"Point Of Know Return" by KANSAS – October 1977 Fifth US Album on Kirshner Records featuring Kerry Livgren, Steve Walsh, Rich Williams, Robby Steinhardt, Dave Hope and Phil Ehart (February 2002 US Epic/Legacy Expanded Edition CD Reissue with Two Bonus Tracks - Darcy M. Proper, Suha Gur and Jeff Glixman Remixes and Remasters) - A Review by Mark Barry...

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"...Lightning's Hand..."

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As per the hugely informative fold-out inlay and new liner notes from original producer Jeff Glixman - Kansas' 5th album "Point Of Know Return" released in early October 1977 was rushed in every way - especially the final mixing. 

The band had scored huge with "Leftoverture" in October of the previous year (a breakthrough LP and a US No. 5) and the new platter was going to be just as big, buoyant and script typeface Progtastic as its much loved little brother ("Point Of Know Return" went one notch higher in fact, up to No. 4). There is discussion of 70-hour marathon mixing and finishing-up sessions that left the original makers and recording crew deeply unhappy. But with release and another tour imminent - there was no time to fix it. Flying from L.A. to NYC, they walked into a New York Radio Station with a lacquer cut only that afternoon at Sterling Sound for them to play immediately - plugging a band performance that evening. 

So it appears that with some relief the Jeffster, alongside renowned Audio Engineers Darcy M. Proper and Universal's Suha Gur, were all well pleased in 2001 to get their grubby hands on a second chance to properly remaster this dense album. They could now give it the breathing space the CD format allows and even throw it a couple of apt Previously Unreleased Bonuses too. 

Which brings us here – the Epic/Legacy Remaster Series for Kansas. Let's get ship shape, tame this musical tempest and float back over that newly visible horizon...

US released 12 February 2002 - "Point Of Know Return" by KANSAS on Epic/Legacy EK 85387 (Barcode 888837145428) is an Expanded Edition CD Reissue and Remaster with Two Bonus Tracks that plays out as follows (54:35 minutes):

1. Point of Know Return [Side 1]
2. Paradox
3. The Spider 
4. Portrait (He Knew) 
5. Closet Chronicles 
6. Lightning's Hand [Side 2]
7. Dust In The Wind 
8. Sparks Of The Tempest 
9. Nobody's Home 
10. Hopelessly Human 
Tracks 1 to 10 are their fifth album "Point Of Know Return" - released October 1977 in the USA on Kirshner Records JZ 34929 and November 1977 in the UK on Kirshner KIR 82234. Produced by JEFF GLIXMAN - it peaked at No. 4 in the US LP charts (didn't chart UK).

BONUS TRACKS (Previously Unreleased): 
11. Sparks Of The Tempest (Live at the Merriweather Post Pavilion, Maryland, Columbia) 
12. Portrait (He Knew) (Remix) 

KANSAS was: 
KERRY LIVGREN - Acoustic & Electric Guitars, Keyboards & Percussion
STEVE WALSH - Keyboards and Lead Vocals 
RICH WILLIAMS – Acoustic & Electric Guitars 
ROBBY STEINHARDT – Violin, Cello, Vocals 
DAVE HOPE – Bass 
PHIL EHART – Drums and Percussion

The twelve-leaf foldout inlay repro's in full that elaborate Peter Lloyd cover art and the beautiful Bob Maile calligraphy lyrics/credits that has always been such an identity point for this huge album. The new DAVID WILD Liner notes also feature reminiscences from band main-man Kerry Livgren whilst the big prize is of course brand new DARCY M. PROPER, SUHA GUR and JEFF GLIXMAN Remixes and Remasters – the album now absolutely jumping. There isn't too much dust left on these tapes...to the Prog...

Kirshner opened the album's account with the title song "Point Of Know Return" b/w "Closet Chronicles" released as an October 1977 US 45-single - Kirshner ZS8 4273 achieving No. 28 on the Top 100 in the USA whilst its British December 1977 release on KIR 5820 was ignored. 

But it was "Dust In The Wind" b/w "Paradox" that really blew the album sales up. Released in January 1978 - Kirshner ZS8 4274 entered the US singles chart in mid February where it began a steady rise - eventually securing a No. 6 slot in the Top 10. This fantastically hooky tune that seemed to slot into so many genre-categories (bet Epic loved that) explains the album's 51-week chart run. It also saw the struggling bands near 10-year stretch of existence suddenly become moneyed. Kansas was now one of the 'huge' bands on Epic's roster - Boston, Journey and Kansas - they have always been inextricably linked as American Rock Bands that give it some guitar and more guitar and larrup on the keyboards (even strings) for good measure. 

In May 1978, a third US 45-single would appear coupling "Portrait (He Knew)" with Side 2's opener "Lightning's Hand" on the flipside - but it hadn't the legs of its predecessor and failed to make the Top 100. Still - this Remaster has made one of my album faves sing - command the "Lightning's Hand" - while its interesting to hear the (not surprisingly) unreleased 'live' version of "Sparks In The Tempest" where the band begins to fall apart at the end. Love that Prog rip-through in the instrumental "The Spider" too. 

Outside of the hugely catchy "Carry On Wayward Son" single in early 1977 - Kansas never did mean much in Blighty - but the boys from Topeka were superstars in the USA then and remain so to this day - fans tearful just looking at the artwork for "Point of Know Return". Now they can hear it properly too and buy it for under six quid or even less. Nice one...

"Climbing!" by MOUNTAIN (2003 Columbia/Legacy 'Expanded CD' – Bob Irwin/Vic Anesini Remasters) - A Review by Mark Barry...

"...Mississippi Queen..." 

"...His crime was a passion..." - Felix Pappalardi sings on "The Laird" and that kind of sums up this most American of Rock bands for me – loud, proud and ear-splitten-louden-boomer. They couldn't give a rat's ass who out there in radio-land thinks its aural hedonism turned up to 13 on a scale of 12. MOUNTAIN rocked and this cool little CD reissue of their second platter "Climbing!" from 1970 shows why these New York boys with Mississippi in their veins are remembered with such affection and loyalty. And in Leslie West they had an ace axeman - geometrically over-sized for sure but charismatic and great fun too. Here is 'The Great Fatsby' and Rocking Friends...

UK and USA released April 2003 – "Climbing!" by MOUNTAIN on Columbia/Legacy 510719 2 (Barcode 5099751071921) is an 'Expanded CD Remaster' and plays out as follows (36:56 minutes):

1. Mississippi Queen

2. Theme From An Imaginary Western

3. Never In My Life

4. Silver Paper

5. For Yasgur's Farm [Side 2]

6. To My Friend

7. The Laird

8. Sittin' On A Rainbow

9. Boys In The Band

Tracks 1 to 9 are their second album "Climbing!" – released March 1970 in the USA on Windfall 4501 and May 1970 in the UK on Bell Records SBLL 133 (both in Stereo only). Bassist and Studio Wizard Felix Pappalardi Produced – the album rose to No. 17 in the US LP charts (didn’t chart in the UK). All songs are band originals except "Theme From An Imaginary Western" which is a Jack Bruce cover version.

BONUS TRACK

10. For Yasgur's Farm [Live] – recorded prior to 1972

MOUNTAIN was:

LESLIE WEST – Guitars and Vocals

FELIX PAPPALARDI – Bass on all Tracks except 6 and 7, Keyboards on Track 1, 2 and 9 and Rhythm Guitar on Track 7

CORKY LAING – Drums and Percussion

STEVE KNIGHT – Keyboards (Mellotron on Tracks 2 and 9, Organ on Tracks 2 to 5)

The 12-page booklet has new liner notes from CORKY LAING and LESLIE WEST (dated November 2002) - and as well as band photos (supplied by the group) features reminiscences on the making of their 'loud' 2nd album with the line-up most feel had that classic hard-rocking Mountain sound, their former band Energy, songwriting/lyric collaborations between Laing and West and more. The CD reflects the original Windfall Records label logo and there's even a Leslie West photo beneath the see-through tray. But the big news is the new BOB IRWIN/VIC ANESINI Remaster from original tapes done at Sony Music Studios in New York. The last time "Climbing!" saw CD reissue was in 1993 as part of Sony's 'Rewind' Series – it was a good stab at the record but this variant is a whole lot better and features a live track as a bonus. As the line on the rear cover famously announced 'This Record Was Meant To Be Played Loud' - you quickly find out that none of the band's players are joking. This mother rocks – vibrato, fuzzy, grunge guitar noises emanate from Leslie West's speaker stacks and threaten to cause a public disturbance with your docile Laura Ashley stereo. The album was never an Audiophile event – so expect some hiss on cuts like the slowish "The Laird" and the gorgeous "To My Friend" – but also expect presence and 'in-the-moment' feel. After my battered copy on Windfall – this CD sounds revelatory to me...

It opens on a rasper – the brilliant snotty Boogie Rock of "Mississippi Queen" – co-written by West, Laing, Pappalardi and Ohio songwriter David Rea. Huge riffage accompanies soloing guitars as Leslie West roars on about a Cajun gal from Vicksburg in Louisiana who isn't exactly unfamiliar with the ways of the world. At 2:32 minutes it was an obvious single and popular too. Released March 1970 with the album - Windfall 45-532 climbed to a respectable No. 21 in the US singles charts with the album cut "The Laird" on the flipside. After two failed sevens from the first album "Mountain" in September 1969 – it became Mountain's first real 45-impression on the charts and remains a huge fan fave to this day. Blighty tried the same combo of tracks on Bell BLL 1113 in May 1970 - but it sold naught and was deleted quickly. "Theme From An Imaginary Western" is a cover of a track from Jack Bruce's debut solo LP after Cream - 1969's "Song For A Tailor" on Polydor (UK)/Atco Records (USA). Bruce co-wrote the tune with Avant Garde British artist Pete Brown (Harvest Records). Mountain take the song's Soulful-Rock feel and layer it with more guitars and organs so that it sounds very Cream in ways – or even Derek & The Dominoes.

Both Laing and West agree that "Never In My Life" is probably the best track on the album – a great riff played at almost "Fireball" speed (they slowed it down in concert because it adds more muscle to it). It's a fantastic piece of American 'Rawk' and odd that Windfall Records went instead to the less catchy "For Yasgur's Farm" for the next single (Windfall 45-533) – a tune that isn't nearly as immediate as "Never..." They paired it with the fabulous Leslie West solo instrumental "To My Friend" - an Acoustic tour de force that shows off West's considerable playing chops and is almost Indian Sitar in some passages. But despite both sides being strong in their own right – "Yasgur's..." didn't follow "Mississippi Queen" into the charts (no British release either). "Silver Paper" is basic rock and similar in vibe to "Theme From An Imaginary Western" in its assembly. Far more interesting is "The Laird" that is co-written with Gail Collins (did the artwork, wrote lyrics) that has touches of the more melodic acoustic side of Uriah Heep and Led Zeppelin (circa 3) – sweet little tune that I couldn't stop playing at the time. How cool is it to hear it with such clarity - even if it is hissy. Massive Corky Laing drums open the driving-down-the-highway riffage of "Sittin' On A Rainbow" – a very Mountain good time rocker that stills sounds beer-belly-rowdy after 45 years on camomile tea. It ends on the piano melody of "Boys In The Band" - pretty hissy it has to be said and probably my least favourite song on the album (the vocal is all over the mix)...

The live version of "For Yasgur's Farm" runs to 4:19 minutes and is plucked from the band's own archive (bit hazy on exact dates). In truth I'd say it's good rather than being great (much like the song itself) and you can't help thinking that at four seconds short of 37-minutes – this entire CD reissue could have done with a few more choice bonus cuts in the live vein to bolster up matters...

Still - what you do get with "Climbing!" is fabarooney – a ballsy American Rock Band in the same vein as Cactus and Grand Funk Railroad – groups that somehow never seemed to gain the recognition they deserved beyond fanatical fan circles. In some ways Mountain's loose 'rawk' feel and gutbucket style recordings remind me of that fabulous sloppiness FREE used to get - effortlessly cool too. And isn't that the best compliment. So lodge your grappling hook and throw out your musical rope...because it's time to abseil bare-bottomed down the barroom underpants of this particularly boozy digital rock face. And I mean in that in the nicest possible way...