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Showing posts with label Steve Hoffman Remasters. Show all posts
Showing posts with label Steve Hoffman Remasters. Show all posts

Thursday, 19 July 2018

"Phoebe Snow" by PHOEBE SNOW - July 1974 US Album on Shelter Records featuring Phil Ramone Productions and Guest Musicians Dave Bromberg, Bob James, Zoot Sims, Dave Mason of Traffic and more (June 1995 US The Right Stuff/Shelter 'Expanded Edition' CD Reissue with One Bonus Track - Steve Hoffman Remaster) - A Review by Mark Barry...





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"...You Make Things All Rhyme..."

Like Dory Previn, Judee Sill and even Melissa Manchester - New York's Phoebe Snow released albums that made noises at the time (in this case a career peak position of No. 4 in the States in the Autumn of 1974) - but in truth her work has taken decades for true appreciation to be shown - for the rest of the world to catch up so to speak.

Over in Blighty - Snow remained something of a cult figure for years making a whopping four further albums on Columbia Records (issued through CBS here) between 1976 and 1979. I can recall they would sit in the secondhand racks of Reckless in Soho and Islington for months on end – nestled forlornly alongside Richie Furay, Eric Anderson and Bobby Whitlock LPs - hoping to be bought and loved by someone. Well better late than never...

Gorgeously produced by Dino Airali and mixed by Phil Ramone - the self-titled 9-track album originally on Shelter Records in the USA also boasted top musician contributions - Dave Mason of Traffic, Americana guitar supremo Dave Bromberg, uber sessionman Hugh McDonald on Bass, Bob James on Organ and Zoot Sims on Tenor Sax, Percussionist Ralph Mac Donald and even The Persuasions old-timey Vocal Group lending their lovely lungs on an inspired cover of Sam Cooke's "Good Times (aka Let The Good Times Roll)".

But what marks this CD reissue out for special praise is a glorious Remaster by Steve Hoffman (done at Future Disc Systems in Hollywood) - one of the Engineers behind the 'Audio Fidelity' CD Reissue Label and someone many Audiophiles will seek out just because he twiddled with the master tapes. Let's get to the 'manifold expressions' and poetry men...

US release 22 June 1995 - "Phoebe Snow" by PHOEBE SNOW on The Right Stuff/Shelter T2-31972 (Barcode 724383197224) is an 'Expanded Edition' CD Reissue of the 1974 album on Shelter Records with One Bonus Track (Non-Album B-side of a Single) that plays out as follows (39:52 minutes):

1. Good Times [Side 1]
2. Harpo's Blues
3. Poetry Man
4. Either Or Both 
5. San Francisco Bay Blues
6. I Don't Want The Night To End [Side 2]
7. Take Your Children Home
8. It Must Be Sunday
9. No Show Tonight
Tracks 1 to 9 are her debut album "Phoebe Snow" - released July 1974 in the USA on Shelter Records SR 2109 and September 1974 in the UK on Island/Shelter ISA 5010. Produced by DINO AIRALI (Co-Produced and Engineered by PHIL RAMONE) - "Phoebe Snow" peaked at No. 4 in the USA (didn't chart UK). All songs written by Phoebe Snow except "Good Times" by Sam Cooke and "San Francisco Blues" by Jesse Fuller.

BONUS TRACK:
10. Easy Street
Non-album B-side to "Harpo's Blues" - a US 7" single released April 1975 in the USA on Shelter SR-40400

The 8-page booklet is a fairly functional affair – album credits, the lyrics, the side-profile photo of Phoebe that adorned the rear sleeve but not a lot else (shame there wasn’t an assessment of her achievements). But the big news is a STEVE HOFFMAN Remaster (assisted by Engineer TOM BAKER) from original tapes – and this album sounds GLORIOUS – lovely warmth glowing from each song – a transfer that brings out that combo of top session playing and quality production. This is a mellow-mellow Soft Rock LP – it required a deft touch and that’s what you get. Classy indeed. To the slinky music...

With the album released in early July 1974 and not doing much business, Shelter USA pushed out the first of three singles to promote interest - and it worked. The impossibly hooky and Summer vibe-ish cover of Sam Cooke's "Let The Good Times Roll" b/w the equally catchy "Harpo's Blues" led the charge in August 1974 on Shelter SR-40278. Although it didn't make Top 20 per say - strong radio play saw the LP finally hit the Billboard charts in early September 1974 – from whence it made a steady climb to an impressive No. 4. Trying again with "Poetry Man" b/w "Either Or Both" in December 1974 on Shelter SR-40353 - it too would take the long road - finally charting in April 1975 and eventually giving Phoebe Laub (her real name) her first hit single on Billboard. The hugely popular song (and undoubted album highlight) enjoyed an 11-week run - peaking at No. 5 - aided in no small part by her guest duet vocal appearance on the "Gone At Last" track from Paul Simon's 1975 "Still Crazy After All These Years" album. Shelter seized the day again - reaching once more for "Harpo's Blues” as 45 Number Three - but this time putting the non-album "Easy Street" on the flipside - added onto this CD as a Bonus Track.

Side 1 opens with "Good Times" - a soft-shoe-shuffle through a famous Sam Cooke hit that features Steve Burgh of Jacobs Creek on Guitar with the dulcet tones of The Persuasions. You're immediately struck by her strangely intoxicating voice - a warbling refrain as she strums Acoustic Guitar. It gently slides into the Soft Rock of "Harpo's Blues" - Teddy Wilson on Piano, Zoot Sims on Tenor Sax and Bob James on Organ. The self-serving ladie's man wooing all the chicks with his fervent lines inhabits "Poetry Man" - Snow's knowing lyrics filled with sweetness one moment and savagery the next ("..Home's that place, somewhere you go each day, to see your wife..."). Acoustic Americana sails in with "Either Or Both" - just her and Dave Bromberg working an Acoustic Guitar and Dobro - sliding bluesy notes and her doubled vocals making the song feel like an intimate evening in some cellar downtown where you discover a magical force behind the microphone. Side 1 ends on a soft Blues shuffle - just her with an acoustic and Chuck Israels on Upright Bass working their way through the second cover version on the album - Jesse Fuller's "San Francisco Blues" - Snow sounding not unlike a female Tom Waits moaning about a woman who took the ocean liner and ain't likely to be coming back any time soon (what a bounder).  

Side 2 opens with a double-dose of mid-tempo shuffles - "I Don't Want The Night To End" and "Take Your Children Home" - the first a sexy 'oh daddy' longing song whilst the next has a plea to love children. Lyrically "It Must Be Sunday" is probably the wordiest song on the album - emotional desperados drinking Vermouth, shopping the pain away - lonely hearts dreading the reminders laced into another solo New Year's Eve (Zoot Sims on Tenor Sax and Bob James on Organ). Stage fright and malaise consume Phoebe in "No Show Tonight" - drowning in the dressing room - take back that Oscar (Dave Mason of Traffic plays Lead Guitar). "Easy Street" turns out to be a sweetie for a B-side - a feeling lost, kind of ill, last dollar bill song - pleading to God for help - a few tips on crossing over to Easy Street. It ends the CD on a high.  

IN 2013 "Phoebe Snow" received what many would consider to be the ultimate Audiophile accolade - a vinyl reissue by the highly regarded Analogue Productions as a 2LP set played at 45 speed. If you want the absolute CD business then the 1994 DCC Compact Classics 24-Carat Gold Reissue with the Bonus Track as listed above but also with an extra six demo versions of albums tracks - is the one for you (DCC Compact Classics GZS 1051 - Barcode 010963105124 for the right issue). The Demos are absolutely gorgeous by the way and I sometimes find myself playing them more that the more sophisticated finished versions. But beware, it's been deleted some years now and like much of DCC's Audiophile catalogue has acquired a bit of a nasty price tag. In the meantime you can settle for this easily available 1995 American CD reissue version - Barcode 724383197224. And it’s cheap too.

"...Do you like or love...either or both of me..." - Snow sings pleadingly on "Either Or Both". I'll settle for this one to love ta very much...

Thursday, 16 June 2011

"One Man Dog" by JAMES TAYLOR (2010 Audio Fidelity 24- KT Gold Audiophile CD Reissue - Steve Hoffman Remaster) - A Review by Mark Barry...


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"…Taking The Breeze…Just As Free As You Please…"

After a shaky start with Apple in 1968 - James Taylor hit the double-whammy with his next two albums on Warner Brothers – "Sweet Baby James" (1970) and "Mud Slide Slim And The Blue Horizon" (1971).

It was then something of a bitter disappointment to be presented with the incredibly patchy "One Man Dog" as a follow-up. Originally produced by Peter Asher - his fourth album was released November 1972 on Warner Brothers BS 2660 in the USA and Warner Brothers K 46185 in the UK. The album peaked at Number 4 and featured his much-covered ballad and chart hit "Don’t Let Me Be Lonely Tonight".

Which brings us to this Audio Fidelity 24 KT GOLD CD Reissue on AFZ 101 (Barcode 780014210120) of "One Man Dog" by JAMES TAYLOR - released late November 2010 in the USA. It’s a Limited Edition (numbered on the rear) Audiophile CD and has been mastered by engineering legend STEVE HOFFMAN. It sounds beautiful in the truest sense of the word. All the tracks are acoustic based and have a lovely air about them now.

The outer card-wrap houses the gold CD in a jewel case – the 8-page booklet reproduces the recording info insert that came with first pressings - while Page 7 reproduces the Side 1 and 2 labels of the original US LP. There’s no notes on the album, history etc…it’s a straightforward reissue (37:55 minutes).

1. One Man Parade
2. Nobody But You
3. Chili Dog
4. Fool For You
5. Instrumental 1
6. New Tune
7. Back On The Street Again
8. Don’t Let Me Be Lonely Tonight
9. Woh, Don’t You Know
10. One Morning In May
11. Instrumental 2
12. Someone
13. Hymn
14. Fanfare
15. Little David
16. Mescalito
17. Dance
18. Jog

Most of the 18 tracks are very short – snippets really – and a lot of it feels too slight by far. Having said that highlights include "One Man Dog" and "One Morning In May" which feature the backing vocals of CAROLE KING and LINDA RONSTADT respectively. "Instrumental II" has superb reproduction on it and the "...holy children..." tune "Hymn" now sounds so sweet too. The Tenor Saxophone solo by Michael Brecker on "Don’t Let Me Lonely Tonight" is gorgeous also.

I’ve found AF releases very hit and miss – I’ve reviewed their superb Joe Walsh issue of “The Smoker You Drink…” but there’s also the dullard Randy Newman, Faces and Rod Stewart issues – all of which have had derision quite rightly thrown at them. Not so here…

To sum up – this is a beautiful remaster - a 5-star presentation of a 3-star album.

If you cant find this now deleted Audio Fidelity item (which will undoubtedly have a price tag to match its rarity) - I’d plum for the Japanese SHM-CD version from October 2010 (reissued 2014) on Warner Brothers WPCR-13821 (use Barcode 4943674097340 on Amazon to find the right issue). For about the same price you get full Mini LP Repro Artwork and the better SHM-CD format inside. The Audio on it is truly gorgeous also and SHM-CDs play on all machines…

Friday, 26 December 2008

"Minute By Minute" by THE DOOBIE BROTHERS - 1978 Studio Album on Warner Brothers featuring Michael McDonald (February 2005 US-Only Audio Fidelity 24-Carat Gold CD Remaster by STEVE HOFFMAN) - A Review by Mark Barry...


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"...Oh Sweet Feeling..."

The vinyl LP "Minute By Minute" by THE DOOBIE BROTHERS was originally released on Warner Brothers BSK 3193 in December 1978 in the USA and Warner Brothers K 56486 in the UK. 

This 22 February 2005 US-only 24KT Gold Audiophile CD reissue is on Audio Fidelity AFZ 025 (Barcode 780014202521).

Long-standing Warners producer TED TEMPLEMAN recorded the original album (engineered by DONN LANDEE) while famed sound engineer STEVE HOFFMAN has mastered this reissue from the original first generation stereo tapes for CD. This Audio Fidelity audiophile version has a distinctive black and gold outer card wrap (Amazon artwork is often incorrect), the disc itself is a 24KT + Gold CD - a High Definition Compatible Disc issue (HDCD) - while the booklet faithfully reproduces the original album artwork, inner sleeve, lyrics, recording info, reissue details etc.

The DOOBIE BROTHERS line-up for the "Minute By Minute" LP was:
Lead Vocals, Keyboards and Synthesizers - MICHAEL McDONALD
Lead Vocals, Guitars - PATRICK SIMMONS
Guitars - JEFFREY ("Skunk") BAXTER
Bass, Vocals - TIRAN PORTER
Drums - JOHN HARTMAN
Drums and Vocals - KEITH KNUDSEN

Guests were:
Congas and Vocals - BOBBY LaKIND
Vocals - TOM JOHNSTON
Backing Vocals - NICOLETTE LARSON and ROSEMARY BUTLER
Harmonica - NORTON BUFFALO
Banjo - HERB PEDERSEN
Fiddle - BYRON BERLINE
Electric Piano - LESTER ABRAMS
Synthesizers - BILL PAYNE
Saxophone - ANDREW LOVE
Trumpet - BEN CAULEY

Here's a detailed breakdown (37:12 minutes)
1. Here To Love You [3:58]
[Writer Michael McDonald. Lead Vocals Michael McDonald, Backing Vocals Rosemary Butler.]
2. What A Fool Believes  [3:41]
[Writers Michael McDonald and Kenny Loggins. Lead Vocals Michael McDonald with Bill Payne of LITTLE FEAT on Synthesizer]
3. Minute By Minute [3:26]
[Writers Michael McDonald and Lester Abrams. Lead Vocals Michael McDonald with Bill Payne of LITTLE FEAT on Synthesizer]
4. Dependin' On You [3:44]
[Writers Patrick Simmons and Michael McDonald. Lead Vocals Patrick Simmons with Nicolette Larson and Rosemary Butler on Backing Vocals.]
5. Don't Stop To Watch The Wheels [3:26]
[Writer Patrick Simmons, Jeffrey "Skunk" Baxter and Michael Ebert. Lead Vocals Patrick Simmons and Tom Johnston with Norton Buffalo on Harmonica.]
6. Open Your Eyes [3:16]
[Writers Michael McDonald, Lester Abrams and Patrick Henderson. Lead Vocals Michael McDonald.]
7. Sweet Feelin' [2:41]
[Writers Patrick Simmons and Ted Templeman. Lead Vocals Patrick Simmons with Nicolette Larson and Michael McDonald on Harmony Vocals.]
8. Steamer Lane Breakdown [3:24]
[Instrumental written by Patrick Simmons.]
9. You Never Change [3:26]
[Writer Patrick Simmons. Lead Vocals Patrick Simmons with Harmony Vocals from Michael McDonald.]
10. How Do The Fools Survive? [5:12]
[Writers Michael McDonald and Carol Bayer Sager. Lead Vocals Michael McDonald with Lester Abrams on Electric Piano.]

To my knowledge there's 4 versions of this album on CD; the crappy 80's original, an improved 1990s remaster, this 2005 Audio Fidelity audiophile issue and a Japanese issue in 2006 in a card repro sleeve. Owning both the Japanese issue and this one, it's clear to me that the Japanese issue has used exactly the same remaster - to my ears they're identical. Which is good news, because I think this Steve Hoffman remaster is one of the most beautifully rendered transfers - so subtle and so damn good. Every song reveals itself now to you - and not in a showy way - all treble and blasting - it's just 'there' - muscular and in your living room. The synth work and rhythm guitar on "Here To Love You" is suddenly in the speakers when it was somehow hidden up until now and the lovely and overlooked "Sweet Feelin'" has the superb harmony vocals of Larson and McDonald so beautifully complimenting Simmons on lead.

Audio Fidelity put the original master mixes on special vintage playback decks and then run them through their own 'proprietary digital to analogue converter', which digs out those musical nuances. Whatever the techno speak says, your ears can hear it - especially on a good CD player. The album's double-whammy finishers "You'll Never Change" and "How Do The Fools Survive?" are now both Steely Dan good in terms of sound quality - drums, bass, brass, guitars - all of it - musically superb - and now sonically 'soooo' sweet.

One slight oddity is that both the FACES "Nod" CD (another AF release) and this have the printed info on their card wraps upside down on the rear - don't know why this is?

Audio Fidelity CDs have a mixed reputation among audiophiles (some are utterly slated) - but ordinary fans of the music may just wonder whether this issue is worth the extra cost - I'd say a resounding yes...

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