"Bob Stanley Presents LONDON A To Z: 1962 to 1973" by VARIOUS ARTISTS – Featuring 24 Single and Album Tracks by The John Barry Seven, Cat Stevens, Marianne Faithfull, Jethro Tull, Cressida, John and Beverly Martyn, Nick Drake, Linda Lewis, Bert Jansch and John Renbourn, Ralph McTell, Dave Evans, Dana Gillespie, Quintessence, Humble Pie, Al Stewart, Shelagh McDonald and more (September 2023 UK - October 2023 USA Ace Records CD Compilation with Duncan Cowell Remasters) - A Review by Mark Barry...

 

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Rating: ****
 

"...Things Are Great In Notting Hill Gate..."

 

I have had a hard time with some Bob Stanley CD compilations for Ace Records – loved a few – hated others. 

 

But this 'A To Z' journey through the Sixties and Seventies folk side of British Music with London themes built into every song is a very clever little road-map indeed. Sure – some songs are here only because they fit the street/borough criteria, but actually, the choices are cool and the easy-going busman's holiday vibe works as a cohesive whole. To your all zones pass...the details...my bedsit commuters of love...

 

UK released Friday, 29 September 2023 (6 October 2023 in the USA) - "Bob Stanley Presents LONDON A To Z: 1962 to 1973" by VARIOUS ARTISTS on Ace Records CDTOP 1638 (Barcode 029667109024) is a 24-Track CD Compilation of Single and Album Track Remasters that plays out as follows (72:53 minutes):

 

1. Cutty Sark – THE JOHN BARRY SEVEN and ORCHESTRA (March 1962 UK 45-single on Columbia DB 4806, A-side)

2. Portobello Road – CAT STEVENS (September 1966 UK Debut 45-single on Deram DM 102, B-side of "I Love My Dog")

3. Sunny Goodge Street – MARIANNE FAITHFULL (from her fourth album "North Country Maid" released April 1966 in the UK on Decca LK 4778 in Mono only)

4. Jeffery Goes To Leicester Square – JETHRO TULL (from their second studio album "Stand Up" - released 27 July 1969 in the UK on Island Records ILPS 9013)

5. Marcel's - HERMAN'S HERMITS (29 December 1967 UK 45-single on Columbia DB 8327, B-side of "I Can Take Or Leave Your Loving")

6. Goodbye Post Office Tower, Goodbye – CRESSIDA (from their second album "Asylum" released January 1971 in the UK on Vertigo 6360 025)

7. Primrose Hill – JOHN and BEVERLEY MARTYN (from his 4th studio album "The Road To Ruin" issued November 1970 on Island ILPS 9133)

8. Mayfair – NICK DRAKE (from the January 1987 UK Posthumous LP compilation "Time Of No Reply" on Hannibal Records HNBL 1318)

9. London Bridge – CILLA BLACK (7 February 1969 UK 45-single on Parlophone R 5759, B-side of "Surround Yourself With Sorrow")

10. Hampstead Way – LINDA LEWIS (from her debut album "'Say No More...'" issued 1971 in the UK on Reprise Records K 44130)

11. Soho – BERT JANSCH and JOHN RENBOURN (from the September 1966 UK LP "Bert And John" on Transatlantic Records TRA 144)

12. Friday Hill – BULLDOG BREED (on the UK album "Made In England" released January 1970 on Deram Nova DN 5 (Mono) and SDN 5 (Stereo) - Stereo mix is used. Band featured BERNARD JINKS and KEITH CROSS who went on to form T2. Cross also teamed up with Peter Ross and produced a lovely folky type album called "Bored Civilians" released July 1972 on Decca SKL 5129 (see separate review))

13. London Social Degree – DANA GILLESPIE (from her October 1969 UK LP "Foolish Seasons" on Decca SKL 5012)

14. Euston Station – BARBARA RUSKIN (28 April 1967 UK 45-single on Parlophone R 5593, A-side)

15. Kew Gardens – RALPH McTELL (from his third studio album "My Side Of Your Window" released December 1969 in the UK on Transatlantic Records TRA 209)

16. City Road – DAVE EVANS (from his October 1971 UK Debut LP "The Words In Between" on The Village Thing Records VTS 6)

17. Parliament Hill – MAGNA CARTA (from their June 1971 UK Debut album "Songs From Wasties Orchard" on Vertigo Records 6360 040)

18. Edgware Station – EDWARD BEAR (from their fourth US LP "My Side Of Your Window" released January 1973 on Capitol ST-11157)

19. Beckton Dumps – HUMBLE PIE (from the 2LP set "Eat It" released April 1973 in the UK on A&M Records AMLS 6004 and March 1973 in the USA on A&M Records SP-3701)

20. Notting Hill Gate – QUINTESSENCE (October 1969 UK Debut 45-single on Island WIP 6075, A-side)

21. Clapham Junction – NORMA TANEGA (from the album "I Don't Think It Will Hurt If You Smile" released 1971 in the UK on RCA Victor SF 8217)

22. Swiss Cottage Manoeuvres – AL STEWART (from his October 1967 UK Debut Album "Bed Sitter Images" on CBS Records S BPG 63087 – reissued June 1970 in the UK as "The First Album" on CBS Records S 64023)

23. Richmond – SHELAGH McDONALD (from her debut LP "Shelagh McDonald Album" released October 1970 in the UK on B&C Records CAS 1019)

24. Vauxhall To Lambeth Bridge – JULIE DRISCOLL, BRIAN AUGER & THE TRINITY (from their third release, the 2LP set "Streetnoise" released May 1969 in the UK on Marmalade 608005/6 and June 1969 in the USA on Atco SD 2-701)

NOTES:

Tracks 1, 4, 6, 7, 9 to 12 and 15 to 24 in STEREO

Tracks 2, 3, 5, 8, 13 and 14 in MONO

 

Following on from the reproduction of the colour front page of The Sunday Times Magazine of 1969 on Page 2 that features a gorgeous Julie Driscoll in her best big hat repose – Page 3 starts the 20-pages of song-by-song explanations proper (24 mini notelets). Anyone who knows Ace Records will know that these booklets are fab collages of single and LP labels, rare picture sleeves/album covers, a trade advert (the first Quintessence 45 on Island from October 1969) and so on. Compiler BOB STANLEY gives detailed appraisals of his choices that all act as a musical mooch around a London of yesteryear (and its un-sung suburbs as the back inlay implies). It's a great read – informative too – the overall song choices very much in the Folk, Folk Rock and Hippy Tradition of things (a mellow yellow listen in other words).

 

DUNCAN COWELL – longstanding Audio Engineer for Ace – has handled the transfers and Remasters and almost everything sounds super clean and clear – the noticeable odd-man-out being the Nick Drake demo. I should add that despite the tracks jumping from Mono to Stereo (especially in the first half of the listen) – the segue feels good - and as it moves into the Tracks 15 to 24 Stereo run - is never less than an impressive listen audiowise. To the tunes...

 

After a very cool start with the instrumental "Cutty Sark" – a dapper John Barry Seven giving in some secret agent lounge room before Bond even knew who he was – the Mr. Smoothy flow fades fast with the dreadfully twee Cat Stevens flipside "Portobello Road". Things pick-up with the Harmonica and Acoustic doom of Marianne Faithfull talking about hashish smokers and magicians and other hippy neer-do-wells on her version of Donovan's "Sunny Goodge Street". On Tull's much-anticipated second studio album "Stand Up" in late July 1969 (their first UK No.1) sat Track 2 on Side 1 – the speaker-to-speaker "Jeffery Goes To Leicester Square". It's a clever choice – lead singer and principal songwriter Ian Anderson swirling the production with phasing giving the song that so Tull feel. "Jeffrey..." and his trip to the famous tourist Merry-go-round area of the Capitol City comes complete with observational lyrics about what was on TV at the time while the populous/tourists gleefully took in the local colour - Ian A's insights sounding way too smart for a beggar standing on one leg with a flute in his hand.

 

Herman's Hermits urge you and "Marcel" to go down to his houseboat on the Thames where men with long eyelashes inhabit this East End wonderland – odd creatures with unfamiliar features keeping it groovy man in the London Borough of Wapping. Not so sure whether I like or just admire the darlings of Vertigo Spiral albums Cressida and their piano-plinking "Goodbye Post Office Tower, Goodbye" where they urge the capitols authorities to just blow up the GPO and be done with it. Better (always better) is John and Beverly Martyn giving it some 'sun going down' on "Primrose Hill" – the kind of Saxophone (Ray Warleigh) and Piano (Paul Harris) hippy ditty she must cringe at in 2023 (it was relevant then in 1970). Lovely production values though. The same cannot be said (unfortunately) for the Nick Drake cut "Mayfair" – a clearly demo-ish outtake that featured on the posthumous album "Time Of No Reply" – nice to have him here but the song is weak and the tin-can audio off-putting.

 

Leaping from the outside lavvy to serious EMI production values – we next get Cilla Black getting soulful and affecting on a beloved B-side. Written by her then hubby Bob Willis and Denmark Street songwriter Clive Westlake, "London Bridge" is the kind of pretty ditty that doesn't get aired enough and kudos to Bob Stanley for spotting its rightful place here. Leaping from that into real Soul, we get true vocal acrobatics from Linda Lewis on her fantastic fun-to-funky "Hampstead Way" – a self-penned gem on her 1971 debut album that features fabulous electric guitar picking from Chris Spedding - soft one second - attacking the next as the pace builds up only to mellow out again. The great lady only passed in May 2023, so for me the Linda Lewis cut is one of at least three genius choices on this intriguing compilation (see also Dave Evans and Julie Driscoll with Brian Auger at the end).

 

While the Bert Jansch and John Renbourn song "Soho" rattles around your speakers with their staggering musicality, there is unfortunately more than a touch of the plodding to "Friday Hill" by Bulldog Breed – not quite a doggy doo-doo but not far off it either. "London Social Degree" (a Billy Nicholls song) and "Euston Station" (Ruskin original) see two ladies Dana Gillespie and Barbara Ruskin comment on street life in the capitol – stressed out people in dead-end jobs not paying nearly enough attention to flowers and trees and their world hurtling into the war-machine abyss. They are good but not really great truth be told. Better for me is the gorgeous "Kew Gardens" by Ralph McTell – beautifully supported by the fay-but-too-fay vocals of Ruth and Brian Britain of the obscure British Folk outfit English Tapestry – a plaintive ballad that could only have come from the optimism of the late 60ts. A smart choice then that is in turn followed by my second fave track on the comp – the genuine discovery of Dave Evans and his winding-down song "City Road".

 

Very much in the vein of acoustic Nick Drake, John Martyn and Meic Stevens by way of a Welsh Leonard Cohen (Evans is from Bangor – a few train stops from Hollyhead in North Wales) – the song may make you rush to buy his debut album "The Words In Between" from October 1971 on the UK Folky/World Music label The Village Thing Records. It is seriously rated by Folk and Folk Rock aficionados – reissued by Earth Records here in the UK in 2018 on CD and already hard-to-find. City Road was an industrial district that housed the Gordon’s Gin distillery (G&T with the D&E). The track has sweetly lovely audio quality with second vocals from Adrienne J. Webber who had her own self-titled solo album in 1976 on Anchor Records as AJ Webber – nursery rhymes and ice-cream chimes. 

 

The rare Norma Tanega 1971 album "I Don't Think It Will Hurt If You Smile" on RCA Victor featured instrumentals in-between songs that referenced London hot-spots - "Clapham Junction" being the one that opened Side 2 with a giggle from her and the musicians having an Acoustic-ish Funk-Up. Who doesn't love every second of Steve Marriott's voice even on a lesser Humble Pie song (he could recite the phone-book and make any London boy shed a tear of joy). And on it goes to a cool duo of lady album-enders - "Richmond" by Shelagh McDonald – a sophisticated slice of musicianship from her revered B&C Records Debut Album of 1970 – in turn followed by the glorious near seven-minute passion of Julie Driscoll giving it some I-hope-you-find-what-you're-looking-for searching in the vocals and acoustic guitar duet "Vauxhall To Lambeth Bridge". So sixties, but also looking forward too – a perfect finisher for the compilation.

 

I am certain some punters will look in vain for bigger inclusions like "Richmond" by the Faces from their 1970 second album "Long Player", or pushing the time-frame boundaries a little – maybe the pretty "Portobello Belle" by Dire Straits from their 1979 second album "Communiqué" (probably licensing issues). Or how about "Piccadilly" by the Irish Folk Duo Tir na n'Og from their May 1971 self-titled debut album on Chrysalis Records. I'll bet the list could go on to a Vol.2...

 

So for sure 2023's "Bob Stanley Presents LONDON A To Z: 1962 to 1973" is not all CD compilation genius (there isn't a Vinyl variant either). But there are more than enough discoveries to please old hands and plenty to entice musical newcomers to sit up and take notice and maybe even seek out these lesser-trodden paths. And for any compiler/influencer - that's a job well done.

 

A very cool little compilation – recommended – and contender for the 2023 CD Reissue Lists in someone's December Magazine...