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Showing posts with label Andre Braugher. Show all posts
Showing posts with label Andre Braugher. Show all posts

Wednesday, 7 May 2014

"City Of Angels" on BLU RAY – A Review Of The 1998 Brad Silberling Movie Now Reissued On BLU RAY In 2014 In The USA


"…None Of This is In My Hands…" – City Of Angels On BLU RAY (2014)

As she reads 105 degrees on the thermometer she’s just taken out of her six-year old daughter’s mouth – we hear Mum’s panicking thoughts - pleading for help from a higher power. "I don't really pray…but if you could help out here…" she says in escalating dread. Yet her child Susan doesn’t seem fazed – staring instead at a man in a long black coat with a peaceful face on the other side of the room that Mummy doesn’t seem able to see.

His name is Seth - and next thing he’s walking alongside Susan who’s lying in her pyjamas on a hospital gurney looking up at him as a group of doctors and surgeons try to get her to the operating room on time. Moments later Seth and tiny Susan are looking in at the medical commotion through the glass outside – holding hands as they watch an unresponsive child’s body and a mother breaking down in agony. Susan looks up and asks Seth - "She won't understand?" He calmly replies - "She will…someday…"

Inside hot cars motionless on a log-jammed freeway - we see the citizens of LA and hear their thoughts about doomed love affairs ("he's never gonna leave her…"), work worries and how everything takes twenty minutes in Los Angeles. We then witness more angels in human form at work – one listening to the thoughts of a mother proud that her daughter has had a 6lb 4oz baby and become a parent too - helping an air-traffic controller concentrate when his debt problems almost distract him from Flight Federal 595 - and two working a kid and a scared liquor store owner on opposite sides of the counter – urging them both to 'stay cool' as the jumpy young man nervously robs his till with a gun.

These angels aren’t flashy – they don’t have wings nor halos - they don’t stop bullets or avert car crashes – they remain invisible to the human world and only lay on hands to help and sooth. They ponder what their charges say about life – usually from a height - dangling their legs over skyscraper girders, aeroplane wings, 100-foot high cowboy adverts for cigarettes and the Hollywood Sign. They also gather on the beach each morning (without leaving footprints in the sand) to witness the sunrise and hear the music of possibility…as a new day begins...

As you can imagine a reworking of Wim Wender's beloved 1987 classic movie "Wings Of Desire" by Hollywood types was always going to be open to ridicule and charges of crass commercialism – but 1998's "City Of Angels" pulled off the transition with a genuine deftness of touch – producing a film that moved many movie-goers far more than they thought it would. The brilliant Dana Stevens adapted screenplay smartly keeps it about people – about finding humanity – the joy in everyday occurrences – and knowing there is always love in your life in one form or another.

Principal in pulling this off is the spot-on casting of Nicholas Cage and Meg Ryan. Cage plays Seth – an Angel who is more than curious about what it would be like to actually 'feel' let alone be human - while the talented Meg Ryan plays Doctor Maggie Race – a Thoracic Surgeon in L.A.’s Mission Hospital who is having a crisis of faith after losing a 50-year old patient called Tom Bradford on her table in what was a routine bypass.

Dr. Maggie suddenly feels no longer in control and can’t shake off the stricken reaction of Bradford’s family as she broke the news to them. She did it with a little too much of that scalpel-like precision and detachment that works so well in the operating theatre but not in the real world - cockily playing Jimi Hendrix as she dabbles with someone else’s heart. It was a textbook operation - yet it went wrong - her patient’s fading arrhythmia literally in her hands – powerless to stop him from dying (dialogue above). But her partner and fellow surgeon Jordan Ferris (a suave Colm Feore) thinks that Maggie is not out of sorts nor crazy nor chemically imbalanced – just tired - and with a little rest - she should just "come back to work on Monday and get back on the saddle". But Maggie doesn’t seem able to get that confidence nor that belief back.

Then one night – tired and still trying to figure out why an abandoned male infant on the 4th floor keeps crying all the time (her Doctor friend Anne is played by the lovely Robin Bartlett) – Maggie exits the lift at the 6th floor by mistake and sees a man standing outside a ward bedroom. He turns around and it’s the beautiful Seth.  They engage in small talk about the benefits of visiting hours and being in despair on the stairwell  – and a flame of attraction is lit between them. His eyes haunt her and she wonders how he knew her first name when her ID tag only displays the initial 'M'?

They meet again in the heavenly upward concrete circles of the city library as she returns a book - Hemmingway's "A Moveable Feast – Sketches On The Author’s Life In Paris In the Twenties". More feelings grow as Seth sexily explains about the great American author’s skill at describing the senses of taste and touch (things he can’t experience himself but longs to). At this point Maggie thinks Seth’s a bit weird - with his cryptic replies and always wearing the same clothes whilst saying he’s not a bike courier but a Messenger of God. But something inside her aches for him – like a lost Soul moving towards its mate.

Seth tries to discuss his growing feelings with another celestial body - Cassiel (the wonderful Andre Braugher) but Cassiel seems sceptical. Then one afternoon Seth meets the rotund hedonist Nathaniel Messinger (superb casting in Dennis Franz) in the heart ward munching down on yet another tub of Ben & Jerry’s ice cream. Nathaniel can hear and feel Seth’s presence - and Seth soon works out that Nathaniel was once an angel too – but one who fell in love with a woman on Earth and 'chose' to fall to be with her (nice work from Joanna Merlin). Over more food Nathaniel explains that he gave up his power to travel at the speed of thought - never grow old and never feel any pain – for love – and hasn’t regretted a day since.

And on it goes to Maggie working out why the child keeps crying and what her strange man in black really is (from a photo) and finally to a decision that Seth must make of his own 'free will'…

Director Brad Silberling’s movie cleverly avoids any flashy 'ghost' or 'angel' tricks and allied with Gabriel Yared’s truly gorgeous film score (the acoustic "The Unfeeling Kiss" used during the market scene as they shop for fruit is particularly stunning) and other clever song choices by Peter Gabriel, Paula Cole, Alanis Morissette and Sarah McLachlan – gives his angelic messengers a calming presence – benevolent beings watching over us all but not interfering nor judging.

The February 2014 AMERICAN BLU RAY I bought on Barcode 883929374298 is REGION FREE so there are no compatibility problems for UK or European buyers. The picture is defaulted to 2.4:1 Aspect Ratio so there's bars top and bottom - but even stretched to Full Screen - the print quality is lovely throughout. You wouldn’t say it was exceptional by any means – but I feel its an improvement over the DVD I had  – never overly glossy – classy in its presentation. Eyes are blue – sunsets are multi-coloured and his sweat and blood when he falls onto a steel platform look real. Meg Ryan has probably never looked more beautiful or assured while Cage brings an other-worldliness to his character than few actors could achieve. The behind-the-scenes documentaries feature fun talks with the cast both in studio and on location (skyscraper shots that terrified both Cage and Franz because they are real – short on girders way up there).

Audio is DTS-HD Master Audio English 5.1, Dolby Digital French 5.1, Spanish Castilian 5.1 and Spanish Latin 2.0. Subtitles include English SDH, French and Spanish. 

Maggie says to Seth about her lost patient – "I wanted him to live…" And Seth replies, "He is living…just not in the way you think…"


Ever wonder what your invisible guardian looks like? Convert to "City Of Angels" and find out…

Monday, 17 March 2014

“Glory” on BLU RAY - A Review Of The MASTERED IN 4K Release…


Here is a link to Amazon UK to buy this issue at the best price (£9 as of March 2014):


First things first - I don't own a 4K TV - nor do I own the Sony BDPS6200 BLU RAY player with built in 4K upscaling. So I suppose this review of "Glory Mastered In 4K" is compromised on 2 fronts. However I have what I suspect most film lovers have - a good Plasma TV and a half-decent BLU RAY player. But even with machines as lowly as these - I'm compelled to review...

Is Mastered In 4K a gimmick? No it's not. The new format on BLU RAY is in its infancy for sure as far as releases and market interest is concerned - but judging on what I'm seeing on my television - that isn't going to last long. Once you set your eyes on the quality of the picture and what can be done - immediate upgrades on all your favourites is going to make you very excited - and your bank manager very nervous.

"Glory" has had a convoluted and patchy history with regard to reissue - most notorious of all was the DVD - slammed as being awful - with its BLU RAY follow up not a whole lot better. And this powerful 1989 Edward Zwick movie about the 54th Massachusettes regiment in the American Civil War (the first Black military unit and their extraordinary bravery) means a lot to many. So Sony seem to have gone to some lengths to change this with their new format baby because "Glory" is being hailed as a sort of flagship release to show what can be achieved  - even with older and sometimes degraded elements.

It's defaulted to 1.85:1 aspect ratio so it naturally fills the full screen and has a huge impact for doing so. The picture isn't perfect by any means or stretch of the imagination - and there are shocking 'grain' spikes at times. The most famous of these is where Colonel Robert Shaw (a huge performance from Matthew Broderick) is in a ballroom talking to a general - when it cuts to the general the picture is gorgeous - but when it cuts back to Broderick's face - it looks awful - twice. And on many other occasions the natural grain of filming is evident like a very faint shimmer - but even in the darker night sequences in tents when Denzel Washington, Andre Braugher and Morgan Freeman are talking - the picture is amazingly clean, rich and rock solid.

But it's when the camera moves to the drill marches, the towns they pass through and especially the battle encampments and the fields of battle - it looks gorgeous to a degree that is breath-taking. Bloody wounds, muddy shirts, the blue uniforms they covet so much, Denzel standing tall and defiant and hurting as he takes the lashes on the wheel for insubordination - it all looks incredibly rich and deep. Throughout the film this kicked in maybe 30 or 40 times which is impressive despite the grain moments in between.

The best way to describe the picture is 'cinematic' - there's an almost 3D depth to some shots - a real 'movie-in-your-home' sense of distances. And the James Horner soundtrack is given full reign too by the 5.1 True HD mix (English and Spanish) as are and sounds of rifle gunfire, canon blasts, rain on tarpaulin and men screaming in pain in tents as surgeons saw off limbs.

Presentation - Subtitles are in English, English for The Hard of hearing, Hindi, Polish and Spanish. Each release comes in a pretty blue card slipcase on the outside with the BLU RAY MASTERED IN 4K logo across the top - but unfortunately little else. There are literally no extras of any kind - which feels like a huge missed opportunity especially on such a rich film as "Glory" (3 Oscar wins - Best Supporting Actor for Denzel, Best Cinematography and Best Sound).

And as you can see from the list below - the initial vanguard of titles in 4K is hardly enticing - and in some cases - why even bother (the truly dreadful "The Other Guys" and the underwhelming "Moneyball")? And these titles were issued (Region Free) in the States between April and July 2013 with no further names since? Hardly a rip-roaring start...

Having said all that - I'm impressed. I'm even tempted now by "Taxi Driver", Ghostbusters" and "Godzilla" which have received similar glowing reviews on the improvement front.

The truth I suspect is that `4K' is an advancement for film fans that we're going to want more of once we clap our beady eyes on the screen - and that can only spell joy and pain in equal measure.

Here we go again...

Titles MASTERED IN 4K as of March 2014 are:

1. Angels And Demons (2009)
2. Battle: Los Angeles (2011)
3. Ghostbusters (1984)
4. Glory (1989)
5. Godzilla (1998)
6. The Karate Kid (2010)
7. Men In Black (1997)
8. Moneyball (2011)
9. The Other Guys (2010)
10. Pineapple Express (2008)
11. Spider-Man (2002)
12. Spider-Man 2 (2004)
13. Spider-Man 3 (2007)
14. The Amazing Spider-Man (2012)
15. Taxi Driver (1976)

16. Total Recall (2012)

Thursday, 8 October 2009

“Passengers”. A Review of the 2009 Film Now On DVD and BLU RAY.

“…I Know You From Somewhere…”

I've watched so many films this year - and the really good ones you can count on two hands - "Passengers" is one of them.

At first it's a little frustrating as Anne Hathaway struggles with her therapist assignment - five men and women who've survived a crash-landed jet on American soil. They may or may not have acquired powers because of the crash - and people and odd things appear around them? Or perhaps the airline is being less than truthful about its planes and their maintenance records when she confronts them (David Morse)? Why is Patrick Wilson (one of the bloodied survivors who has recovered remarkably quickly) so determined to woe and date Anne? And why do others around Anne now want all manner of things from her - her boss wants a speedy report put in (Andre Braugher) - the suddenly way too friendly neighbor (Dianne Wiest)?

To say too much is to give too much away, and I wouldn't want to spoil it - suffice to say - like many other reviewers, I was strangely moved by this film.

"Passengers" is directed by Rodrigo Garcia - the same man who brought us the brilliant Gabriel Byrne psychiatrist drama "In Treatment".

Hire this movie and bear with it - it's a gem in a sea of mediocrity.



Recommended - big time.

INDEX - Entries and Artist Posts in Alphabetical Order