"A Salty Dog: 40th Anniversary Edition" by PROCOL HARUM featuring Gary Brooker, Robin Trower, Matthew Fisher and Keith Reid (Lyrics) (May 2009 Salvo Expanded CD Reissue – Rob Keyloch and Nick Robbins Audio Restoration and Remasters) - A Review by Mark Barry...

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"...All This...And More..."

With a name loosely based around a Burmese Blue Cat - Procol Harum and their droning melodrama has always been something of an acquired taste - beloved and derided in equal measure. But there's no doubting that there's properly great tunes on their 3rd album for EMI's Regal Zonophone Records. "A Salty Dog" saw the three songwriters in the band all step up with the moody goodies - singer Gary Brooker, keyboard player Matthew Fisher and ace-axeman Robin Trower. There are also six worthy bonuses on this 40th Anniversary Celebration CD chosen by Gary Brooker (mostly the LP-line-up band in fine form on an American Tour in April 1969). Here are the squint-eyed seafaring details...

UK released May 2009 - "A Salty Dog: 40th Anniversary Edition" by PROCOL HARUM on Salvo SALVOCD 020 (Barcode 698458812025) breaks down as follows (67:52 minutes):

1. A Salty Dog [Side 1]

2. The Milk Of Human Kindness

3. Too Much Between Us

4. The Devil Came From Kansas

5. Boredom

6. Juicy John Pink [Side 2]

7. Wreck Of The Hesperus

8. All This And More

9. Crucifiction Lane

10. Pilgrim's Progress

Tracks 1 to 10 are their 3nd album "A Salty Dog" - released June 1969 in the UK on Regal Zonophone SLRZ 1009 (Stereo) and in the USA on A&M Records SP-4179. It peaked on the UK charts at 27 and 32 in America.

BONUS TRACKS:

11. Lone Gone Geek - non-album track, B-side to "A Salty Dog" released May 1969 in the UK as a 7" single on Regal Zonophone RZ 3019

12. Goin' Down Slow (Live In The USA, April 1969)

13. Juicy John Pink (Live In The USA, April 1969)

14. Crucifiction Lane (Live In The USA, April 1969)

15. Skip Softly (My Moonbeams)/Also Sprach Zarathustra (Live In The USA, April 1969)

16. The Milk Of Human Kindness (Take 1; Raw Track)

PROCOL HARUM was:

GARY BROOKER - Lead Vocals, Piano, Celeste Three Stringed Guitar, Harmonica Recorder and Woods

MATTHEW FISHER - Organ, Vocals, Marimba, Acoustic Guitar, Piano Recorder and Rhythm Guitar

ROBIN TROWER - Lead Guitar, Vocal, Acoustic Guitar and Sleigh Tambourine

DAVID KNIGHTS - Bass Guitar

BARRIE WILSON - Drums, Conga Drums and Tabla

KEITH REID - Lyrics on all 10 tracks

Along with Lyricist Keith Reid - Gary Brooker provided "A Salty Dog", "The Milk Of Human Kindness", "The Devil Came From Kansas" and "All This And More" - while Robin Trower penned "Too Much Between Us" and "Juicy John Pink" with Matthew Fisher writing the remaining three - "Boredom" (a co-write with Brooker), "Wreck Of The Hesperus" and the album finisher "Pilgrim's Progress". The fold-out three-way oversized card sleeve has tasty black and white photos of band members (taken by Peter Sanders) and a reproduced letter by Alan White of Northumberland to the Melody Maker newspaper of 26 July 1969 bemoaning the lack of public interest in "A Salty Dog" and urging said punters to "...go out and buy it!"

The 20-page booklet is a sophisticated affair - liner notes by HENRY SCOTT-IRVINE that go into each track - there's trade adverts from various musical newspapers, a Regal Zonophone British label bag that actually advertises the December 1968 "Shine On Brightly" LP (along with the Move's latest), superb pictures of the 7" single for "A Salty Dog" from Germany, Spain, France, Holland and Japan, posters for their concerts at Bill Graham's Fillmore East in San Francisco (gorgeous artwork) and even a photo of the road sign for Crucifix Lane in London's SE 1 on which the song is based (deliberately misspelt as Crucifiction). There are recent recollections on certain songs by band members Robin Trower and Matthew Fisher along with the original LP Engineer Ken Scott. It's all very tastefully done actually (a bit of care taken)...

The CD itself sports the FLY label on which it was reissued in 1972 as part of a Twofer LP deal because I think that's who now own the licensing rights - while the Transfers and Remasters have been carried out by ROB KEYLOCH (at Church Walk Studios) and NICK ROBBINS (at Sound Mastering in London). Track 16 was transferred and mixed by NICK WATSON in 1998. Beautifully produced by Matthew Fisher and Ken Scott in the first place - the 2009 remaster is warm and very clear. Even when Trower's guitar gets a bit wild in places (and grungy for that matter) - the stereo imaging isn't too harsh - still reflecting the original Production values. Those big vocals and church-sombre organs sound suitably 'Procol Harum' - there's minimal hiss and where there is - it's not going to detract...

It opens with the Classical-meets-Rock fusion of "A Salty Dog" and immediately the arrangements and melody feel epic - a single you feel should have done better. I've always felt though that the albums two masterpieces come from Trower and Fisher. Trower gives us the unexpectedly lovely acoustic vibes of "Too Much Between Us" - I can't help thinking it should have been single number two off the album with Fisher's equally pretty "Pilgrim's Progress" on the flip (Fisher does the vocal rather than Brooker). A&M Records put out "The Devil Came from Kansas" b/w "Boredom" in the USA on a 45 (A&M 1111) in July of 1969 - but it failed to chart. The British 45 of "A Salty Dog" b/w "Lone Gone Geek" on Regal Zonophone RZ 3019 managed a respectable placing of 44 in the UK - especially given how awkward the track was to pigeonhole in a Pop context. The sleigh bells of "Boredom" make the tune sound like Quintessence or Dr. Strangely Strange or some such hippy happiness. Side 2's grungy guitar vs. harmonica opener "Juicy John Pink" puts an end to that pronto - sounding like its recorded in a garage to get that gritty sound. The best Audio on the disc goes to "All This And More" where the piano, guitar and Brooker's vocals all sound with new clarity.

The Bonus Track B-side "Long Gone Geek" is a fabulous addition to any CD - the Procol Harum going all Small Faces with Reid nicking Bob Dylan lyrics. There then begins a similarly heavy set of live cuts from April 1969 with the band giving it what for to some of the album's heavier cuts (Trower lovers will lap this up).

I bought this Salvo CD when it was first reissued in 2009 but since its deletion it's acquired a nasty top-end price tag. If you can get it at a reasonable cost - seek it out and enjoy. If not there has also been a 2015 updated Anniversary issue on Esoteric Recordings (see review also)...

"The Complete Willy And The Poor Boys" [featuring Bill Wyman, Paul Rodgers, Jimmy Page, Garry Brooker, Chris Rea, Ringo Starr and Andy Fairweather Low] (2015 Edsel 2CD/1DVD Reissue/Remasters) - A Review by Mark Barry...

"...Let Me Love...You All Night Long..."

Tribute albums are always tricky – let alone ones that rely on old Rock ‘n’ Roll and Rhythm ‘n’ Blues tunes as its backbeat. Yet Bill Wyman’s 1985 fund-raiser LP for a terminally ill Ronnie Lane (of Small Faces, Faces and Slim Chance fame) works because its fun and doesn’t let the big name celebrities swamp proceedings - but add to them in a very real way.

Taking its name from a schoolyard nickname and an LP by his favourite American band (1969's "Willy And The Poor Boys" by Creedence Clearwater Revival) – Rolling Stones Bassist BILL WYMAN gathered together a formidable array of big musical names to record an album of favourites that would benefit ARMS (Action For Research Into Multiple Sclerosis). His core band consisted of Andy Fairweather Low on Guitar and Vocals, Mickey Gee of Love Sculpture and Joe Cocker’s Grease Band on Lead Guitar, his Rhythm Kings Rock ‘n’ Roll Pianist Geraint Watkins, Charlie Watts of The Rolling Stones on Drums, himself on Bass and the Horn Section (on some tracks) brought up by Willie Garnett and Steve Gregory. Inbetween we get guest appearances by Jimmy Page of Led Zeppelin on Guitar, Paul Rodgers of Free on Lead Vocals, drummers Terry Williams of Brinsley Schwarz and Henry Spinetti of The Herd and Climax Blues Band, Ray Cooper of Elton John’s Band on Percussion and one appearance of Ronnie’s old band mate Kenney Jones of The Who and Small Faces on Drums (“Sugar Bee”).

The UK LP appeared in May 1985 on Decca/Ripple BILL 1, the 30-minute film/video at Fulham Town Hall came also in 1985 with a further Willy And The Poor Boys ‘Live’ set in 1994 (recorded in Sweden in 1992 – known as “Tear It Up’ in the USA). This is the first time that all 3 have been brought together in one remastered package – and a thoroughly enjoyable Rock ‘n’ Roll romp it makes too. Here are the rowdy details...

UK released 7 August 2015 – "The Complete Willy And The Poor Boys" by BILL WYMAN on Edsel EDSG 8062 (Barcode 740155806231) is a 2CD/1DVD Digipak Set and pans out as follows:

CD 1 (36:35 minutes):

1. Baby Please Don’t Go [Big Joe Williams cover]

Features Chris Rea on Lead Vocals

2. Can You Hear Me [Allen Toussaint song/Lee Dorsey cover]

Features Andy Fairweather Low on Lead Vocals

3. These Arms Of Mine [Otis Redding cover]

Features Paul Rodgers of Free and bad Company on Lead Vocals with Jimmy Page of Led Zeppelin on Guitars

4. Revenue Man (White Lightning) [Big Bopper cover]

Features Andy Fairweather Low on Lead Vocals

5. You Never Can Tell [Chuck Berry cover]

Features Bill Wyman on Lead Vocals

6. Slippin’ And Slidin’ [Little Richard cover]

Features Paul Rodgers of Free and bad Company on Lead Vocals with Jimmy Page of Led Zeppelin on Guitars

7. Saturday Night [Dave Bartholomew and Pearl King song/Roy Brown cover]

Featuring Geraint Watkins on Lead Vocals and Keyboards

8. Let’s Talk It Over [Tampa Red cover]

Features Andy Fairweather Low on Lead Vocals

9. All Night Long [Clifton Chenier cover]

Features Bill Wyman on Lead Vocals

10. Chicken Shack Boogie [Amos Milburn cover]

Featuring Geraint Watkins on Lead Vocals and Keyboards

11. Sugar Bee [Eddie Shuler song/Cleveland Crochet cover]

Features Bill Wyman on Lead Vocals and Kenney Jones on Drums

12. Poor Boy Boogie [Bill Wyman and Andy Fairweather Low song]

Features Andy Fairweather Low on Lead Vocals

CD 2 – Live (54:40 minutes):

1. High School Confidential

2. Tear It Up

3.Baby Please Don’t Go

4. Medley: Ooh Poo Pah Doo/Rockin’ Pneumonia & The Boogie Woogie Flu

5. Mystery Train

6. Chicken Shack Boogie

7. Stagger Lee

8. What’d I Say

9. Red Hot

10. Lovin’ Up A Storm

11. Medley: Poor Boy Boogie/Hound Dog/Shake, Rattle & Roll/Looking For Someone To Love

12. Land Of 1000 Dances

Recorded 31 July 1992 at the Hotel Tylosand in Halmstad, Sweden

BAND was:

Bill Wyman – Bass and Vocals

Terry Taylor – Guitar and backing Vocals

Jimmy Henderson – Vocals and Harmonica

Andy Fairweather Low – Guitar and Vocals

Gary Brooker – Keyboards and Vocals

Graham Broad – Drums

Maria, Annica, Maggie Ryder & Miriam Stockley – Backing Vocals

Ollie Niklasson – Saxophone

DVD (NTSC/No Regional Restrictions):

1. Poor Boy Boogie

2. You Never Can Tell

3. Chicken Shack Boogie

4. Let’s Talk It Over

5. All Night Long

6. Saturday Night

7. Baby Please Don’t Go

8. These Arms Of Mine

Bonus Documentary – The Making Of Willie And The Poor Boys

Bonus Video – These Arms Of Mine (with Paul Rodgers and Jimmy Page)

WILLY AND THE POOR BOYS BAND was:

Bill Wyman – Bass and Vocals

Charlie Watts – Drums

Andy Fairweather Low – Guitar and Vocals

Geraint Watkins – Keyboards and Vocals

Mickey Gee – Guitar and Vocals

GUESTS: 

Chris Rea – Vocals

Ronnie Wood – Saxophone

Raf Ravenscroft – Saxophone

Mel Collins – Saxophone

Kenney Jones – Drums and Percussion

Henry Spinetti - Percussion

Terry Taylor – Percussion

Ringo Starr – Guest Appearance

The chunky gatefold digipak is a four-flap foldout affair festooned with photos of the band dressed up as Mods and Rockers with a fact-filled 20-page booklet sporting detailed liner notes by DAVID WELLS. Scans and photos come from the Bill Wyman archives, Val Jennings co-ordinated the project and the mastering was done by PHIL KINRADE at Alchemy Mastering. Both CDs sound great – full of vim and vigour – but then so did the original recordings.

It opens with the guttural vocals of Chris Rea laying into “Baby Please Don’t Go” and the album immediately states its Rock ‘n’ Roll and Boogie Woogie credentials – we’re here to party and have some fun. The track choices are clever too – avoiding the huge songs of the genre and favouring forgotten nuggets like Lee Dorsey’s “Can You Hear Me” and the Bip Bopper’s “Revenue Man”. The production is old school – full of warmth and a little echo or sloppiness on those guitar parts to give a more natural feel. Paul Rodgers and Jimmy Page have a Soulful Rock go at Otis Redding’s “These Arms Of Mine” – what a great voice he has – Page’s guitar way back in the mix as the Piano and Brass take centre stage. On the two tracks that Wyman sings (Chuck Berry’s wonderful “You Never Can Tell” and Clifton Chenier’s “All Night Long”) - he’s actually similar to Wilko Johnson in his nasal delivery and in some respects is better than Low or Watkins at the mike (though both exude their love for the music).

Rodgers and Page return for a raucous version of Little Richard’s “Slippin’ & Slidin’” but its actually the piano playing of Watkins that you notice. “Sugar Bee” and their own “Poor Boy Boogie” finish off proceedings in suitable style.

If the retro album was good – the live set saw the project explode into life in front of a small but wildly enthusiastic audience. Procol Harum’s Gary Brooker comes out on lead vocals and tears up the piano too on the Jerry Lee Lewis classic “High School Confidential”. They really start to cook on “Tear It Up” with all the vocals working and that great Rock ‘n’ Roll vibe seeping into the room. It also sounds brilliant – professionally recorded too. The wicked duo guitar opening to “Baby Please Don’t Go” is fantastic and how good is to hear anyone do Elvis’ “Mystery Train”. By the time it gets to “Red Hot” and the rollicking medleys that finish the Tim Young mastered disc – its job done.

Eagle-eyed collectors will note that the DVD sees the first time members of The Rolling Stones, The Beatles and The Who have played/joined together for a film project (it was filmed 11 and 12 March at the Fulham Town Hall in London). Smartly its also Region Free.

To sum up – the album by itself would be a solid 4-stars, but the Live CD and the Guest Heavy DVD give it a huge boost. Well done to all at Edsel for doing such a great job...