite define why. I personally would have followed with "Golden Dreams" as another slick 45 – the spoken vocals and that slinky rhythm would surely have had some DJ spinning that bad mother. It ends on “Journey Into Space” – a trippy instrumental that sounds like our Lonnie has been listening to the percussion opening parts in Santana's "Caravanserai" just once too often...

Another fabulous reissue then by Ace’s BGP of Lonnie Liston Smith's Cosmic Echoes trio of albums - and if you don’t have the album "Reflections Of A Golden Dream" – then waste no time – it’s a steal at twice the mid-price...

PS: Titles in the "Flying Dutchman Jazz Classics" Series of CDs includes:

1. Fenix - GATO BARBIERI (Ace/BGP Records CDBGPM 268)

2. The Third World - GATO BARBIERI (Ace/BGP Records CDBGPM 272)

3. El Pampero – GATO BARBIERI (Ace/BGP Records CDBGPM 283)

4. Cesar 830 – CESAR (Ace/BGP Records CDBGPM 261)

5. Friends And Neighbors: Ornette Live At Prince Street – ORNETTE COLEMAN (Ace/BGP Records CDBGPM 266)

6. Afrique – COUNT BASIE (Ace/BGP Records CDBGPM 271)

7. Barefoot Boy - LARRY CORYELL (Ace/BGP Records CDBGPM 269)

8. George Russell Presents… - THE ESOTERIC CIRCLE (Ace/BGP Records CDBGPM 284)

9. Small Talk At 125th & Lenox - GIL SCOTT-HERON (Ace/BGP Records CDBGPM 290) - see REVIEW

10. Pieces Of A Man – GIL SCOTT-HERON (Ace/BGP Records CDBGPM 274)

11. Free Will – GIL SCOTT-HERON (Ace/BGP Records CDBGPM 281)

12. Astral Traveling – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 273)

13. Cosmic Funk - LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 278)

14. Expansions – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 263)

15. Visions Of A New World – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 294)

16. Reflections Of A Golden Dream – LONNIE LISTON SMITH & THE COSMIC ECHOES (Ace/BGP Records CDBGPM 296)

17. Cosmic Funk And Spiritual Sounds; The Best Of The Flying Dutchman Years – LONNIE LISTON SMITH (Ace/BGP Records CDBGPM 254)

18. Newport News, Virginia – ESTHER MARROW (Ace/BGP Records CDBGPM 264)

19. Swiss Suite: Recorded Live At The Montreaux Jazz Festival - OLIVER NELSON (Ace/BGP Records CDBGPM 279)

20. Soul Is… - PRETTY PURDIE (Ace/BGP Records CDBGPM 282)

21. Head Start – BOB THIELE EMERGENCY (Ace/BGP Records CDBGPM 265)

22. Spirits Known And Unknown – LEON THOMAS (Ace/BGP Records CDBGPM 262)

23. The Leon Thomas Album - LEON THOMAS (Ace/BGP Records CDBGPM 270)

24. Blues And The Soulful Truth – LEON THOMAS (Ace/BGP Records CDBGPM 277)
25. The Creator: The Best Of The Flying Dutchman Masters – LEON THOMAS (Ace/BGP Records CDBGPD 257)

"Groove With A Feeling: Sounds Of Memphis, Boogie, Soul & Funk 1975-1985" by VARIOUS ARTISTS (2015 Ace/Beat Goes Public CD Remasters) - A Review by Mark Barry...

"...Just A Little Tighters..."

It's rare (and I mean rare) that I wouldn't recommend an Ace Records CD - but this compilation isn't exactly brimming with their usual fare of quality tracks - it really isn't. It's pretty obvious why much of this sub-standard 80's sounding pseudo-funk stayed in the can - it just didn't cut the mustard. It’s not all bad though...

UK released June 2015 (July 2015 in the USA) - "Groove With A Feeling: Sounds Of Memphis, Boogie, Soul & Funk 1975-1985" on Ace/Beat Goes Public/Sounds Of Memphis CDTOP 293 (Barcode 029667529327) gives you 19 tracks remastered by NICK ROBBINS and plays to 75:26 minutes. All songs are Stereo except tracks 8, 13 and 14 which are Mono (no indication of which track is from what period). The only track on here that was released is number 10 - "New Lang Syne" by Kannon - issued on XL Records 951 as an American 45 in 1978 - all the others are previously unreleased for 2015.

The 8-page booklet has liner notes by noted writer and Soul aficionado DEAN RUDLAND, publicity photos of The Jacksonians, Louis Williams and Takelia Kelly as well as some music sheets and tape boxes. The audio is amazing - incredibly clean and in your face - most of it recorded in professional circumstances.

I wish I could say the material warranted it. Tracks like Lee Moore's "You Can Bet I Can Get You Yet" and "One On One" by Demetrius sound like Eighties throwaways - the 1976 Stevie Wonder clavinet Funk of "Groove With A Feeling" by Freedom Express is a bit more like it - a wicked groove. The politically loaded "Politics" by Everyday People is full of anger and social commentary with a vicious Sly Stone backbeat and lyrics almost screamed. "New Lang Syne" (the only track on here released as a 7" single) sounds like Funkadelic doing too many drugs at a Christmas office party - it's a wildly Funky instrumental loosely based around that famous Scottish New Year toast (can't decide whether its rubbish or genius) - but it sure Funks like a mother with one too many Babychams.

Better is "Gone" by Vision that sounds very Harold Melvin circa 1975 (the audio is only ok though). "We Need Love" by Donald O'Connor sounds like Ronn Matlock's "Love City" album (vocally and structurally) and I think is a highlight on here. It's back to 80s steppers with Lee Moore's "What's In The Dark" - not bad but not great either. "Attraction" is like some bad synth-dominated 80s movie track where someone wears a sweatband on their forehead as they shimmy across a large loft apartment in very tight legwarmers...eek... It’s followed by more of the same insipid tunes trying to be an uptempo hit but just not making it.

A mixed bag really - but for me - too many misses to make it any better than three stars...

“Kicking Back” by JOE HOUSTON (May 2015 Ace/Beat Goes Public CD Remaster of a 1978 Big Town Records LP) - A Review by Mark Barry...

"...Trippin' In..."

Texas Saxophonist JOE HOUSTON was 51 in 1978 when he recorded the long-forgotten and overlooked “Kicking Back” LP for Big Town Records - a Los Angeles based label run by Jules Bihari of Fifties Modern Records fame. In fact Houston’s younger talents formed a band in the late Forties for none other than Atlantic Records legend Big Joe Turner (Turner’s first recordings for Freedom). But those glory days were long behind Houston when he came to record this mixture of old Rhythm ‘n’ Blues married with Saxophone Funk and Blues Guitar.

In some ways Big Town Records felt like the graveyard for old guys trying to get a new break in the post Disco world – so their LPs got ignored at the time and deleted quickly. Decades later DJs in the USA and UK began to plunder these late Seventies recordings for anything that contained Deep Funk Grooves – and on certain cuts like the two-part title track – they found what they were looking for. And that’s where this CD reissue comes boppin’ in. Here are Tenor Trippin’ details...

UK released May 2015 (June 2015 in the USA) – Ace/Beat Goes Public CDBGPM 292 (Barcode 029667529228) is a straightforward CD reissue (mid-price) of the 1978 LP “Kicking Back” by Joe Houston on Big Town Records BT 1004 – produced by Jules Bihari and Joe Houston. All songs are Houston/Bihari originals with Bihari credited under the pseudonym Jules Taub. The 8-page liner notes are by noted writer and genre-expert DEAN RUDLAND - a name that's been on a huge number of quality CD reissues. The CD has been superbly remastered from first generation master tapes by NICK ROBBINS at Sound Mastering in London and plays out as follows (34:36 minutes):

1. Hawaiian Disco

2. T-Bone Disco

3. Mr. Big “H”

4. Baby What You Want Me To Do

5. Trippin’ In [Side 2]

6. Why Don’t You Rock Me

7. Kicking Back Part 1

8. Kicking Back Part 2

JOE HOUSTON – Tenor & Soprano saxophone

LARRY JOHNSON – Guitar & Bass

TED BUTLER – Guitar & Bass

BO RHAMBO – Alto & Tenor Saxophone

FREDDY CLARK – Baritone & Tenor Saxophone 

ROSS SOLOMINE – Drums

The Audio is amazing – full of punch and vigour – very well done and DJs will love it. The album opens badly with two very dated tunes sounding like cod Rock ’n’ Roll - both with the word “Disco” in them (the pair are best left alone I’m afraid). Track 3 on Side 1 however is different. Had the album opened with “Mr. Big “H”” you might have felt you’d stumbled on a forgotten monster that somehow slipped out of the James Brown school of Funk without anyone noticing. A wicked driving bass and flicky guitar rhythm section back up Houston as he gives it some JBs Saxophone stabs and jabs – blasting away for five minutes duration with a superb BB King type guitar solo half way through (a bit of a winner frankly – man would this be cool on a 12” single). We go straight into old time Rhythm ‘n’ Blues with the vocals of “Baby What You Want Me To Do” where Houston sounds like 1978 Chuck Berry.

Side 2 opens with another potential discovery – the near six-minute instrumental “Trippin’ In” - a chugging Bluesy piece peppered with funky Houston soloing. The three-minute “Why Don’t You Rock Me” is more of the same – grooving R&B with tasty fills and a classy George Benson-type guitar solo. The album finishes with the two parts of the title track – and immediately it goes for the dancefloor jugular by upping the tempo into a frantic pace. Both parts of “Kicking Back” feature a funky wah-wah guitar against a driving drum backing that’s overlaid by wild Houston soloing – Mr. H going at it like James Brown is going to fine him any minute for missing a beat. Both parts are irresistible DJ bate and you can so hear why these tracks on the album have been sought after...

So there you have it – it’s not all Funky Nirvana by any means – but the good stuff is worth seeking out/owning. And in this great Audio quality – Joe Houston’s “Kicking Back” is yet another clever choice by those fingers-on-the-pulse bods down at Ace Records in Londinium’s Steele Road. Way to go boys...

"Songs/Hey Love" by ROTARY CONNECTION featuring MINNIE RIPERTON and SIDNEY BARNES (October 1998 UK 'Ace/Beat Goes Public' Compilation - 2LPs onto 1CD - Duncan Cowell Remasters) - A Review by Mark Barry...

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"...In The Sunshine Of Your Love..."

I've had this October 1998 CD by Ace Records/Beat Goes Public for years now and treasure it like its some sort of Soul Holy Grail. It features 2LPs Remastered on one disc - Rotary Connection's "Songs" (1969) and "Hey, Love" (1971).

The albums are a tale of two worlds - "Songs" is made up entirely of cover versions and features the combined talent of singers SIDNEY BARNES, the mercurial MINNIE RIPERTON and (the mysterious) JERIMIAH – all three being principal vocalists. "Hey, Love" from 1971 saw major line-up changes and for me a huge step up in the songwriting quality. Here are the connecting details...

UK released October 1998 - "Songs/Hey, Love" by THE ROTARY CONNECTION featuring MINNIE RIPERTON on Ace/Beat Goes Public CDBGPD 115 (Barcode 0296675111520) features 2LPs Remastered onto 1CD and plays out as follows (75:27 minutes):

1. Respect

2. The Weight

3. Sunshine Of Your Love

4. I Got My Mojo Working

5. The Burning Of The Midnight Lamp

6. Tales Of Brave Ulysses

7. This Town

8. We’re Going Wrong

9. The Salt Of The earth

"Songs" was originally US released in the summer of 1969 on Chess/Cadet-Concept LPS-322 and credited to ROTARY CONNECTION. Label boss MARSHALL CHESS and the visionary CHARLES STEPNEY co-produced the record.

JON STRICKLAND played a fuzz guitar as they laid into Cream's "Sunshine Of Your Love", "We're Going Wrong" and "Tales Of Brave Ulysses", The Band's "The Weight" and "This Town" by Stevie Wonder. There are also stabs at Otis Redding's "Respect", Jimi Hendrix's "The Burning Of The Midnight Lamp", "Salt Of The Earth" by The Stones and "I've Got My Mojo Working" by Muddy Waters. “Songs” is not a slave-the-original album - the covers are tear 'em up re-workings and I love what they did. The fuzz guitar in "Mojo" is amazing. Sidney Barnes also had the most beautifully expressive voice - the velvet of Brook Benton meets the soulfulness of Marvin Gaye circa "What's Going On". But admittedly with its heavily laden string-arrangements and lush vocal backings (Minnie soaring into the octaves) - it may not be everyone's purist idea of Soul - but for me the better moments (the trio of radically re-worked Cream covers) make it so worthwhile. However, things moved on immeasurably and undeniably with the next record.

10. If I Sing My Song

11. The Sea & She

12. I Am The Black Gold Of The Sun

13. Hangin' Round The Bee Tree

14. Hey, Love

15. Love Has Fallen On Me

16. Song For Everyman

17. Love Is

18. Vine Of Happiness

I've always considered "Hey, Love" to be a bit of a masterpiece (see my separate review for the new 2013 remaster out of Japan on the "Chess Best Collection" series). Originally released on vinyl in the States on Chess/Cadet Concept CC 50006 in August 1971 and credited to THE NEW ROTARY CONNECTION - it features the hand of writer/arranger/player maestro CHARLES STEPNEY. Stepney was Chess's answer to Norman Whitfield - a man with a conscience and a way with a funky and soulful tune. The other attractions are MINNIE RIPERTON, KITTY HAYWOOD, SHIRLEY WAHLS and DAVE SCOTT all on Lead Vocals with Stepney playing a huge number of instruments as well as arranging. 

Top session-men include superb guitarists PHIL UPCHURCH (see my review of his stunning 1971 double-album "Darkness Darkness" also on Japanese CD) and the axework of PAT FERRERI. The album also featured RICHARD RUDOLPH (Minnie Riperton's husband of the time) - he solo wrote both "Hanging Round The Bee Tree" and "The Sea & She" and excepting one other - co-wrote the rest of the album with Stepney.

The album's big tune is the magnificent "I Am The Black Gold Of The Sun" which was rescued from obscurity by British/US Funksters NUYORCIAN SOUL featuring JOCELYN BROWN when they sampled and covered it in November 1997 on the Talkin' Loud label. They brought the song and Rotary Connection in general into the charts (to 31). Ace then reissued this CD the following year (Oct 1998) and there's been vinyl repros of the "Hey, Love" LP in the West End of London ever since - meeting the demands of those constantly searching for something cool and Soulful to rediscover.

Besides "Gold" there are 4 other masterpieces on here - the echoed and swirling vocals of "Hanging Round The Bee Tree" (graced many of my Reckless in-store play lists), the gorgeous and sunny upbeat title track "Hey, Love" followed by Kitty Haywood letting it vocally rip on the sublime "Love Has Fallen For Me" (covered by Chaka Khan on her "I'm Every Woman" LP). But the best for me is the lone TERRY CALLIER track (a songwriter Stepney was plugging) called "Song For Everyman" - it is just brilliant and sends me every time I hear it (lyrics from it title this review). 

We should also mention the sublime vocals of SIDNEY BARNES who never seemed to get the credit he so richly deserved. And what can you say about the voice of MINNIE RIPERTON who could make grown men cry by just hitting an octave most couldn't reach…

The DEAN RUDLAND liner notes are superb (I've raved about his writing across so many Ace and Kent Soul reissues) and the remaster by Sound Mastering of London used the original master tapes (probably DUNCAN COWELL). It's lovely - full of presence and vocals swirling around your speakers – properly fab.

So why didn't they make it? I suspect that with all those hippy-dip lyrical references to helping out your brother and bombing others with love - the group was perceived as a poor man's Fifth Dimension - a sort of watered down gathering peddling a lame "Hair" musical. This of course did for them commercially and is just plain wrong as an assessment. Typically it took British Soul fans to reignite interest and a torrent of well-deserved praise has followed ever since.

Charles Stepney is a sort of underground cult figure now amongst aficionados - spoken about in hushed tones. Minnie Riperton went solo and produced a string of gorgeous Soul albums in the mid-Seventies only to sadly succumb to breast cancer at a criminally young age in 1979.Still - they all have this legacy to remind us. A fantastic CD – and one you need to discover...

PS: see also my in-depth review of the singular "Hey, Love" reissue out of Japan in 2013 as part of their "Chess Best Collection" Series - and a separate review for their first album just called "Rotary Connection"...