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Showing posts with label Simon Gibson (Remasters). Show all posts
Showing posts with label Simon Gibson (Remasters). Show all posts

Friday, 10 March 2017

"Imagine" by JOHN LENNON and THE PLASTIC ONO BAND (October 2010 EMI/Apple 'Signature Collection' CD Remaster) - A Review by Mark Barry...






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JOHN LENNON and THE PLASTIC ONO BAND - "Imagine" 
Featuring George Harrison, Nicky Hopkins, Klaus Voorman, Tom Evans and Joey Molland of Badfinger, King Curtis, Mike Pinder of The Moody Blues and Alan White of Yes

"...When You're Crippled Inside..."

Some albums come loaded with their own legend and in the case of John Lennon's extraordinarily patchy solo work - it's easy for fans and admirers alike to start throwing around 5-star appraisals at 1971's "Imagine".

His famous second solo LP and most commercially successful (No. 1 on both sides of the pond) - "Imagine" is a good John Lennon album. I didn't think it was amazing back then as a teenager and 46 years later it hasn't morphed across time into a latter day masterpiece either (none of his Seventies solo LPs are five-star load-outs to me). But man oh man when Lennon's songwriting talent hits that sweet spot - he could articulate affection with a tenderness that would disarm an atheist ("Oh My Love"). Liverpool's finest could be a genuinely adoring husband in "Oh Yoko!" - only to become a poisonous spoiled little retch riling against a former friend and musical journeyman in "How Do You Sleep?" – his famous vitriolic attack on Paul McCartney for perceived slights on his "Ram" album released earlier in the year (May 1971).

I suppose that's what makes "Imagine" something you keep coming back to despite its flaws. Lennon was the most captivating of the post Beatles - a man plagued with all manner of demons both mental and physical that came out in his music - hitting you with an embarrassing honesty that often felt like an open wound with a neon above it saying 'smack me and smack me hard'. "Imagine" was truthful – reflecting both him and Yoko and their place in the world in 1971. Personally tender one moment - politico ranter the next – constantly searching for a truth that always seemed elusive and out of his/their grasp. "Imagine" is a ramshackle thing really despite nowadays being perceived as a coherent whole. And frankly would we have it any other way...

Which brings me to this latest 2010 CD Remaster in its natty gatefold card sleeve. Here are the head-in-the-clouds reissue details...

UK released October 2010 - "Imagine" by JOHN LENNON and THE PLASTIC ONO BAND on EMI/Apple 5099990650222 (Barcode 5099990650222) is a straightforward CD Reissue and Remaster of the 1971 Apple Records album that plays out as follows (39:47 minutes):

1. Imagine
2. Crippled Inside
3. Jealous Guy
4. It's So Hard
5. I Don't Want To Be A Soldier
6. Give Me Some Truth [Side 2]
7. Oh My Love
8. How Do You Sleep?
9. How?
10. Oh Yoko!
Tracks 1 to 10 are the album "Imagine" - released 9 September 1971 in the USA on Apple Records SW 3379 and 8 October 1971 in the UK on Apple Records PAS 10004. Produced by John Lennon, Yoko Ono and Phil Spector - it peaked at No. 1 in both countries.

This CD leaves out video and bonus tracks – so we don't get that self-indulgent and self-obsessed pair wandering around white rooms like they're all deep and in touch with greater forces than you or I. We're just left with the music as was presented – and a thoroughly excellent new remaster.

While the 16-page booklet is pretty to look at and tactile - it bears little resemblance to the Apple Records LP we all grew up with and loved. The track list wasn't on the rear sleeve and since when did "Give Me Some Truth" become 'Gimme Some Truth' or "I Don't Want To Be A Soldier" start to be called 'I Don't Wanna Be A Soldier Mama I Don't Wanna Die'. The stunning inner bag that came with 1971 vinyl LPs with the lyrics on one side and the musician credits on the other (both in circles) is not pictured - the lyrics now in the booklet followed by a more readable credits section. I get why that was done – both are now readable. But I still miss it not being here. Why couldn’t a repro version of that paper inner been used as a protective inner bag for the picture CD in the left part of the card digipak (a bit of imagination on the part of EMI would have lifted this flimsy thing out of the ordinary). The foldout black and white poster of John at a piano and the postcard of him holding a pig by the ears that came with original 1971 Apple pressings are built into the booklet and the gatefold card sleeve too. And although it doesn't actually say so anywhere on the packaging or disc as an official title – these 2010 CD reissues have become known as 'The Signature Collection' because of that signature design on the left side of the front card sleeve – signed by John Lennon and Yoko Ono.

The new liner notes by PAUL DU NOYER give a potted history of the album including his ludicrous attack on McCartney's looks and songwriting gift in the vicious "How Do You Sleep?" Compared to the austere and bare bones debut solo LP in 1970 "John Lennon/Plastic Ono Band" – Noyer rightly concludes that "Imagine" did feel like George Harrison’s "All Things Must Pass" – the actual launch of a solo career and not the noodlings and experimentation that preceded it. There are lovely black and whites of John with Yoko, John with Phil Spector on the headphones in the studio and best of all is a witty snap of Lennon with George Harrison larking about with a Yoko Ono Grapefruit mug – his cheeky chappy working-class hero grin as evident as ever.

Overall - I find these card gatefold reissues and their glossy feel a string mix of the classy and nastily cheap – nice to look at – but oddly unsubstantial. I can’t help thinking die-hard fans will want the inevitable Japanese SHM-CD of "Imagine" with its Mini LP Repro Artwork using this 2010 remaster when it shows up (legendary reissues famed for their attention to fan-pleasing detail).

Meanwhile back here in cheapoville - the big news for us is the audio on "Imagine" - a notoriously lo-fi album now given the best transfer possible. PAUL HICKS, SEAN MAGEE and SIMON GIBSON – part of the team that handled the Apple Label catalogue and all the Stereo and Mono Remasters of the Beatles catalogue in 2009 – are once again at the master tapes helm. With Yoko Ono and Alan Rouse as Producer and Project Co-Ordinator – the boys have done the transfer deeds at Abbey Road Studios and the results are impressive. There’s a sudden power and clarity to all the tracks without ever being over-trebled or rammed on the loudness gauge – just subtle and present. If anything its made "Crippled Inside", "Jealous Guy" and "I Don’t Want To Be A Soldier" all the more eerie and spaced out on the Production front.

While Klaus Voorman (Bass) and Yes’ Alan White on Drums gently fill in the anthemic "Imagine" – it’s those ‘the world will live as one’ strings that now sound so sweet – tugging on your heart like never before - and those lyrics that make you cry. Lennon’s electric guitar opening to "Crippled Inside" is now even more otherworldly and I’m loving that superb Dobro solo from George Harrison - followed shortly after by Nicky Hopkins plinking away like a drunken sailor on the old Joanna in an East End pub at closing time. In a strange way – it took his loss and Bryan Ferry’s cover version in 1980 for me to really love "Jealous Guy". Jim Keltner on Drums, Klaus Voorman on Bass, Alan White providing Vibes – but its that Harmonium played by John Barham that leaps out of the new remastered mix.

I'd forgotten how cool "It's So Hard" is especially that brilliant string introduction - taking the song to places you hadn't expected. I've always found the near seven minutes of "I Don't Want To Be A Soldier" hard work - a jam that's trying to be something but never quite gets there. It has George Harrison on Guitar, Tom Evans and Joey Molland of Badfinger on Acoustic Guitars, Mike Pinder of The Moody Blues on Tambourine, Nicky Hopkins giving it some keyboard and even King Curtis on Saxophone. "Give Me The Truth" that opens Side 2 gives me the same creeps - a self-righteous rant without ever saying what it is he expects (George Harrison plays lead guitar). You're then clobbered with beauty - "Oh My Love" - as gorgeous a song as he's ever written. It's also beautifully produced - no gimmickry - just great music played sweetly and taped as such. It's a shame he vented in "How Do You Sleep?" because musically it’s good too. I always thought of "How?" as one of the album's truly brilliant moments – with its complimentary strings and simple piano-melody – it’s a beautiful song that would have elevated the "Let It Be" album into the stratosphere. And it ends on the jaunty "Oh Yoko" - Nicky Hopkins adding so much with his rolling piano while John impresses with those Mouth Organ flourishes.

"...My love will turn you on..." - John Lennon sang on "Oh Yoko". Despite its presentation flaws - I suspect this 2010 CD Remaster of the mighty "Imagine" LP will have you doing the same. R.I.P. you wonderful dreamer and thanks for all the imagining memories...

Wednesday, 11 May 2016

"Magic Christian Music" by BADFINGER (2010 Apple 'Expanded' CD Remaster) - A Review by Mark Barry...



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"...Come And Get It..." 

Like the equally brill Big Star – Badfinger is one of those bands. Given the quality of their music and the wads of writing talent within their ranks - Badfinger should have entered the music charts on a more regular basis (especially in Blighty) - but instead have entered the realms of Music Legend precisely because they didn't succeed commercially. They charted only three singles in the UK (one with the help of McCartney) - but none of their six albums on Apple or Warner Brothers tickled the fancy of the buying public.

Formerly known as THE IVEYS – the half-British, half-Welsh band famously signed to The Beatles Apple Records in 1968 – promptly pushing out two 45s and one hastily withdrawn album. The "Maybe Tomorrow" LP did at least get release in some Europe territories and Japan - but was unissued on Apple SAPCOR 8 in the UK. A quick line-up change (Bassist and Vocalist Ron Griffiths departed to be replaced by Guitarist Joey Molland) and a re-naming to the more funky BADFINGER - their next step was to feature three of their songs ("Come And Get It", "Rock Of All Ages" and "Come On Till Tomorrow") in a 1969 comedy spoof film called "The Magic Christian" (directed by Joseph McGrath). In order to get a 'Badfinger' album out into the market place that wasn't strictly a Soundtrack – seven of the old IVEYS tunes were remixed, edited, mined for a standalone album - "Magic Christian Music". And that's where this dinky little 2010 Apple CD reissue steps in. Here are the core details...

UK released 25 October 2010 - "Magic Christian Music" by BADFINGER on Apple 5099964243825 (Barcode is the same) is an 'Expanded Edition' CD Remaster and plays out as follows (58:50 minutes):

1. Come And Get It
2. Crimson Ship
3. Dear Angie
4. Fisherman
5. Midnight Sun
6. Beautiful And Blue
7. Rock Of All Ages
8. Carry On Till Tomorrow [Side 2]
9. I'm In Love
10. Walk Out In The Rain
11. Angelique
12. Knocking Down Our Home
13. Give It A Try
14. Maybe Tomorrow
Tracks 1 to 14 are the 'British Track Line-Up' for the Stereo LP "Magic Christian Music" by BADFINGER released 8 January 1970 in the UK Apple SAPCOR 12.

"Magic Christian Music" was released 16 February 1970 in the USA on the Stereo LP Apple SW-3364 but with two less songs and a rejiggered 12-track list. To sequence the US LP use the following CD numbers:
Side 1: Tracks 1, 2, 3, 5, 6 and 7
Side 2: Tracks 8, 9, 10, 4, 12 and 14

BONUS TRACKS:
15. And Her Daddy's A Millionaire (Previously Unreleased Alternate Version)
16. Mrs. Jones (Remix)
17. Sali Bloo (Previously Unreleased Mono Mix)
18. See-Saw Grandpa (Previously Unreleased Mono Mix)
19. I've Been Waiting (Previously Unreleased Unedited Remix)

DIGITAL DOWNLOADS:
Requiring extra payment - there are also 6 more tracks available via Digital Download from iTunes or Amazon - "Dear Angie (Mono Mix)", "Think About The Good Times (Mono Mix)", "No Escaping Your Love (Mono Mix)", "Arthur (Remix)", "Storm In A Teacup (Mono Mix)" and "Yesterday Ain’t Coming Back (Mono Mix)" (see either site for cost details). Niggles – it won't take real fans moments to notice that the two bonus tracks "Storm In A Teacup" and "Arthur" that accompanied the first CD reissue by Apple of this album way back in November 1991 are now AWOL in physical form from this new reissue – relegated albeit in different form to the Digital Downloads.

BOOKLET/PACKAGING:
The front and rear of the original vinyl LP sleeve is reproduced on the gatefold card sleeve while noted writer and music lover ANDY DAVIS does the new liner notes for the booklet (they're all a disappointingly weedy 12 pages long). But with what little text he has been afforded - Davis does at least fill it with properly informative details. It's cute for sure but you do wish there was more. But the real deal is in the Audio...

SOUND:
The same team that handled the much-praised 09/09/09 Beatles remasters has done this too - GUY MASSEY, STEVE ROOKE and SAM OKELL with SIMON GIBSON. The audio quality is beautiful - a massive improvement – the kind of Remaster that makes you reassess a lot of the music.

CONTENT:
Associations - three songs from the Movie have that magic-dust Beatles connection – "Come And Get It", "Rock Of All Ages" and "Carry On Till Tomorrow" - all Produced by PAUL McCARTNEY with Macca having also penned "Come And Get It" (he plays Piano on "Rock Of All Ages' and some Percussion on "Come And Get It"). Beatles Engineer MAL EVANS Produced Tracks 4, 5, 6, 10, 12, 16 and 18 - while The Beatles Producer GEORGE MARTIN orchestrated the strings on the Pete Ham song "I'm In Love". TONY VISCONTI Produced the remainder of the songs – Tracks 2, 3, 9, 11, 13, 14, 15, 17 and 19 and NICKY HOPKINS plays piano on "See-Saw Grandpa".

Badfinger’s debut LP has always had a rep for being a tad lightweight – strung together from remnants - a good start and not much else. I suppose the best compliment you can give this CD reissue is that it makes you reassess that overly 'harsh' judgement. It opens with Hitsville UK – Macca's catchy as a Socialistic viewpoint "Come And Get It". Released 5 December 1969 in advance of the album – Badfinger's debut 45 on Apple Records APPLE 20 rose to a very cool No. 4 in January 1970 (had a rare British picture sleeve) and lasted 11 weeks on the UK charts. Its US equivalent on Apple 1815 was issued February 1970 (the album came out later there) with the same B-side "Rock Of All Ages" and did equal business – an impressive No. 7. But what amazes me is that I'd forgotten how good tracks like "Crimson Ship" and "Dear Angie" are. The remaster on "Crimson Ship" is fabulous - that sweet Bass and that huge guitar - while the vocal harmonies on "Dear Angie" are gorgeous and that strummed acoustic guitar so clear. "Fisherman" is one of the 1969 tracks 'remixed' and it feels slightly out of kilter with the two that preceded it - but on rehear - I'm digging it - and that remix has really added a warmth to the song. We rock out for "Midnight Sun" - Pete Ham riffing away like a goodun. Tom Evans contributes what has to be the most Beatlesque sounding song on the album "Beautiful And Blue" - a pretty ditty with strings that could easily have been on "Rubber Soul" albeit in a more stripped down form.

It's a wonder that Apple didn't consider the raucous Slade riffage of "Rock Of All Ages" as the next single from the album - shame that. "Carry On Till Tomorrow" is a song I used to dismiss as fay once - but I'm digging its sweet vocal arrangements here. I can easily live without "I'm In Love" but the Pete Ham ballad "Walk Out In The Rain" is shockingly beautiful - the remaster making it shine like never before. Tom Evan gets in on the love song act with his "Angelique" and does well but Ham's "Knocking Down Our Home" is dreadfully clunky. The album ends on a duo of semi-weepies "Give It A Try" and "Maybe Tomorrow" - big and epic in their own mini-series kind of way (love that orchestration on "Maybe Tomorrow"). A good album rather than a great one you’d have to say - but man those good bits...

I hadn't expected the Bonus Material to be up to much - and unfortunately some of it feels like filler - for fans only. You can so hear where The Hollies comparison comes from when "And Her Daddy's A Millionaire" comes bopping out of your speakers (great remaster though). Sounding like The Move seeking a hit - "Mrs. Jones" is good too as is the Mono Mix of the guitar-boogie tune "Sali Bloo". The audio on "See-Saw Grandpa" is unfortunately the worst on here - but it ends on a blaster - the huge guitars of "I've Been Waiting" - a genuinely great inclusion. I bought the downloads at the time for this review - despite "Arthur" sounding incredible in remastered form - the poor man's Hollies comparison is staggering - complete with whiny identikit vocals. More interesting is the 'Mono' mix of an album fave - "Dear Angie" - it's good but not a patch on the beauty of the Stereo version. For me the best here is "Think About The Good Times" - a strange Funk-Rock hybrid that at least has The Kinks at its heart. And again the shadow of The Beatles hangs over "Yesterday Ain't Coming Back" - a tune that could have been on "Magical Mystery Tour"...nice.

One Star or Five - BADFINGER have always divided people - many calling them one of the great overlooked bands of the period - others calling them lightweight. For sure this record is hardly the crafted-gems of the "No Dice" and "Straight Up" LPs - nonetheless their debut album "Magic Christian Music" deserves reappraisal - especially given the massive improvement in sound quality on offer here and some of those ragbag bonus tracks. There's magic in there folks - just gotta root it out...

PS: Monday 25 October 2010 saw 14 of the 'Apple' label Sixties and Seventies albums remastered and reissued in the UK alongside a first-time-ever label 'Best Of' compilation CD not surprisingly called "Come And Get It" after Badfinger's first hit song (penned by Paul McCartney).

The October 2011 Apple CD Remasters are (I've reviewed most):

1. Magic Christian Music - BADFINGER (January 1970)
2. No Dice - BADFINGER (November 1970)
3. Straight Up - BADFINGER (1972)
4. Ass - BADFINGER (1974)
5. Postcard - MARY HOPKIN (1969)
6. Earth Song - Ocean Song - MARY HOPKIN (1971)
7. Is That What You Want? - JACKIE LOMAX (1969)
8. Under The Jasmine Tree/Space - THE MODERN JAZZ QUARTET 
(1968 and 1969 - 2LPs on 1CD)
9. That's The Way God Planned It - BILLY PRESTON (1969)
10. Encouraging Words - BILLY PRESTON (1970)
11. The Radha Krishna Temple - THE RADHA KRISHNA TEMPLE (1971)
12. The Whale/Celtic Requiem - JOHN TAVENOR (1970 and 1971 - 2LPs on 1CD)
13. James Taylor - JAMES TAYLOR (1968)
14. Doris Troy - DORIS TROY (1970)

INDEX - Entries and Artist Posts in Alphabetical Order