"...The Name's Kuryakin...Illya Kuryakin..."
I have to admit as a Bond
devotee and lover of anything remotely I Spy/Secret Agent (or spoof of the same
for that matter) - I was licking my chops in glee at this beautifully presented
Ace Records CD compilation (best Audio too). And while there's so much to enjoy
on here - I'd warn against over-excitement because in my view the replacement
of original themes with lesser-known versions has in some cases shot the MI5
Jetpack Agent in the head. Here are the 005½ details first...
UK released March 2014 -
"Come Spy With Us: The Secret Agent Songbook..." by VARIOUS ARTISTS on Ace Records CDCHD
1392 (Barcode 029667058421) is a 25-Track CD Compilation of Remasters that gadgets out as follows (61:56 minutes):
1. A Man Alone (Theme From
"The Ipcress File") - JOHN BARRY & HIS ORCHESTRA (1965 UK 7"
single on CBS Records 201747, A)
2. Deadlier Than The Male
(Title Song From The Film "Deadlier Than The Male" - THE WALKER
BROTHERS (1966 UK 7" single on Philips BF 137, A)
3. Arabesque (From The Film
"Arabesque") - THE VENTURES (1966 USA 7" single on Dolton 321,
A)
4. The Look Of Love (Theme
From "Casino Royale") - DUSTY SPRINGFIELD (1967 UK 7" single on
Philips BF 1557, A)
5. Theme From "Danger
Man" - THE RED PRICE COMBO with Orchestra (1962 UK 7" single on
Parlophone 45-R 4789, A)
6. The Silencers (From The
Movie "The Silencers") - VICKI CARR (1966 USA 7" single on
Liberty 55857, A)
7. Secret Agent Man - AL
CAIOLA (from the 1965 US Stereo LP "Al Caiola...Sounds For Spies And
Private Eyes" on United Artists UAS 6435)
8. Who Needs Forever (Theme
From "The Deadly Affair") - ASTRUD GILBERTO (1966 US 7" single
on Verve 10457, A)
9. Theme From The Man From
Uncle - THE CHALLENGERS (1965 USA 7" single on GNOP Crescendo 362, A)
10. The Last Of The Secret
Agents (From The Film "The Last Of The Secret Agents") - NANCY
SINATRA (1966 USA 7" single on Reprise 0461, A)
11. Mission: Impossible -
LALO SCHIFRIN & HIS ORCHESTRA (1968 USA 7" single on Dot 17059, A)
12. Dr. Goldfoot And The
Bikini Machine (Theme From The Film) - THE SUPREMES (1965 USA 7" single on
American International 65-1335, A)
13. Our Man Flint - BILLY
STRANGE (1966 USA 7" single on GNP Crescendo 367, A)
14. Wednesday's Child (Theme
From "The Quiller Memorandum") - MATT MONRO (1967 USA 7" single
on Capitol 5823, A)
15. Theme From "Get
Smart" - BOB CRANE, HIS DRUMS & ORCHESTRA (1968 USA 7" single on
Epic 5-10038, B-side of "Happy Feet")
16. We Should've (Theme From
"Modesty Blaise") - CLEO LANE & RAY ELLINGTON (1966 UK 7"
single on Fontana TF 704, A)
17. The James Bond Theme (Dr
No) - JOHNNY & THE HURRICANES (1963 USA 7" single on Big Top 3148, A)
18. Burke's Law Theme -
WYNTON KELLY (1963 UK 7" single on Verve VS 518, A)
19. Where The Bullets Fly -
SUSAN MAUGHAN (1966 UK 7" single on Philips BF 1518, A)
20. High Wire (Theme From
"Danger Man") - BRIAN FAHEY & HIS ORCHESTRA (from the 1967 UK LP
"Time For TV" on Columbia Studio 2 TWO 175)
21. Bye-Bye (Theme From
"Peter Gunn") - SARAH VAUGHAN (1965 USA 7" single on Mercury
72417, B-side of "The Pawnbroker")
22. Theme From "Where
The Spies Are" - JIMMY SMITH (1966 USA 7" single on Verve VK 10382,
A)
23. The Liquidator - SHIRLEY
BASSEY (1966 UK 7" single on Columbia DB 7811, A)
24. I Spy - ROLAND SHAW
& HIS ORCHESTRA (from the 1966 UK LP "Themes For Secret Agents"
on Decca Phase 4 Stereo PFS 4094)
25. Come Spy With Me -
SMOKEY ROBINSON & THE MIRACLES (1967 USA 7" single on Tamla T 54145,
A)
Tracks 1, 3, 5, 8, 9, 12,
13, 16, 17, 19, 23 and 25 are MONO
Tracks 2, 4, 6, 7, 10, 11,
14, 15, 18, 20 to 22 and 24 are STEREO
The 24-page booklet is
beautifully laid out - crammed to periscope depth full of Spy Novels, Sixties
Paperbacks, Film Posters, label repros of original 45's from the UK and US
(even a Japanese issue of "The Man From U.N.C.L.E.") and period
evocative Sheet Music. Inbetween all that visual richness is superlative and
informative liner notes by long-time archivist TONY ROUNCE who has for my money
written some of his best descriptions on records and their murky history here
(and that's saying something). The attention to detail is stunning. If you take
the artwork for the CD and look to the top left - they've changed GREAT PAN
from the paperback cover of Casino Royale into GREAT ACE as a very clever homage
to the iconic artwork of the Swinging Sixties (the paperback is featured in the
booklet). Every page is a feast. The rear is a full-colour plate of the "A
Man Alone" sheet music showing Michael Caine in Harry Saltzman's film
adaptation of Len Deighton's "The Ipcress File". The business as ever
from Ace...
We should talk about the
audio quality - this may indeed be the 'best' sounding Ace Records CD I've
heard in nearly 10 years of reviewing (the audio is off the charts good for
most tracks) and compiler Tony Rounce/Remaster Engineer NICK ROBBINS have made
some genius choices in the sequencing too. But as a downside it's worth
reiterating what I said earlier. When you go to the Bond Theme - it's not the
John Barry original but a crap take from Johnny & The Hurricanes - The Man
From U.N.C.L.E. theme isn't Hugo Montenegro but the lesser Challengers version
and Patrick McGoohan's Danger Man is by Red Price and not the Bob Leaper
version we all know and love. And the two Soul inclusions of Smokey Robinson &
The Miracles and The Supremes sound utterly ludicrous, forced and out of place
instead of being fun or even good (others may love them and want them for sheer
rarity value). Edwin Astley's "Danger Man" used in 47 episodes
between 1964 and 1968 isn't used - but as Rounce explains it wasn't available
for licensing. And I suspect that this may have been the case for many of the
bigger names and tunes.
Having said that goodies
include Bob Crane's slyly hip "Get Smart", Lalo Schifrin's cool
masterpiece "Mission: Impossible", Bacharach's gorgeous "The
Look Of Love" and the so Sixties opener "The Ipcress File" by
the incomparable John Barry - all fabulous. But I would have preferred anything
from "You Only Live Twice" rather than Nancy Sinatra's half-hearted
"The Last Of The Secret Agents". Better is "Secret Agent
Man" by Al Caiola (the American name for the "Danger Man" TV
Series) and Matt Monro's version "Wednesday's Child" from "The
Quiller Memorandum" (by John Barry) sounds unbelievably good too.
Unexpected gems include Sarah Vaughan's lyrically sassy version of the Henri
Mancini instrumental "Peter Gunn" theme and the witty "Modesty
Blaise" theme sung by Cleo Lane and Ray Ellington clearly enjoying their
inner secret agent. The Roland Shaw full-on Sixties Jazz and Strings version of
"I Spy" is a blast too.
What a ride! Upon my Blofeld
Dug Out Volcanic Lair, but I'm looking forward to Volume 2 - "Come Spy With Me Some More..." And should Ace
Records choose to accept their mission - for round two we'd like more John
Barry - say "Here Comes Nancy Now!" from "The Knack" or
"Little Nellie" from "You Only Live Twice", maybe
"Hawaii Five-O" by The Ventures, "Thinking Of Baby" by
Elmer Bernstein ("Staccato" US TV Theme) with "Search For
Vulcan" by Leroy Holmes (an instrumental Bond mimic) and of course Lalo
Schifrin's stunning "Bullitt" theme - to name but a few. I'm sure
they're working on their Aston Martin DB9 of a CD as we speak.
Did you know that Robert
Vaughn, David McCallum and Leo G. Carroll from the United Network Command for
Law Enforcement (U.N.C.L.E.) had to weekly fight the diabolical forces of
Technological Hierarchy for the Removal of Undesirables and the Subjugation of
Humanity (T.H.R.U.S.H.)? I can tell you now that James Bond's women had to
fight THRUSH on a daily basis too. But we won't go into that. See you next time
around 007...
