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Showing posts with label Nick Robbins Remasters. Show all posts
Showing posts with label Nick Robbins Remasters. Show all posts

Wednesday, 7 October 2026

"Los Angeles Soul: Kent-Modern's Black Music Legacy" by VARIOUS ARTISTS - Volume 1 of 2 - Covers 1962 to 1971 (March 2015 UK Ace/Kent-Soul 24-Track CD Compilation with Nick Robbins Remasters and Six Previously Unreleased Tracks) - A Review by Mark Barry…


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"...You Make My Fever Rise..."

As a long-standing reviewer, it becomes something of a commonplace reflex to award 5-stars to Kent-Soul CD releases - the Soul imprint label of Ace Records of the UK. 


Ace Records celebrate 50 years of reissues in 2025 (1975 to 2025) - fifty whole years of Ted Carroll's baby knocking out quality reissue after quality reissue. And as I sit here listening to the utterly superb "Los Angeles Soul..." CD compilation (six of these suckers are Previously Unreleased) - I'm thinking - I hope these English guys never quit because here we go again...


UK released 24 March 2015 - "Los Angeles Soul: Kent-Modern's Black Music Legacy" by VARIOUS ARTISTS on Ace/Kent-Soul CDKEND 430 (Barcode 029667243025) pans out as follows (69:05 minutes):


1. I Want Action - JEANETTE JONES (Previously Unreleased, October 1968 recording)

2. You Saved Me From Destruction - DIFOSCO (1971 USA 7" single on Earthquake EQ-28, A)

3. No In-Between - JOHNNY ADAMS (1967 USA 7" single on Modern M 1036, A)

4. I Was Born To Love You - JOHNNY COPELAND (Unissued 1971 recording first appeared Sept 1995 on the UK CD compilation "Serious Shades Of Soul: For Collectors Only" on Ace/Kent-Soul CDKEND 119)

5. My Love She's Gone - THE INTENTIONS (1966 USA 7" single on Kent K 455, A)

6. I Only Have Eyes For You - JIMMY BEE (1970 USA 7" single on Kimberly 88101 and then reissued on Kent KS 4531, A)

7. Cherry Pie - LORD CHARLES & THE PROPHETS (1966 USA 7" single on Modern M 1016, A)

8. I Don't Know - EARL WRIGHT (1968 USA 7" single on Virgo VI-101, A)

9. Give Me A Chance - VENETTA FIELDS with the IKETTES (Unissued Kent Recording first appeared on the Sept 1992 UK CD Ikettes compilation "Fine Fine Fine" on Ace/Kent-Soul CDKEND 063)

10. You Are My First Love - PAT HUNT (USA 7" single first issued Nov 1961 on Exodus EX-6101 as "First Love" - re-recorded/reissued February 1962 on Kent 374 as "You Are My First Love", A)

11. Sing Me A Love Song - FELICE TAYLOR (Previously Unreleased Kent Recording)

12. All That Shines Is Not Gold - THE WINDJAMMERS (1971 USA 7" single on Kent KS 4548, A)

13. Tear My Love Down - WAYNE BOYKIN (Previously Unreleased 1969 Modern Recording)

14. Push On Jesse Jackson - PACE-SETTERS (Extended Version of USA 7" single on Kent KS 4565 - Previously Unreleased)

15. I Know She's Gonna Leave - WILLIE GAUFF & THE LOVE BROTHERS (Previously Unreleased)

16. Gone On Home - TOMMY YOUNGBLOOD (from the 1969 US LP "The Soul Of Tommy Youngblood" on Kent LP 541)

17. It's Been A Long Time Baby - THE OTHER BROTHERS (1967 USA 7" single on Modern 1027, A)

18. You Are My Sunshine - JACKIE SHANE (1967 USA 7" single on Modern M 1031, A)

19. You're My Girl - LARRY SANDERS (1968 USA 7" single on Modern M 1053, A)

20. Move A Little Closer - MILLIE FOSTER (Previously Unissued Kent recording)

21. I Need Money - RUTH DAVIS (1971 USA 7" single on Kent KS 4543, A)

22. Take A Look In Your Mind - ROBERT RAMSEY (1971 USA 7" single on Kent KS 4552, A)

23. I Need A Love - WALLY COX (1970 Golden State/Kent recording first issued on the April 2000 UK CD compilation "Golden State Soul" on Ace/Kent-Soul CDKEND 179)

24. You're Gonna Miss Your Chance - MAURINE WILLIAMS & THE MT. OLIVE 2nd B.C. CHOIR (1971 USA 7" single on Chelsea 102, B-side of "Washed In The Blood")

Tracks 1, 6, 12, 14, 16, 20, 22 and 24 are STEREO

Tracks 2 to 5, 7 to 11, 13, 15, 17 to 19, 21 and 23 are MONO

Tracks 1, 11, 13, 14, 15 and 20 are Previously Unreleased


This Review Along With 378 Others Is Available 
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The knowledgeable and passionate Soul Music lover ADY CROASDELL has compiled, researched and written the 16-page liner notes and as ever with these Kent-Soul CD compilations the text is brought to life by gorgeous US 45 label repros - Kent, Modern, Kimberly, Virgo and Earthquake Records. Each track is talked about in detail with oodles of deep collector info (writers, arrangers, chart histories) and quality black and white publicity photos of unsung heroes like Venetta Fields, Tommy Youngblood and Millie Foster. Gorgeous stuff. But again the NICK ROBBINS remasters elevate proceedings from the ordinary to the sublime with eight of the 24 cuts in glorious Stereo. This CD sounds fabulous - the Sixties Mono cuts sitting nicely alongside the Seventies productions. Top job done yet again...


It opens with a fabulous unissued Jeanette Jones track in Stereo (she's the classy lady on the front cover) - a version of "I Want Action" (lyrics above) which was a Ruby Winters cut in 1967 on Diamond Records. Page 3 pictures unbelievably rare and pretty looking 8-track 12" acetate on Golden State for a proposed LP. "You Saved Me From Destruction" by Difosco (Big Dee Irwin under another name) on the Earthquake label is the kind of Northern Soul dancer fans going bananas for - complete with a slightly Psych backbeat (apparently the label only managed 3 releases). Both Johnny Adams and Johnny Copeland aim for the feet with "No In-Between" and "I Was Born To Love You" - great dancers the pair of them. But then we're hit a properly gorgeous obscurity - "My Love She's Gone" by The Intentions - it's the kind of sweet vocal nugget you wish you could find in some carboot sale for 50p - then drive all your mates wild with its irrepressible upbeat feel and William Brown's stunning vocals (he sang with the vocal group The Dukes).


Weird yet strangely wonderful is Jimmy Bee's Soulful take on the Flamingo's 1959 End classic - "I Only Have Eyes For You" - he keeps it to the original but adds in organ and brass as it smooches along (very tasty). The compilation then cleverly downgears into a cover version of Marvin & Johnny's "Cherry Pie" where the obscure Lord Charles & The Prophets sound like Mick Jagger and The Rolling Stones circa 1966 Decca doing a clever Soul choice - a lovely shuffle and great vocal from some unknown. Genius choice goes to "I Don't Know" by Earl Wright (gorgeous transfer from Nick Robbins) - as sweet a Soul tune as you could ask for. The sweet Motownesque vocals of Felice Taylor (sounding like a young Diana Ross) elevate the bopping "Sing Me A Love Song" - amazing to think that this calibre of Soul gem has been in the can until now (they even produce a 1967 press cutting from the Boss Soul magazine on Page 9 about her).


Stereo blasts its way into your speakers with the excellent "All That Shines Is Not Gold" (a Wally Cox song) by the young-boy vocals of The Windjammers while we get raw funky with "Tear My Love Down" - a stunning previously unreleased find (why wasn't this huge!). But then we hit unchartered territory - a truly fantastic 5:27 minute driving funky extended version of "Push On Jesse Jackson" that comes on like Sly & The Family Stone meets Shaft via Norman Whitfield/Temptations social conscience (wow!). And on it goes to a staggeringly good but obscure B-side - "You're Gonna Miss Your Chance" by Maurine Williams and The Mount Olive 2nd B.C. Choir (has Betty Gouche' on the A-side). It's a Gospel song done with piano and vocals - so Soulful - and I swear to God it would make Aretha in her "Amazing Grace" prime a tad worried. What a finisher...


Break out the wine glasses you sons and daughters of Marvin Gaye - because those talcum-powder tank-top boys at Ace Records have only gone and done it again...


PS: 30 August 2019 also saw the UK issue of Volume 2 in this series - "Los Angeles Soul Volume 2: Kent-Modern's Black Music Legacy 1962-1973" on Ace/Kent Soul CDKEND 486 (Barcode 029667096225) - another 24-Track CD compilation

"The Complete Stax Singles" by LITTLE MILTON – Twenty US 45-Single Sides from 1971 to 1975 on Stax Records (January 1995 UK Ace/Stax 20-Track CD Compilation – Nick Robbins Remasters) - A Review by Mark Barry...


Amazon UK Purchase Link
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This Review Along With 378 Others Is Available 
In My SOUNDS GOOD E-Book (on all Amazon sites)

GET IT ON - 1971
Your All-Genres Guide To
Exceptional CD Reissues and Remasters  
A HUGE 3,136 e-Pages 

All Details and In-Depth Reviews From The Discs Themselves 
(No Cut and Paste Crap)
Just Click Below To Google, Purchase or See My Author Page
For the SOUNDS GOOD Music Books Series (32 Titles in all)


"…Let Your Loss Be Your Lesson…"


"The Complete Stax Singles" by LITTLE MILTON probably won't win any 'original title of the year' awards any time soon - but it does what it says on the tin - and in remastered audio style. 


More importantly, it made available to fans (in 1995 that is) of both Little Milton and Stax Records, large chunks of missing catalogue numbers (especially on the flipsides) and a hunk of Soul that's both forgotten and deserves reappraisal. There's so much to enjoy on this CD, there really is - here are the back street details...


UK released January 1995 - "The Complete Stax Singles" by LITTLE MILTON on Ace/Stax CDSXD 106 (Barcode 029667910620) plays out as follows (74:31 minutes):


1. If That Ain't A Reason (For Your Woman To Leave You) - 1971 USA 7" on Stax STA-100, A

2. Mr. Mailman (I Don't Want No Letter) - 1971, Stax STA-100, B

3. I'm Living Off The Love You Give - 1971 USA 7" on Stax STA-111, B

4. That's What Love Will Make You Do - 1971, Stax STA-111, A

5. Before The Honeymoon - 1973 USA 7" on Stax STA-124, B

6. Walking The Back Streets And Crying - 1971, Stax STA-124, A

7. I'm Gonna Cry A River - 1972 USA 7" on Stax STA-141, A

8. What It is - 1972, Stax STA-141, B

9. Rainy Day (Extended Version) - 1972 USA 7" Stax STA-148, A

10. Lovin' Stick - 1972, Stax STA-148, B

11. Who Can Handle Me Is You - 1973 USA 7" on Stax STA-174, B (A-side was a reissue of "What It Is")

12. Tin Pan Alley - 1973 USA 7" on Stax STA-191, A

13. Sweet Woman Of Mine, 1973, Stax STA-191, B (also B-side to STN-0238 in May 1975, see Track 18)

14. Behind Closed Doors - 1974 USA 7" on Stax STA-210, A

15. Bet You I Win - 1974, Stax STA-210, B

16. Let Me Back In - 1974 USA 7" on Stax STA-229, A

17. Let Your Loss Be Your Lesson - 1974, Stax STA-229, B

18. If You Talk In Your Sleep (Extended Version) – May 1975 USA 7" on Stax STN-238, A ("Sweet Woman Of Mine" was its B-side)

19. How Could You Do It To Me (Extended Version) – November 1975 USA 7" on Stax STA-252, B-side to Track 20

20. Packed Up And Took My Mind (Extended Version) – November 1975, Stax STA-252, A-side (B-side is Track 19)


The 6-page fold-out inlay has details on each single release by JOHN RIDLEY including a few photos of those American yellow Stax labels. NICK ROBBINS did the remasters from original analogue tapes and the Audio is superb - really punchy - well-produced Soul with loads of depth - the usual bang-up job from Ace.


With a moniker that suggested Blues rather than Soul - Mississippi's James Milton Campbell nonetheless saw four of his eleven Stax 45's hit the American Billboard R&B charts - "That's What Love Make You Do" in February 1972 rose to 9, his radical reworking of Charlie Rich's "Behind Closed Doors" made 31 in May 1974, "Let Me Back In " rose to 38 in December 1974 while his final Stax showing was a version of Elvis Presley's "If You Talk In Your Sleep" which stalled at 34 in July 1975. Not that he was a stranger to chart success prior to 1972  - Little Milton had managed a huge 16-track hit run at Checkers Records from 1962 right up until 1971 when he signed to Stax. A further lone hit "Friend Of Mine" followed after his Stax run on Glades Records 1734 in March 1976.


Musically his Stax period is part Albert King (talking beginnings followed by Soulful tunes with guitar), pleading loverman Johnnie Taylor and part dancefloor boogie like Rufus Thomas. Winners include the very Bluesy "Walking The Back Streets And Crying", two wicked flips in the Clarence Carter feel to "What It Is" and the slink-funk of "Lovin' Stick". The languid "Packed Up And Took My Mind" sees him so close in Stax style to Albert King its scary - while the funky "Let Your Loss Be Your Lesson" reminds me of Bobby Bland circa "Dreamer" and "His California Album". Most of it is pleasingly cool too.


"The Complete Stax Singles" has been deleted years now and unfortunately acquired a price tag that often hurts. But if you can get a copy and until something better comes along - don't hesitate - jump in and enjoy...

Tuesday, 6 October 2026

"When The Day Is Done - The Orchestrations of Robert Kirby " by ROBERT KIRBY [VARIOUS ARTISTS] - Including 1970 to 1978 Songs by Nick Drake, Audience, Vashti Bunyan, Sandy Denny, John Cale (of The Velvet Underground), Shelagh McDonald, Steve Ashley, Ralph McTell, Richard and Linda Thompson, Keith Christmas, Ian Matthews, Maddy Pryor and Tim Hart (of Steeleye Span), Dana Gillespie, Shirley Collins, Gary Shearston and more (February 2018 UK Ace Records CD Compilation – Nick Robbins Remasters) - A Review by Mark Barry...




Amazon UK Purchase Link

This Review Along With 378 Others Is Available 
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All Details and In-Depth Reviews From The Discs Themselves 
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"...Autumn Leaves..."


Blame it on the Beatles I say – "The Summer Of Love" to be precise.


Bishop Stortford's Robert Kirby was seeking a choral scholarship when he first met an equally bright-eyed and bushy-tailed 18-year old student at Caius College in Cambridge in the autumn of 1966. The pair bonded over Footlights audition failures (both of them) - but in June of 1967 - the two 19-year old English lads (along with everyone else on the planet for that matter) were quietly blown away by the sheer cinematic majesty of "She's Leaving Home" on Side 1 of the Beatles 1967 musical A-bomb - "Sgt. Pepper's Lonely Hearts Club Band".


Typically ahead of their time and always pushing Rock's boundaries – the Fabs had shown these young hopefuls how to marry Autumnal melody and soundscapes to guitars and simplified instruments. The melancholia-mad young new arranger was ROBERT KIRBY, and his first client was the much-missed and beloved singer-songwriter NICK DRAKE - who would sign to Island Records two years later aged only 20. In fact, eagle-eye collectors will notice the subtle homage to Drake's ethereal September 1969 debut album "Five Leaves Left" in the green colour scheme to the artwork of this fiendishly clever reissue.


As well as Drake's (delayed) March 1971 follow-up LP "Bryter Layter" (Kirby was integral to the sound of both) – shortly after Drake's debut Richard orchestrated Vashti Bunyan's Folk-Rock LP "Just Another Diamond Day" on Phillips (a cult record from 1970 worth four-figures today) and from thereon found himself a career in helping other artists realize the potential in their songs. And that's where this very cool 20-Track CD compilation from those right-on erect-nippled chappies at England's Ace Records comes a-lollygagging in. Let's get all Laura Ashley (our Laura approves you know) on the details…


UK released Friday, 23 February 2018 (9 March 2018 in the USA) - "When The Day Is Done - The Orchestrations Of Robert Kirby" by VARIOUS ARTISTS [ROBERT KIRBY] on Ace Records CDTOP 1517 (Barcode 029667088022) is a 20-track CD compilation that plays out as follows (78:52 minutes):


1. Introduction - NICK DRAKE (from the March 1971 UK Second LP "Bryter Layter" on Island Records ILPS 9134)

2. Forest And The Shore - KEITH CHRISTMAS (from the 1971 UK LP "Pigmy" on B&C Records CAS 1041)

3. Ophelia's Song - SHELAGH McDONALD (from the 1970 UK LP "Album" on B&C Records CAS 1019)

4. I Keep A Close Watch - JOHN CALE [of The Velvet Underground] (from the 1975 UK LP "Helen Of Troy" on Island Records ILPS 9350)

5. Dancing At Whitsun - TIM HART and MADDY PRYOR [of Steeleye Span] (from the 1971 UK LP "Summer Solstice" on B&C Records CAS 1035)

6. Rainbow River - VASHTI BUNYAN (from the November 1970 UK LP "Just Another Diamond Day" on Phillips 6308 019)

7. I've Seen The Movie - ANDY ROBERTS (from the 1971 UK LP "Nina And The Dream Tree" on Pegasus Records PEG 5)

8. White Witch - SPRIGUNS (from the 1977 UK LP "Time Will Pass" on Decca SKL 5286)

9. It's My Own Way - GILLIAN McPHERSON (from the September 1971 UK LP "Poets And Painters And Performers Of Blues" on RCA Victor SF 8220)

10. Follow On - STEVE ASHLEY (from the 1974 UK LP [recorded 1971] "Stroll on” on Gull Records GULP 1003)

11. Silver Threads And Golden Needles - SANDY DENNY (from the 1977 UK LP "Rendezvous" on Island Records ILPS 9433)

12. Love Is A Funny Thing - SPIROGYRA (from the 1971 UK LP "St. Radigunds" on B&C Records CAS 1042)

13. Friend To Me - GARY SHEARSTON (from the 1975 UK LP "The Greatest Stone On Earth And Other Two-Bob Wonders" on Charisma CAS 1042)

14. Honour Bright - SHIRLEY COLLINS (Unreleased track that first appeared on "Within Sound", a 2002 CD Box Set on Fledg'ling Records CDNEST 5001)

15. First Light - RICHARD and LINDA THOMPSON (from the 1978 UK LP "First Light" on Chrysalis CHR 1177)

16. Raviole - AUDIENCE (from the 1971 UK LP "The House On The Hill" on Charisma CA 1032)

17. Madonna Blue - ILLUSION [Jane Relf, Jim McCarty and others from Renaissance] (from the 1978 UK LP "Illusion" on Island ILPS 9519)

18. Gimme An Inch Girl - IAN MATTHEWS (a Robert Palmer song from the 1978 UK LP "Stealin' Home" on Rockburgh ROC 106)

19.  What Memories We Make - DANA GILLESPIE (from the 1973 UK LP "Weren't Born A Man" on RCA Victor APL 1-0354)

20. Pick Up The Gun - RALPH McTELL (from the 1971 UK LP "You Well-Meaning Brought Me Here" on Famous SFMA 5753)


Your eyes are immediately drawn to a Trade Advert repro'd on Page 3 of the booklet - what a trio - Island Records advising that on 3 July 1969 the public can buy Nick Drake's "Five Leaves Left" (his debut arranged by Kirby), the latest advancement in Folk-Rock by Fairport Convention with the bonkers-titled "Unhalfbricking" and just to rub salt into those confused wounds - "Kip Of The Serenes" by Dr. Strangely Strange (my God was them the days). Spread across 20-pages festooned with album sleeves you rarely see and their equally obscure trade adverts - St. Etienne leading light and all-round good-egg BOB STANLEY provides some of the most entertaining, informative and properly affectionate liner notes I've ever read. Kirby's track record is impressive - not just arrangements for tasteful strings but for the Mellotron, Recorder and Harp. The listen is mostly Folk-Rock on a mellow tip with the feeling of Autumn Leaves falling outside your bedsit window as the cat yawns in the corner. And even if a few of the songs aren’t nearly as gorgeous as the Bobster would have us believe (hence the four stars) – make no mistake – this is an impressive listen and superbly presented release.


Long-standing Audio Engineer and long-time associate to Ace Records NICK ROBBINS has handled the mastering and what a job he's done. I've not heard the Ian Matthews pop of Robert Palmer's "Gimme An Inch Girl" or the brilliant but completely forgotten "Friend To Me" by Gary Shearston sound so good. This is a compilation where you 'want' the audio to be top-notch on every song and it is (I've the Spinney reissue of the Vashti Bunyan album and I'd swear the sound on the key track provided here is better than the 2000 master). On to the pastoral music...


It begins with an absolute humdinger - the entirely orchestral "Introduction" by Nick Drake - the opening track on Side 1 of his second studio album "Bryter Layter" from 1970. Surely one of Kirby's most sublime moments – the gorgeous mood it creates is cleverly followed by seven-minutes of a Folk-Rock song that few of us know - "Forest And The Shore" by Keith Christmas. Kirby makes the Mellotron on this completely overlooked melodic adventure sound like a choir and adds an almost "Nursery Cryme/Foxtrot" Genesis-sound to the long song elevating it into something special. His girlfriend and fellow Folky Shelagh McDonald is up next with the poignant "Ophelia's Song" where she sings of daisy chains and Christmas pinewood lanes and her backing band is most of Sandy Denny's vagabond pals Fotheringay (impressive company to say the least).


Unfortunately we next get what I feel is one of several clunkers – the kill-me-soon drone of John Cale. I know people worship at the altar of all things velvety and throw petals at the feet of every VU solo project – but the man's voice is surely on a CIA interrogation list somewhere along with waterboarding and Anne Widdecombe sermons. However that rare wrong foot is quickly blown away by the beautiful "Dancing At Whitsun" brought to us by Steeleye Span's guitar-player Tim Hart and singer Maddy Pryor. Kirby makes the 'Recorder' sing. Mike Oldfield must have been listening to this particularly English instrument because his first three albums "Tubular Bells", "Hergest Ridge" and "Ommadawn" are steeped in its distinct pastoral sound (Clifford T. Ward and Al Stewart).


Vashti Bunyan has a very clean vocal on the warbling finger-in-the-ear Folk of "Rainbow River" and Kirby's string arrangement arriving a few minutes into the long Andy Roberts break-up song "I've See The Movie" virtually saves the thing from itself. Other goodies include the Gillian McPherson track "It's My Own Way" which features Pentangle's Danny Thompson, Dave Cousins of The Strawbs and jazzman Johnny Almond - while Steve Ashley's "Follow On" was actually recorded in 1971 (unreleased until 1974) and its high-strung acoustic guitar has more than a touch of Duncan Browne's self-titled LP on RAK Records in 1973 (good news in my book). Another amazing production can be found in "Friend To Me" by Gary Shearston and how good is it to hear the Richard and Linda Thompson "First Light" on the digital format anywhere.


With a stonking seventy-eight minutes of overall excellence to choose from there was always going to be a few dribbles on the sonic bib and for me the clunky John Cale and Dana Gillespie/Ralph McTell songs towards the end let the collective side down somewhat. And even if I'm hung from a Cotswold yard-iron and prodded repeatedly in the Irish unmentionables with a pastoral pitchfork by the cloth-capped Mafia of musical taste – no matter how hip and collectable they are I find the Spriguns track just the wrong side of musically twee - and along with other three keep "When The Day Is Done" a hair's breadth away from greatness (many may disagree).


Yet apart from those debatable blips - there's magic here and you can't but help feel a huge well of genuine affection for this gorgeous, timely and very smartly compiled CD. For me "When The Days Is Done – The Orchestrations of Robert Kirby" is already one of the 'Reissues of the Year' 2018 and I can only suspect that Paul Buckmaster's equally extraordinary work with Bowie, Elton John, Nilsson, Carly Simon and so many others is hopefully next in this series.


Another peach from England's Ace Records then and master-compiler/musical-hero Bob Stanley – a Romantic Englishman who is now to be kissed gently on his Sweet Afton by a lacily-clad Lady Chatterley and thereafter forced to lap dance nightly in a Lord Byron and Percy Bysshe Shelley three-way. Hell, I'll join in - if my Pilates schedule allows of course.


"…Time has told me…you're a rare, rare find…" – Nick Drake sang on the truly beautiful song "Time Has Told Me". When it comes to arranger Robert Kirby - never were truer words spoken. Well done boys and roll on the next chapter... 

Saturday, 28 February 2026

"Eternal Journey: The Arrangements And Productions Of Charles Stepney" by CHARLES STEPNEY and Various Artists – 20 Tracks (17 in Stereo, 3 in Mono) from August 1967 to October 1973 Featuring Ramsey Lewis, Minnie Riperton, The Dells, Billy Stewart, The Meditation Singers, The Rotary Connection (with vocalists Minnie Riperton, Sidney Barnes, Kitty Haywood, Shirley Wahl and Dave Scott plus Guitarist Phil Upchurch, Drummer Maurice White with Saxophonist Donald Myrick, both later with Earth, Wind & Fire), Terry Callier, Marlena Shaw, Little Milton, Phil Upchurch (with Donny Hathaway on Piano), Bo Diddley, Muddy Waters, Howlin' Wolf, Junior Wells and Buddy Guy (February 2026 UK Ace/Beat Goes Public (BGP) CD and 2LP VINYL 20-Track compilation with Nick Robbins Remasters) - A Review by Mark Barry...





Amazon UK Purchase Link for this CD Compilation
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------------------------------------------------------

This Review Along With A HUGE 356 Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites

HIGHER GROUND 
70ts Soul, R'n'B, Funk, Jazz Fusion
Exceptional CD Reissues and Remasters  

Just Click Below To Purchase for £4.95 (2026 Update)
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


Overall: ****
Presentation/Booklet: ****
Audio: *****

"….The Love We Have, Stays On My Mind…"

I'd been looking forward to this release for months. When I worked the Rarities Counter at Reckless Records in Islington and Soho for almost two decades - us Rock laddies who also loved Soul Music had two pet hero worships - Norman Whitfield over at Motown, Tamla and Rare Earth (Temptations, Four Tops, Rare Earth, The Undisputed Truth) alongside the mighty Charles Stepney helming the funkier subsidiaries of Chess Records - Cadet, Cadet Concept and Checker. Soul meets Psych-Soul meets Folk-Soul - oh yes and yum yum. 

As a veteran of over 4,000 reviews - most to do with CD reissues - I'd petitioned people like Ace and Edsel and BGO to do a Charles Stepney Box Set as a pride of place in their catalogues. Now after ten to fifteen years - we finally get something approximating it - but (and I say this with a heavy heart) - this Single CD (and 2LP Vinyl Set) is not without its track choice problems. It's still four solid stars overall - but I wanted five and more (maybe we will get a Volume 2 that makes up).

The artists covered on this Feb 2026 Ace/BGP compilation are Ramsey Lewis, Minnie Riperton, The Dells, Billy Stewart, The Meditation Singers, The Rotary Connection (see following sentence), Terry Callier, Marlena Shaw, Little Milton, Phil Upchurch (with Donny Hathaway on Piano), Bo Diddley, Muddy Waters, Howlin' Wolf, Junior Wells and Buddy Guy. The Rotary Connection was a multiracial seven-piece group specifically created by Charles Stepney with Marshall Chess (of Chess Records) to feature the labels version of Psych-Soul. Throughout its 1967 to 1971 timespan, the band famously featured vocalists Minnie Riperton, Sidney Barnes, Kitty Haywood, Shirley Wahl and Dave Scott with Guitarists Phil Upchurch and Peter Cosey and founders of Earth, Wind & Fire, Drummer Maurice White with Saxophonist Donald Myrick. 

There is much to discuss and much to adore, so let's have at The Love That Stays - here are the technical details...
 
UK released Friday, 27 February 2026 - "Eternal Journey: The Arrangements And Productions Of Charles Stepney" by CHARLES STEPNEY and VARIOUS ARTISTS on Ace/Beat Goes Public CDTOP 320 (Barcode 029667115223) is a 20-Track 1CD and 20-Track 2LP VINYL compilation featuring his Productions at Chess, Cadet, Checker and Cadet Concept Records in the USA between 1967 and 1973. The 2LP VINYL Set of "Eternal Journey: The Arrangements And Productions Of Charles Stepney" is released the same day (also 20-Tracks) on Ace/Beat Goes Public BGPX2 320 (Barcode 029667028714) and is a Limited Edition (priced at £30 from Ace). The CD plays out as follows (71:03 minutes):

1. Dear Prudence – RAMSEY LEWIS (from the March 1969 US LP "Mother Nature's Son" on Cadet Records LPS 821 in Stereo – May 1969 in the UK on Chess/Cadet CRS 4545 in Stereo – Whole LP is made up of Beatles cover versions from the 2LP set "The Beatles" (aka The White Album) recorded only weeks after that famous double-LP release worldwide in November 1968)

2. Les Fleur – MINNIE RIPERTON (from the September 1970 US Solo Debut LP "Come To My Garden" on GRT Records GRT 30001 in Stereo)

3. It's All Up To You – THE DELLS (from the August 1971 US LP "Freedom Means" on Cadet Records CA 50004 (no UK issue) – see also Track 13 from the same album – both songs written by Terry Callier and Larry Wade)

4. By The Time I Get To Phoenix – BILLY STEWART (January 1970 US 45-Single on Chess 2080, A-side (no UK issue) – a Jimmy Webb song made famous by Glen Campbell – Produced by Charles Stepney)

5. Stand Up And Be Counted – MEDITATION SINGERS (from the August 1968 US Third Studio LP "The Bad Apple" on Checker LPS 10044 in Stereo – song written by Gene Barge, Production by Ralph Bass with Lead Vocals by Secular Singer Laura Lee Newton - MONO)

6. Love Has Fallen On Me – THE NEW ROTARY CONNECTION (from their August 1971 sixth and final studio LP "Hey, Love" on Chess/Cadet Concept CC 50006 (October 1971 in the UK on Chess 6310 105) – track features Minnie Riperton on Lead Vocals)

7. What Color Is Love – TERRY CALLIER (from his December 1972 US third studio LP "What Color Is Love" on Chess/Cadet CA 50019 (no UK release) – track features Charles Stepney on Keyboards and Production, Phil Upchurch on Guitar, Donald Myrick of E, W & F on Saxophone and Flute with Arthur Hoyle of Sun Ra Arkestra on Trumpet)

8. Brother Where Are You – MARLENA SHAW (August 1967 US 45-single on Cadet 5571, Non-LP B-side of "Waiting For Charlie To Come Home" – an Oscar Brown Jr. song)

9. More And More – LITTLE MILTON (October 1967 US 45-single on Checker 1189, A-side – Produced by Billy Davis)

10. Eternal Journey – RAMSEY LEWIS (from the July 1968 US LP "Maiden Voyage" on Chess/Cadet Records LPS 811 in Stereo and September 1968 in the UK on Chess CRLS 4539 in Stereo – a co-write between Stepney and Lewis)

11. California Soul – MARLENA SHAW (from the November 1969 US LP on Cadet Records LPS-833 in Stereo – An Ashford & Simpson song featuring Production and Arrangements by Charles Stepney)

12. Can't Catch The Train – TERRY CALLIER (from his October 1973 US Fourth Studio Album "I Just Can’t Help Myself" on Cadet Records – Featuring Producer, Arranger and Musician Charles Stepney with Phil Upchurch, Richard Evans of The Soulful Strings and Don Myrick of The Pharaohs and Later Earth, Wind & Fire on Alto Sax)

13. The Love We Have (Stays On My Mind) – THE DELLS (from the August 1971 US LP "Freedom Means" on Cadet Records CA 50004 (no UK issue) – see also Track 3 from the same album – both songs written by Terry Callier and Larry Wade)

14. Teach Me How To Fly – ROTARY CONNECTION (from the October 1968 US Second Studio LP "Aladdin" on Cadet Concept Records LPS 317 in Stereo (May 1969 in the UK on Chess CRLS 4547 in Stereo) – a Sidney Barnes song with Sidney Barnes and Minnie Riperton on Lead Vocals)

15. More And More – PHIL UPCHURCH (from the May 1969 US LP "Upchurch" on Cadet LPS 827 in Stereo – features Chess Records session Bassist Louis Satterfield and future Atlantic Records Soul star Donny Hathaway on Piano)

16. I'm High Again – BO DIDDLEY (June 1968 US 45-single on Checker 1200, A-side – written by Sidney Barnes of Rotary Connection with Production sharded by Gene Page and Charles Stepney - MONO)

17. Let's Spend The Night Together – MUDDY WATERS (from his October 1968 US LP "Electric Mud" on Cadet Concept LPS 314 in Stereo, January 1969 UK on Chess Records CRLS 4542 in Stereo – a Rolling Stones cover version done in Psych-Blues style, produced by Stepney)

18. Smokestack Mountain – HOWLIN' WOLF (from his January 1969 US LP "The Howlin' Wolf Album" on Cadet Concept LPS 319 in Stereo – a re-make of his old Chess Records classic in a Psych-Blues vein (like the Muddy Waters LP, see Track 17) features members of Rotary Connection, Guitarists Phil Upchurch and Hubert Sumlin with Gene Barge on Saxophone and Don Myrick on Flute)

19. Girl, You Lit My Fire – JUNIOR WELLS (September 1968 US 45-single on Blue Rock B-4062, A-side – October 1968 UK 45-single on Mercury MF 1056, A-side - Produced by Eugene Daniels with Arrangements by CS - MONO)

20. I'm Gonna Keep It To Myself – BUDDY GUY (September 1967 US 45-single on Chess 2022, B-side of "I Suffer With The Blues" (no UK release) – Produced by Gene Barge and CS)

NOTES:
All Tracks in STEREO except Track 5, 16 and 19 in MONO

DEAN RUDLAND does his usual bang-up job in the liner notes of the 20-Page booklet - artists in alphabetical order rather than track order - photos of notables like The Dells, Rotary Connection, Terry Callier, Muddy in that silly priest's smock while Howlin' Wolf smiles from a house balcony. There is a small history of the artist for each entry and session-players (when known). I'm going to quote details from Rudland's stellar work extensively...

In some respects, Chicago-born Jazzer Charles Stepney was all but forgotten amongst Soul Boys until (typically) The English/Acid Jazz Obsessives started digging into the names surrounding the music they loved as they explored in secondhand record shops and LP crates in dark leery passages. In fact - the offshoot label of Cadet and Cadet Concept (a go-to name for collectors of Psych-Soul) had been on Marshall Chess' mind for some time, when he married it with the Genius that was Charles Stepney (Marshall waxed lyrical about Stepney on the Charlie Gillett Show on Radio London in the 90s - Born in Chicago in March 1931, multi-instrumentalist Stepney would pass far too early at only 45 in May 1976). 

Rudland's superb liner notes paints the picture of a meeting of minds that would move the genre needle forward massively. Marshall Chess and Stepney meet over dinner to discuss what would become Rotary Connection and Stepney arrives with an Entire Symphony in his briefcase. Marshall knew this was the guy. Stepney had already established himself too with the Chess Producers (Gene Barge, Billy Davis and Bobby Miller) for his speed and innovation. His mentoring of the Drummer with the Ramsey Lewis Trio - Maurice White and his Saxophonist Donald Myrick - would lead to Maurice forming the mighty Earth, Wind & Fire and the global success of Kalimba Productions (a name I remember reading in the EWF liner notes back in the Seventies day). Stepney also later pulled Soul Ladies The Emotions from a failing career at Stax and ditto to Deniece Williams' by Producing and Arranging the monster US & Worldwide R&B Soul smoocher "Free" for her - a Number 2 in the USA and No. 1 in the UK in 1976 on Epic Records (Free also featured Sidney Barnes of Rotary Connection on Vocals). Interestingly, Rudland's notes also mention a 4CD Box Set lingering across the decades for CS and that the "Eternal Journey..." compilation I am reviewing was first gathered in 2016 - and only through a 10-year perseverance - is it with us at all! (Radiohead namechecked the great man in 2016 on their "A Moon Shaped Pool" album). 

But the really great news is stunning audio from NICK ROBBINS Remasters - the best I've heard to date of Cadet material. Let's get to the meat and potatoes... 

Norman Whitfield over at Motown and Charles Stepney at Chess were at the very forefront of Progressive Soul between 1968 and 1974 – genres like Psych-Soul and Folk-Soul that have attained near mythical connotations amongst Soul and Rock collectors and music lovers. This compilation isn't perfect – I mean where is there a photo of the main man? We get Howlin Wolf, Terry Callier, The Rotary Connection, The Dells and so on – all the big artist names associated with CS - but none of Stepney himself? The album collage on the front cover is a nice touch too – hip albums amongst those in-the-know like The (New) Rotary Connection's "Hey, Love", Marlena Shaw's "The Spice Of Life" and Muddy Waters' mad Psych-Blues LP "Electric Mud". 

It opens so strongly with Ramsey Lewis and his band getting their grubby paws on "The Beatles" (White Album) only days after its release in November 1968 so they could do an entire album of covers from it which they aptly named "Every Mother's Son". The Audio quality on their Funky-Piano-Driven instrumental of "Dear Prudence" is fantastic - drums, bass, those swirling Stepney string arrangements going ape as the 4:37 minute neck-jerker builds to a fab finish. Door No. 2 and in sails Minnie Riperton with Rotary Connection for the huge Acid Jazz fave "Les Fleur" - and again you're whomped with gorgeous audio as the ladies and gents raise it up to the heavens (love that Trumpet and Glockenspiel break at 1:40). Two album stunners came out of the Cadet Concept camp in 1971 - Rotary's "Hey, Love" and The Dells giving it some 'always be happy' "Freedom Means" (Track 3 is The Dells). Written by Terry Callier and Larry Wade - The Dells tune "It's All Up To You" is more old-skool swirling Soul than Psych-Soul and Rudland quite rightly emphasises this in his superb liner notes. The British vinyl variants of either LP (on Chess) are so hard to find - and as a rarities guy in a busy West End store - I could count on one hand how many times I saw copies. Lovely stuff. 

I could honestly do without the Jimmy Webb cover of "By The Time I Get To Phoenix" (a song made famous of course by Glen Campbell) coming from Billy Stewart - good rather than great. Righteous preaching by way of that Staple Singers sound comes in the shape of The Meditation Singers – lead vocalist Laura Lee Newton telling us to "Stand Up And Be Counted". Speaking of great lady-lead vocal group ensembles, collectors will wallow in the Piano-Funky feel-so-good vibes in "Love Has Fallen On Me" Minnie Riperton and Kitty Haywood wailing and harmonizing in such a magical almost ethereal way.

More genius song choices come in the shape of the sexy Jazz-Soul-Psych of the compilation title track "Eternal Journey" (written by Stepney with Ramsey Lewis) with Minnie Riperton giving it some glass shattering vocal gymnastics (like a violin note being drawn across a rusty fret) only to later hah like she’s having an orgasm. While all this is signifying, Ramsey Lewis plinks on his Piano like the chugga-chugga Funkmeister he undoubtedly was. It is fantastic stuff – anchored by stunning Bass from Cleveland East with Maurice White on shuffling Drums. That is followed by Marlena Shaw's every popular cover version of Ashford & Simpson's "California Soul" – a huge Acid Jazz tune for over three decades now. The sheer class of Soul Vocal Groups at the top of their game comes screaming through with The Dells doing their gorgeous "The Love We Have (Stays On My Mind)". The final cut by Buddy Guy is a forgotten gem – brilliant Stepney Brass arrangements elevating a standard R&B and Blues Boogie into something better – it may only be three-minutes but it kicks longer butt. 

But there are missteps for me – the manic rhythm, scat vocals and warbling sax of the Terry Callier track "Can't Catch The Train" do my brain in – and nothing on that front has changed when I re-listen to it here. And I know it has been done to death over the last fifteen years especially, but where is the Phil Upchurch and Rotary Connection anthem "I Am The Black Gold Of The Sun" that Nuyorcian Soul made famous again in the Nineties. Or why choose the lesser sub-5th Dimension sounding "Teach Me How To Fly" by The Rotary Connection over Terry Callier’s magnificent songwriting contribution to their "Hey, Love!" album with "Song For Everyone" – an absolute barnstormer and VERY Charles Stepney. Or how about the stunning string arrangements on "Looking Through The Eyes of Love" where Stepney goes all Petula Clark meets Bacharach & David while Minnie soars uncredited in the background hitting those ludicrous octaves. 

I would have placed both Dave Scott lead-vocal barnstormers "Hanging Round The Bee Tree" and the title track on the August 1971 US "Hey, Love" album as stunning examples of Stepney and his arrangement skills not just with strings but vocal charts. And despite being penned by Sidney Barnes of The Rotary Connection with Production Values from heroes like Gene Page and Stepney – the Bo Diddley Checker 45 A-side "I'm High Again" is very average fare. The my-heart-is-not-in-it Muddy Waters cover of The Rolling Stones classic "Let's Spend The Night Together" sounds wildly out-of-place. The Howlin Wolf remake of his own "Smokestack Lightning" just about pulls it off – but again – feels out of place somehow here. However, the last two tracks - the 45s for Junior Wells and Buddy Guy are great entries and very clever choices. And - it must be noted with some strength that these are the Best Remasters I've heard of this material to date - and that is a joy to behold - so five stars on the Audio Remasters.


To sum up - a tad disappointing perhaps in track choices, songs that should have been on here and that omission of a photograph of Stepney is a clumsy goof - but "Eternal Journey..." is still a huge feather in Ace's Reissue cap and for me - a reissue to savour in early 2026...(I've ordered the 2LP set too as a collectable)...

Monday, 28 April 2025

"Hot Buttered Singles Volume 2: 1972-1976" by ISAAC HAYES – Twenty 45-Single Sides on Enterprise, Stax Records and Hot Buttered Soul/ABC Records in their 7" Single Edited Forms – Musicians Include The Bar-Kays, The Isaac Hayes Movement and a Duet with David Porter (April 2025 UK Ace Records CD Compilation of Nick Robbins Remasters – Volume 2 of a Series) - A Review by Mark Barry...





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"…Ike's Mood 20…"

Second Volume from those terribly with-it chappies over at Ace Records for the Singles Discography of all thangs Isaac Hayes on Enterprise, Hot Buttered Soul and ABC Records. 

Volume 1 hit us in October 2024 (Single CD, 2LP Vinyl set – the same here) and was something of an instant classic with fans and collectors alike. 

But - despite the NICK ROBBINS Remasters delivering big time and containing Enterprise and HBS/ABC single-sides that are difficult to find on CD – even the most die-hard shafting enthusiast would have to contend that Hayes pursued that Disco Dollar just a little too much in the later years (the "Juicy Fruit..." stuff isn't exactly my cup of Darjeeling) - so some of Volume 2 (like Volume 1) has not dated well. And there was the "Wonderful" 9-Track CD compilation that gathered up much of this stuff in Phil De Lancie Remastered form back in September 1994 (issued both in the USA and UK/Europe) which any self-respecting IH fan would already have. But here in April 2025 - that was more than 30-years ago – so updates ahoy.

This gold-chain-clanking beastie contains things like the sought-after B-side "Type Thang" that was featured in the Blaxploitation movie "Shaft's Big Score" but not on the vinyl album, the two single-edits of "Joy Pt 1" and "Joy Pt 2" that will allow fans to hear a more manageable eight-minutes of this wickedly good groove rather than the overdone near 16-minute LP version and the B-side instrumental 45-edit to "Hung Up On My Baby" from the "Tough Guys" Soundtrack of 1974. 

Fans and buyers alike should also note that although Volume 1 was dated 1969 to 1972 – space restrictions did not allow Ace to include his last 45 for that year in Volume 1. Thus Ike's last 45 of 1972 opens Volume 2 (September 1972 in the USA and November 1972 in the UK) - the rest concentrating on 1973 to 1976 on Enterprise Records and his own Hot Buttered Soul label (issued via ABC Records). 

So – and as it is with so many compilations - "Hot Buttered Singles Volume 2: 1972-1976" by Isaac Hayes has its highs and lows - but even the slips are not that bad. The UK VINYL 2LP Set (also issued 25 April 2025) on Ace Records HIQLP2 154 (Barcode 029667026116) offers the full 20-tracks/liner notes and will surely become a sought-after double. To the damn-right-baby details…

UK released Friday, 25 April 2025 - "Hot Buttered Singles Volume 2: 1972-1976" by ISAAC HAYES on Ace Records CDTOP 1660 (Barcode 029667112628) is a 20-Track Remastered CD Compilation of 45-Single Side Edits And Non-LP Material that plays out as follows (this review provides both US and UK 45-Single Discography details - 77:12 minutes total playing time):

1. Theme From The Men (Instrumental) (4:00 minutes)
2. Type Thang (3:49 minutes)
USA: released 18 September 1972, Enterprise ENA-9058, A&B-sides
UK: released 3 November 1972, Stax Records 2025 146, A&B-sides
A-side is a Leon Ware and Jacqueline Hilliard song. Later recorded by Third Creation and issued (Promo-only) in the USA on Motown M 1250F in 1973. The B-side Type Thang was featured in the "Shaft's Big Score" film but not on the soundtrack album.

3. Rolling Down A Mountainside (4:18 minutes)
4. (If Loving You Is Wrong) I Don't Want To Be Right (4:43 minutes)
USA: March 1973, Enterprise ENA-9065, A&B-sides as above
UK: 20 April 1973, Stax 2025 117, sides reversed, A-side was (If Loving You…)

5. Joy Pt 1 (4:35 minutes)
6. Joy Pt 2 (3:41 minutes)
USA: released November 1973, Enterprise ENA-9085, A&B-sides
UK: released 8 February 1974, Stax Records 2025 220, A&B-sides
Note: A&B-sides is an Isaac Hayes song – the full length 15:55 minute album cut is on the October 1973 US LP "Joy" on Enterprise ENS-5007 (October 1973 UK on Stax 2325 111, reissued UK on Stax STX 1016 in August 1974)

7. Wonderful (3:37 minutes)
8. Someone Made You For Me (4:00 minutes)
USA: released March 1974, Enterprise ENA-9095
UK: no UK issue
Note: Non-LP track in the USA at the time of release. A -side by Isaac Hayes, B-side by Henry Glover (both produced by IH). Finally released on a US compilation CD album called "Wonderful" in September 1994 on Stax SCD-8585-2 (Stax CDSXE 112 in the UK). The 9-track "Wonderful" CD compilation gathered up seven of his Non-LP Enterprise US singles and added in two Live Songs from the "Wattstax/The Living Word" two double-albums - "Ain't No Sunshine" (a Bill Withers cover at 17:38 minutes) and a longer live take of "Rolling Down A Mountainside" at 5:27 minutes – both recorded in Los Angeles, 20 August 1972 (from Volume 1 and 2 respectively)

9. Title Theme (2:32 minutes)
10. Hung Up On My Baby (Instrumental) (3:37 minutes)
USA: released July 1974, Enterprise ENA-9104, A&B-sides
UK: released 30 August 1974, Stax STXS 2004, A&B-sides
Note: the A-side is the same length as the "Tough Guys" Soundtrack LP cut to the Paramount film "Three Tough Guys" – but the B-side is an edit to the full-length LP version of 6:15 minutes

11. Chocolate Chip (Vocal) (3:45 minutes)
12. Chocolate Chip (Instrumental) (4:05 minutes)
USA: released August 1975, Hot Buttered Soul/ABC Records ABC-12118, A&B-sides
UK: released 22 August 1975, ABC Records ABC 4076, A&B-sides
Note: written by IH, both tracks from the 1975 US LP "Chocolate Chip" on Hot Buttered Soul/ABC Records ABCD-874 - LP versions are 5:30 and 5:32 minutes respectively

13. Come Live With Me (3:24 minutes)
14. Body Language (3:45 minutes)
USA: released October 1975, Hot Buttered Soul/ABC Records ABC-12138, A&B-sides
UK: no UK issue
Note: written by IH, both tracks from the 1975 US LP "Chocolate Chip" on Hot Buttered Soul/ABC Records ABCD-874 – LP versions are 6:35 and 5:31 minutes respectively

15. Disco Connection (3:38 minutes)
16. St. Thomas Square (4:39 minutes)
USA: released 15 February 1976, Hot Buttered Soul/ABC Records ABC-12171, A&B-sides
UK: released 19 March 1976, Hot Buttered Soul/ABC Records ABC 4100, A&B-sides
Note: credited to ISAAC HAYES MOVEMENT – both tracks on the 1975 US LP "Disco Connection" on Hot Buttered Soul/ABC Records ABCD-923 – LP versions are 6:14 and 5:52 minutes respectively

17. Rock Me Easy Baby (Pt.1) (3:32 minutes)
18. Rock Me Easy Baby (Pt.2) (3:55 minutes)
USA: released April 1976, Hot Buttered Soul/ABC Records ABC-12176, A&B-sides
UK: released 11 June 1976, Hot Buttered Soul/ABC Records ABC 4111, A&B-sides
Note: from the 1976 US LP "Groove-A-Thon" on Hot Buttered Soul/ABC Records ABCD-925 – full LP version is 8:17 minutes

19. Juicy Fruit (Disco Freak) Pt. I (3:43 minutes)
20. Juicy Fruit (Disco Freak) Pt. II (3:07 minutes)
USA: released August 1976, Hot Buttered Soul/ABC Records ABC-12206, A&B-sides
UK: released 10 September 1976, Hot Buttered Soul/ABC Records ABC 4136, A&B-sides
Note: from the 1976 US LP "Juicy Fruit (Disco Freak)" on Hot Buttered Soul/ABC Records ABCD-953 – full LP version is 6:15 minutes

As it was with Volume 1 - the 16-page booklet of Volume 2 features fantastically detailed liner notes from Ace's long-standing Soul Expert and Scribe – TONY ROUNCE – a sure sign of quality – and clearly a big fan of the mighty Hayes. All pages are sided with US, UK and European label repros and rare picture sleeves (dig the Pic Sleeves for "(If Loving You Is Wrong) I Don't Want To Be Right" and "Joy" on Pages 5 and 7). By the time we get to 1974, 1975 and 1976 – most territories have dispensed with anything as elaborate as a picture sleeve and instead the booklet pops for 45 Promo Copies on the Hot Buttered Soul/ABC Records labels. A good read and fabulous Remasters from long-time Audio Engineer for Ace - NICK ROBBINS – this period featuring super clear Production values and a band in the pocket every time – even if the material does not reach the pinnacle of his earlier Stax output. To the tunes…

For 1972, "Theme From The Men" sounds like Disco four years before the charts caught on to its rhythms – gorgeous audio as those strings and brass jabs kick in. Loving the wah-wah and arrangement that has the slightest touch of 007 about its swagger. Followed by one of my fave-raves - you're a square type-thang if you're feet ain't moving to the so-period Soundtrack-meets-Soul of "Type Thang". Strings feature heavily before the Big Ike comes in with his winners-and-losers chocolate éclair vocals - "Rolling Down A Mountainside" – the Movement funking with those brass and strings backing up by a driving beat. I doubt there a wrong version of the right love song that is "(If Loving You Is Wrong) I Don't Want To Be Right" – a fabulous Homer Banks, Carl Hampton and Raymond Jackson song made famous by Luther Ingram and others. Many countries probably played this over the official A. 

You can feel the sophistication and era changes in "Joy" – a fabulous groove on an admittedly patchy album (of the same name). Whittled down from its marathon 16-minutes on the LP – Hayes cleverly gives Part 2 to DJs on the flipside so with two copies they could cue-in Part II as punters got into the groove they did not want to end. This joyful Funky pairing is my current go-to combo on this compilation. "Wonderful" is another cool groove even if the lyrics are a tad cheesy – a Non-LP 45 with the Bacharach/David-embracing smoocher "Someone Made You For Me" on the flipside. No such lurve shenanigans with the wild guitars and very Blaxploitation vibe to "Title Theme" (the movie Two Tough Guys) – warbling high-hats, fuzz licks and brass – the production though has always bothered me and still does. Way better is the high-stepping instrumental "Hung Up On My Baby" which feels like George Benson and Phil Upchurch with something funky going on in a sensual guitar way (brass joins the soloing about one and half-minutes in to fab effect, followed by a fuzzed-up Isley Brothers type guitar solo). You can so hear why this cut is sought after – all business and no bollox.

Both cuts of "Chocolate Chip" have a relentlessly Funky backbeat that must have torn up dancefloors - James Brown and Isaac Hayes melted into one brass-driving gem. Time to lurve baby - Ike has done a lot of playing around (big cities and smaller towns) but now he's found a girl he wants to settle with and she needs to "Come Live With Me". Gorgeous production values for sure and a clear Remaster - but this kind of soppy smooch is hard to hack in 2025. Better is the guitar, high hat and piano slink in "Body Language" where her action produces satisfaction (steady now Ike). And again - really great audio with presence and power as the strings lift things up about 1:25 minutes in. 

For me the ever-so-slight rot started in on "Disco Connection" - a half-decent groove but one that still feels somehow uninspired. But I had forgotten how good the instrumental B-side "St. Thomas Square" was - a pleasant surprise. 1976 and we're embracing a combo of Disco and Funk with (mostly) great results - his "Rock Me Easy Baby" and "Juicy Fruit (Disco Freak)" singles filled with loverman lyrics and sexy-lexy 'long as you please me' grooves (check out Part 2 of Rock Me Easy Baby – heavy on the Tablas and Heavy breathing). For sure "Juicy Fruit..." is the lesser of the two – but I know genre lovers who swear it's a forgotten deep cut that should be revisited. And again - fantastic audio filling your overheating speakers.

Like its predecessor Volume 1 - despite its occasional dips - I am going to keep coming back to "Hot Buttered Singles Volume 2: 1972-1976". This is another win-win compilation for Ace - suave Symphonic Soul and Funk making me dig it...easy baby...




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INDEX - Entries and Artist Posts in Alphabetical Order