"The Gilded Palace Of Sin/Burrito Deluxe" by THE FLYING BURRITO BROS featuring Gram Parsons and Members of The Byrds (March 1997 UK A&M ReMasterPieces CD Compilation of Remasters) - A Review by Mark Barry...

"...Wild Horses..."

  

I know real downhome Country Music and its bratty sibling Country Rock is actually not everybody’s fave rave if the honest-to-God truth is told – but rehearing these seminal albums from 1969 and 1970 has been a blast for me. In September 2019 (half-a-century later) - the GRAM PARSONS legend only continues to grow and with good reason

I mean for God's sake, the last track on this amazing twofer is "Wild Horses" – the Jagger/Richards ballad masterpiece most of us know from April 1971's "Sticky Fingers" by The Stones. But it was GP with The Flying Burrito Bros. nearly a year earlier in May 1970 on the "Burrito Deluxe" LP who (it could be argued) actually shaped what made The Stones cut so great when it first appeared on that album. The Stones took from that FBB mixture of Country Rock and laced it with a smattering of their own Acoustic Blues thereby giving their gorgeous 1971 version such an ache and damn it – let's say it – beauty (Leon Russell guested as the piano man on the FBB version while legendary sessionman Jim Dickinson did the keys on the Stones take).

And although this 'gatefold-slip of paper as an inlay' cheap and cheerful remaster from 1997 is truly beginning to show its age (docked a star for sheer ordinariness - both albums deserve Universal DE 2CD sets) - as I say - for under three quid in certain corners of the digital schmidgital domain - you can get a whole lot of Country Rock hoo-ha here for a pittance. And these are seminal albums you need in your musical boudoir. Let's get's the whip-crack-away...

UK released 24 March 1997 - "The Gilded Palace Of Sin/Burrito Deluxe" by THE FLYING BURRITO BROS (featuring GRAM PARSONS) on A&M ReMasterPieces 540 704-2 (Barcode 731454070423) offers their Debut and Second Albums from February 1969 and May 1970 in their entirety and plays out as follows (70:49 minutes):

1. Christine's Tune [Side 1]

2. Sin City

3. Do Right Woman

4. Dark End Of The Street

5. My Uncle

6. Wheels [Side 2]

7. Juanita

8. Hot Burrito No. 1

9. Hot Burrito No. 2

10. Do You Know How It Feels

11. Hippie Boy

Tracks 1 to 11 are their debut album "The Gilded Palace Of Sin" - released February 1969 in the USA on A&M Records SP-4175 and April 1969 in the UK on A&M Records AMLS 931 in Stereo.

THE FLYING BURRITO BROS were:

GRAM PARSONS - Lead Vocals, Rhythm Guitar and Keyboards

CHRIS HILLMAN - Lead Vocals and Guitar (Mandolin on "My Uncle")

"SNEEKY" PETE KLEINOW - Pedal Steel Guitar

CHRIS ETHRIDGE - Bass and Backing Vocals (Piano on "Hot Burrito No. 1" and "Hot Burrito No. 2")

Guests:

Eddie Hoh (Drums on Tracks 2 and 10) - Jon Corneal (Drums on Tracks 1, 3, 4, 5 and 7)

Popeye Phillips (Drums on Tracks 8, 9 and 11) - Sam Goldstein (Drums on Track 6)

Tracks 1, 2, 5, 6, 7 and 11 written and sung by Chris Hillman and Gram Parsons except 11 sung by CH alone

Track 3 is a Chips Moman and Dan Penn song covered by The Sweet Inspirations, Otis Clay and Aretha Franklin

Track 4 is a Spooner Oldham and Dan Penn song covered by James Carr

Tracks 8 and 9 written by Chris Ethridge and Gram Parsons, lead vocal sung by GP, backing vocals by CE and GP

Track 10 is written by Barry Goldberg and Gram Parsons, lead vocals sung by CH and GP

12. Lazy Days [Side 1]

13. Image Of Me

14. High Fashion Queen

15. If You Gotta Go

16. Man In The Fog

17. Farther Along

18. Older Guys [Side 2]

19. Cody, Cody

20. God's Own Singer

21. Down In The Churchyard

22. Wild Horses

Tracks 12 to 24 are their second studio album "Burrito Deluxe" - released May 1970 in the USA on A&M Records SP-4258 and May 1970 in the UK on A&M Records AMLS 983.

THE FLYING BURRITO BROS was:

GRAM PARSONS - Lead Vocals and Piano

CHRIS HILLMAN - Lead Vocal, Bass and Mandolin

BERNIE LEADON - Lead Guitar and Dobro

"SNEEKY" PETE KLEINOW - Pedal Steel Guitar

BYRON BERLINE - Fiddle

MICHAEL CLARKE - Drums

Guests:

Leon Russell - Piano on "Man in The Fog" and "Wild Horses"

Leopoldo C. Carbajal - Accordion and Tommy Johnson - Tube

Track 13 is a Harlan Howard cover, Track 15 is a Bob Dylan cover and Track 22 is a Rolling Stones cover

Track 20 written by Bernie Leadon (later with Eagles), Track 16 is co-written by Leadon with GP

Track 18 is co-written with Leadon, Hillman and GP

The gatefold slip of paper that acts as an inlay (same for most of these A&M ReMasterPieces CD Reissues) has a functional liner note from SID GRIFFIN (January 1997) that outlines their genesis, poor sales and subsequent deification as creators of the Country-Rock sound. The Remaster is by ROGER WAKE and is very clean and full of detail although if I'm honest I prefer the Dan Hersch and Bill Inglot remasters on the Rhino Gram Parsons 2CD Anthology set "Sacred Hearts & Fallen Angels" in 2001 (features five tracks from the debut and four from the second).

The band's pedigree was incredible - Hillman and Parsons with The International Submarine Band for their legendary "Safe At Home" LP from April 1968 on LHI Records and then a stint with The Byrds for "Sweethearts Of The Rodeo" in July 1968 on Columbia Records. Bernie Leadon would be poached eventually to join Glenn Frey, Don Henley and Don Felder in The Eagles, Hillman and Michael Clarke had been in the Byrds too and Sneaky Pete Kleinow has a sessionman rap sheet longer than Bob Dylan's lyrics in 1965. Let's get to the nudie suits...

"She's a devil in disguise...telling dirty lies..." - the lyrics tell us as the album opens happily with "Christine's Tune" - a pedal-steel shuffler punctured with wild guitar - a sort of Everly Brothers meets Link Wray moment. Better is the fabulous "Sin City" - a Country moaner apparently inspired by Gram's manager Larry Spector who relieved GP of his money and dignity on the 31st floor of a gold-plated office block. We're then hit with two covers - the late 60ts Soul classics "Do Right Woman" and "Dark End Of The Street" (Aretha Franklin and James Carr) where the duet vocals are not just complimentary but gorgeous. Of the other albums classics, I've always loved "Hot Burrito No. 1" - in fact check out Raul Malo's beautiful vocal take on it on the 1999 tribute CD compilation "Return Of The Grievous Angel" on Almo Sounds. Another cold-dirty-room winner from the debut turned up on that 1999 tribute - "Juanita" - done by the mouth-watering duo of Sheryl Crow and Emmylou Harris. The 'come on wheels, take this boy away’ song "Wheels" sees Parsons in one speaker while Hillman fills the other - very tasty.

After the miserable 50,000 sales attributed to "The Gilded Palace Of Sin" debut (it peaked at No. 164 in the US charts and didn't register at all in the UK) - better things were expected of "Burrito Deluxe" with its edgier more Rock 'n' Roll feel. It also sported an exclusive Jagger/Richards ballad "Wild Horses" before The Stones did their own version and new blood in the line up with Bernie Leadon (soon to be an Eagle in 1972). After the 'I got a thing I wanna try with you' barbecue boogie of "Lazy Day" - other Tex Mex faves include the accordion-flavoured "Man In The Fog" and the jangling guitars of "Older Guys" while elements of Bernie Leadon's "God's Own Singer" sport a similar melody to "Train Leaves Here This Morning" on the 1972 "Eagles" debut (credited to him and Gene Clark on that LP). And it all ends on "Wild Horses" - a song that is still emotionally loaded for me 50 years on - a tune I never tire of hearing...

Michael Clarke migrated to Firefall on Atlantic Records; Hillman to The Desert Rose Band and Florida boy Gram Parsons (not nicknamed the "Waycross Waif" for no reason) got lost of course in drugs and stardom and was tragically already gone by 1973. Parsons put out two wildly brilliant solo sets - "GP" in January 1973 and the posthumous January 1974 LP - "Grievous Angel" – another chapter for those. 

But these two platters with The Burritos are where that amazing journey really started to cook. Take a trip into this particular Sin City...

"Everything Stops For Tea" by JOHN BALDRY [with Rod Stewart & Elton John] (August 2005 UK Warners 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...

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"…Jubilee Cloud…" 

In June 1964 - Long John Baldry & The Hoochie Coochie Men released an obscure UK 7" single on United Artists UP 1056. Its B-side - a raucous cover of Sister Rosetta Tharpe's gospel tune "Up Above My Head" featured an uncredited duet vocal with a sensational new singer. It was Rod Stewart's first vinyl appearance.

To repay such incalculable smarts and generosity and at the behest of Joe Smith (then President of Warners) – Rodders stepped up to the plate at the height of his Faces/Solo Career fame (1971) and produced two corking but long forgotten Blues-Rock LP gems for Baldry. Each record used the guts of his own studio band and those of Elton John's backing group – Hookfoot - with both Elton and Rod also having a hand in producing. The albums were "It Ain't Easy" (June 1971) and "Everything Stops For Tea" (May 1972). As well as Rod's and Elton's key players each LP featured a stellar cast of other notable Rock luminaries – all wanting to help out the much-respected and dapper darling of the UK R&B scene – John Baldry. And that's where this second of two Warner Brothers/Rhino expanded CD Remasters comes in. Here are the strange brew details...

UK and Europe released 29 August 2005 (September 2005 in the USA) – "Everything Stops For Tea" by JOHN BALDRY on Warner Brothers 8122784652 (Barcode 081227846527) is an 'Expanded Edition' CD Remaster and plays out as follows (54:19 minutes):

1. Intro: Come Back Again [Ross Wilson cover]

2. Seventh Son [Willie Dixon song – Willie Mabon cover]

3. Wild Mountain Thyme [Traditional Air, McPeake Family]

4. Iko Iko [The Dixie Cups cover]

5. Jubilee Cloud [John Kongos cover]

6. Everything Stops For Tea [Jack Buchanan cover of a 1935 song] - Side 2

7. You Can't Judge A Book [Willie Dixon Song – Muddy Waters cover]

8. Mother Ain't Dead [Traditional]

9. Hambone [Sam Mitchell cover]

10. Lord Remember Me

11. Armit's Trousers [Ian Armit of The Hoochie Coochie Men song]

Tracks 1 to 11 are his album "Everything Stops For Tea" – released May 1972 in the UK on Warner Brothers K 46160 and Warner Brothers BS-2614 in the USA. Tracks 1 to 5 (Side 1) produced by ELTON JOHN in February 1972 with Tracks 6 to 11 (Side 2) produced by ROD STEWART between January and February 1972.

CD BONUS TRACKS

12. Radio Spot No. 1 (advertising the album)

13. Bring My Baby Back To Me (Live Mar-Y Sol Festival, Puerto Rico, April 1972) – first appeared on the 2LP set "Mar Y Sol" in 1972 on Atco SD 2-705 – Previously Unreleased on CD

14. Only Love Can Break Your Heart (album outtake, duet vocals with Joyce Eversion, a Neil Young cover) – Previously Unreleased

15. I'm Just A Rake & Ramblin' Boy (album outtake, duet vocals with Joyce Eversion, a Ron Davies cover) – Previously Unreleased

16. Radio Spot No. 2 (advertising Joyce Everson's "Crazy Lady" album, 1972)

The band for the ELTON JOHN sessions was (Side 1 – Track 1 to 5):

Lead Vocals - JOHN BALDRY

Vocal Accompaniment - ELTON JOHN (Tracks 1, 3, 4 and 5)

Guitars – DAVEY JOHNSTONE

Bass – KLAUS VOORMAN

Percussion – RAY COOPER

Drums – NIGEL OLSSON

Piano – IAN ARMIT (on "Jubilee Cloud")

Viola – STEFAN DELFT (on "Wild Mountain Thyme")

The band for the ROD STEWART sessions was (Side 2 – Tracks 6 to 11):

Lead Vocals - JOHN BALDRY (Guitar on "Mother Ain't Dead")

Duet Vocals – ROD STEWART (on "Mother Ain't Dead", Rod also plays Banjo)

Guitars – JAMES LITHERLAND and ROBERT WESTON (on "You Can't Judge A Book" and "Lord Remember Me")

Guitars – SAM MITCHELL (on "Hambone")

Piano - IAN ARMIT (on "You Can't Judge A Book", "Lord Remember Me" and "Armit's Trousers")

Bass – BILL SMITH (on "You Can't Judge A Book" and "Lord Remember Me")

Bass – JOHN PORTER (on "Hambone")

Drums – JOHN DENTITH (on "You Can't Judge A Book" and "Lord Remember Me")

Drums – JOHN PORTER (on "Hambone")

Percussion - MICKIE WALLER (of Steampacket) (on "You Can't Judge A Book")

Backing Vocals – MADELINE BELL, LIZA STRIKE and DORIS TROY (on "You Can't Judge A Book")

Backing Vocals – MADELINE BELL, LIZA STRIKE and BARRY St. JOHN (on "Lord Remember Me")

The original green label of the US and UK vinyl albums is aped on the CD label, the 12-page inlay has affectionate and informative liner notes by SID GRIFFIN. There's a "Dear Boy..." letter to fans from Baldry dated May 2002 on Pages 2 and 3 - while Griffin's notes go into the history of Steampacket, Baldry's solo career (as Long John Baldry) and of course his association with Rod and Elton. It's pretty and all the original album artwork is in place too. But the big news for fans is the quality Audio. Expert remastering has been carried out by Rhino's long-time tape associate DAN HERSH with sound produced by DAN HERSCH. This CD sounds fabulous with that great 70ts Classic Rock sound...

It opens well with an R&B one-two of "Come Back Again" and "Seventh Son" where the album feels like "It Ain't Easy" Part 2 (the LP that preceded it in 1971). But then he attempts a Scottish air – the McPeake Family's beautiful traditional "Wild Mountain Thyme" and along with a wishy-washy take on the Dixie Cups classic "Iko Iko" kills any real momentum the side might have had. Things recover big time with his rocking cover of "Jubilee Cloud" – a track from the 1971 "Kongos" album on Fly Records (by John Kongos). With the band rocking it out – you really wish the whole side was filled with these smart choices. But Side 2 makes the same mistake of including too many styles when really it would have been better to Rock or even Funk.

Preceded by some very silly dialogue about fans seeking signatures as he types a reluctant letter of apology – a hassled Baldry plays up his terribly aristocratic British accent on the intro to "Everything Stops For Tea". Written by Al Goodhart, Al Hoffman and Maurice Sigler – this ode to England's favourite tipple was first a witty vocal vehicle for Jack Buchanan alongside Fay Wray in the 1935 movie "Come Out Of The Pantry". Baldry keeps his version firmly in the music hall shuffle tradition – "...you remember Cleopatra...she had a date to meet Mark Anthony at three...but he came an hour late...she said you'll have to wait...because everything stops for tea..." – you get the audio picture.

There are tongue-in-cheek jabs at the outlandish garbs of Rod Stewart and Elton John in the lyrics of the superb cover of Willie Dixon's "You Can't Judge A Book" where the band finally rocks out – Jimmy Horowitz giving in some chunky Hammond chords while Madeline Bell, Liza Strike and Doris Troy give it some Soulful backing vocals. Baldry opens "Mother Ain't Dead" with a spoken intro about how he hadn't sung with Rod sing the Steampacket days back in 1965. They then duet on this rather lovely version of the Blues Traditional with Baldry playing Guitar and Rod doing an impressive Banjo backing. The funky drum-shuffle of "Hambone" turned up in 2002 on the "Right On! Volume 4" CD compilation on Warner Brothers - Soul Boys and Funksters alike digging its sexy groove. Written by guitarist Sam Mitchell – he also plays all guitars on this fantastically catchy tune (one of the album’s highlights). Written by Myrtle Jackson in the Forties and famously covered by Country Music star Hank Snow in 1966 - "But This I Pray, Oh Lord Remember Me" is reduced to "Lord Remember Me" - a slow Soulful Gospel rap that builds into a frantic preacher 'piano and ladies' chant. The album then fizzles out with Ian Armit's "Armit's Trousers" – a two-minute instrumental ditty with him on a lone piano (he was one of The Hoochie Coochie Men back in the 60ts day with Baldry).

The Bonus Tracks are a mixed bag. After a one-minute Radio Spot (No. 1) that uses the dialogue/typewriter gag at the beginning of "Everything Stops For Tea" (not a very convincing sales pitch I'd have to say) – we get something worth celebrating in a hard-hitting Blues Boogie similar to Muddy Waters/Johnny Winter. The self-penned Slow-Blues of "Bring My Baby Back To Me" was first released by Baldry as a British 45 on United Artists UP 1158 in 1966 – the B-side of "Cuckoo". This fantastic 6:25 minute version first appeared on Side 4 of the vinyl double-album "Mar Y Sol – The First International Puerto Rico Pop Festival" in 1972 on Atco SD 2-705. I don't know who's playing guitar – but it's a barnstormer (and first time on CD here too). This is followed by two album outtakes – covers of Neil Young's sorrowful "After The Gold Rush" classic "Only Love Can Break Your Heart" and Ron Davies' lesser-known "I'm Just A Rake & Ramblin' Boy". Both feature the vocals of Joyce Everson whose album "Crazy Lady" appeared in 1972 on Warner Brothers BS 2604 (the Radio Spot No. 2 advertises it using Baldry's voice). Although she's a good voice – her high pitch doesn't suit him and the Neil Young track comes across as mawkish rather than tuneful. The largely acoustic "I'm Just A Rake & Ramblin' Boy" is far better - but in truth you can see why both were left off an already confusing album.

Although the 2nd LP isn't as good as the first (too many conflicting styles and a couple of choices that simmered rather than sizzled) – I still see "Everything Stops For Tea" as a fabulous little CD reissue. And it perfectly compliments his first album for Warner Brothers "It Ain't Easy" from 1971 which Warners/Rhino 'Expanded' on a 2005 Remaster also (see separate review).

With John Baldry lost to us since 2005 – both CDs are a lovely way to remember him. 
And well done to all those involved for finally seeing it reissued. 
Rest in Peace you British beauty...

 

PS: In December 2005 Rhino Handmade (the mail-order side of US reissue specialist label Rhino Records) released a 2CD set called "Boogie Woogie: The Warner Bros. Recordings" on Rhino Handmade RHM2 7896 (Barcode 603497789627). It contained the "It Ain't Easy" album and its extras on CD1 (18 tracks) and the "Everything Stops For Tea" album and its extras on CD2 (16 tracks). That release was limited to 2,500 copies worldwide and received no UK issue. 

 

So the two Expanded Albums CD Reissues put out by Rhino in the UK in August 2005 are that 2CD set broken down into separate releases (with no loss of bonus tracks). 16 Nov 2013 USA saw the Rhino Handmade 2CD Set "Boogie Woogie: The Warner Bros. Recordings" reissued on Wounded Bird WOU 1921 (Barcode 664140192126) with the same artwork and again no loss on Bonus Material...