"I Don't Think It Will Hurt If You Smile" by NORMA TANEGA – 1971 Second Studio Album on RCA Victor Records UK (no US issue) featuring Musician Mike Maran, Producer Don Paul and Arranger Nick Harrison (31 January 2025 UK Ace Records Expanded Edition CD Reissue with Four Bonus Tracks - Two 1971 Library Music Rarities and Two Previously Unreleased – Nick Robbins Remasters) - A Review by Mark Barry...

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RATINGS:

Overall ****

Audio ****

Presentation *****

"…Fragments Of You And Me…"

Bubbly and giggling Californian Norma Tanega was famously a London lover to Britain's Dusty Springfield for five years (late Sixties to the early Seventies) when such a relationship (let alone the union of two musicians) was both physically dangerous and a very definite commercial no-no (Dusty lived in terror of being outed). Tanega also wrote songs for Dusty scattered across albums and flipsides. But in the last seven years especially (we are here in January 2025) – Norma's 1971 Lesbian Love Letter Album to Dusty has acquired hero worship amongst lost-gems aficionados. And at times you can hear why.

Despite its rather caustic (maybe even sensing doom up ahead) title – Norma's "I Don't Think It Will Hurt If You Smile" album is a deeply romantic homespun Folk outing with some Sunshine Pop, Baroque and Chamber Music Harpsichord thrown into the mix - flourishes that feel more Flowers In My Hair 1967 than Led Zeppelin 1971 where levees are breaking to the sound of whacked drum kits and droning harmonicas. It doesn't help either that five of its sixteen tracks are kind of pointless instrumentals or that one only-ok song is represented twice ("What More In This World Could Anyone Be Living For"). For me - to appreciate the I'm in love truth coursing through its pretty veins – I programmed my own Norma Tanega album (you can see the list below) – and that – even if I say so myself - is a very lovely thing indeed.

When this second studio album of hers was released in the late spring of 1971 by RCA Records UK (no one seems to know its actual release date, probably May or June 1971) - a confused and probably disinterested RCA had already floated the songs "Nothing Much Is Happening Today" and "Antarctic Rose" as a 45-single in April 1971 on RCA Victor RCA 2072. But it sold zip and is now as rare as the Vinyl LP. There is not (nor has there been) a 1971 US equivalent of the album and the single was UK-only too. In fact, up until 1971, Norma was famous for one chart 45 in February 1966 in the States on New Voice Records called "Walkin' My Cat Named Dog" which was a minor hit (March 1966 in the UK on Stateside SS 496). 

In the booklet - the few trade-newspaper reviews Ace were able to reproduce make much of her five-year absence from the music scene – describing her as a nomad. In fact - as you read the tiny newspaper print - you can feel the reviewer fighting the inherent negativity in the 45-single song title used to promote the album - "Nothing Much Is Happening Today" - by calling her new music on RCA as not nothing much – but actually good. Truth was (as Bob Stanley gleans in the liner notes) - the LP would have been and was hard to market given its scattergun approach – too many instrumentals and not enough radio-friendly three-minute ditties to coax the Top of the Pops crowds. So - forgotten it was - probably in UK remainder bins by November 1971 with a 'drastically reduced to 78p' sticker stuck on its laminate sleeve. 

There was a May 2022 Norma Tanega 2CD/2LP compilation called "I'm The Sky: Studio and Demo Recordings 1964-1971" issued on Anthology Recordings ARC084 (Barcode 184923608427) that scattered most of the album across two discs - but this 31 Jan 2025 variant appears to be the first reissue on CD of the album proper. So old Ace Records of the UK have pulled off a wee bit of a coup here by being the first company to reissue the album "I Don't Think It Will Hurt If You Smile" on CD - and this time - as a Remastered 'Expanded Edition' with Four Bonus Tracks – two of which are from an uber rare Library Music LP (also 1971) and the other two are Previously Unreleased.

A word to the wise first. In the Record Collector Rare Record Price Guide of 2018 (not so long ago) – this album is not even listed at a value of £15. How time has changed. Enterprising dealers and Folk-Prog Folk-Pastoral seekers have stumbled on an album I couldn't give away in the racks of Reckless in Soho for decades and are now asking £400 or more on auction sites. Is it worth that much wonga on original vinyl – no not really. But is it any good? I say a relieved yes - especially in a selected-songs program mode that cuts out some of the faff (more of that at the end of the review). Let's get to the details…

UK released Friday, 31 January 2025 - "I Don't Think It Will Hurt If You Smile" by NORMA TANEGA on Ace Records CDTOP 1653 (Barcode 029667111522) is a 20-Track CD Reissue and Remaster of her 16-Track 1971 UK album on RCA Victor Records (unissued in the USA) with Four Bonus Tracks that plays out as follows (51:07 minutes):

1. Now Is The Time [Side 1]
2. Beautiful Things
3. Illusion
4. Cowfold (Instrumental)
5. Magic Day
6. Hampton Court (Instrumental)
7. What More In The World Could Anyone Be Living For (Version 2)
8. Clapham Junction (Instrumental) [Side 2]
9. Elephants Angels And Roses
10. Antarctic Rose 
11. Stranger
12. Barrell Organ Blues (Instrumental)
13. Nothing Much Is Happening Today
14. What More In This World Could Anyone Be Living For (Version 1)
15. Upper Osterley (Instrumental)
16. A Goodbye Song
Tracks 1 to 16 are her second studio album "I Don't Think It Will Hurt If You Smile" – released (May or June) 1971 on RCA Victor SF 8217 in the UK (no US issue). Produced by DON PAUL – it did not chart

BONUS TRACKS:
17. Barrel Organ
18. Alternator Man
19. Upside Down Town 
20. Magic Day (Demo)

NOTES:
Two of the four bonus tracks on this CD reissue (Tracks 17 and 18) were originally part of three instrumentals featured on a 1971 24-Track UK Library Music LP called "Period/Pastoral/Solo Instruments – Moog/Dramatic" on Standard Music Library ESL/121. The other (third) instrumental was "Cowfold" – which showed up on Side 1 of the "I Don't Think It Will Hurt If You Smile" LP

Side 1 of that Library Music LP was called "Period/Pastoral/Solo Instruments" while Side 2 was "Moog/Dramatic" – her three were on Side 1. Track 19 of the Bonuses is another harpsichord instrumental called "Upside Down Town" while Track 20 "Magic Day (Demo)" is also Previously Unreleased. The Demo of "Magic Day" is a Vocal Take with less instruments than the LP cut. Just as lovely as the issued ballad on the album - for me "Magic Day (Demo)" is undoubtedly the prize previously unreleased track on this timely CD reissue/remaster.

Long-standing Audio Engineer for Ace Records NICK ROBBINS has done the transfers and the Audio is sweet – warm and lovely – as much of the album demands. For sure there are some ragged top-end edges here and there – but for the main – this feels like an upgrade of a forgotten album that deserves audio TLC. BOB STANLEY handles the liner notes to the 12-page booklet and gives an excellent history of her career whilst quoting references on the recordings – singles pictured between the text etc. The usual bang-up-job from Ace. To the music…

The idea that this is a lost classic or masterpiece is stretching credulity for me. But – and I do mean this – I have re-sequenced the album into 11 tracks instead of its original cluttered 16 and included in that rejigger is a repeat of the "Magic Day" track albeit in Demo form. I use only one instrumental of the five on the original (wasted spaces in my mind), dropped the two versions of "What More In This World Could Anyone Be Living For", added the Demo Version of "Magic Day" (to make that the doubled-up track instead). The album title comes from lyrics in "Illusion" and reflects the romanticism of the lyric-songs. 

The album opens with "Now Is The Time" – an attempt at a singer-songwriter Rock Song maybe ala Carole King or even Vinegar Joe – but the electric guitars feel heavy-handed on what is essentially a Folk album. Thankfully better is to come. "Beautiful Things" and "Illusion" are where the LP lights up – sweet and heartfelt ballads that employ strings and the musical talents of Mike Maran – the man who oversaw the whole LP (his reminiscences of recording are in the booklet). The first of five instrumentals rears its intrusive head - "Cowfold" having been used on the Library Music LP described above that also appeared in 1971. The only instrumental I have time for here is "Clapham Junction" - a harpsichord ditty that features her infectious giggle and laugh (Ace used it on the "London A to Z…" CD compilation of 2023 curated by Bob Stanley). Again, things pick up.

As I play this truly warm Remaster of "Magic Day" – it is a gorgeous song and should have been the single - "…I am so very happy…to be able to call you my friend…" and "…evening rainbows shine across her face…ring around the sun the world is falling into place…" and "…you gave me a dazzling day…a sky full of music and fairytale delights…" It is one of the sweetest and most celebratory Gay love songs I have ever heard. The demo in the bonuses is just as beautiful. There is a slight harshness to the acoustic guitars of "Antarctic Rose" – a tale of blue lips and minus ten degrees below in Iceland – Aurora Borealis lights enchanting and lonely at the same time. 

There is little doubt about the depth of her love in the Harpsichord gorgeous and upbeat "Elephant Angels And Roses" – lyrics like "…I think about you…angels inside awake when I touch you…everything I see is a fragment of you and me…" or how about "…love is a playground…world is a big zoo…elephants mingle with angels and roses…love is you…" There is a slightly fazed soft trippy Sunshine Pop acoustic guitar touch to "Stranger" – her song full of empathy – full moon tenderly. 

So, there you have it. Not quite the undiluted masterpiece of yesterday dealers are assuring you it is - but nonetheless - there is a loveliness and charm to Norma Tanega's "I Don't Think It Will Hurt If You Smile" (especially in a programmed rejigger) that just couldn't happen in a sinister-ridden 2025. And with a decent Audio Remaster and booklet that explains and appreciates her contributions - once again Ace Records of the UK have done collectors a solid. 

Innocently, perhaps even naively, Tanega sang "…I am a stranger to this time…but the space of loving knows no tears…" back in the receding mists of 1971 just before her union with that beautiful British icon ended shortly after. This excellent CD reissue captures some of that 'Magic Day' that lasted five years and meant so much to Norma (she passed in December 2019, Dusty in March 1999). Investigate...

PS: Controversy time - my suggested 11-Track 'alternate album' by Norma Tanega is called "The You Of Us". The title I've chosen comes from lyrics in the song "Illusions". I've tried a few combinations, but this one makes for such a lovely listen. You can sequence it from the CD tracks suggested below (total playing time of 33:04 minutes).

Side 1 (Program CD Tracks 2, 3, 8, 5 and 10):
1. Beautiful Things
2. Illusion
3. Clapham Junction (Instrumental)
4. Magic Day
5. Antarctic Rose

Side 2 (Program CD Tracks 9, 11, 13, 1, 20 and 16):
1. Elephants Angels And Roses
2. Stranger
3. Nothing Much Is Happening Today
4. Now Is The Time
5. Another Magic Day
6. A Goodbye Song

PPS: Why is the Fly Records logo on the rear inlay of this Ace CD?

"You Got Me Hooked! More Marylebone Beat Girls" by VARIOUS ARTISTS – Featuring 26 x UK 45-Single Tracks from 1963 to 1969 in Mono (23) and Stereo (3) by Helen Shapiro, Alma Colgan, Vashti (Bunyan), Friday Browne, Glenda Collins, Valerie Mitchell, The Three Bells, Cilla Black, Elkie Brooks, The Soul Mates and The Jet Set featuring Liza Strike, Jackie Lee, Ottilie Patterson Accompanied By Sonny Boy Williamson, Tiffany, Millicent Martin, Barbara Ruskin, Jane Hillary and more (31 January 2025 UK Ace Records CD Compilation of 26 Tracks (14 New to CD) Remastered by Nick Robbins – Eleventh Release in their 'Beat Girls' Series) - A Review by Mark Barry...

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RATINGS: 

Overall ****

Audio ****

Presentation *****

"…Cry No More…"

To look at this January 2025 UK CD smooching your New Year retinas with knowing saucy winks – you would not credit it with being release number eleven in Ace's ongoing series for 60t's trailblazing women - Beat Girls. 

In fact - "You Got Me Hooked! More Marylebone Beat Girls" is a second-volume follow-up to its well-reviewed predecessor "Marylebone Beat Girls 1964-1967" from June 2017 – a whopping seven years after that quietly joyful event (see full list of Beat Girls releases below). Of course, with a compilation listen like this - you do have to love Sixties Mono Singles (only three are in Stereo) and the constant angst/purring of beehive babes who may or may not know how to woo innocent Mutts and Jeffs. 

Many of the 60ts lady heroes (sung and unsung) are here – the ground-breakers like in-demand session Vocalist Liza Strike, eventual Tyne Tees TV Presenter Friday Browne whose 45 is sought-after and not just for John Paul Jones and Jimmy Page on the B-side, chanteuse Elkie Brooks before her teaming up with Robert Palmer in Vinegar Joe and then a huge solo career to this day, Just Another Diamond Day folk darling Vashti Bunyan, sexpot sister Valerie Mitchell (her sibling was Janie Jones of The Clash fame – check out their ample-assets photo on Page 14), Irish Blues nut Ottilie Patterson teaming up with visiting Chess Records legend Sonny Boy Williamson in 1964 to do a Big Joe Williams cover and of course that genre ground-breaker from up North - Cilla Black (gorgeous colour snap of Lorra-Lorra on the rear page of the chock-a-block booklet – Vashti Bunyan graces the front sleeve colour shot – new from her archive). The Black and White photos that follow each entry too are enough to make you teary-eyed – doing it back in the day when talent plus cahonies was genuinely out there for any young woman.

Marylebone was/is an area in London within earshot of Abbey Road Studios where many of these young EMI hopefuls were recorded – Columbia, Parlophone and HMV Records being the bulk of these UK 45-single releases. Amassing the Discography however for these 26 sides (14 new to CD) - it is noticeable that many entries are rated at 5 or 6 good - rather than 7, 8, 9 or 10 great – so some caution is advised for newcomers (hence the 4-star rating despite exceptional presentation). 

But once again the NICK ROBBINS Audio is as pucker as you would expect from an Audio Engineer who must be one of the most experienced in England - and the IAN CHAPMAN and MICK PATRICK liner notes of 24-pages seriously needs to be put up for some kind of writing award – page after dedicated page of superlative in-depth researched detail collectors will love. To the go-getter backcombed gals of yesteryear – damsels who were not distressed but determined to damn the torpedoes no matter what cardigans said - to the details…

UK released Friday, 31 January 2025 - "You Got Me Hooked! More Marylebone Beat Girls" by VARIOUS ARTISTS on Ace/Kent Soul CDTOP 1652 (Barcode 029667112222) is a 26-Track CD-only Compilation of Remasters from 1963 to 1969 including 14 Tracks New to CD. It is the eleventh release in their Beat Girls Series (see full list below) and plays out as follows (65:35 minutes):

1.Snakes And Snails – ALMA COGAN (July 1965, UK 45-single on Columbia DB 7652, A-side – written by Chris Curtis of The Searchers – features John Paul Jones on Bass and Jimmy Page on Guitar)

2. I'm Going Out (The Same Way I Came In) – HELEN SHAPIRO (1967 recording first issued on the February 1998 UK CD compilation "At Abbey Road 1961 to 1967" on EMI 493 4522 (Barcode 724349345225) – a Lesley Gore cover version)

3. Don't Let It Rain – KATHY KISSOON [aka Peanut] (January 1969, UK 45-single on Columbia DB 8525 in STEREO, A-side – written by John Peel and S. Roberton – became the Charting Duo Mac And Katie Kissoon in the Seventies – thereafter Katie Kissoon became a hugely popular Backing Vocalist for big names like Van Morrison, Roger Waters, Robbie Williams, George Harrison and many more) – see also Track 20 – the B-side

4. Too Late To Say You're Sorry – THE SOUL MATES (September 1965, UK 45-songle on Parlophone R 5334, A-side – featuring singer Liza Strike – song written by Brian Henderson) – for LIZA STRIKE see also Tracks 10 and 25

5. Getting Nowhere – FRIDAY BROWNE (January 1966, UK 45-single on Parlophone R 5396, A-side – her real name is Maran Stockley – song written by Graham Gouldman later of 10cc – B-side (Track 24) "And (To Me He Meant Everything)" is sought after by collectors because it features Jimmy Page on Guitar pre-Led Zeppelin) – see also Track 24

6. The Town I Live In – JACKIE LEE (November 1966, UK 45-single on Columbia DB 8052, A-side – Mike Leander Arrangements) – see also Track 12 as EMMA REID

7. From Now On – CILLA BLACK (November 1967, UK 45-single on Parlophone R 5652 in STEREO, B-side of "I Only Live To Love You" – both sides Produced by George Martin)

8. Cry No More – THE THREE BELLS (August 1966, UK 45-single on Columbia DB 7980, A-side – three sisters, Sue, Carole and Jean Bell from Liverpool - song written by Bert Berns and Jerry Ragovoy and first issued by Ben E. King) – see also Track 15

9. He's Gotta Love Me – ELKIE BROOKS (June 1965, HMV POP 1431, A-side – written by Kenny Lynch and Jerry Ragovoy – later joined Vinegar Joe with Singer Robert Palmer) – see also Track 14

10. How Can I Know – LIZA & THE JET SET (September 1965, UK 45-single on Parlophone R 5248, B-side of "Dancing Yet" – song written by Brian Henderson) – see also Tracks 4 with The Soul Mates and Track 25 as The Jet Set

11. You Can Go – VALERIE MITCHELL (May 1966, UK 45-single on HMV POP 1529, A-side – written by Sidney Gilbert – sister of Marion Mitchell aka Janie Jones made famous (infamous) by The Clash song on their debut album)

12. Just Like A Man – EMMA REDE [aka Jackie Lee, see Track 6] (February 1967, UK 45-single on Columbia DB 8136, A-side – written by Les Reed and Barry Mason)

13. Baby It Hurts – GLENDA COLLINS (April 1964, UK 45-single on HMV POP 1283, A-side – written by Billy Page – both A&B-sides are R.G.M. Sound which was Joe Meek – B-side "Nice Wasn't It" also written by Joe Meek)

14. Stop The Music – ELKIE BROOKS (February 1966, UK 45-single on HMV POP 1512, B-side of "Baby Let Me Love You") see also Track 9

15. He Doesn't Love Me – THE THREE BELLS (October 1964, UK 45-single on Columbia DB 7399, B-side of "Softly In The Night" – three sisters, Sue, Carole and Jean Bell from Liverpool - song written by Mike Hawker and Ivor Raymonde and covered earlier in the year by The Breakaways on their March 1964 UK 45 as the A-side of Pye 7N 15618) – see also Track 8

16. I Know – TIFFANY (July 1965, UK 45-single on Parlophone R 5311, B-side of "Am I Dreaming" – real name Irene Green, ex Liverbirds – song is a Susan George cover version)

17. Baby Please Don't Go – OTTILIE PATTERSON Accompanied By SONNY BOY WILLIAMSON (February 1964, UK 45-single on Columbia DB 7208, A-side – a Big Joe Williams cover version, Irish Born singer and Blues enthusiast Ottilie sings Lead Vocals while Blues Legend Sonny Boy Williamson also provides Harmonica – arranged and conducted by Ivor Raymonde)

18. Get Lost My Love – MILLICENT MARTIN (June 1963, UK 45-single on Parlophone R 5033, B-side of "Gravy Waltz")

19. Take Me Away – JANE HILLARY (May 1966, UK 45-single on Columbia DB 7918, B-side of "You've Got That Hold On Me" – Produced and Written by Don Charles and Peter Lee Sterling aka Don And Pete who had released one UK single "And I'm Crying Again" on Columbia DB 7881 in April 1966 – Jane Hillary is Brenda Hill of The Ravons who appeared on Opportunity Knocks in 1965)

20. Will I Never See The Sun – KATHY KISSOON (January 1969, UK 45-single on Columbia DB 8525 in STEREO, B-side of "Don't Let It Rain" - became the Charting Duo Mac And Katie Kissoon in the Seventies – thereafter Katie Kissoon became a hugely popular Backing Vocalist for big names like Van Morrison, Roger Waters, Robbie Williams, George Harrison and many more) – see also Track 3 – the A-side

21. Come In To My Arms Again – BARBARA RUSKIN (October 1967, UK 45-single on Parlophone R 5642, A-side – written by Barbara Ruskin – was later covered in the USA by The Vogues for their July 1970 45-single as the B-side of their 50ts Medley song on Reprise 0931)

22. Train Song – VASHTI (May 1966, UK 45-single on Columbia DB 7917, A-side – real name Vashti Bunyan) – for its B-side "Love Song" see also Track 26

23. You Kissed Me Boy – LESLEY DUNCAN (February 1964, UK 45-single on Parlophone R 5106, A-side – written by Lesley Duncan and Jimmy Duncan)

24. And (To Me He Meant Everything) – FRIDAY BROWNE (January 1966, UK 45-single on Parlophone R 5396, B-side of "Getting Nowhere" (see Track 5) – her real name is Maran Stockley – "And (To Me He Meant Everything)" is sought after by collectors because it features Jimmy Page on Guitar pre-Led Zeppelin) – for Friday Browne see also Track 5

25. You Got Me Hooked – THE JET SET (November 1964, Parlophone R 5199, A-side – The Jet set featuring Lead Vocalist and Session Singer Liza Strike – see also Track 4 by The Soulmates and Track 10 by Liza & The Jet Set

26. Love Song – VASHTI (May 1966, UK 45-single on Columbia DB 7917, A-side – real name Vashti Bunyan) – for its A-side "Train Song" see also Track 22

NOTES: All Tracks in MONO except Tracks 3, 7 and 20 in STEREO

The listen stretches through a surprising number of flipsides - from the cool kitsch of June 1963 (Millicent Martin) through to January 1969 (Katie Kissoon) – but mostly concentrates on the mid-years inbetween. Clever-inclusions come in the shape of the sought-after Millicent Martin B-side from 1963 "Get Lost My Love" on Parlophone – later to become globally famous as a version of the brassy theme song used in The Austin Powers Movie – an almost vaudeville nugget that offset the terrible "Gravy Waltz" A-side. Working with The Yardbirds as he toured England and Europe – Chess Records giant Sonny Boy Williamson was boozed and schmoozed by the young men and ladies of Blighty – enjoying a renaissance not afforded in his native land. Northern Ireland vocal belter Ottilie Patterson (County Down) lets rip with her Bessie Smith growl and purr on the Big Joe Williams classic "Baby Please Don't Go" – her fantastic pairing producing a winner. Another Six Counties genius Van Morrison would also tackle this gem with Them on Decca a few years later – but you have to say that the liner notes are right to claim that Ottilie was a firebrand singer now overlooked – smart stuff to put the track on here. 

A definite move forward in sound and feel and back when she was called Kathy – Katie Kissoon gets all melodrama Soulful with her fab 1969 B-side "Will I Never See The Sun" – great stuff and one Mods and Northern Soul fans will dig. Speaking of Soulful girlies – Barbara Ruskin belts out her own "Come In To My Arms Again" in a very Phil Spector Ronettes fashion – all Wall of Sound melodrama over-produced (on purpose) by Jack MacLeod. The sheet music to the Lesley Duncan song "You Kissed Me Boy" appears on Page 3 – a pretty song at best - but LD would go on to write so much better stuff in the Seventies – see my review for the 2CD anthology "Sing Lesley Sing: The RCA and CBS Recordings 1968-1972" on RMP Records from June 2017. Fantastic is the only way to describe the slink of Liza Strike as she vocally elevates the title track "You Got Me Hooked". Soft and mellow and pretty does it as all five foot eight and half-inches tall (her EMI bio) Vashti Bunyan (then trading as Vashti) travels North for her "Train Song" – longing for her man on a British Rail rustbucket in that ever-so-slightly fay whispered vocal of hers - the equally lovely blue-eyed B-side "Love Song" (Track 26) ends the compilation in a perhaps too mellow manner (but collectors will love their inclusion).

I often find the idea of these compilations better than the actual listen – but "You Got Me Hooked! More Marylebone Beat Girls" achieves that double-whammy that Ace Records does so well – a surprising and uplifting tinkle on the memory glands whilst at the same time satisfying the lust of collectors for rarities on Remastered Digital. 

Well done to the good chaps praising ground-breaking ladies – admirable and fun. And as I eye the black and white promo photos of a Five Point Cut Helen Shapiro on Page 5 or the gorgeous Updo Styled Katie Kissoon on Page 6 or even a brooding Bob Bouffant Millicent Martin on Page 18 – I think of their classiness and the sheer hutzpah they had to take on such a male dominated world. 

I'm Going Out (The Same Way I Came In) - Helen Shapiro and her fellow goers sang in the Sixties – yes you are and yes you did…recommended…

 Beat Girls Series from Ace Records of the UK

CDs and LPs Issued from March 2016 to January 2025

1. "Love Hit Me! Decca Beat Girls 1962-1970" (24 Tracks)
CD (24 Tracks):
Released 25 March 2016 on Ace Records CDCHD 1456 (Barcode 029667074629)
VINYL LP as "Love Hit Me! Decca Beat Girls 1963-1970" (12 Tracks, 180 Grams, Sunshine Yellow Coloured Vinyl)
Released 25 March 2016 on Ace Records XXQLP 041 (Barcode 029667004312)
 
2. "Scratch My Back! Pye Beat Girls 1963-1968" (24 Tracks, CD-only)
Released 29 April 2016 on Ace Records CDCHD 1472 (Barcode 029667075923)
 
3. "The Girls Want The Boys! Sweden's Beat Girls 1964-1970"
CD (24 Tracks):
Released 28 October 2016 on Ace Records CDTOP 1482 (Barcode 029667077224)
VINYL LP (12 Tracks, 180 Grams, White Coloured Vinyl LP)
Released 28 October 2016 on Ace Records XXQLP 048 (Barcode 029667005319)
 
4. "Marylebone Beat Girls 1964-1967"
CD (25 Tracks):
Released 30 June 2017 on Ace Records CDTOP 1492 (Barcode 029667078726)
VINYL LP (12 Tracks, 180 Grams Weight, Orange Coloured Vinyl):
Released 30 June 2017 on Ace Records XXQLP 050 (Barcode 029667005715)
 
5. "Beat Girls Español! 1960s She-Pop From Spain" (Torrelaguna Sound and Yé-Yé)
CD (25 Tracks):
Released 26 January 2018 on Ace Records CDTOP 1512 (Barcode 029667086325)
VINYL LP (14 Tracks, 180 Grams, White Coloured Vinyl LP)
Released 26 January 2018 on Ace Records XXQLP 053 (Barcode 029667007115)
 
6. "She Came From Hungary! 1960s Beat Girls From The Eastern Bloc"
CD (24 Tracks):
Released 25 September 2018 on Ace International CDTOP 1519 (Barcode 029667088329)
VINYL LP (14-Tracks, 180 Grams, Translucent Red Coloured Vinyl LP)
Released 25 September 2018 on Ace International XXQLP 054 (Barcode 029667007917)
 
7. "Live It Up! Bayswater Beat Girls 1964-1967" (25 Tracks, CD-only)
Released 30 August 2019 on Ace Records CDTOP 1550 (Barcode 029667095327)
 
8. "She Came From Liverpool! Merseybeat Girl-Pop 1962-1968" (24 Tracks, CD-only)
Released 29 November 2019 on Ace Records CDTOP 1561 (Barcode 029667096829)
 
9. "Don't Blow Your Cool! More 60s Girls From UK Decca" (24 Tracks, CD-only)
Released 29 May 2020 on Ace Records CDTOP 1568 (Barcode 029667097826)
 
10. "She Wants You! Pye Records' Feminine Side 1964-1970" (25 Tracks, CD-only)
Released 26 February 2021 on Ace Records CDTOP 1596 (Barcode 029667101028)
 
11. "You Got Me Hooked! More Marylebone Beat Girls" (25 Tracks, CD-only)
Released 31 January 2025 on Ace Records CDTOP 1652 (Barcode 029667112222)

"Make Mine Mondo! 2" by VARIOUS ARTISTS – 28-Tracks from 1954 to 1967 of Fuzzed Out Garage Bands - Manic Instrumentals and Wayward Rockabillies on the Dore Label and its Subsidiaries (November 2024 UK Ace Records CD Compilation with Nick Robbins Remasters) - A Review by Mark Barry...

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BLUES, VOCAL GROUPS, DOO WOP, ROOTS

RHYTHM 'n' BLUES and ROCK 'n' ROLL ON CD 

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RATINGS: 

Overall ****

Presentation ****

Audio *** to ****

"...Hullee Gullee..."

June 2018's mad as a wine-drinking Euro bureaucrat "Make Mine Mondo!" CD compilation from Ace Records concentrated primarily on the Doré Records label – a US 50ts and 60ts independent with a seriously eclectic roster.

That 2018 Volume 1 offered up nearly 68-minutes of wildly adventurous styles and largely unknown names (part genius, part yeah-baby nuttiness) – lambasting our lavishly creamy and unsuspecting fragilities with Fifties and Sixties Garage, Rockabilly, off-centre Instrumentals, Fuzz Guitar Psych, Doom Girl Groups, the occasional surfing tune and much more (1958 to 1969) - nearly all of which worked and entertained like the beautifully presented liner notes promised it would.

Well, what we get here (a full six years later) is Volume 2 for November 2024 - this time covering 1954 to 1967. "Make Mine Mondo! 2" offers up the same butt-wobbling array of drunken Rock 'n' Rollers, yee-haw Rockabillies, unhinged instrumentals and fuzz-guitar loopers - but this time on an array of different labels orbiting around Doré - Flip, Acree, Era, Mira, Rayjack, Downey, Bamboo, Daytone and more. Only one of these Non-LP As and Bs is a returning name from Volume 1 (The Zanies) – the others are often so obscure, there are barely images for them should you do a Net search. Rare and Rocking indeed. Time for Beaver Patrol, Voodoo Doll and The Outlaw Blues (they got their Mojo working I can tell you) – to the details...

UK released Friday, 29 November 2024 - "Make Mine Mondo! 2" by VARIOUS ARTISTS on Ace/Records CDTOP 1642 (Barcode 029667111829) is a 28-Track CD Compilation of Remasters that plays out as follows (66:59 minutes):

1. Clap Your Hands – AMBERTONES (December 1965 US 7" single on Rayjack 1001, A-side - Reissued January 1966 on Newman 601, A-side)

2. Slander - TY WAGNER (November 1966 US 7" single on Era 3168, A-side)

3. Viet Nam – BOBBY JAMESON (1965 US 7" single on Mira 208, A-side)

4. By Bye Baby (My Pride) – SHANK And MAYDIEA (August 1962 US 7" single on Flip 45-361, A-side)

5. Beaver Patrol – THE BLAZERS (July 1963 US 7" single on Acree 101, A-side)

6. Café Bohemia – THE ENCHANTERS (1961 US 7" single on Bamboo Records 513, B-side of "Touch of Love")

7. I'm A Blind – THE WIZARD'S (May 1966 US 7" single on Era 3161, B-side of "I Want To Live")

8. The Voodoo Doll – BOBBY PLEASE & THE VOODOO DOLLS (1958 US 7" single on Flip 45-342, A-side)

9. Hurricane – CONRAD and THE HURRICANE STRINGS (December 1963 US 7" single on Daytone G-6401, A-side)

10. I Got My Mojo Working – JOYCE HARRIS & THE DAYLIGHTERS (Originally Unissued Domino Records recording first released on the 1997 UK CD Compilation "The Domino Records Story" on Ace Records CDCHD 506 – a Trailer Version of "I Got My Mojo Working" was also UK 45-single issued February 2024 on Ace Records NW 518 with the 1961 recording "No Way Out" as its B-side)

11. Crab Louie – THE SANDABS (July 1962 US 7" Single on Bamboo 522, B-side to "Beach Ball" by Little Herbie and The Sandabs on the A-side, Little Herbie is Herb Newman – reissued July 1963 on the B-side of Catch 107 credited to Little Herbie And The Wise Guys – A-side was "I Want My Beach Ball")

12. I Ain't Drunk – LONNIE "THE CAT" (April 1954 US 7" Single on RPM Records 45x410, A-side)

13. Red Hot Rockin' Blues – JESSE JAMES (September 1958 US 7" Single on Kent 45x314, B-side of "South's Gonna Rise Again")

14. The Wild Bird – THE JIVE-A-TONES (1958 US 7" Single on Fraternity F-823, A-side)

15. Jambo – CLAUDE McLIN (1963 US 7" Single on Mac-Jac Records MJR-1208, B-side of "Jacquelyn")

16. Stalled – THE ZANIES (June 1962 US 7" Single on Doré 638, A-side)

17. Hullee Gullee – FRED RICHARDS (April 1959 US 7" Single on Flip 45-344, B-side of "Barricade")

18. Non-Stop Blues – THE OUTLAW BLUES (January 1967 US 7" Single on Era 3171, A-side)

19. Sleepy Hollow – THE LAST WORD (June 1966 US 7" Single on Downey D-137, A-side)

20. Talk To Me Baby – DONNIE BOWSER (June 1961 US 7" Single on Bamboo 508, B-side of "Tomorrow")

21. Mumbles – JOHNNY BACHELOR (March 1959 US 7" Single on Era 1091, A-side – also issued March 1960 in the UK as a 45-single on London HLN 9074, A-side)

22. Soul Serenade – BEAU DOLLAR & THE COINS (1966 US 7" Single on Fraternity F-960, A-side – Produced by LONNIE MACK)

23. No Way Out – JOYCE HARRIS (January 1961 US 7" Single on Domino R-905, A-side – Reissued March 1961 in the USA on Infinity INX-005, A-side)

24. Tell Me Why – KICKS (1964 US 7" Single on X-P-A-N-D-E-D Sound X-102, B-side of "Oh My Baby (Always Be True)")

25. Don't Leave Me Baby – JOE LOVER And THE GAYLADS BAND (1960 US 7" single on Parliament P-1001, A-side – Reissued 1961 in the USA on Paxley P-754, A-side)

26. So What!! – THE LYRICS (November 1965 US 7" Single on Era 3153, B-side of "You Can't Hurt Me" – Reissued May 1968 in the USA on Feather 101, B-side of "Why'd He Go")

27. Church Key Twist – BOB VAUGHT & THE RENEGAIDS with Barbara Atkins (1962 US 7" Single on Impact 24-IM, A-side – Reissued May 1962 in the USA on Bamboo 520, A-side)

28. The Cave (Part1) – GARY 'Spider' WEBB (April 1961 US 7" Single on Bamboo 504, A-side)

NOTES:
All Tracks MONO except Tracks 3, 5, and 19 in STEREO

Volume 1 came with a 26-page booklet – Vol.2 has 20 – and again each page of the ROB FINNIS liner notes is peppered with those rare US 45-single labels, a Forbidden World magazine, trade reviews for the Fred Richards song, pictures of one-time Elvis Presley mentor and friend Jesse Lee Denson (aka Jesse James), Saxophonist Claude McLin (looking like Inspector Clouseau with Hat and Pipe), a Domino Records Promotional black and white for Etta James-soundalike Joyce Walker (there is a recent interview with the lady quoted) and Ohio Rockabilly hero Donnie Bowser getting his two-frantic-minutes of Rock and Roll B-side glory. 

Finnis knows his onions and what listeners want – his superlative liner notes illuminating histories on so many virtual unknowns while Ace's trusted Audio Engineer NICK ROBBINS delivers (as best he can) on a huge variety of Mono 7" singles (only 3 are in Stereo). It should be said – Mondo 2 is very far from Audiophile territory – these homemade productions reflecting their manic strung-together nature – but there is no doubting the punch they pack which I can't help think is exactly what Frat Boys like me want from a CD like this. To the music and its wild variety of genres...

Things begin with a manic tambourine-shaking brass-and-guitar blaster calling all hipsters to get their bellbottoms on and party. Not surprisingly called "Clap Your Hands" - The Ambertones were right on the zeitgeist money. An absolute garage monster – party mania slice number two follows with the wavering Hawaiian guitar sounds and screeching organ of Ty Wagner bemoaning his wayward girl and her big mouth in "Slander". Even better is the Bo Diddley-type sonic assault of Harmonica and Rhythm from Bobby Jameson doing his vocal and lyrical worst to "Viet Nam" – a fantastic frantic piece of social-conscious 60ts R&B. Things slinky-on-down with a clever duet vocal from Ed Wells (as Shank) and his sister Maydiea Cole (as Maydiea) – and as the liner notes – it is an oddly endearing performance that stays on the right side of lounge-cool.

Next up is the first instrumental of "Make Mind Mondo! 2" – Vern Acree, Jr. giving it some Link Wray Rumble-type guitar rat-a-tat attacks while Saxophonist Larry Robins (both in The Blazers) tries to keep up in their homemade and self-financed "Beaver Patrol. The Enchanters start out in their opening notes as a 50ts Vocal Group would – but suddenly about 20-seconds in "Café Bohemia" turns into a shimmy-shaker with echoed Tablas and lounge-lizard type Saxophones schmoozing the olive-laden martinis. So mid-60ts The Wizards and their "I'm A Blind" – remind me of melodious Kinks while the very funny novelty record "The Voodoo Doll" has our poor lead singer opening a box from his gal - who in a call-and-answer duet vocal assures him that the contents within will take only three days to make him hers (permanently – and is he freaked by that). More instrumental madness only this time with a decided Surf vibe - "Hurricane" by Conrad and His Hurricanes virtually dripping bikinis and beach bums riding the waves man.

A rip-roaring prize here is surely the Wanda Jackson/Judy Henske-like wail of Joyce Harris giving us the fab "I Got My Mojo Working" – an unreleased 60ts Rock and Roller first released in 1997 on an Ace CD. A clever follow comes in the fun-time Sax-driven shout and response what-do-you-want "Crab Louie". Rhythm and Blues comes in the form of a drink-denial Shopping For Clothes tune - "I Ain't Drunk" – Lonnie "The Cat" assuring us the he ain't high – he's just drinking! Another fantastic find for Rockabilly and Rock and Roll fans is the go-for-it-boys beat-basher "Red Hot Rockin' Blues" – a fast and furious B-side from Jesse James. Time for a shuffler that sounds like early Chuck Berry at Chess – only a very cool "The Wild Bird" is a guitar instrumental from The Jive-A-Tones. Sounding like a human Jew's Harp as he literally scats dings and dongs to an Organ and Drums bip-bop beat – Claude McLin is having a blast with "Jambo" – a fabulous inclusion. And the fun continues with the car-not-starting beep-beep of "Stalled" – another great bopping instrumental B-side from The Zanies. Shivering guitars hover a distant beatbox drumbeat in the eerily brill "Hullee Gullee" – Fred Richards earning his place. 

Hurtling towards the end run, we get another fuzz-guitar garage romper in the shape of the driving "Non-Stop Blues" – a head-shaker that has nothing to do with its misleading title. A lone bass note introduces yet another prize on here – the superb Stereo of "Sleepy Hollow" – The Last Word sounding like The Animals and Them combined as they try to convince us there is no headless horseman. Back to Rhythm and Blues Fats Domino rolling rhythm fun - "Talk To Me Baby" by Donnie Bowser - which is followed by the whisper in his ear baby "Mumbles" – dig that echoed Eddie Cochran type vocal. And on it goes with the fantastic Harmonica R&B of "So What!!" to the pleading Vocal Group vibe of "Don't Leave Me Baby" to the Bobby Boris & The Crypt Kickers echoed weirdness of "The Cave (Part 1)" where Jimmy and Julie keep calling out to each other but are lost in the dark.

I had thought that Volume 1 of "Make Mine Mondo!" was going to be a chore – but it wasn't – and to my weary ears – Volume 2 is even better. With so many genres vying for your attention, it's gotta be hard to make it all work and yet – once again – Ace Records have pulled it off. 

In short - "Make Mine Mondo! 2" is another wee nugget CD compilation (November 2024) from the worryingly disturbed minds of men who should know better over at Steele Road, London NW10. Recommended...

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"Here, There And Everywhere: Black American Sings John Lennon, Paul McCartney and George Harrison" by VARIOUS ARTISTS - Twenty-Two Songs from 1964 to 2004 featuring Sam Fletcher, Sarah Vaughan, Natalie Cole, Four Tops, Junior Parker, Madeline Bell, The Supremes, Carmen McRae, Randy Crawford, Syreeta, Mary Wells, Billy Paul, The Drifters, Donny Hathaway, Stevie Wonder, Keb' Mo', Marvin Gaye and more (November 2024 UK Ace Records CD Compilation with Nick Robbins Remasters) - A Review by Mark Barry...

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70ts Soul, R 'n' B, Funk, Jazz Fusion
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RATINGS:

Overall ***

Presentation *****

Audio **** to *****

"...Step Inside Love..."

I have long held the opinion that Soul and R&B artists should leave The Beatles alone. There's something about the Fab's songs that doesn't suit Soul cover versions. In 66-years of being on this musical blue ball - I've honestly not heard many that work. There are exceptions of course - but most feel forced or worse - bandwagon-ish – out-of-time artists using someone else's hip tunes to reignite a fading career. 

And determined as always to prove me wrong - this is example number seven from those learned genre types by Ace Records of the UK – one of my favourite reissue labels (see list below for all entries in the Black America Sings series to Nov 2024).

So, what was cooking for Yesterday. What you get here is the swingin' hipster Jazz Vocals of Sam Fletcher from 1964 pushing on through to the likes of Philly's Billy Paul covering McCartney's Wings hit "Let 'Em In" on to a Blues interpretation by Columbia's Keb' Mo' in 2004 of Lennon's signature song "Imagine". I would admit that Sarah Vaughan's shimmering rearrangement of the Abbey Road gem "You Never Give Me Your Money" is quietly brilliant. But do I need a live version of "Lucy In the Sky With Diamonds" from 1978 by Natalie Cole or The Four Tops in 1966 crooning Rubber Soul's "Michelle" with syrupy strings and hushed reverential tones - not really - in fact - not never. Before we implode, to the details...

UK released Friday, 29 November 2024 - "Here, There And Everywhere: Black American Sings John Lennon, Paul McCartney and George Harrison" by VARIOUS ARTISTS on Ace Records CDTOP 1654 (Barcode 029667111621) is a 22-Track CD Compilation of Beatles and Solo Cover versions that plays out as follows (77:07 minutes):

1. Can't Buy Me Love - SAM FLETCHER (from the July 1964 US LP "Sings I Believe In You" on Vee Jay Records VJS-1094 in Stereo)

2. You Never Give Me Your Money - SARAH VAUGHAN (from the 1981 US LP "Songs Of The Beatles" on Atlantic SD 16037 in Stereo)

3. Lucy In The Sky With Diamonds (Live) - NATALIE COLE (August 1978 US 45-single on Capitol 4623, A-side) 

4. Michelle - FOUR TOPS (from the 1966 US LP "Four Tops On Top" on Motown MS 647 in Stereo - October 1966 UK LP on Tamla Motown STML 11037 in Stereo)

5. Taxman - JUNIOR PARKER (from the 1970 US LP "The Outside Man" on Capitol ST-564 in Stereo)

6. Step Inside Love - MADELINE BELL (December 1968 US 45-single on Philips 40582, A-side)

7. You Can't Do That - THE SUPREMES (from the 1964 US LP "A Bit Of Liverpool" on Motown MS 623 in Stereo)

8. Here, There And Everywhere - CARMEN McRAE (from the 1970 US LP "Just A Little Lovin'" on Atlantic SD 1568 in Stereo)

9. Give Peace A Chance - RANDY CRAWFORD (1982 German 45-single on Warner Brothers 92. 9804-7 , A-side)

10. She's Leaving Home - SYREETA (from the 1972 US LP "Syreeta" on MoWest MW 113L in Stereo)

11. He Loves You - MARY WELLS (from the 1965 US LP "Love Songs To The Beatles" on 20th Century Fox Records TFM 3178 in Mono)

12. Let 'Em In - BILLY PAUL (1976 US 45-single on Philadelphia International ZS8 3621, A-side)

13. Everynight - THE DRIFTERS (October 1972 UK 45-single on Bell Records BELL 1269, A-side)

14. Maybe I'm Amazed - CARLEEN ANDERSON (from the April 1998 UK LP "Blessed Burden" on Circa CIRCA 35)

15. My Love - MARGIE JOSEPH (April 1974 US 45-single on Atlantic 45-3032, A-side)

16. Isn't It A Pity - THE THREE DEGREES (a 1973 recording not used at the time - first issued 1995 in the UK on the CD compilation "The Roulette Years" on Sequel NEMCD 753)

17. My Sweet Lord - THE CHIFFONS (1975 US 45-single on Laurie LR 3620, A-side)

18. Imagine - KEB' MO' (from the 2004 CD Album "Peace...Back By Popular Demand" on Okeh CK 92687)

19. Jealous Guy - DONNY HATHAWAY (from the 1972 US LP "Live" on Atlantic SD 33-386)

20. We Can Work It Out - STEVIE WONDER (1971 US 45-single on Tamla T 54202, A-side)

21. Yesterday - MARVIN GAYE (from the October 1969 US LP "That's The Way Love Is" on Tamla TS 299 in Stereo)

22. And I Love Him - ESTHER PHILLIPS (March 1965 US 45-single on Atlantic 45-2281, A-side)

NOTES: All Tracks in STEREO except Track 11 (Mary Wells) in MONO

The chunky 20-page full-colour booklet pictures all those shadowy album covers and rare 45-single labels alongside beautiful black-and-white Promo Photos of The Supremes and Mary Wells (Pages 8 and 11) and Soul aficionado TONY ROUNCE does a bang-up job of filling in the Discography details of how Soul aped The Beatles and their solo tunes. It's lovely to look at and a pleasure to read. NICK ROBBINS - long-time Audio Engineer for Ace does the Remasters - 21 Stereo and only 1 Mono - all spiffing, uptight and outta site. To the tunes...

The first four left me cold and it's not until you get to the 'dig this' Junior Parker take on the Revolver opener "Taxman" do things start to impress. Funky, slinky and very cool - it's the first real highlight here. The Madeline Bell version of "Step Inside Love" is awful but Northern Soul hounds might dig the Motown shuffle of "You Can't Do That" - The Supremes catching the 1964 zeitgeist. Carmen McRae tries hard to imbibe Soul emotion into her cover of the Revolver melody that gives this compilation its name - "Here, There And Everywhere" - but as it progresses it feels cheesy – album filler for a 1970 LP no one is interested in. One of the most gorgeous covers of Beatles songs was a live version of "Imagine" by Randy Crawford from 1980 - so it doesn't surprise me to see her featured amongst the list - but this time tackling the John Lennon solo anthem "Give Peace A Chance". At last, you get genuine emotion and a melody vs. spoken word interpretation that stays on the right side of history.

There must be a special kind of Hell for Syreeta's version of the Sgt. Pepper's ballad gem "She's Leaving Home" where just as you think she's got the emotion down and it's gonna work - in sails Stevie Wonder with the most intrusive synth vocoder vocals you've ever heard - trying out a new instrument that kills all tenderness in the song. As if that's bad, the Mary Well's jazz take on "She Loves You" would test the patience of a saint. Infusing Martin Luther King and his I Have A Dream speech into his cheesy Philly cover of the Wings song "Let 'Em In" probably turned on punters and the charts in 1977 for Billy Paul – but man has it dated badly – even to the point where its feels exploitative. At least The Drifters do an interesting and melodious version of the McCartney solo song "Every Night" – lush orchestration taking it to someplace new whilst retaining that lovely hook the song had in the first place. 

Carleen Anderson of The Young Disciples tackles one of the early McCartney ballads in 1998 with the aid of Mick Talbot from The Style Council - "Maybe I'm Amazed" – a stunning love song for Linda McCartney. And Carleen does a great job – her guttural vocals suiting the quiet passion in the song. Margie Joesph equals that pouring-out with her cover of another McCartney love song that moved so many in the early Seventies - "My Love" - cleverly arranged. One of the best songs on the "All Things Must" triple-album from December 1970 - George Harrison's "Isn't It A Pity" had been played during the 'Let It Be' sessions but passed over by the other fabs. It's always been a magnificent song with its building epic quality. The Three Degrees ladies give it a slow Philly-Soul work-over - a 1973 Roulette Records recording that had remained in the vaults until Sequel Records of the UK put it out on a 1995 retrospective CD compilation. Their version is good but it only makes you hanker for the magestic original. 

The Chiffons fey flute rendering of Harrison's "My Sweet Lord" is only a few shades of cringe. Beautifully recorded – the Keb' Mo' steel guitar and strings interpretation of the John Lennon peace-anthem "Imagine" is genuinely lovely – how could it be anything else. The Mary Wells stripped-back Jazz-clicking version of "She Loves You" is re-named "He Loves You" but it is another example of awful. The Donny Hathaway version of Lennon's "Jealous Guy" hasnever been one of my faves and the final three-in-a-row from Stevie Wonder, Marvin Gaye and Esther Phillips only put more nails in the coffin for me. 

I love Ace compilations - I must have more than a hundred of them and rarely cringe at the listen no matter what genre they're temptin' me with. But despite the great audio and typically exemplary booklet - November 2024's "Here, There And Everywhere..." is not for me. I would advise a listen first before you let nostalgia dictate that bank balance...

Titles in the Ace Records Black America Sings CD Compilation Series

(In Release Date Order - September 2010 to November 2024)

1. "How Many Roads: Black America Sings Bob Dylan"

UK released September 2010 on Ace Records CDCHD 1278 (Barcode 029667042420)

2. "Come Together: Black America Sings Lennon & McCartney" 

UK released May 2011 on Ace Records CDCHD 1300 (Barcode 029667045322)

3. "Hard To Handle: Black America Sings Otis Redding"

UK released September 2012 on Ace Records CDCHD 1352 (Barcode 029667052627)

4. "Let The Music Play: Black America Sings Bacharach & David"

UK released March 2014 on Ace Records CDCHD 1398 (Barcode 029667059121)

5. "Bring It On Home: Black America Sings Sam Cooke"

UK released October 2014 on Ace Records CDCHD 1420 (Barcode 029667062725)

6. "Let It Be: Black America Sings Lennon, McCartney & Harrison" 

UK released September 2016 on Ace Records CDCHD 1483 (Barcode 029667077026)

7. "Here, There And Everywhere: Black America Sings John Lennon, Paul McCartney and George Harrison"

UK released November 2024 on Ace Records CDTOP 1654 (Barcode 029667111621)