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Showing posts with label Tim Mulligan Remasters. Show all posts
Showing posts with label Tim Mulligan Remasters. Show all posts

Saturday, 13 October 2018

"Original Release Series Discs 8.5-12" by NEIL YOUNG - 1976, 1977, 1978 and 1979 Albums on Reprise Records including Crazy Horse and The Stills-Young Band with Stephen Stills (August 2017 UK Reprise/Neil Young Archives 5CD Box Set of Remasters) - A Review by Mark Barry...





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"...Four Strong Winds..."

You have to look at this 2017 5-Disc Reissue in two ways - (a) it contains great material that is now remastered properly and about time too - but there's also (b) - it's packaging is only OK at best and it's ludicrously high price is an out-and-out insult to lifetime fans and newbees alike. But let’s focus on the positive for the moment...

The 'Neil Young Archives Original Release Series' (NYA ORS) finally gives us his much-revered late-Seventies material – five albums worth (one a double live set) - and along with the 3LP/2CD "Decade" retrospective (see separate review) allows fans to savour all of our favourite Canadian whinge-bag's output is truly superb audio (mostly for the first time too). Quite apart from the lack of sleep and Americana rust, there's a lot to wade through, so here goes with the minutiae...

US/UK/Europe released 18 August 2017 - "Original Release Series Discs 8.5-12" by NEIL YOUNG (and CRAZY HORSE) on Reprise/Neil Young Archives 554706-2 (Barcode 093624915416) is a 5CD Card Slipcase Box Set of New Remasters containing the following:

NYA ORS 8.5/Reprise 558557-2 is "Long May You Run" by THE STILLS-YOUNG BAND (39:14 minutes):
1. Long May You Run [Side 1]
2. Make Love To You
3. Midnight On The Bay
4. Black Coral
5. Ocean Girl
6. Let It Shine [Side 2]
7. 12/8 Blues (All The Same)
8. Fontainebleau
9. Guardian Angel
Tracks 1 to 9 are the album "Long May You Run" - released October 1976 in the USA on Reprise MS 2276 and October 1976 in the UK on Reprise K 54081. Produced by YOUNG, STILLS and DON GEEHAM - Tracks 1, 3, 5, 6 and 8 written by Neil Young - Tracks 2, 4, 7 and 9 by Stephen Stills. It peaked at No. 12 on the UK LP charts - No. 26 in the USA.

NYA ORS 9/Reprise 558558-2 is "American Stars 'N Bars" by NEIL YOUNG (38:03 minutes):
1. The Old Country Waltz [Side 1]
2. Saddle Up The Palomino
3. Hey Babe
4. Hold Back The Tears
5. Bite The Bullet
6. Star Of Bethlehem [Side 2]
7. Will To Love
8. Like A Hurricane
9. Homegrown
Tracks 1 to 9 are the album "American Stars 'N Bars" - released June 1977 in the USA on Reprise MSK 2261 and June 1977 in the UK on Reprise K 54088. The recordings stretch from four different time frames - November 1974 for "Star Of Bethlehem" - "Like A Hurricane" and "Homegrown" from November 1975 - "Will To Love" from May 1976 and the whole five tracks on Side 1 from April 1977. Also although the album outer album artwork credits only Neil Young - the inner sleeve credits all of Side 1 to Neil Young, Crazy Horse And The Bullets with the last two tracks on Side 2 as Neil Young and Crazy Horse (Tracks 1 and 2 on Side 2 as Neil Young only). Produced by NEIL YOUNG, DAVID BRIGGS and TIM MULLIGAN - it peaked at No. 17 in the UK on the LP charts and No. 21 in the USA.

NYA ORS 10/Reprise 558560-2 is "Comes A Time" by NEIL YOUNG (37:08 minutes):
1. Goin' Back [Side 1]
2. Comes A Time
3. Look Out For My Love
4. Lotta Love
5. Peace Of Mind
6. Human Highway [Side 2]
7. Already One
8. Field Of Opportunity
9. Motorcycle Mama
10. Four Strong Winds
Tracks 1 to 10 are the album "Comes A Time" - released October 1978 in the USA on Reprise MSK 2266 and October 1978 in the UK on Reprise K 54099 - it peaked at No. 42 in the UK LP charts and No. 7 in the USA.

NYA ORS 11/Reprise 558561-2 is "Rust Never Sleeps" by NEIL YOUNG & CRAZY HORSE (38:23 minutes):
1. My My, Hey Hey (Out Of The Blue) [Side 1]
2. Thrasher
3. Ride My Llama
4. Pocahontas
5. Sail Away
6. Powederfinger [Side 2]
7. Welfare Mothers
8. Sedan Delivery
9. Hey Hey, My My (Into The Black)
Tracks 1 to 9 are the album "Rust Never Sleeps" - released June 1979 in the USA on Reprise HS 2295 and June 1979 in the UK on Reprise K 54105 - it peaked at No. 8 on the US LP charts and No. 13 in the UK.

NYA ORS 12/Reprise 558562-2 is "Live Rust" by NEIL YOUNG & CRAZY HORSE (75:53 minutes, 2LP set onto 1CD):
1. Sugar Mountain [Side 1]
2. I Am A Child
3. Comes A Time
4. After The Gold Rush
5. My My, Hey Hey (Out Of The Blue)
6. When You Dance I Can Really Love [Side 2]
7. The Loner
8. The Needle And The Damage Done
9. Lotta Love
10. Sedan Delivery
11. Powderfinger [Side 3]
12. Cortez The Killer
13. Cinnamon Girl
14. Like A Hurricane [Side 4]
15. Hey Hey, My My (Into The Black)
16. Tonight's The Night
Tracks 1 to 16 are the entire 2LP Live Set "Live Rust" - released November 1979 in the USA on Reprise 2RX 2296 and November 1979 in the UK on Reprise K 64041 - it peaked at No. 15 on the US LP charts and No. 55 in the UK.

The Outer Card Slipcase pictures the five album sleeves on the rear and frankly little else. Inside there are 5 Mini LP Repro Card Sleeves that duplicate the US original vinyl albums between October 1976 and November 1979. The Mini LP Sleeves are slightly larger than your average 5" Japanese equivalent so both the unprotected CD (no white bags) and their inlays fall out easily because there's more room (perhaps too easily). Each Reprise Records Riverboat design CD label also sports the new NYA ORS logo that appears on the spine and rear of the outer box (Neil Young Archive - Original Release Series). Original-LP-packaging-wise - fans will be glad to see that all is present and accounted for - "Long May You Run" has its brown inner bag now turned into a fold-out separate page with the printed lyrics perfectly legible - "American Stars 'N Bars" has its white inner bag turned into a fold-out separate page also - "Comes A Time" had no inner bag originally so is simply given a plain white inner (this should have been provided with all the other discs frankly) and both "Rust Never Sleeps" and the live double "Live Rust" have their bits too - inners, gatefold sleeve for the 2LP set etc. On Young's insistence - the artwork remains exactly as it was - but because there's no other booklet or insert – there’s no history – song comments – no unreleased and mastering isn't even mentioned anywhere.

Audio-wise - undoubtedly this is the same team who so expertly transferred and remastered the first box and more in the NYA series - JOHN NOWLAND and TIM MULLIGAN. The original vinyl albums had good-to-great mastering but for me often felt muted in places. These 2017 CD Remasters are amazing - especially on the first three records - which make me feel like I'm hearing them anew – instruments and space around them opened up and that's just the best. Let's get to the music...

"Long May You Run" keeps it simple - both heavyweights providing good songs and the band featuring cool dudes like Joe Vitale of Joe Walsh's Barnstorm alongside Jerry Aiello and Joe Lala of Stephen Stills' Manassas. The sheer catchy-chorus commerciality of Neil Young's title track saw Reprise give it a 45 release in September 1976 (a month before the album arrived). But despite the excellence of Stills' Eagles-chugging boogie "12/8 Blues (All The Same)" on the B-side - it stalled outside the Top 50 on both sides of the pond. Yet the album was reasonably well received and on hearing stuff like the lights on the boats of the acoustically melodious "Midnight On The Bay" (gorgeous audio) and the very CSNY feel to "Black Coral" – it’s easy to hear why. Young gives it some country grunge guitar and harmonica on "Let It Shine" while Stills provides perfect harmonies – and again a revelatory audio. Screaming ZZ Top guitar pings and huge duet chorus vocals on Young’s "Fontainebleau" make it feel epic - but as much as I love him I’d say that the Stills finisher "Guardian Angel" hasn’t worn well.

Both 1977's snub-nosed "American Stars 'N Bars" and 1978's plain-looking "Comes A Time" have never had too much of a good rep amongst reviewers and even some diehard fans – but I’m thinking they’re due major reappraisal. The remastered five tracks on Side 1 of "Stars..." sound huge - especially the disarmingly lovely "Hey Babe" (the only US 45 off the album - paired with "Homegrown" in July 1977 on Reprise 1390). And there’s also those impressive guests accompanying Young - Linda Ronstadt and Nicolette Larson on Backing Vocals with Carole Mayedo on Violin. Speaking of which - stalwart members of Young's various backing bands The Stray Gators and Crazy Horse – both Billy Talbot (Bass) and Ralph Molina (Drums) prop up "Homegrown" and the LP's other big cut "Like A Hurricane" – here in its full 8:15 minute album glory. It's a shame the British UK 7" single edit of "Like A Hurricane" issued September 1977 (Reprise K 14482) isn't on here as a bonus (alas). Country legend Emmylou Harris lends her distinctive wail to the strumming "Star Of Bethlehem" – and again – another gorgeous transfer. The Bars album rocks out with the short but oh so sweet grunge-rock of "Homegrown" (what are you growing in there Neil?).

"Comes A Time" is a strumming Neil Young album – almost every song an acoustic ballad dominated by Backing Vocals from Nicolette Larson and what Young calls the "Gone With The Wind" Orchestra. Amidst the strings you also get Spooner Oldham on Piano and J.J. Cale guesting on Electric Guitar (not that the liner notes on the rear album sleeve deign to actually tell where they are). Other niceties include the leave-her-first "Peace Of Mind" and the pretty advice-number "Lotta Love" which Nicolette Larson would make a hit on her November 1978 self-titled debut LP over on Warner Brothers (a Neil Young song has now bizarrely become a ‘Yacht Rock’ staple).

"Rust Never Sleeps" was both a beast and a new beginning in ways. The idea was apparently to record the all-new material live (which they did) – but then Young tinkered with it in the studio. Excepting the opener "My My, Hey Hey (Out Of The Blue)" - you can’t really hear an audience present - but you can hear that distance in his vocal that only the live setting gives – thereby adding an urgency to angry immigrant, indigenous population and struggling family songs like "Thrasher",  "Pocahontas" and "Welfare Mothers". Roughly speaking Side 1 is the Acoustic set with Side 2 letting rip with the electric guitars – grunge rocking as he begs on behalf of a put-upon pilgrim to ‘shelter me from the powder finger’. Although it doesn’t say so in the credits, sounds like Nicolette Larson is doing the backing vocals on the lovely Side 1 acoustic finisher "Sail Away". There’s a Punk rage in the hard-hitting "Welfare Mothers" and a fantastic frantic power to "Sedan Delivery" that’s part MC5 meets The Sex Pistols. Whilst on that subject – many of the early Seventies rockers at that time either appeared like pomp dinosaurs or rich poodle softies wildly out of touch with the real world in which the kids who adored them lived. Most just seemed musically lost – unable to deal with or answer the sheer spit and venom of Punk and New Wave. Neil Young with his grungy electric guitar roaring and fuming (just like it had in 1969) seemed to embrace Punk with relish. He’d been angry before for sure – but with "Rust Never Sleeps" he had at the time suddenly seemed relevant again. I remember for many – Young hadn’t sounded this good in years – and this huge remaster only hammers that home. The album finisher – the distorted rocker "Hey Hey, My My (Into The Black)" became an unlikely 45-hit and appears on his "Greatest Hits" – all stabbing and trashy. The album "Rust Never Sleeps" was a milestone really in his extraordinary canon of work – and it sounds incredibly fresh – even now.

Following quickly after in November 1979 came the double-album follow up "Live Rust" – a fantastic live splurge that by including such early rockers as "The Loner" and even "Cinnamon Girl" reminded people that Neil had been there with his screaming guitar long before Johnny Rotten and his cohorts had been in soiled nappies throwing their headless toys out of a pram. Piano and Acoustic moments like "After The Gold Rush", "Sugar Mountain" and "Comes A Time" reminded ecstatic audiences of his power with melody and words. Amidst huge roars his band lay into "Cortez The Killer" with eight-minutes of guitar relish – that almost ZZ Top lonesome feel to his playing – it’s amazing stuff even now almost 40 years after the event.

This box set has its problems for sure (the ludicrous price, the lack of info, input and anything new musically) – but it also serves as a powerful reminder of what has held him in such affection. And it sounds monster. I picked up my copy on a well-known auction site for about forty-quid – the most I want to pay for it.

Neil Young talks of perfect strangers and outsiders in "The Loner" – a man treading his own path and screw-you if you don’t like it – step aside or open wide my son. Fair dues...because warts and all – he’s worth the fork out...

Sunday, 18 March 2018

"Neil Young" by NEIL YOUNG (August 2009 Reprise/Neil Young Archives/Original Release Series (NYA - ORS) HDCD Reissue - John Nowland and Tim Mulligan Remaster) - A Review by Mark Barry...




This Review Along With 280+ Others Is Available In My
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1960s and 1970s MUSIC ON CD - Volume 3 of 3 
- Exceptional CD Remasters 
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Which Contain 300+ Reviews in Each)
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"...The Loner..."

Over the last two decades in particular - Neil Young fans have had their reissue patience sorely tested by their moody overlord. Canada’s finest has famously resisted the remastered reissue of his huge catalogue on CD because of what he feels is the format's less than stellar representation of analogue tapes' 'original sound'. But you have to say right from the audio start of these August 2009 CD reissues/remasters - the wait for these first quartet of solo albums - "Neil Young", "Everybody Knows This Is Nowhere", "After The Gold Rush" and "Harvest" - has absolutely been worth the endless delays and press hissy fits.

What a magnificent job his transfer teams have done here. JOHN NOWLAND carried out the Audio Tape Restoration and Analog-To-HDCD Digital Transfer of the Original Master Tapes (24-Bit 176 KHZ) with TIM MULLIGAN taking care of the Editing and Mastering. These remasters are not bombastically loud - trebled up to the nines for the sake of it - they're subtle - the music is just there in your speakers to a point where everything seems new and up for grabs again. Fans will love it and feel like they're revisited long cherished old friends - while newcomers will now understand what all the 5-star fuss is about.

Released August 2009 – "Neil Young" by NEIL YOUNG on Reprise 9362-49790-3 (Barcode 093624979050) is a straightforward transfer of his 10-track debut solo LP (36:25 minutes):

1. The Emperor Of Wyoming [Side 1]
2. The Loner
3. If I Could Have Her Tonight
4. I've Been Waiting For You
5. The Old Laughing Lady
6. String Quartet From Whiskey Boot Hill [Side 2]
7. Here We Are In The Years
8. What Did You Do To My Life?
9. I've Loved Her So Long
10. The Last Trip To Tulsa
Tracks 1 to 10 are his debut LP “Neil Young” – released January 1969 in the USA and UK on Reprise RSLP 6317 (reissued in 1971 in the UK on K 44059).

A nice touch on the outer jewel case is the sticker that came with original issues of the American LP that bore the logo “The Buffalo Springfield’s Neil Young” as well as the “A Classic Neil Young Album Remastered From The Original Analogue Master Tapes – Because Sound Matters” gold sticker that is generic with all four of these first reissues. The 12-page booklet reproduces the hand-written lyrics that came with original LPs and not much else unfortunately. This is Disc 1 of 4 and carries the HDCD code on the label and rear inlay (High Density Compact Disc). NYA ORS is the Neil Young Archives - Original Release Series. As these are the first four albums in a long reissue campaign - to identify them from older non-remastered CDs - the upper part of the outer spine has his new NYA OSR logo at the top and an 'issue' number beneath - D1, D2, D3, D4...on upwards of course.

His self-titled debut LP (written at the tender age of 23) has of course been eclipsed over the years by the more illustrious albums "After The Gold Rush" and "Harvest" from 1970 and 1971 - but real fans will want to start here. While I can live without the countrified "The Emperor Of Wyoming" - I still find "The Loner" astonishing in the way that the first Zeppelin album is - powerful, punchy and still rocking today. It's kind of shocking that even though Reprise coupled it with "Everybody Knows This Is Nowhere" as it's B-side - it failed as a UK 7" single on Reprise RS 23045 in September 1969.

I love the Jack Nitzsche arrangements on the magical "The Old Laughing Lady" with Ry Cooder on Guitar and the wonderful singer Merry Clayton on Backing Vocals. The channel separation is harsh (the way it was recorded) but the clarity is fabulous. "What Did You Do To My Life" sounds like a top Buffalo Springfield outtake from their patchy 3rd album while the acoustic guitars on the epic "The Last Trip To Tulsa" are so clear - as is his warbling treated vocals - frail and aching.

What I love about this remaster is that it’s somehow brought the album alive - and now begs rediscovery. And things only got better with the next three – “Everybody Knows This Is Nowhere”, “After The Gold Rush” and the mighty “Harvest” (which I’ve also reviewed along with the 2012 4-disc bundle “Official Release Series Discs 1-4”)...

PS: have also reviewed the 3LP set "Decade" from October 1977 on Reprise Records. It covered 1966 to 1976 and included five Previously Unreleased tracks as well as single-side rarities from CSNY and a Buffalo Springfield cut featuring Dr. John. See other review... 

Saturday, 15 August 2009

“After The Gold Rush” by NEIL YOUNG (August 2009 Reprise/Neil Young Archives HDCD Reissue and Remaster) - A Review by Mark Barry...




This Review Along With 280+ Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites
1960s and 1970s MUSIC ON CD - Volume 3 of 3 
- Exceptional CD Remasters 
(No Duplicate Reviews with Volumes 1 or 2
Which Contain 300+ Reviews in Each)
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)




-->
"...The Morning Brings Another Sun..."

As we all know, Neil Young has famously resisted the remastered reissue of his huge catalogue on CD because of what he feels is the format's less than stellar representation of analogue tapes 'original sound' - and almost a full 20 years after 1989's first issue of "Gold Rush" on a dullard CD - it looks like the guy is having the last laugh - because this meticulously prepared tape transfer is GLORIOUS. It really is.

First to the details...

UK and Europe released 10 August 2009 - "After The Gold Rush" by NEIL YOUNG on Reprise 9362-49790-1 (Barcode 093624979012) is a 'Neil Young Archives - Original Release Series' Remaster (NYA ORS) and carries the HDCD code on the label and rear inlay (High Definition Compatible Digital). It's also Part 3 of 4 of the August 2012 "Official Release Series Discs 1-4" Reissue that bundles his first four solo albums together (the HDCD versions) into one card slipcase.

Until now - 2004's "Greatest Hits" set (which offered us three Gold Rush tracks remastered into HDCD sound quality) was the only real indication of just how good the album 'could' sound (this is the first time the 'entire' album has been given a sonic upgrade). The Audio Tape Restoration and Analog-To-HDCD Digital Transfer of the Original Master Tapes was carried out by JOHN NOWLAND (24-Bit 176 KHZ) with the Editing and Mastering done by TIM MULLIGAN - and they've done a stunning job - they really have...

"After The Gold Rush" (35:03 minutes):
1. Tell Me Why
2. After The Gold Rush
3. Only Love Can Break Your Heart
4. Southern Man
5. Till The Morning Comes
6. Oh Lonesome Me
7. Don't Let It Bring You Down
8. Birds
9. When You Dance, I Can Really Love
10. I Believe In You
11. Cripple Creek
"After The Gold Rush" was released in September 1970 on Reprise Records MS 6383 in the USA and Reprise RSLP 6383 in the UK (it went to Number 8 in the USA and Number 7 in the UK). It was reissued on the Reprise 'K' label variant in the early Seventies when the company went over to 'Kinney' Music.

The inlay faithfully reproduces the foldout lyric sheet with his black and white grainy handwritten lyrics and the print isn't cramped either - it's very readable. (The Harvest inlay has the textured feel of the original LP sleeve and lyric insert too - a nice touch).

Also - as these are the first four albums in a long reissue campaign - to identify them from the old CDs, the upper part of the outer spine has his new NYA OSR logo at the top and an 'issue' number beneath - D1, D2, D3, D4...on upwards of course.

However, the big and obvious disappointment is the complete lack of musical extras or any new info in the booklet; they're in "The Archives Vol.1 1963-1972" box set that's still sitting in shop windows at varying extortionate prices. Still - at mid price - this remaster of "Gold Rush" is great value for money and with this hugely upgraded sound - it makes you focus on the music as is and not anything else.

Some have complained that the sound is a little underwhelming after all the hype that has preceded these releases - I don't think that at all. The danger in remastering would be the cranking of everything, ultra-treble the lot - but I'm hearing ALL the instruments on this carefully prepared remaster - especially the bass and drums which now have a clarity that is so sweet rather than flashy. The sound is very subtle - there's no brashness, very little hiss.
So many highlights - the meaty guitars of "Southern Man" and the slyly lovely cover of Don Gibson's "Oh Lonesome Me" is great too.

But then there's a triple whammy of "Don't Let It Bring You Down", the beautiful "Birds" (lyrics above) and the rocking "When You Dance, I Can Really Love". Each is so beautifully done but in different ways. They're not bombastic, nor trebled up to the nines, but subtle - the music is just THERE in your speakers to a point where everything seems new and up for grabs again. Fans will love it and feel like they're revisited long cherished old friends while newcomers will now understand what all the 5-star fuss is about.

Nils Lofgren of Grin and Crazy Horse lends his Guitar and Piano skills (Ralph Molina and Danny Whitten also from Crazy Horse play Drums and Guitars respectively) - while Stephen Stills of Buffalo Springfield and Crosby, Stills, Nash & Young contributes backing vocals. Master arranger and musical catalyst Jack Nitzsche also plays piano. But it’s Young and his singular voice, style and vision that dominates – the others complimenting rather than overtaking. Both "After The Gold Rush" and "Harvest" are arguably what his legend are based upon – although I find almost all of his Seventies output classy – the kind of music like say Richard and Linda Thompson LPs that grows in stature as the years pass.

The gold sticker on the jewel case of each of these issues says "Because Sound Matters" - and I think Rock's great curmudgeon has actually proved that point...

PS: I've reviewed "Everybody Knows This Is Nowhere", "Neil Young" and "Harvest" also - just as good soundwise - and the August 2012 "Official Release Series Disc 1-4" Box Set Reissue on Reprise/NYA that lumps together all 4 x HDCD releases into one card slipcase...

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