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Showing posts with label John Slattery. Show all posts
Showing posts with label John Slattery. Show all posts

Monday, 21 April 2014

"Charlie Wilson's War" on BLU RAY – A Review Of The 2007 Mike Nichols Film


Here is a link to AMAZON UK to get this BLU RAY at the best price:


"…Three Years Learning Finnish!" – Charlie Wilson's War on BLU RAY

It's 6 April 1980 and Charles Nesbitt Wilson is pruning in the bubbling water of a Las Vegas Hotel Jacuzzi with some naked strippers, cocaine and glasses of champagne (standard procedure for an American Congressmen at the time). But something else other than wet areolas catches Charlie's eagle eye. Up on the mounted television set behind the bar is an unshaven Dan Rather of CBS Evening News reporting from the deserts of Afghanistan. A local woman who speaks English tells a turbaned Dan that "America is asleep..." and that if the Russians invade her country - the Gulf is next - and after that - the USA itself. Charlie (Tom Hanks) politely declines an offer to make a tasteful TV Movie with Playboy of the Month and her naked agent for $29,000 and bids them all farewell...

Back at his office in Texas (which oddly enough is peopled with three large-chested women sporting buttons in their blouses that can't seem to be closed) - Charlie makes enquiries with his assistant Bonnie (Amy McAdams) into the covert ops budget for the dirt-country in the Middle East with no real political friends (America included). He doesn't like what he hears and as a Congressman for the House of Representatives - he determines to change all that nonsense by doubling its budget from five million dollars to ten. And so it begins...

Along the way Charlie meets with the 6th wealthiest woman in Texas - the wildly patriotic and determined sexpot Joanne Herring (a stunning Julia Roberts eating up a proper role) and a Greek CIA operative Gust Avrakotos (another genius portrayal from the greatly missed Philip Seymour Hoffman) who has anger issues with his bosses and hasn't been killed across 4 continents in 24 years by people who know how to (dialogue above). So far so funny...

But then it all changes when Charlie visits Afghanistan itself - and sees up close and personal what the Russian war machine is doing to defenceless Muslims. Men are being stacked in human piles and then run over by tanks as their wives are made to watch - children are dismembered with toy mines - and starving people rush grain trucks ripping open sacks in desperation. And as he walks up a hill and looks back at a Biblical scene of refugee tents with huge expanses of humanity being hammered by bullyboys - Charlie sheds a tear. And then a steely look enters his angry gaze...

What makes "Charlie Wilson's War" so good is a trio of things - the alarming and often ridiculous nature of this true modern-war story - a wickedly funny and yet touching Aaron Sorkin script - and a huge posse of Grade-A actors capable of making you chuckle one moment then shed a tear the next. The three principal leads are exceptional - especially Hanks and Hoffman - but there's also quality support from Emily Blunt, Om Puri, John Slattery, Ned Beatty, Ken Stott and Peter Gerety in small but significant roles.

The characters they portray may at times seem utterly ridiculous, meddlesome and even arrogant - but their convictions and above all their love of democracy and freedom knows no bounds. And anything that threatens that (i.e.: murderous Russians slaughtering easy pickings like peasants with pitchforks and old rifles) - is going to get short shift - and high-tech weaponry if that doesn't work.

The problem with all this 'movie entertainment' is that it clouds an obvious and stinging question - why did the CIA arm the Afghans? To give them their country back  - or out of pure self-interest - they get to defeat the Soviets using another country and another people to do it? The film doesn't shirk this thorn to its credit - offering up the plausible response that it was probably a bit of both. And it also points out that in the mid Nineties the American Government lost interest once the war was won and shamefully left with the goal achieved but the 'people' stranded - not investing - not rebuilding - and thereby giving rise to massive Islamic hated towards the West - which of course has had global consequences ever since.

The BLU RAY picture quality is gorgeous throughout - a major production - and filmed in Full Aspect (1.85:1)  - you get that punch of quality across the whole screen and in every shot. Audio is DTS-HD Master Audio 5.1, French, Italian, German, Spanish, Portuguese and Latin American Spanish Surround 5.1. Subtitles are in English SDH, French, Italian, German, Spanish, Japanese, Brazilian Portuguese, Czech, Danish, Dutch, Finnish, Greek, Korean, Latin American Spanish, Norwegian, Portuguese, Swedish, Thai, Turkish and Traditional Mandarin.

Directed by Mike Nichols and adapted from George Crile's book by Aaron Sorkin - "Charlie Wilson's War" seems slight at first - but then bites into your heart - and leaves you mightily impressed.

Did Texas Mascara and a Congressman with etched leather boots (elected to the Ethics Committee when he was clearly a dubious choice for the job) actually bring the Soviet Empire to its knees and defeat Communism? Check out this superb movie and find out...

Tuesday, 18 February 2014

"The Adjustment Bureau". A Review Of The 2011 Film on BLU RAY.


Here is a link to Amazon UK to buy this copy at the best price:


"…Your Future Is About Your Choices…Not Theirs…"

"The Adjustment Bureau" is that rare beast– a future-bending Sci-Fi romance blockbuster with heart and warmth and quite possibly two of the most likeable lead actors in the world - both exuding a genuine and believable chemistry…

After the loss of his entire family and an 8-year career climb as the youngest ever Congressman - US Senate hopeful David Norris is poised for the throne of New York State when a barroom moon years earlier conveniently makes the front page of The Post. Preparing his defeat speech by himself in the men’s toilet of a plush hotel – David meets a woman’s who’s crashed a wedding on a dare and is hiding out in the cubicles from Security. Earthy, natural and everything his crafted campaign strategy isn’t – the flighty and talented British ballet dancer Elise is a breath of fresh air. He is stunned and smitten after only minutes of electrifying conversation and they quickly launch into a mutually uncontrollable snog…

But mystery men who stalk the top of Manhattan buildings wearing 1940’s style Trilby hats and immaculate overcoats - have other ideas. They carry with them books that show every-changing grids and expanding street maps like they’re controlling people’s lives. They are convinced their all-powerful ‘chairman’ has decreed that these two people’s pathways must not converge no matter what the personal cost. So David and Elise need to be subtly adjusted.

Adapted from another ingenious Philip K Dick story (other adaptations include "Blade Runner", "A Scanner Darkly", "Minority Report" and "Total Recall") – the look of the film is cleverly not futuristic. Director George Nolfi uses glossy uptown locations, clean-lined buildings and real world sets so that it doesn’t feel like the mind-bending world of "Inception". And the ‘God’ angle doesn’t get in the way of the story or the romance but only adds to it. Damon’s struggle with his heart versus politics is brilliantly handled. His suddenly honest speech to the party faithful about "Phrases that pulled traction with focus groups…" and why his ties and shoes have the right colour and correct mount of scuffing to secure the workingman’s vote - is properly brilliant writing. Then a dozing operative (a great part for David Mackie) forgets to spill coffee on Norris’ shirt at exactly 7:05 a.m. one morning before he boards a bus to work – and thus begins the dance of David and Elise towards each other as they meet yet again and click like before.

As you can imagine with subject matter as ropey as this – it could all have gone horribly wrong in the hands of some ‘name’ stars that might look good but share no real vibe. But the naturalness of both lead actors goes a long way to making the audience care. There are many moments between them as characters that are genuinely touching – giggling over coffee and mobile phones – racing each other down a night street in the wet. Then David stumbles on a mind recalibration in progress in his offices and runs like any scared man would. But he’s cornered in a car park by these angels of sorts and is told that not only is his relationship with Elise verboten but if he tells anyone of their existence – he’ll be memory-lobotomised (but in a nice way). But love has taken hold of his heart and hers - and they make a run for a future together despite the overwhelming odds.

Will freedom of choice and protecting your soul mate win the day? Well after a few trips to Yankee Stadium and the Statue of Liberty via doors that act as portals and a little help from an angel who feels his assignment is just plain wrong – they might just stand a chance - despite the efforts of a fearsome Terrance Stamp and a bumbling John Slattery (both superbly cast in their parts).

Original issues are a Triple Play package coming with a Blu Ray, DVD and Digital Copy. The BLU RAY 1080p picture is defaulted to 1.85:1 so fills the screen and is visually beautiful throughout. This is a big movie and has those huge production values screaming off every frame. The audio is English DTS-HD Master Audio 5.1, English Audio Description Track 2.0, Latin American Spanish and Canadian French DTS. The subtitles are English SDH, Latin American Spanish and Canadian French.

The extras are pleasingly comprehensive too:
1. The Labyrinth Of Doors: Interactive Map Of New York
2. Leaping Through New York
3. Destined To Be
4. Becoming Elise
5. Deleted and Extended Scenes
6. Feature Commentary


"The Adjustment Bureau" is a lovely upbeat film with wit, charm and cleverness in its storyline that will keep you coming back for more. Chuck away those false clip-on ties people and tip an old-fashioned hat at Director George Nolfi - because this is one cinematic door you should definitely open…

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