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Showing posts with label Paul McCartney. Show all posts
Showing posts with label Paul McCartney. Show all posts

Sunday, 2 August 2015

"RINGO: With A Little Help" by MICHAEL SETH STARR - A Review Of The July 2015 Hardback Book (on Backbeat Books) by Mark Barry...




"...All I've Got Is A Photograph..."

It's Wednesday morning – the 15th of August 1962. Having had too many beers the night previous playing that lewd and lascivious Rock 'n' Roll music to impressionable teenage girls - Johnny Guitar of Johnny & The Hurricanes is sharing a trailer with a mate of his who is sleeping it off in the back. As Johnny opens the trailer door - he's greeted by two nattily dressed and equally cocky Liverpudlian reprobates. Johnny knows instantly that 'his' band's rhythm section is in trouble.

These two guys are part of the only pop group in Liverpool with an actual recording contract – a deal with a proper record company called Parlophone Records. In a heartbeat Johnny also knows what the young Paul McCartney and John Lennon want – the best Drummer in Liverpool – Richard Starkey - aka RINGO STARR. And thus history is made in a hung-over trailer on an unpromising summer morning. And then in September of 1962 - along with George Harrison (who championed Ringo joining the band all along) - they would fly as a foursome called "The Beatles" down to EMI's Abbey Road Studios in the big choke of London to meet professional Producer George Martin - and thereafter gingerly alter the fabric of the known Universe (cheeky buggers)...

After all these years (five decades plus and counting) - it seems odd that Michael Seth Starr (no relation) should be the first to claim an in-depth Biography of the world’s most famous Drummer – Ringo Starr. And it appears he’s done it without the subject’s permission or indeed interest. Yet across the 442 pages of this July 2015 Hardback Book published by Milwaukee’s Backbeat Books – Michael gives a blow-by-blow account of Ringo’s extraordinary life and some would say miraculous survival.

There’s 19 chapters beginning with "Little Richy" (his formative years) and ending with "Peace And Love" (a 35-year marriage of substance with Barbara Bach - an All Starr Band that has featured Joe Walsh and Nils Lofgren in its ranks). In between of course is the sheer lunacy and joy of "Beatlemania" – the movies "How I Won The War", "Candy" and "The Magic Christian" - the split – the chart years on Apple – the "Born To Boogie" movie with Marc Bolan's T.Rex - the drunken oblivion of the mid-to-late Seventies with Harry Nilsson and others – meeting Bond Girl Barbara Bach on the set of "The Caveman" film - Lennon's horrible assassination in December 1980 in New York and so on...

The early chapters describe his harsh upbringing - a toiling mother Elsie trying to put food on the table in Dingle (a rough part of Liverpool) – his father walking out - years of ill-health with stays in boy’s homes and finally salvation through American Rock 'n' Roll 45s coming off the ships down at the docks. Chapters 2 and 3 are called "It Was In My Soul" and "Ringo Starrtime" chart his early passion for rhythms and his rise as a drummer (his first kit was bought for him by a kindly work mate called Henry "Harry" Hunt for £12 – hauled all the way from London). Then that fateful meeting. Then "Please Please Me" hits the shelves of record shops in January 1963 and all Hell breaks loose...

The author keeps the details and facts coming and the two sets of photo plates chart the passing years up to 2014 with a smiling Ringo and Barbara still looking impossibly cool after all these years. Chapter 11 deals with the "Magical Mystery Tour" and "Sgt. Peppers" period of astonishing recording achievements – the pressure of global fame. Aged 30 in July 1970 – Ringo began his solo Apple career with hits like "It Don't Come Easy", "Back Off Boogaloo" and the gorgeous "Photograph" – but he also starred in the disastrous and bloody "Blindman" film and the Frank Zappa Avant Garde indulgence of "200 Motels". By the time we get to Chapter 14 delightfully and honestly entitled "We Were Junkies Dabbling In Music" – the lifestyle rot had set in and his marriage to his wife Maureen was over by 1975. In 1976 he shaves his head bald – in 1978 he makes a dreadful film called "Sextet" with an 85-year old Mae West – and in 1984 he plays on stage with The Beach Boys - but can’t remember it because he was so out of it (he hid his glaze behind dark glasses). By the time you arrive at "Getting Out Of Bed's A Problem These Days" and finally "Peace And Love" – you’re amazed him, his family and his relationship with McCartney and Harrison is still intact. There’s an Epilogue, Notes (references), Bibliography and an Index.

Now revered as an Elder Statesman of Rock – Ringo has been there and done that – and has indeed survived with more than a little help from friends. I enjoyed this crazy journey far more than I thought I would. I’ve always had an affection for Ringo Starr and a sneaking admiration for his wit and occasional musical brilliance - and this hugely entertaining read (sanctioned or not) has only made my smile every time I see him - wider ...

Thursday, 4 November 2010

“Is This What You Want?” by JACKIE LOMAX (October 2010 Apple 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...




"...Rolls Royce...Does It Make You Happy?"

Despite "Sour Milk Sea" being written by George Harrison at a time when all-things-Beatles was at an-all-time fever pitch – Jackie Lomax's debut album on their Apple Label has never really raised the goose bumps on collector’s arms (or the public’s interest - his next albums on Warner Brothers were the same despite some quality tracks). But on rehearing this 1969 opening salvo – there is much to enjoy here. One of 14 Apple Label albums Remastered and Reissued on 20 October 2010 - here are the questionable details...

Using the Stereo Mix of the album – the October 2010 Expanded Edition CD Remaster of "Is That What You Want?" by JACKIE LOMAX [featuring Eric Clapton, Nick Hopkins, Tony Newman, Madeline Bell and Doris Troy] on Apple 5099990825521 (Barcode the same) breaks down as follows (60:09 minutes):

1. Speak To Me
2. Is This What You Want?
3. How Can You Say Goodbye
4. Sunset
5. Sour Milk Sea
6. Fall Inside Your Eyes
7. Little Yellow Pills [Side 2]
8. Take My Word
9. The Eagle Laughs At You
10. Baby You’re A Lover
11. You’ve Got Me Thinking
12. I Just Don’t know
Tracks 1 to 12 are the LP "Is That What You Want?" released 14 March 1969 on Apple APCOR 6 (Mono) and Apple SAPCOR 6 (Stereo) in the UK and on Apple ST-3354 in the USA (Stereo only).

BONUS TRACKS:
13. New Day
14. Thumbin’ A Ride
15. How The Web Was Woven
16. You’ve Got To Be Strong
17. You Make It With Me
18. Can You Hear Me
Tracks 13 to 15 were the 3 bonus tracks given with the 1991 reissue while 16 to 18 are previously unreleased and exclusive to this 2010 version. There are also 5 more extra tracks available via Digital Download from iTunes or Amazon as an extra payment (see either site for details).

Using both album and bonus tracks, this CD will allow fans to sequence his 3 Apple UK 7" singles as follows: 

1. "Sour Milk Sea" b/w "The Eagle Laughs At You" [Tracks 5 and 9]
(Released 31 August 1968 in the UK on Apple APPLE 3)

2. "New Day" b/w "Fall Inside Your Eyes" [Tracks 13 and 6]
(Released 2 May 1969 in the UK on Apple APPLE 11; the A-side is a non-album track and is a MONO mix)

3. "How The Web Was Woven" b/w Thumbin' A Ride [Tracks 15 and 14]
(Released 6 February 1970 in the UK on Apple APPLE 23. Both sides are cover versions, the A-side by Clive Westlake and David Most while the B is a Coasters song written by Jerry Leiber and Mike Stoller. It is also the only single on the Apple catalogue produced by a Beatle on each side - George Harrison on the A and Paul McCartney on the B. Both songs were non-album at the time of release)

BOOKLET/PACKAGING:
Noted writer and music lover ANDY DAVIS does the new liner notes for the disappointingly weedy booklet (they all appear to be this generic length - 12 pages - EMI pushes the boat out again people). But with what little text he has been afforded, Davis does at least fill it with properly informative details - and it's peppered with some very tasty black and white photos of Lomax in Hyde Park in 1969 (two more adorn the inner gatefold) - and colour portraits of Jackie with George Harrison and Paul McCartney in the studio.  It's cute, but you do wish there was more...

PLAYERS/CONTENT:
Like so many of the sessions of the time, the recordings included three of The Beatles and many famous and talented friends - George played Guitar, Ringo was on Drums, Paul McCartney and Klaus Voormann contributed Bass - others musicians included ERIC CLAPTON on Guitar, NICKY HOPKINS on Keyboards and TONY NEWMAN of Sounds Incorporated on Drums. Although the liner notes don't state it - the backing vocals are probably DORIS TROY and MADELINE BELL. Excepting "Sour Milk Sea" (written by George Harrison) - the other 11 tracks on the album are Jackie Lomax originals.

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters has done this - GUY MASSEY, STEVE ROOKES, PHIL HICKS and SIMON GIBSON. The audio quality is BEAUTIFUL - a massive improvement. It also makes you reassess a lot of the songs and especially the musicianship involved.

The album opens strongly with "Speak To Me" - strings, vocals, guitars - all sounding great. It's followed by the 'possessions are corrupting' title song (lyrics above) with a lovely Oboe floating over the loaded lyrics. In fact a lot of the album reflects a thinking-man's Rock 'n' Roller - "Little Yellow Pills" warning against doctor's helpful prescriptions and the plaintive album finisher "I Just Don't Know" ruminating about chasing dreams and girls - neither of which appear attainable to the dapper Jackie. Some of the slower songs don't work for me - a little forced and even twee in places - "Fall Inside Your Eyes" and "Baby You're A Lover"

But like the other issues in this series, the best is kept until last. What the 3 new bonus tracks lack in recorded finesse are more than made up for with heart and raw talent - "You Got To Be Strong" and "Can You Hear Me" are co-written with fellow label mate DORIS TROY - and they're excellent. Sort of hybrid Soul-meets-Rock songs, they suit his guttural vocals so well.  "Can You Hear Me" is even moving in a slightly Northern Soul way - a truly lovely melody.

Niggles - the gatefold card sleeve is nice to look at for sure, but the booklet and overall packaging feel lightweight (what EMI could get away with). The CD should have one of those gauze inner bags to protect it - a problem that no record company seems to want to acknowledge (scuffing and damage). These are minor points I know but worth making...

Lomax went on to make "Home Is In My Head" and "Three" for Warner Brothers in 1971 and 1972 (both of which featured ace UK slide-guitarist Bryn Haworth - they've been reissued by Rhino with extra tracks) - but this forgotten and underrated album is where it all started proper.

Recommended - especially given the massive improvement in sound quality and those excellent bonus tracks…

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