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Showing posts with label Brinsley Schwarz. Show all posts
Showing posts with label Brinsley Schwarz. Show all posts

Thursday, 11 February 2016

"Heat Treatment" by GRAHAM PARKER and THE RUMOUR (2001 Mercury 'Expanded Edition' CD Reissue Remaster) - A Review by Mark Barry...





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"...The Flame Is Burning..."

Graham Parker's blistering and caustic debut album "Howlin Wind" caused a stir in music newspapers of the time (April 1976, Vertigo Records). Peopled by increasingly disillusioned lovers of music bored with singles-driven chart-dreck and bombastic side long Prog Rock - "Howlin Wind" was lean and mean and full of hummable tunes – albeit with emotional razor blades in their hooks. The choppy edge of HW even predated the advent of gobby Punk and New Wave by a few months (stylistically too). But despite two decent 7" singles released in support of the critically acclaimed British album – the public seemed not to notice or even care...

Time to try again double quick. So in only October of that musically volatile year (six months after the debut) – Vertigo popped out blinder number two – "Heat Treatment". It featured more tales of boozy anguish in hotel rooms with frisky chambermaids and a search the world over (well mostly in Dagenham) for that special lady. Just as good as the first platter (but perhaps not as immediate) – this superb 2001 CD Remaster seems determined to get us to finally sit up and take notice. And I for one am listening. Here are the Heat Treatments...

UK released July 2001 – "Heat Treatment" by GRAHAM PARKER and THE RUMOUR on Mercury 548 682-2 (Barcode 0731454868228) is an 'Expanded Edition' CD Remaster with two Bonus Tracks and plays out as follows (41:41 minutes):

1. Heat Treatment
2. That's What They All Say
3. Turned Up Too Late
4. Black Honey
5. Hotel Chambermaid
6. Pourin' It All Out [Side 2]
7. Back Door Love
8. Something You're Going Through
9. Help Me Shake It
10. Fool's Gold
Tracks 1 to 10 are his second LP "Heat Treatment" – released October 1976 in the UK on Vertigo 6360 137 and in the USA on Mercury SRM-1 1095

BONUS TRACKS:
11. Hold Back The Night
12. (Let Me Get) Sweet On You
Tracks 11 and 12 make up Side 1 of a 4-track Extended Play - "The Pink Parker – Hold Back The Night" EP released March 1977 in the UK on Vertigo PARK 001 (A1 and A2). The other two tracks on the B-side were "White Honey" and "Soul Shoes" - both of which were on the preceding "Howlin Wind" album. "Hold Back The Night" is a cover of a TRAMMPS US Soul hit originally on Buddah Records in February 1976 – the other songs are Graham Parker originals with both "Hold Back The Night" and "(Let Me Get) Sweet On You" being exclusive to the EP.

GRAHAM PARKER – Lead Vocals, Acoustic and Electric Guitars
THE RUMOUR was:
BRINSLEY SCHWARZ – Guitar and Backing Vocals
BOB ANDREWS – Keyboards and Backing Vocals
MARTIN BELMONT – Guitar and Backing Vocals
ANDREW BODNAR - Bass
STEPHEN GOULDING – Drums and Backing Vocals

GUESTS:
JOHN EARLE – Saxophones
DANNY ELLIS – Trombone
DICK HANSON – Trumpet
ALBY DONNELLY – Saxophones

The '25th Anniversary Reissues' sticker on the CD jewel case promises 'Bonus Tracks, New Sleeve Notes & Expanded Artwork'. Once you open the decidedly skimpy three-way foldout inlay – you know that Universal has gone all ASDA budget range on our Graham. There are new paragraphs from the great man alongside some history of the album by NIGEL WILLIAMSON and two single sides as you can see above (they picture "The Pink Parker" EP back and front too). It's good but hardly great – and surely there were outtakes to be had after all these years? But all that budget-priced gripe goes out the boozer window when you hear the muscle and clarity of the Remaster by GARY MOORE...

Like its predecessor "Howlin Wind” there are tracks on "Heat Treatment" that have been in need of a bit of 'oomph' – the bopping title song "Heat Treatment" for starters, the sideways-swipe love song "Hotel Chambermaid" and the magnificent mini-epic longing of "Black Honey" with its superb guitar solo – all  jump to mind. But after a run-through of the whole album -  you’d have to say that the Audio improvement is 'all over'.

The brass and guitar punch of "Heat Treatment" is immediate now – "...the flame is burning..." lyrics rattling your speakers with a punk-in-a-bedsit attitude. His best Elvis Costello sneer pops up for the 'you're a fool' observation that is "That's What They All Say" - sounding really fantastic too. The keyboards, guitars and subtle backing vocals of "Turned Up Too Late" sound incredible – so clear. I've always thought the hurting "Black Honey" one of the album's hidden gems. Just when you were ready to dismiss GP as a bit of a smartarse - he pulls out a song like this that genuinely 'gets to you'. He saunters dangerously close to sentimentality (for him) in "Pourin' It All Out" where he threatens to let go of his emotions and vocal chords - but doesn't. "Back Door" is another song of longing – "..dodged all the turnpikes..." he waxes lyrical about his baby - telling us that she tunes up his Bass and Treble whenever he meets her (nice). "Something You're Going Through" feels like Joe Jackson only two years earlier – that jagged rhythm sounding so "Look Sharp!" Parker then tells us that he's been frettin' and sweatin' and we worry that it's more girl problems in "Help Me Shake It" – while "Fool's Gold" confirms that his search is both ongoing and intensely frustrating (a great song on which to end the album).

In his typically self-deprecating liner notes - Graham Parker reckons that aside from 'a few clunkers' – his 2nd platter "Heat Treatment" deserves reappraisal. Besides - he also reckons things picked up big time on vinyl outing No. 3 - "Stick To Me" in 1977.

The angry Petrol Pump Attendant turned Rock Star is right yet again...on both counts...

This review is also part of CLASSIC 1970s ROCK - an E-Book with over 245 entries and 2100 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap). 


"Howlin Wind" by GRAHAM PARKER - April 1976 Debut Album on Mercury Records featuring Dave Edmunds, Brinsley Schwarz and Members of The Rumour (July 2001 UK Mercury 'Expanded Edition' CD Reissue in the '25th Anniversary Reissue' Series - Gary Moore Remaster) - A Review by Mark Barry...




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MORE THAN A FEELING 
1976

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"...Put Them Right..."

It's 1975 and a young Graham Parker is bored to distraction feeding go-go juice to gas guzzlers on the forecourt of a London Petrol Station. He puts the smelly grubby nozzle back in its equally scuzzy slot for the last time, toddles off home, pens a few caustic tunes in his bedsit about love, drugs and emotional insanity - then sets off to gain instant fame and fortune (well fame anyway).

Like so many Rock Kids of a certain age who remember the advent of Punk and New Wave (and welcomed much of it) – it's always struck me as odd that genuine musical talent like say Nick Lowe and Graham Parker weren't and aren't utterly huge? I mean where’s the statue citizens of Chobham in Surrey for your musical son – eh?. I can remember when Parker's albums were simply three and four-pound fodder in every secondhand shop. Well maybe the 2001 Remasters of his blistering 70ts catalogue can put pay to that short sightedness for good because his 1976 debut is a total winner you need in your life. Here are the Soul Shoes in your face (please don't let the Fuzz in)...

UK released July 2001 – "Howlin Wind" by GRAHAM PARKER (and THE RUMOUR) on Mercury 548 667-2 (Barcode 731454866729) is an 'Expanded Edition' CD Remaster with one Bonus Track and plays out as follows (45:11 minutes):

1. White Honey [Side 1]
2. Nothing's Gonna Pull Us Apart
3. Silly Thing
4. Gypsy Blood
5. Between You And Me
6. Back To Schooldays
7. Soul Shoes [Side 2]
8. Lady Doctor
9. You've Got To Be Kidding
10. Howlin' Wind
11. Not if It Pleases Me
12. Don't Ask Me No Questions
Tracks 1 to 12 are his debut LP "Howlin Wind" – released April 1976 in the UK on Vertigo 6360 129 and in the USA on Mercury SRM-1 1095

BONUS TRACK:
13. I’m Gonna Use It Now – non-album B-side of "Silly Thing" issued as his debut UK 7” single in March 1976 on Mercury 6059 135

GRAHAM PARKER – Lead Vocals, Acoustic Guitar and Rhythm Guitar on "Howlin' Wind"

THE RUMOUR was:
BRINSLEY SCHWARZ – Guitar, Hammond Organ, Tenor Saxes and Backing Vocals
BOB ANDREWS – Lowrey And Hammond Organ, Piano and backing Vocals
MARTIN BELMONT – Guitar and backing Vocals
ANDREW BODNAR - Bass
STEVE GOULDING – Drums and backing Vocals

GUESTS:
ED DEAN – Slide Guitar on "Soul Shoes"
DAVE EDMUNDS – Rockabilly Guitar on "Back To Schooldays"
NOEL BROWN – Dobro Guitar on "Not If It Pleases Me" and Slide Guitar on "Back To Schooldays"
STEWART LYNAS – Alto Sax on "Lady Doctor" and Arranged All Brass
HERSHALL HOLDER – Trumpet
DAVE CONNERS – First Tenor Sax
BRINSLEY SCHWARZ – Second Tenor Sax
DANNY ELLIS – Trombone
JOHN (VISCOUNT) EARLE – Baritone Sax

The '25th Anniversary Reissues' sticker on the CD jewel case promises 'Bonus Tracks, New Sleeve Notes & Expanded Artwork'. Once you open the decidedly skimpy three-way foldout inlay – you know that Universal has gone all ASDA budget range on our Graham. There are new paragraphs from the great man alongside some history of the album by NIGEL WILLIAMSON and one lone bonus track as you can see above. It's good but hardly great – and surely there were outtakes to be had after all these years? But all that budget-priced gripe goes out the boozer window when you hear the muscle and clarity of the Remaster by GARY MOORE... 

There are tracks on "Howlin Wind" that have needed a bit of 'oomph' for years – "Soul Shoes", "Back To Schooldays" and the sadly lovely "Between Me And You" jump to mind. But the improvement is all over. The brilliant build of instruments in the acidic "Not If It Pleases Me" comes at you with incredible power (a forgotten nugget methinks). The perky opener "White Honey" sounds really fantastic (for a song about cocaine that is) and should have been the album's lead-off single instead of Vertigo's choice of the weaker but safer "Silly Thing". The acoustic beginning to "Gypsy Blood" is warm to these tired lugs and when the Rumour do kick in – the whole soundstage has real power without being overly bombastic (gorgeous acoustic playing in this song by Parker). I'm jumping around the room like a snotty brat with a day pass to Rowntrees as the brilliant and rebellious bopper "Back To Schooldays" fills my room – Dave Edmunds giving it some wicked Rockabilly Guitar just when the song needs it. Parker's vocals naturally suit the choppy-angry New Wave rhythms of "Don't Ask Me Questions" – but then like all great songwriters – he floors you with real emotion and pathos. Disguised behind the almost sing-along Eagles rhythm of "Between You And Me" is a razor blade – a song about love and bitter loss. I’ve loved this poison-berry of a melody for four decades now and like much of this brilliant album – still feels fresh and vital in 2016.

In his typically self-deprecating liner notes - Graham Parker reckons that his "Howlin Wind" LP 'was the best album released in the UK in 1976' outside of all that commercial singles chart fodder. On the evidence presented here – the angry Pump Attendant may indeed have a point. Brilliant...

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