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Showing posts with label Gordon Smith. Show all posts
Showing posts with label Gordon Smith. Show all posts

Sunday 29 March 2020

"Marjory Razor Blade" by KEVIN COYNE – UK Double-Album from September 1973 on Virgin Records (Single-LP in the USA) featuring Gordon Smith (of Blue Horizon fame), Dave Clague (of Siren). Jean Roussel (of Hanson), Tony Cousins (future Mastering Engineer for Genesis and Metropolis Studios), Chili Charles and Guest Steve Verroca, Mel Collins and Tony Williams (January 2010 UK Virgin 2CD 'Expanded Edition' Reissue with 17 Bonus Tracks – Paschal Byrne and Ben Wiseman Remasters) - A Review by Mark Barry...






"...House On The Hill..."

In truth, Derby's Kevin Coyne with his distinctive in-the-distance nasal-warble voice and disheveled Joe-Cocker-on-the-lash hair and his tramp/plumber way of dressing - was not for everyone.

In fact when Virgin Records released VD 2501 in September 1973, they tempted record buyers with a price-tag sticker of £2.73 for a 20-Track Double-Album and then backed that up with a full-page (day of release) trade advert pointing out that such a cheap price represented only a cost of eleven-pence per song. Not that it seemed anyone noticed.

But "Marjory Razor Blade" has always been a cult release, a sort of acquired taste. Musically this splurge of songs mixed his Slim Chance barrelhouse way of singing/recording with elements of Acoustic-Blues and Folk-Soul on top of hurting lyrics. He surrounded himself with fabulous musician back-up from people like Gordon Smith on Guitars (of Blue Horizon fame) and the Keyboardist Jean Roussel (of Hanson) with Tony Cousins on Bass (he of Metropolis Studios fame, later remastered the Genesis Gabriel years catalogue to spectacular effect in 2007) and Chili Charles on Drums. Dave Clague of Siren also plays guitar on some tracks. 

The US 11-Track album was a truncated single LP and as far as the artist and players were concerned, a butchered affair best not thought of. Like I say, "Marjory Razor Blade" is not a well-known release. I remember when I worked at Reckless Records in our crazy busy Soho shop – the UK stickered double would turn up only sporadically – and when it did, us of the older moody git persuasion would look at it with affection and even a wee bit of wonder.

Well, fast-forward to January 2010 and Virgin are at it again, festooning this 'Expanded Edition' 2CD Remastered set with a Bonus Cut on Disc 1 and a whopping 16 more on Disc 2. And the words 'forgotten gem' running alongside 'seriously great value for money' start to jump to mind. Let's get slashed...

UK released 11 January 2010 - "Marjory Razor Blade" by KEVIN COYNE on Virgin VDR 2501 (Barcode 5099950372126) is a 2CD 'Expanded Edition' Reissue with One Bonus Track on CD1 and a Further 16 Bonus Tracks on CD2 that plays out as follows:

CD1 "Marjory Razor Blade" The Original Album (79:04 minutes):
1. Marjory Razor Blade [Side 1]
2. Marlene
3. Talking To No One
4. Eastbourne Ladies
5. Old Soldier
6. I Want My Crown [Side 2]
7. Nasty
8. Lonesome Valley
9. House On The Hill
10. Cheat Me
11. Jackie And Edna [Side 3]
12. Everybody Says
13. Mummy
14. Heaven In My View
15. Karate King
16. Dog Latin [Side 4]
17. This Is Spain
18. Chairman's Ball
19. Good Boy
20. Chicken Wing

BONUS TRACK
21. Eastbourne Ladies (US 7" Single Edit)

CD2 Bonus Tracks (69:28 minutes):
1. Lovesick Fool
2. Sea Of Love
Tracks 1 and 2 are the A&B-sides of a November 1973 UK 7" single on Virgin VS 104

3. Breathe In Deep
4. Jackie And Edna (Take One)
5. Pretty Park
Tracks 3 to 5 recorded at Manor Studios in July 1973, outtakes, PREVIOUSLY UNRELEASED

6. I Want My Crown
Track 6 recorded for BBC TV's "The Old Grey Whistle Test" transmitted 30 October 1973, PREVIOUSLY UNRELEASED

7. Eastbourne Ladies
8. House On The Hill
9. Chicken Wing
Tracks 7 to 9 recorded for Bob Harris' BBC Radio 1 Show, recorded 24 Oct 1973, transmitted 12 Nov 1973
Produced by JEFF GRIFFIN - PREVIOUSLY UNRELEASED

10. Poor Swine
11. Need Somebody
12. Araby
13. Do Not Shout At Me Father
Tracks 10 to 13 recorded for John Peel's BBC Radio 1 Show
Recorded 24 January 1974, Transmitted 31 January 1974

14. Marjory Razorblade Suite
Originally released on the Virgin Records 2LP Label Sampler "V" in July 1975 on VD 2502
PREVIOUSLY UNAVAILABLE on CD

15. House On The Hill
16. Boogie Chillun [John Lee Hooker cover]
Tracks 15 and 16 live at The 100 Club in London, 1974 - PREVIOUSLY UNRELEASED

Although its only an 8-page booklet, with interviews culled from Bassist and Mastering Engineer Tony Cousins, Blues Guitarist Gordon Smith and Coyne’s own recollections - the liner notes are an informative affair. But it’s the PASHAL BYRNE and BEN WISEMAN Remasters that are thrilling. I remember the original vinyl was good but never quite great. Well here it feels released – the band’s Americana Acoustic Blues alchemy making it feel we all missed a trick when it comes to this double. A properly great job done.

After an Acapella bitter diatribe about "Marjory Razor Blade", other Side 1 winners includes the poppy "Marlene", the sad beauty of "Old Soldier" and the done-the-best-I-can acoustic-Bluesy "I Want My Crown". The song that was chosen for a US 45 was "Eastbourne Ladies" (Virgin 13-106) – reduced from its LP timings of 5:57 minutes to 4:35 minutes – is featured here as the Bonus Track tail-ending CD1. Never thought it was good choice, surely the more Blues-Boogie feel to "I Want My Crown" that opens Side 2 would have worked better – a sound that was sort of akin to Bryn Haworth and the Slide Guitar stuff he did on his fab 1974 LP "Let The Days Go By" on Island Records. 

Gordon Smith plays lovely slide acoustic on the acidic "Nasty" while Coyne gets almost childishly scathing as he sings. "Lonesome Valley" is a Carter Family cover and comes on like a Countrified Slim Chance washboard and kazoo folk boogie session - all rattling guitar strings and doubled vocals - fantastic stuff where the whole band make a fab ruckus. That's followed by one of the album's loveliest songs "House On The Hill" and again Gordon Smith's electric slide alongside Roussel on piano both add hugely, Cone even sounding a little like early David Gray. Side 2 ends on a slide-guitar boogie romp called "Cheat Me" where Gordon Smith and band really get to stretch out as they give it a bit of The Allman Brothers.

Side 3 opens with the 'why can't we go on like we did before' song "Jackie And Edna" - a lonely acoustic tune with his voice and lyrics almost too much on the open sleeve for comfort. Gorgeous flicking harmonics guitar work on "Everybody Says" - a song that feels like Roy Harper at his curmudgeonly best. Both "Mummy" and the dancing "Heaven In My View" gives us more rambunctious Slim Chance doing Americana, huge Kettle Drums keeping a beat as Acoustic and Mandolin guitars slip and slide across the speakers – Coyne’s vocals echoed like a circus tent compare while Mama plays the upright Joanna. Chopping kids down like trees, going chop-chop, down in the gymnasium – Coyne sings with his lone acoustic guitar on "Karate Kid" – snarling out the lyrics like he’s angling for a barroom brawl with an egotist in his sights.

Side 4 kicks in with "Dog Latin" and the muscle-bound storybook that is "This Is Spain" back in a time when a holiday in the sun must have felt like handling the crown jewels. We then go slightly Mungo Jerry with the mandolin poppy "Chairman’s Ball" – get your ticket and go. Far better is the drumming-it-into-their-dim-minds "Good Boy" where Coyne sounds like an Establishment teacher rapping his student on the knuckles with ‘well done’ and ‘good boy’ repeats as he strums down aggressive. We boogie with the band for the final splash – how do you do that thing – bought a "Chicken Wing".

CD2 opens with the rare stand-alone single of "Lovesick Fool" on Virgin VS 104 (from November 1973) which was paired on the flipside with a cover of "Sea Of Love"- the 1959 Vocal Group smoocher made famous by Phil Phillips and The Twilights on Mercury Records. Many will recall the song from the sideways Led Zeppelin project that Jimmy Page and Robert Plant put together as The Honeydrippers in 1984. Both tracks are winners and genuine bonuses – in fact you can’t help think that Coyne doing an entire album of R&B and Vocal Group tunes would have been something extraordinary.

Other goodies are the two and half minutes of the previously unreleased "Breathe In Deep" where some conversation in the studio about Dr. Who and The Daleks precedes another washboard sliding acoustic ditty. Same goes for "Pretty Park" – probably dropped from the final double because it sounded too much like other Americana-ish tracks on the album (but what a thrill to hear both of these quality outtakes all these years later). The Old Grey Whistle Test recordings are in fantastic shape - "I Want My Crown" amped up with a Tabla rhythm section. Keyboards slink in for "House On The Hill" where the band sounds like a languid Pink Floyd circa 1971 with a strangulated vocalist at the microphone. More washboard stomping with "Poor Swine" – a genuinely cool find - and eight-minutes of the "Marjory Razorblade Suite" recorded live at Hyde Park in June 1974 and only available on the Virgin "V" double-album sampler - is the kind of tune I'd forgotten about for over three decades. It all comes to an end with six minutes of John Lee Hooker and his classic "Boogie Chillun" done live at the 100 Club with Gordon Smith on Guitar, Rick Dodd on Saxophone, Terry Slade on Bass and Tony Williams on Drums – great audio too as the band builds the stomp and Coyne gives the crowd some 'Derby City' name-checking Rock and Roll.

The double-album is something of a lost classic and the plethora of Bonus Tracks is not just worth owning – but makes the whole shebang feel like a dip-in and discover treasure trove all the way from start to finish.


The sort of British-Washboard-Acoustic-Blues-Americana that is "Marjory Razor Blade" is a footnote in Rock's history now and I suspect despite glowing reviews - it won't be for everyone either. But for me - this fantastic 2CD Remaster has turned it into a Bobby Dazzler. And the brilliant underdog Kevin Coyne (Derby's finest) and his complementing musical buddies deserved no less…

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