"Hot Rods & Custom Classics: Cruisin' Songs & Highway Hits" by VARIOUS ARTISTS – Music and Car/Drag-Racing Sound Effects Spanning 1946 to 1998 - Including The Duals, Gene Vincent & His Blue Caps, Chuck Berry, Jan & Dean, Robert Mitchum, Dinah Shore, The Rip-Chords, The Beach Boys, Dick Dale, Sonny Boy Williamson, Bo Diddley, Howlin Wolf, Albert King, Nervous Norvus, Canned Heat, The Doobie Brothers, Golden Earring, Dave Edmunds, War, The Ramones, The B-52s, George Thorogood, John Hiatt, The Green Hornets and many more (March 1999 US Rhino 87-Track 4CD Brick-Shaped Lift-Top Box Set with Booklet, Mooneyes Themed Car Catalogue, Key Chain, A Sheet of Window Clinging Decals and a Pair of Hanging Rearview-Mirror Furry Dice – Bob Fisher Remasters) - A Review by Mark Barry...

https://www.amazon.co.uk/Hot-Rods-Custom-Classics-Various/dp/B00000I5M0?crid=PXVP7S2HOC98&dib=eyJ2IjoiMSJ9.-tuc_L4uzuXbw9pvCrIYmg.nvE64ydUcKI0j81r4e2bCs_yb31lODocJ7ZPrs3OetE&dib_tag=se&keywords=081227568825&nsdOptOutParam=true&qid=1729724888&sprefix=081227568825%2Caps%2C85&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=662c7ffbd47ad7a36d5014a47061ef23&language=en_GB&ref_=as_li_ss_tl

RATINGS:

Overall ****

Audio **** to *****

Presentation *****

"…Cruisin' Songs & Highway Hits…"

I have loved and frankly adored at the altar of Rhino Box Sets, and back in the Nineties day when they were big-time active, they regularly came out with groundbreaking fun compilations like this forgotten car-themed gem. I still rate their zany and thorough efforts as the best fun-and-audio discovery tomes ever issued across a swathe of genre splurges.

"Hot Rods & Custom Classics: Cruisin' Songs & Highway Hits" digs the automobile in music - here we get muscle cars and dragsters and Cadillacs and Lincoln Continentals and Pontiacs and frankly anything to do with pistons, fuel-injected carburettors and Polly the Molly sat in an opentop back seat with a cold beer bottle in hand and her tomboy hair in the wind. As you can imagine, there will be skidding and revving of a frankly lascivious hairy-chested-nature and undeniable references to shifting sticks that may or may not have to do with urgent speedometers and liquid transmissions (if you dig my brake fluid).

This hunk of 4CD burning love was first issued Stateside in March 1999 and its packaging alone – a cause for celebration. It has music and sound effects spanning 1946 to 1998 (87 Tracks, most are Music), a 66-Page Booklet crammed with genre themes and essays and Mooneyes-Themed Surf and Drag Car Racing Memorabilia – a Mooneyes Catalogue, Key Chain, A Sheet of Window Clinging Decals and a Pair of Hanging Rearview-Mirror Furry Dice. Yes – you read right – a pair of actual furry dice inset into the inner box! Even the sides of the boxes have reproduced fantastically evocative newspaper and magazine adverts from the Fifties and Sixties selling Conversion Kits, Magnesium Engine Adapters, White Wall Tyres and Torque Wrenches. Time to ride baby – details Daddy-O!

US released 16 March 1999 - "Hot Rods & Custom Classics: Cruisin' Songs & Highway Hits" by VARIOUS ARTISTS on Rhino R2 75688 (Barcode 081227568825) is a 4CD 87-Track Brick-Shaped Lift-Top Box Set. It has music and sound effects spanning 1946 to 1998, a 66-Page Booklet and Mooneyes-Themed Surf and Drag Car Racing Memorabilia (Mooneyes Catalogue, Key Chain, A Sheet of Window Clinging Decals and a Pair of Hanging Rearview-Mirror Furry Dice). It plays outs as follows:

CD1 (56:04 minutes):
1. New Car Attitude
2. Action Packed – RONNIE DEE (November 1958 US 45-single on Back Beat 522, A-side)
3. Stick Shift – THE DUALS (June 1961 US 45-single on Sue 745, A-side)
4. Hot Rod Man – TEX RUBINOWITZ (February 1980 US 45-single on Ripsaw 214, A-side)
5. Hot Rod Gang – STRAY CATS (from the August 1983 US LP "Rant N' Rave With The Stray Cats" on EMI America SO-17012)
6. Cruisin' – GENE VINCENT And HIS BLUE CAPS (from the March 1957 US LP "Gene Vincent And His Blue Caps" on Capitol T-811 in Mono)
7. Radar Love – GOLDEN EARRING (April 1974 US 45-single on MCA Records MCA-40202, A-side, 5:01 minute version. Note: the UK 45-single was issued November 1973 on Track 2094 116 and has a shorter version; the LP cut on the 1973 "Moon Tan" UK album is also longer than both the US and UK singles)
8. Mercury Blues – DAVID LINDLEY (from the 1981 US LP "E Rayo-X" on Elektra Records 5E-524)
9. Maybelline – CHUCK BERRY & His Combo (July 1955 US Debut 45-single on Chess 1604, A-side)
10. The Ballad Of Thunder Road – ROBERT MITCHUM (May 1958 US 45-single on Capitol F3986, A-side)
11. Forty Miles Of Bad Road – DUANE EDDY And THE REBELS (May 1959 US 45-single on Jamie 1126, A-side)
12. SS 396 – PAUL REVERE And THE RAIDERS (January 1967 US Split 45-single on Columbia Special Products CSM 466. Was the B-side to The Cyrkle doing "Camaro" on the A-side. The single was specially commissioned by Chevrolet and given to dealers)
13. See The U.S.A. In Your Chevrolet – DINAH SHORE (Advertising song for the 1956 US TV Series Chevrolet Hour)
14. Little Deuce Coup – THE BEACH BOYS (July 1963 US 45-single on Capitol 5002, B-side of "Surfer Girl")
15. Hot Rod – THE COLLINS KIDS (Unissued 1957 recording first released 1982 on the US 2LP compilation "Rockabilly Stars, Volume 3" on Epic Records EG 37984)
16. Mr. Highway Man (Cadillac Daddy) – HOWLIN' WOLF (April 1952 US 78 on Chess 1510, B-side of "Gettin' Old And Grey")
17. Lost Highway – HANK WILLIAMS With His Drifting Cowboys (September 1949 US 78 on MGM 10506, B-side of "You're Gonna Change (Or I'm Gonna Leave)")
18. Highway Patrol – JUNIOR BROWN (August 1995 US 45-single on MCG/Curb Records D7-76953, A-side)
19. Heavy Traffic Ahead – BILL MONROE And His BLUE GRASS BOYS (July 1949 US 78 on Mercury 20595, A-side)
20. Radar – MR. BEAR & HIS BEARCATS (1955 US 45-single on Groove 0150, A-side)
21. Motor Head Baby – JOHNNY "Guitar" WATSON credited at YOUNG JOHN WATSON (June 1953 US 78 on Federal 12131, A-side)
22. Led Sled – DENNY FREEMAN (from the 1986 US LP "Blues Cruise" on Amazing Records AM 1009)
23. Rev Off – Steve Wertheimer's 1951 Mercury Custom & Mike Young's 1960 Chevrolet "Exotica" Impala - Recorded at Dave's Precision Automotive, Austin, Texas on 23 October 1998 – Plus a Radio Advert for a 60ts Green Valley Raceway meet on a Wednesday night (between Dallas and Fort Worth) – unannounced and attached at the end of Track 23

CD2 (69:21 minutes):
1. Rocking Down The Highway – THE DOOBIE BROTHERS (November 1972 US 45-single on Warner Brothers WB 7661, B-side of "Jesus Is Just Alright")
2. Hey Little Cobra – THE RIP CHORDS (November 1963 US 45-single on Columbia 4-42921, A-side)
3. Hot Rod Queen – DEKE DICKERSON & THE ECCO-FONICS (from the 1998 CD Album "Number One Hit Record!" on HMG 3005))
4. Hot Rod Lincoln – JOHNNY BOND (June 1960 US 45-single on Republic 2005, A-side)
5. Hot Rod Race - RAMBLIN' JIMMIE DOLAN (June 1951 US 45-single on Capitol 1322, A-side)
6. Drag Race (excerpt from the 1960 Motion Picture "High School Caesar")
7. Draggin' – CURTIS GORDON (April 1956 US 45-single on Mercury 70861 X 45, A-side) 
8. Dragster – JOHNNY FORTUNE (November 1963 US 45-single on Park Avenue PA-130, B-side of "Siboney")
9. Race With The Devil – GENE VINCENT & HIS BLUE CAPS (August 1956 US 45-single on Capitol F3530, A-side)
10. Devil In My Car – THE B-52's (from the August 1980 US Album "Wild Planet" on Warner Brothers BSK 3471)
11. Ride On Josephine – GEORGE THOROGOOD & THE DESTROYERS (from the September 1977 US Debut Album "George Thorogood & The Destroyers" on Rounder 3013)
12. Rocket "88" – JACKIE BRENSTON & HIS DELTA CATS (1956 US 45-single on Chess 1458, A-side)
13. Key To The Highway – LITTLE WALTER & HIS JUKES (September 1958 US 45-single on Checker 904, A-side)
14. Low Rider – WAR (August 1975 US 45-single on United Artists UA-XW706-Y, A-side)
15. Whitter Blvd. – THEE MIDNITERS (June 1965 US 45-single on Chattahoochie CH-684, A-side)
16. Every Woman I Know – BILLY "The Kid" EMERSON (January 1957 US 45-single on Vee Jay VJ 219, B-side of "Tomorrow Never Comes")
17. One Piece At A Time JOHNNY CASH & THE TENNESSEE THREE (March 1976 US 45-single on Columbia 3-10321, A-side)
18. Cadillac Assembly Line (January 1976 US 45-single on Utopia UB-10544, A-side)
19. I Want A Lavender Cadillac - MAURICE KING & HIS WOLVERINES (June 1951 US 45-single on 4-6800, A-side)
20. Bring My Cadillac Back – BAKER KNIGHT And THE KNIGHTMARES (November 1956 US 45-single on Decca 9-30135, A-side)
21. Pink Cadillac – SAMMY MASTERS & HIS ROCKING RHYTHM (April 1956 US 45-single on 4-Star 1695-45, A-side)
22. Transfusion – NERVOUS NORVUS (May 1956 US 45-single on Dot 45-14570, A-side)
23. Crawling From The Wreckage – DAVE EDMUNDS (from the July 1979 US album "Repeat When Necessary" on Swan Song SS 8507)
24. Dead Man's Curve – JAN & DEAN (February 1964 US 45 on Liberty 55672, A-side)
25. James Dean 1955 Interview (from the 1993 video to "Rebel Without A Cause") – unannounced and uncredited "Signal Mid Ethyl Gas" advert from the 60ts is attached at the end of Track 25

CD3 (51:55 minutes):
1. Let's Go For A Ride – THE COLLEGIANS (1957 US 45-single on X-Tra 108, A-side)
2. On The Road Again – CANNED HEAT (April 1968 US 45-single on Liberty 56038, A-side)
3. Drive South – JOHN HIATT (from the 1988 US album "Slow Turning" on A&M Records SP 5026)
4. I Gotta A New Car – BIG BOY GRAVES and Band (May 1955 US 45-single on Spark 114, A-side)
5. No Money Down – CHUCK BERRY & His Combo (January 1956 US 45-single on Chess 1615, A-side)
6. Dear Dad – DAVE EDMUNDS (from the April 1982 US album "D.E. 7th" on Columbia PC 37930)
7. Little Forty Four – LEON SMITH With The Ponsonby Sisters (July 1959 US 45-single on Epic 5-9326)
8. '41 Ford – THE GRAND PRIX (October 1963 US 45-single on Vault V-906, B-side of "Candy Apple Buggy")
9. '64 Ford – PHRANC (from the 1991 US album "Positively Phranc" on Island 848282)
10. Stolen Car – THE GREEN HORNETS (from the 1996 album "The Buzz" on Alopecia! 008)
11. 60 Lil' Camaro Go – RAMONES (from the 1987 US album "Halfway To Sanity" on Sire 25641)
12. Road Runner – BO DIDDLEY (January 1960 US 45-single on Checker 942, A-side)
13. Beep Beep – THE PLAYMATES (October 1958 US 45-single on Roulette R-4115, A-side)
14. Black & White Thunderbird – THE DELICATES (June 1959 US 45-single on Unart UR 2017, B-side of "Ronnie Is My Lover")
15. Pink Thunderbird – GENE VINCENT & HIS BLUE CAPS (from the March 1957 US LP "Gene Vincent And His Blue Caps" on Capitol T-811 in Mono)
16. '54 Corvette – THE CUSTOMS featuring Gary Usher (from the 1963 US LP "Hot Rod City" on Vault 104)
17. Sting Ray – THE ROUTERS (March 1963 US 45-single on Warner Brothers 5349, A-side)
18. Route 66 Theme – NELSON RIDDLE (April 1962 US 45-single on Capitol 4741, A-side)
19. Gas Money – JAN & ARNIE with Adam Ross (July 1958 US 45-single on Arwin MM-111-45, A-side)
20. Gasoline Alley – ROD STEWART (from the June 1970 US album "Gasoline Alley" on Mercury SR-61264) – includes added on Unannounced 60ts Advert for "Speedway Gas" attached to the end of the song

CD4 (50:06 minutes):

1. Mustang Sally - WILSON PICKETT (November 1966 US 45-single on Atlantic 45-2365, A-side)

2. Hopped-Up Mustang - ARLEN SANDERS And The Pacifics (June 1964 US 45-single on Faro 616, B-side of "A Letter To Paul")

3. Wild, Wild Mustang - DICK DALE (& HIS DEL-TONES) (May 1964 US 45-single on Capitol 5187, A-side)

4. 409 - THE QUADS (from the 1963 US LP "Hot Rod City" on Vault 104)

5. Automobiles - THE SPANIELS (Unreleased 1959 recording first issued on the 1993 US CD-compilation "Heart & Soul Volume 2" on Vee-Jay NVD2714)

6. V-8 Ford Blues - MOSE ALLISON (from the 1962 US LP "Takes To The Hills" on Epic BA 17031 in Stereo)

7. Pontiac Blues - SONNY BOY WILLIAMSON (November 1951 US 78 on Trumpet No. 145, B-side of "Sonny Boy's Christmas Blues")

8. G.T.O - RONNY & THE DAYTONA'S (June 1964 US 45-single on Mala 481, A-side)

9. Go Go G.T.O - CAROL And CHERYL (February 1965 US 45-single on Colpix CP-767, A-side)

10. Bite Bite Barracuda - BUDDY RANDELL & THE KNICKERBOCKERS (November 1964 US 45-single on Challenge 59268, B-side of "All I Need Is You")

11. Ford V-8 - HONEY BOY ALLEN (Unreleased 1958 Excello Recording first issued on the 1985 UK LP compilation "Rock Me All Night Long: Unissued 1950s R&B from Louisiana – The Legendary Jay Miller Sessions Volume 41" on Flyright Records FLY 606)

12. No Particular Place To Go - CHUCK BERRY (May 1964 US 45-single on Chess 1898, A-side)

13. Four In The Floor - THE SHUT DOWNS (August 1963 US 45-single on Dimensions D 1016, A-side)

14. Big Green Car – BILLY CARROLL (1958 US 45-single on Fascination 2000, A-side)

15. Spark Plug - FOUR TEENS (August 1958 US 45-single on Challenge 59021, B-side of "Go Little Cat Go"

16. Buick 59 - THE MEDALLIONS (August 1954 US 45-single on DooTone 347, A-side) 

17. Freeway - THE FUGITIVES (October 1960 US 45-single on Arvee A 5014, A-side)

18. Two Lane Highway - PURE PRAIRIE LEAGUE (June 1975 US 45-single on RCA Victor PB-10302, A-side)

19. Six Days On The Road - DAVE DUDLEY (April 1963 US 45-single on Golden Wing GW3020, A-side)

20. Wheels - THE FLYING BURRITO BROS. (from the February 1969 US Debut LP "The Gilded Palace Of Sin" on A&M Records SP-4175) - Plus an attached and uncredited spoken Sharp 1956 Automobile Advert about a Hot Rod having its wheels serviced

The 66-page booklet is a major departure for Rhino in some ways in that it doesn't show a single 45-repro label nor LP nor musical act nor sheet music nor trade advert anywhere in its 66-pages – it is all vintage cars and dragsters. Not even the four Digipaks containing the CDs (front or rear) pay a nod towards the music contained within – again all of them with paintings or pictures of famous chrome-infested machines (beneath each of the four see-through trays is a picture of a internal engine casing with juice-guzzling adaptations to their groaning manifolds).

While I appreciate going all out with the theme and the reproduction of famous articles on the subject matter - you can't help thinking that (music wise) say the picture sleeve for The Cyrkle/Paul Revere split 45 especially commissioned in 1967 by Chevrolet for car dealers might have been an obvious inclusion – the rare smiling-face picture sleeve for Chuck Berry's fabulous "No Particular Place to Go" (surely one of the great 'your car vs. frustrated love' songs ever). Or how about The Beach Boys or Jan and Dean atop Dune Buggies or in a Little Deuce Coup – Bobby Blue Bland standing proudly by his Driving Wheel - Batman in his phantasmagorical Bat Mobile etc - you could go on. Rhino also mistakenly credit Billy Carroll as Jimmy Carroll on the rare 1958 Rockabilly blast over on CD4 and get the Flying Burrito Bros LP catalogue number wrong on the last track of the set - but other than those puny errors...it's a gas gas gas…

Speaking of - I can't stress enough that this is a blast - a dip-and-dive box. "Hot Rods & Custom Classics: Cruisin' Songs & Highway Hits" is great fun - reeking of compilers who enjoyed their job and went that country mile for your delectation - the Sheet of Decal Stickers - The Key Chain with Moon Eyes and of course - the Furry Dice you would hang from your Cools-Mobile. Speaking of Moon Eyes - Dean Moon built his Moon Equipment Company in the USA provided equipment parts and everything else for cars. The 'Mooneyes Surf & Drag' Catalogue therefore has adverts for tee-shirts with 50ts and 60ts period designs - Bonneville Sports - Engine Parts - Custom Accessories like tail-lights - skulls for gear sticks - speed equipment - grill and chrome emblems and so on. And then there are all the period adverts repro'd on the side of the brick block box when you lift off the lid (see second set of photos above) - you could be hours with a magnifying glass just trying to get through them - a bygone age. It's enough to blind you to the excellent BOB FISHER Remasters that stretch decades of car-mentions - uniformly good audio from 78s to 45s to LPs to CDs. 

CD1 opens with 21-seconds of advert dialogue "You finally get your own car, the chances are your parents still don’t understand why you needed it, but the freedom – you treat it good – real good!" That is followed by the wild 1958 teenage Rock and Roll on the uber-rare "Action Packed" by Ronnie Dee – you can hear his youth and excitement. And then we get a truly great tune – arguably the first genuinely cool instrumental prior to "Green Onions" in July 1962 - "Stick Shift" by The Duals. This Rockabilly Beat nugget had arrived a full year earlier in June 1961 complete with engine roar start and cop-car siren ending – a classy inclusion. It's at this point (same on all 4 CDs) that the time frames start to jump forward and back again – but it works. Next up is a fantastic slice of Rockabilly brilliance in the 1980-recorded "Hot Rod Man" by the wonderfully named Tex Rubinowitz – itself not surprisingly followed by The Stray Cats also doing that untamed beast in 1983. We’re back to Gene Vincent and then rather oddly on to 1973/1974 and Golden Earring giving it friend-e-lee and coming on strong with their fabulous "Radar Love" (it is the 5:02 minute cut out of the USA). 

But then again, the compilation whomps you with a gem you have completely forgotten – David Lindley getting all slide-guitar mayhem with his "Mercury Blues". What a nugget and clever inclusion. Natural to see Chuck Berry and his influence start on CD1 (his tunes crop up on the other discs too) – his lyrically savvy tunes full of liberating automobiles and teenage knowing. From the start of summer 1955 on Chess Records, "Maybelline" and all that followed started a revolution in the States and its influence reached over to Blighty for a whole generation of English kids not least of all were The Beatles and Stones. Bit of film melodrama and fun with Robert Mitchum sing-talking his way through a song about bootleggers in joe-jammers - "The Ballad of Thunder Road" full of hard-boiled characters old Hate-and-Love hands Mitchum no doubt relished playing. America is the greatest land of all, Dinah Shore sings jauntily like Doris Day on uppers in the Chevie advert while The Beach Boys and a surprisingly cool Collins Kids get cute with the ladies – soon as they get a Hot Rod. Heavy Blues comes at you in full-on recorded-in-a-bucket mode when Howlin Wolf comes a roaring into your speakers perfectly countered by Hank country-fiddle singing about paying the cost for a life of sin on the Lost Highway (we know how you feel Mr. Williams – all too bitterly). And on it goes to Sheriffs with itchy fingers in their cherry-tops – Bill Monroe caught in heavy traffic with his banjo – Mr. Bear caught doing 105 MPH by that new-fangled Radar – and Denny Freeman getting all B.B. King geetar on his SRV-sounding Led Sled.

Hot Dog Lincolns and Souped-Up Fords shift and shuffle and race with devils both inside and outside come CD2 – streets forty-foot wide – Mercury speeding but taken by a hopped-up Model A. Echo-laden Rockabilly comes hammering out of your speakers as Curtis Gordon drags Main St. all night long. Cool Agent/Spy type vibes on the screaming tyres and guitar-picking instrumental "Dragster" – kids living dangerously while Johnny Fortune twangs his geetar. Manic vocals of The B-52s followed by the Slide Guitar Boogie of George Thorogood makes for a good pairing – and what can you say about the utter brilliance of "Low Rider" by War – like "Radar Love" on CD1, it will be a track you reach for again and again no matter how many movies have used both to death. Your lady can play with your keys and shift your gears according to Billy "The Kid" Emerson (rubber heels are a no-no). Genius lyrics come at you aplenty with the forgotten Man In Black hit "One Piece At A Time". Funny and savvy as always – Johnny Cash slays it as he describes assembling a GM Cadillac by sneaking out parts across two decades only to find that upgrades over the years have done for the usability of his unique $100,000 car.

Speaking of period wit – two decades back we get slip the blood to me bud Nervous Norvus – talking through witty lyrics amidst car-crash sounds. No picture sleeve unfortunately repro'd for the Jan & Dean Liberty 45 from February 1964 – "Dead Man's Curve" – and I cannot get enough of Dave Edmunds who gets the first of two appearances on this Box Set with his fab "Crawling From The Wreckage" (driving like a nut in the rain – taking out his revenge on the revolution counter). The final track is a 2-minute interview with James Dean about cars and car-racing – his supposedly sincere comments about safety are so damn ominous with what happened to him. But stick around also for an unannounced "Signal Gas" advert attached afterwards (Track 25) where nice chaps tell you that you no longer have to just use Regular or Premium Gas, because now at a third pump you can get Mid Ethyl Gasoline and go farther!

CD3 opens with an uber-rare 1958 R&B Vocal Group 45 by The Collegians asking all suckers to "Let's Go For A Ride". That is followed by the familiar whining vocals of Bob Hite in his Canned Heat doing the ever-popular "On The Road Again" – a huge hit for the Blues Rockers in 1968. Stunning inclusions ahoy with a clever switch up to John Hiatt asking his baby to "Drive South" (on his 1988 "Slow Turning" album) – telling her that will not need too many clothes because it gets hot where they’re going. A slew of clever lyrics follow starting with R&B man Big Boy Groves bemoaning his wallet because "I Gotta A New Car" (Soup and Tooth Picks not a good meal), while Chuck Berry lists his requirements in fabulous period detail for his new car with "No Money Down". But best of all is another gotta-get-rid-of the crappy old Ford song by Chuck Berry but this time done by Dave Edmunds – his fantastic bopping "Dear Dad" done in 1982 – a son writing to Pops to plead his motor needs. 

Another obscure flipside comes in the shape of Leon Smith with The Ponsonby Sisters – his 1959 Epic 45 informing the populace on his "Little Forty Ford". Gotta love the girly longing in "64 Ford" – Phranc with that early crush glint in her eye. Punky garage comes in the shape of Taratino-cool Green Hornets getting organ-and-sax grungy as they channel their inner X-Ray Specs on their "Stolen Car". The Ramones and their Soul Brother Bo Diddley give us a Camaro 60 followed with a Road Runner. Lyrically similar, a little Nash Rambler determined to scorn a Cadillac in The Playmates witty "Beep Beep" turns out to be a Mojo in bother rather than competition. Cool instrumentals return with two in a row – The Routers giving us "Sting Ray" while Nelson Riddle decides to go all Secret Agent Lounge Lizard with his stringed-up piano-plinking finger-clicker "Route 66 Theme". 

Jan & Arnie may argue in the bedroom, but itchy Jan knows what he needs - "Gas Money" – come up with the dough baby. And CD3 ends with a nugget – and even if it feels stylistically slightly out of place – there is no denying the slide-guitar Ron Wood and Rod Stewart melody in the fab and still-touching "Gasoline Alley". Stay tuned to Track 20 as it plays for Rhino has sneaked in a hidden unannounced "Speedway Gas" sung commercial attached to the tail-light of the Rod Stewart song – an advert sung by good old boys about ethanol propylene or some such 60ts gizmo.

CD4 features a very 1963/1964 vibe cosied up to by boppin Fifties R&B and Vocal Groups – all Mustang Sallys and Souped-Up Fords and mouthy Pontiacs never mind your slippery G.T.Os and muscle-clad Ford V-8s. The mighty Wilson Pickett opens his ride-around account with the superb "Mustang Sally" while Arlen Sanders talks us through the performance of his clear-to-the-floor six-cylinder Mustang duetting with a Cadillac (music by The Pacifics) against a backdrop of engine bursts. Genius inclusion comes in the shape of the very Chuck Berry-sounding "Wild, Wild Mustang" – Dick Dale accompanying his Del-Tones in a tale of his King of the Road wheels. The Quads catch the surfing Beach Boys groove with their "409" – giddy-up ooh-ooh. Clever down shift to 50ts R&B Vocal Group sound – The Spaniels giving us the skinny on the kind of cars their girls like (all of them). 1962 LP Coolsville comes a finger-clicking in as Mose Allison goes all Georgie Fame Yeh Yeh (or is it the other way around) with his beautiful sounding "V-8 Ford". 

Way back to a 1951 ten-inch 78 sounding remarkably fresh as Sonny Boy Williamson gives it some of his trademark Harmonica (loving his Pontiac). Audio-leap as Ronny & The Daytona's sing the wah-wah praises of their little "G.T.O." which corners like a forward-leaning skier hugging that Olympic slope. Girly duo Carol and Cheryl combine their ah-schucks vocals for the 1:35 minute from 1965. Weedy boy vocals follow with "Bite Bite Barracuda" – serious channel separation on this bizarre track. Thankfully we're rescued by Honey Boy Allen giving it R&B guitar and harmonica on his crude but cooly rocking "Ford V-8" where he wants to show his baby the power steering (now now Mister Allen). But all of this is whomped goodo by Chuck Berry who comes charging (in glorious Stereo) into your mancave with the brill "No Particular Place To Go" (the safety belt wouldn't budge people). Stunning  audio on the kick-ass instrumental "Four To The Floor" by The Shut Downs – a rip-roaring guitar beat set against a backdrop of screaming engines – feels like The Shadows found the dark side of The Force and let it rip. 

"…Hey Man! Did you see that doll in the big green car!" announces Bobby Carroll on his tremendous Rockabilly romp "Big Green Car". The same geetar menace permeates every sinew of "Spark Plug" by Four Teens – our lead singer just looking for some love – hot seat preferred (another smart inclusion). Fats Domino-style piano-rolling makes a very welcome appearance with The Medallions as they sing the virtues of their Vocal group lady-wagon - "Buick 59" – the lead-singer eventually going all Screaming Jaw Hawkins lecherous as he makes sound effects that mimic car shenanigans. I have never heard The Fugitives and their "Freeway" but it's very cool – a Saxophone and Piano instrumental bopper that gets louder as it progresses – expect it in a TV episode some time soon. 

A strange and slightly jarring leap to the audio perfection of 1975 and the Pure Prairie League giving it some Outlaws vs. The Doobie Brothers Country Rock with their "Two Lane Highway" – good tune though. Rolling down the Eastern seaboard with Dave Dudley getting all 10-gears and little white pills keeping his eyelids open - "Six Days On The Road" dodging all the State scales on this great Rockabilly bopper. It comes sauntering home with The Flying Burrito Bros. and their "Wheels" with lyrics about cars taking them home – or away – or to freedom. Frankly CD4 could have done with more and a better ending. But dig that uncredited spoken Sharp 1956 Automobile Advert about a Hot Rod having its wheels serviced complete with dialogue to appeal to Teens!

So, there you have it – chammy in your back pocket and oil on your white teen-shirt like all good James Dean posers should. Feelin' the need for speed - the only way is the Freeway - want your Spark Plugs ignited - your fuel-head Buick bounced - your Rubber Rims burnt - or your Chevie chassis discombobulated (oh dear, sounds painful) - then look no further my grease monkeys of yesteryear and bikers of oblivion - because Rhino's 1999 Box Set "Hot Rods & Custom Classics: Cruisin' Songs & Highway Hits" is the old-school gearbox you need...

I know 1999's "Hot Rods & Custom Classics: Cruisin' Songs & Highway Hits" is not all genius – but I love it – and cherish owning such a Rhino Box Set - Go Daddy Go!

"Black Moses" by ISAAC HAYES – November 1971 US 2LP Set on Enterprise Records and February 1972 UK 2LP set on Stax Records – featuring backing bands The Isaac Hayes Movement and The Bar-Kays with Backing Vocals by Hot Buttered & Soul featuring Pat Lewis and Arrangements by Johnny Allen and Dale Warren (April 2009 UK Universal Music Group/Stax/Concord Music Group, Inc. Deluxe Edition Reissue With Repro Foldout Cross Card Sleeve – 2LPs onto 2CDs - Bob Fisher Remaster) - A Review by Mark Barry...

"...Ike's Rap..."

There was industry discussion in the October 1971 issue of Billboard Magazine as Stax/Enterprise prepped for the release of Isaac Hayes' second double-album "Black Moses" in the same year ("Shaft" had been issued in July 1971). Stax had locked down all promotion of his new November 1971 opus. This was because some DJ had reputedly been offered $300,000 for his Promo Copy with the aim of bootlegging it.

Why would someone offer an A&R employee such a huge amount of cash in 1971?  Because his previous effort "Shaft", as a Movie and 2LP Blaxploitation Soul Music Soundtrack, was massive – an absolute phenomenon and in a way that few had ever seen before. The handsome sex symbol lead actor Richard Roundtree, the bespectacled and impossibly cool musician Isaac Hayes with his beard and bling, the wah wah guitar theme he composed that just slaughtered all in its path worldwide - this bad mother was everywhere. Stax was even then claiming that such was the demand for Isaac’s fourth release, that nearly 40% of copies of "Shaft" in American circulation were bootlegs - gazillions of them.

Few now remember (or even know) that November 1971's "Black Moses" was going to be Isaac Hayes' fifth No. 1 US R&B LP in a row – a feat no one had ever achieved (he would nab another two R&B number one albums in 1974 with "Truck Turner" and the 1976 double "Live At The Sahara Tahoe"). Seven No. 1 R&B albums – wow!

Which brings us via a reissue circuitous route to this 2009 foldout love-in and Remaster for the slightly forgotten "Black Moses" splurge – and tis a wee bit sexy thing too if you ask me. Time to get down brothers and sisters with the man with the plan - Ike's Rap...

UK released 6 April 2009 (24 February 2009 in the USA) - "Black Moses" by ISAAC HAYES on Universal Music Group/Stax/Concord Music Group, Inc.  0888072312388 (Barcode 888072312388) is a Deluxe Edition offering the full 2LP Set Remastered onto 2CDs with repro foldout cross packaging (like the original vinyl double-album) and plays out as follows:

CD1 (50:06 minutes):

1. Never Can Say Goodbye [Side 1]

2. (They Long To Be) Close To You

3. Nothing Takes The Place Of You 

4. Man's Temptation

5. Part-Time Love [Side 4]

6. Medley: Ike's Rap IV/A Brand New Me

7. Going In Circles

CD2 (43:36 minutes):

1. Never Gonna Give You Up [Side 2]

2. Medley: Ike's Rap II/Help Me Love

3. Need To Belong To Someone

4. Good Love 6-9969

5. Ike's Rap III/Your Love Is So Doggone Good [Side 3]

6. For The Good Times

7. I'll Never Fall In Love Again

The studio double-album "Black Moses" was released 15 November 1971 in the USA on Enterprise ENS-5003 and February 1972 in the UK on Stax 2628 004. Produced by ISAAC HAYES and featuring THE BAR KAYS, THE ISAAC HAYES MOVEMENT and HOT BUTTERED & SOUL as backing bands – the double-album peaked at No. 1 on the US R&B charts (entered 18 December 1971), No. 10 on the Pop LP Charts (entered 11 December 1971) with a No. 38 placing on the UK LP charts in February 1972. CD1 contains Sides 1 and 4 while CD2 contains Sides 2 and 3, aping how the original American LPs were issued.

The first thing that hits you is the packaging – aping for the first time since its 1971 US release - the huge foldout cross with Isaac looking like a Bedouin preacher asking for rain in the desert. The story by Chester Higgins of Jet Magazine that was done in ye old Biblical style typeface across the inside of the cover is present and accounted for too, "...And so it came to pass that 28 years ago Isaac (Black Moses) Hayes was born in the town of Covington, Tenn., a snoozing little hamlet... " Yeah brother.

Once unfolded, three flaps at the end of the cross house the two CDs and 12-page booklet. I have to say though that once out of its shrinkwrap – the thing is a bit of a beast to handle or get back into a shape that doesn't easily crumple. The 12-page colour booklet is a pleasingly in-depth affair with November 2008 liner notes from ROB BOWMAN, author of the acclaimed label tome "Soulsville U.S.A.: The Story Of Stax Records". There are three black and white photos of our hero in full-on pimpmobile dude attire complete with fur coats, glasses and bling - while the final more humble shot shows Ike at an organ in a record store surrounded by admiring brothers. The snap of Ike outside Soulsville USA studios is so damn cool – stripped trousers and all. A good read then and despite its unwieldy nature, I love that packaging.

The ROB FISHER 24-Bit Remaster was done at Pacific Multimedia and really lifts the splurge of cover versions – all that Dolby Systems production full and punchy as Hell. While "Shaft" was famous for its legendary Funky theme song, like its predecessor, "Black Moses" is surprising mellow throughout – a seducer really.

The musical landscape of this sprawling double album is a veritable river of f cover versions with five bits of new material amidst its sixteen tracks. Hayes does contemporary songwriters like the Bacharach and David classic "(They Long To Be) Close To You" made a monster number one Billboard smash by The Carpenters and the Kris Kristofferson love song "For The Good Times" from his 1970 debut album on Monument made a Country No. 1 single in 1970 by Ray Price - to older R&B and Soul heroes like Toussaint McCall and his 1967 Ronn Records hit "Nothing Takes The Place Of You", the Curtis Mayfield B-side gifted to Gene Chandler in 1963 on Vee Jay Records "Man's Temptation" and another from 1963, the Clay Hammond song "Part-Time Love" recorded by Little Johnnie Taylor.

Soul legends Kenny Gamble, Leon Huff and Jerry Butler had written "Never Give You Up (Never Gonna Give You Up)" for Shirley & The Shirelles on Bell Records in 1969 – here Ike calls it simply "Never Gonna Give You Up". He preambles his own "Ike's Rap II" into a two-song medley attaching it to the Luther Ingram, Johnny Baylor, Tommy Tate and Mickey Gregory song "Help Me Love". Ingram would eventually do his own version of "Help Me Love" on his fabulous album "If Loving You Is Wrong I Don't Want To Be Right" issued October 1972. It was in turn coupled with "Always" (as the A-side) from the same LP and released as a KoKo Records 45 in February 1973.

The covers keep coming. After his own "Ike's Rap III" – Hayes tagged on a Whispers song called "Your Love Is So Doggone Good" – a tune that was a current May 1971 hit while the Movement was recording "Black Moses". Hayes then dipped backwards to "Going In Circles" – a No. 15 Billboard Pop hit for The Friends Of Distinction in October 1969 on RCA Victor Records. And for the final song, he slinked into a deadringer to his style of Soul-ifying easy listening pop songs – the Bacharach and David smash "I'll Never Fall In Love Again" made immortal by Dionne Warwick in 1970.

It's a lurve-thing baby. I guess you could say that in June 2020, this relic of Soul Music's flashier history is a bedroom swinger that's past its woke sell-by-date. But I love it and the Audio on this has only made me want to rant and rave about the deep-voiced one.

Chester Higgins finishes his "Black Moses" liner notes on the original double-album by saying, "...Black Moses of the famous "Memphis Sound" is indeed a soulful prophet of the Chosen People, a willing servant of the Lord, and one helluva entertaining genius, to boot..." Well, on the renewed evidence presented here – you have to say that da Higster had a point...

"Shaft" (Music From The Soundtrack) by ISAAC HAYES – 23 July 1971 US 2LP Set on Enterprise Records and November 1971 UK 2LP set on Stax Records – featuring Backing Bands The Bar-Kays, The Isaac Hayes Movement, The Memphis Strings and Horns with Arrangements by Johnny Allen and J.J. Johnson and backing Singers Pat Lewis, Rose Williams and Telma Hopkins (3 November 2009 USA (25 January 2010 UK) Stax/Concord Music Group Deluxe Edition Reissue – 2LPs onto 1CD with One Bonus Track - Bob Fisher Remaster) - A Review by Mark Barry...

"...Damn Right!"

There was industry discussion in the October 1971 issue of Billboard Magazine as Stax/Enterprise prepped for the release of Isaac Hayes' second double-album "Black Moses" in the same year ("Shaft" had been issued in July 1971) – that they had locked down all promotion of his new opus. This was because some DJ had reputedly been offered $300,000 for his Promo Copy with the aim of bootlegging it.

Why would someone offer an A&R employee such a huge amount of cash in 1971?  Because his previous effort "Shaft" as a Movie, as a 2LP Blaxploitation Soul Music Soundtrack was MASSIVE – an absolute phenomenon and in a way that few had ever seen before. The handsome sex symbol lead actor Richard Roundtree, the bespectacled and impossibly cool musician Isaac Hayes with his beard and bling, the wah wah guitar theme he composed that just slaughtered all in its path worldwide - this bad mother was everywhere. Stax was even then claiming that such was the demand for Isaac’s fourth release, that nearly 40% of copies of "Shaft" in American circulation were bootlegs - gazillions of them.

Few now remember (or even know) that December 1971's "Black Moses" was going to be Isaac Hayes' fifth No. 1 US R&B LP in a row – a feat no one had ever achieved (he would achieve another 2 R&B number ones in 1974 with "Truck Turner" and the 1976 live double "Live At The Sahara Tahoe"). Seven No. 1 R&B albums – wow! But it's "Shaft" that has a special place in fan's hearts - which brings us to this (problematic for some) CD Remaster (issued November 2009 in the USA and January 2010 in The UK and Europe).

I'm going to argue that until 2021 (next year) when a '50th Anniversary Edition' must surely be looming – this 2009/2010 incarnation is about the best way so far to get the double on digital. There have been bitter diatribes about the BOB FISHER sound on this 2009 Concord Music Group Remaster but apart from some lack of punch on the Bass, I'm struggling to hear why anyone is complaining. I love what I'm hearing. The drums are clear and those brass and string parts are mellow and punchy - the organ fills too. The 2009 Mix of the famous title song is a tad superfluous as a supposed bonus - especially when we don't get the way more desirable and important single edits of "Shaft", "Cafe Regio's" or "Do You Thing" - two of which would easily have squeezed on here. Still, time to deal with what we do have. Let's get damn right...

UK released 25 January 2010 (3 November 2009 in the USA) - "Shaft: Deluxe Edition" by ISAAC HAYES on Universal/Stax/Concord Music Group 0888072317512 (Barcode 888072317512) is a Deluxe Edition offering the full 'Music From The Soundtrack' 2LP set Remastered onto 1 CD with One Bonus Track. It plays out as follows (74:33 minutes):

1. Theme From Shaft (Vocal) [Side 1]

2. Bumpy's Lament

3. Walk From Regio's

4. Ellie's Love Theme

5. Shaft's Cab Ride

7. Café Regio's [Side 2]

8. Early Sunday Morning

9. Be Yourself

10. A Friend's Place

11. Soulsville (Vocal) [Side 3]

12. No Name Bar

13. Bumpy's Blues

14. Do Your Thing [Side 4]

15. The End Theme

Tracks 1 to 15 are the double-album "Shaft" - released 23 July 1971 in the USA on Enterprise ENS-2-5002 and November 1971 in the UK on Stax 2659 007. Produced by ISAAC HAYES and featuring THE BAR KAYS and THE MOVEMENT as the backing band – the Music From The Soundtrack 2LP set peaked at No. 1 in both countries.

BONUS TRACK:

16. Theme From Shaft (2009 Mix, 4:45 minutes)

The 20-page booklet is a pleasingly in-depth affair with August 2009 liner notes from ASHLEY KHAN, author of "A Love Supreme: The Story Of John Coltrane's Signature Album". There are photos of rare picture sleeves, Isaac with his Grandmother at the 1972 Academy Awards, him and actor Richard Roundtree looking like the men of the moment, Isaac with backing band The Bar-Kays, members of his own band The Movement and more photos from the Stax archives along with the usual recordings/reissue credits. 

The ROB FISHER Remaster was done at Pacific Multimedia and really lifts the material - shaking tambourine on the instrumental "Cafe Regio's" (an edit of this song was the B-side of the "Shaft" single in September 1971), the slinky Burt Bacharach sounding brass on "Early Sunday Morning" (high-hat taps clear too) and so much more. For sure the Bass feels a tad muffled down but I don't hate it as much as some seem too.  

For an album that's so associated with the chicka-chicka wah-wah guitar of its theme song, "Shaft" the double-album is surprising mellow throughout. The near two-minutes of the sexy instrumental "Bumpy's Lament" is followed by the Funky Brass and Percussion 2:24 minutes of the superb "Walk From Regio's" where you can literally see our hero walking the dude streets with a per in his step and a glide in his stride (oh stop it). There is gorgeous sound on the vibes smooch of "Ellie's Love Theme" - and those brass and strings melting on "Early Sunday Morning" as the high-hat taps time.

The brass pump-and-punch of "Be Yourself" sounds like a 1976 Disco anthem only five years before anyone knew the word (nice clarity on the Sax solo too). Back to yeah baby turn-out-the-lights smooch with "A Friend's Place" - the instrumentation being ever so slightly fragmented in the sound stage (one too up front, the other too far back) - but that's how I remember it was on the original vinyl. Now to one of my faves - the keyboard and vocal "Soulsville" talks about brothers getting high and strung out and finding out that they can get high but never touch the sky. The audio is gorgeous and makes you wish he sang more on the album (a bummer is that the three ladies who add so much to the backing vocals - Pat Lewis, Rose Williams and Telma Hopkins are not credited in the musicians list - a stupid oversight).

There is that big chunky piano that opens up the smooth "Bumpy's Blues" - lovely brass and drums - so clear now. And on it goes to the monster that is the 19:28 minutes of "Do Your Thing" - if the music makes you groove - love on baby. Fantastic to hear it sound this good. Rap On. The 2009 Mix of "Theme from Shaft" is given a drummer's count in before that distinctive wah-wah guitar smacks you. The problem here is that you can 'feel' the manipulation of mix - some of it too far back while the rest is too loud. Like I said, I can't help that NOT including the single edit of the mighty "Do Your Thing" was a mistake.

So this supposed Deluxe Edition of 1971's "Shaft" it's not perfect for sure, but I still think it sounds awesome in so many places, and doesn't come with an aircraft-carrier price tag. Until the next best folks, rap on... 

"Hot Buttered Soul" by ISAAC HAYES (August 2009 Universal/Stax 'Expanded Edition' CD Reissue – Bob Fisher 24-Bit Digital Remaster) - A Review of his 1969 US Masterpiece by Mark Barry...

 

"...You Socked It To Me!"

Not 30, not 40 - but 50 years old! Can the full-on sexpot that is "Hot Buttered Soul" really be the big fifty in 2019 – God Gawd y’all!

In July 1969, I was a spotty Dublin kid approaching eleven years of age that September and quickly assimilating all the blast furnace music changes emanating from both the UK and USA. Rock, Pop, Psych, Prog, Blues-Rock, Folk-Rock - I chewed it all up. Kind of with it for the times or at least the older lads around me who did all the advising were.

So one of my earliest memories was seeing the LP sleeve for Isaac Hayes’ second platter in a Dublin record shop window (probably Spring 1970) - a big bald black head, sunglasses and gold chains. People gawked at it – old biddies suspected it was rude and salacious but not sure how and quickly went by in a sort of cloudy catholic huff. Me - I'd never seen anything so damn cool.

My school-pal's bigger brother told me about the 'mistic' grooves contained within (courtesy of Stax's blistering backing band, The Bar Kays) and advised me to ask the rock dude in the shop to maybe play a slice (the bugger wouldn't). But it stuck with me. That Summer as I recall, I was back at his place and there it was on the Garrard – a secondhand copy with that yellow label grooving through "Hyper-unpronounceable" and then flipping over to the huge string section in the second half of the near 19-minute "By The Time I Get To Phoenix". And I was hooked.

We now know that over at Motown, Norman Whitfield and his like-minded musical cohorts were moving away from boy-gets-girl 3-minute love-ins and channelling something more serious, more socially conscious and dare we say - sexually expansive. They had The Temptations and The Four Tops opening up to spectacular effect – beginning that process – and the Rare Earth label beginning to take shape too. But with "Hot Buttered Soul" and its four uncompromising slabs of longevity, Isaac Hayes seemed to join up the loverman and psychedelic Soul dots for Stax Records faster than Marvin Gaye or Barry White or anyone else for that matter. And the man looked and sounded amazing too – yeah baby. Let's get to the hyperbolic details...

UK released August 2009 - "Hot Buttered Soul" by ISAAC HAYES on Universal/Stax 0888072314580 (Barcode 888072314580) is an 'Expanded Edition' 24-Bit CD Remaster with Two Bonus Tracks that plays out as follows (56:39 minutes):

1. Walk On By [12:03 minutes] - Side 1

2. Hyperbolicsyllabicsesquedalymistic [9:39 minutes]

3. One Woman [5:11 minutes] - Side 2

4. By The Time I Get To Phoenix [18:42 minutes]

Tracks 1 to 4 are his second studio album "Hot Buttered Soul" – released July 1969 in the USA on Enterprise Records ENS-1001 and January 1970 in the UK on Stax SXATS 1028. Produced by AL BELL, MARVELL THOMAS and ALLEN JONES - it peaked at No. 1 on the US R&B LP charts and No.8 on the US Pop LP charts

BONUS TRACKS:

5. Walk On By (Single Edit, 4:33 minutes)

6. By The Time I Get To Phoenix (Single Edit, 6:57 minutes)

Tracks 6 and 5 (note order) are the A&B-sides of a US 7" single released July 1969 on Enterprise ENA-9003 and October 1969 UK 45 on Stax Records STAX 133 with the sides reverse ("Walk On By" as the A)

The 12-page colour booklet sports typically informative and affectionate liner notes from long-time R&B and Soul writer BILL DAHL including archived interviews with one of the LP's principal producers Marvell Thomas (other contributors include Audio Engineers Terry Manning, Ed Wolfrum, Ralph and Russ Terrana). There's a few photos of the main man including a colour centre-spread shot of him receiving another Gold Disc from some label lady - her grin equalling his period sassy clothes (dig the duds baby). But the big news is a 24-bit Remaster by BOB FISHER at Pacific Multimedia and its sounds so good. The fuzz guitar solo on "Walk On By" – his voice to the fore – the string arrangements as they kick in – all are really good. For sure the age of the tapes and the speed at which the album was put down shows in some severe separating – but it’s a lively remaster – air around all of it – allowed to breathe. Let's get to the music...

The stories that surround this record are legend. Stax and Enterprise Records Producer Al Bell is on a plane to Jamaica and apparently sees an advert in an inflight mag about some sexy ‘hot buttered rum’ that awaits him when he lands. And the canny boy thinks – um – with a bit of word switch-er-roo – there’s an even sexier album title. Written by Jimmy Webb and of course made a huge hit by Glen Campbell over on Capitol Records, Hayes was more than enamoured with how Campbell arranged the song and had already begun to unravel it at live shows, practising and honing his spoken monologue before the groove kicked in. But in the studio as they recorded nineteen minutes of "By The Time I Get To Phoenix" – Hayes pressing down one organ note and rapping the story intro – drummer Willie Hall had only a cymbal to tap (ding ding) and keep time. But nearly 10 minutes in and piano-player Marvell Thomas sees him catch his eye – something’s wrong. Hall the Drummer has cramp, so up pops Thomas, takes the stick and apparently without missing a beat, takes over while allowing Willie Hall to massage his hurting arm back to playing shape. Didn’t miss a beat and its on the tape!

The band was the re-made Bar Kays (after the fatal plane crash that killed most of them and Otis Redding) – with original member JAMES ALEXANDER on Bass, newcomers MICHAEL TOLES on Guitar and WILLIE HALL on Drums. Isaac of course sang and played organ/piano with co-producer MARVELL THOMAS also contributing piano. The three backing singers were Saxophonist CHARLIE CHALMERS, his soon to be wife SANDRA RHODES and her sister Donna. In fact it was Charlie Chalmers and Sandra Rhodes who gifted the lovely yet sensual "One Woman" to the sessions. It had already be covered by Al Green on his "Green Is Blues" LP and issued in June 1969 (a month before the HBS LP hit the shops) as a Hi Records 45 for Green (Hi 2164). The fourth tune is a 34-character long tune about bravado and hubris called "Hyperbolicsyllabicsesquedalymistic" which itself is a misspelling on the artwork – the mistic should read nistic – as sung by the trio throughout its funky bass-driven groove.

Revolutionary for the day, I would agree however with many critics who regularly throw up the word indulgence as being one of the albums downfalls. Both the centrepieces – a cover of the Bacharach/David song "Walk On By" (made a hit by Dionne Warwick in 1964 on Scepter records) and the cover of "By The Time I Get To Phoenix" (already discussed) seriously test your patience in 2019. In fact I’ve often edited on computer "By The Time I Get To Phoenix" to play from after 09:30 minutes to the end to avoid the monologue. And the single edits possibly only go to proving their argument. But that doesn’t stop the whole LP from feeling like magnificence to me – a record that is and was artistically pushing it when so many would have played safe.

"Hot Buttered Soul" is obviously of its time – but man what a time it was. And to think that it still sounds sexy a full 50 years after the event is ample testament to its seductive brilliance. Take it for what it is brother, but take it – damn right!