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"...Blowin' Free... "
Ah!
the classic Live Double Album from your favourite Rock Band of the Seventies –
their prowess in front of an enrapt audience not so politely slaughtering the
mildly tepid studio versions that preceded them. Deriguer in those days baby...
And
so it was no different with the Flying V duo of Wishbone Ash – their "Live
Dates" 2LP bonanza from late 1973 (after four studio albums) holding
a hot-water bottle comforting place in the aging tickers of (well) aging tickers. To the Kings and
Pilgrims and Phoenixes and girly types with Whiskey on their breath and a glint
in their eye for the guitar player (and his Bassist brother)...
UK
released 24 November 1995 (reissued 25 July 2002 and 2007 with same catalogue
numbers and Barcodes) - "Live Dates" by WISHBONE ASH on Beat Goes On
Records BGOCD293 (Barcode 5017261202932) offers a full 2LP Live Set Remastered
onto 1CD that plays out as follows (79:52 minutes):
1. The King Will Come (7:50
minutes) [Side 1]
2. Warrior (5:50 minutes)
3. Throw Down The Sword (6:00
minutes)
4. Rock 'N Roll Widow (6:0 minutes) [Side 2]
5.
Ballad Of The Beacon (5:20 minutes)
6.
Baby What You Want Me To Do (6:33 minutes)
7.
The Pilgrim (9:15 minutes) [Side 3]
8.
Blowin' Free (3:28 minutes)
9.
Jail Bait (4:39 minutes)
10.
Lady Whiskey (6:15 minutes) [Side 4]
11.
Phoenix (17:13 minutes)
Tracks
1 to 11 are their fifth album release (first live) "Live Dates" –
released November 1973 in the USA on MCA Records MCA2-8006 and December 1973 in
the UK on MCA Records ULD 2-1/2 (MAPS 7169). Produced by WISHBONE ASH – it
peaked at No. 82 on the US Billboard LP charts (didn’t chart UK).
Recorded live at four British
locations – Fairfield Hall in Croydon on 17 June 1973 (Tracks 1, 8, 9 and 11),
Portsmouth Guild Hall on 21 June 1973 (Track 6), Reading University on 23 June
1973 (Tracks 4, 5, 7 and 10) and Newcastle City Hall on 24 June 1973 (Tracks 2
and 3) - all songs are Wishbone Ash originals except "Baby What You Want
Me To Do", a Jimmy Reed Rhythm and Blues cover version exclusive to this
release.
WISHBONE ASH was:
ANDY POWELL – Lead Vocals and
Guitar
TED TURNER – Lead Vocals and
Guitar
MARTIN TURNER – Lead Vocals
and Bass
STEVE UPTON – Drums
This BGO release originally
issued in November 1995, was reissued in July 2002 with a slightly different
back inlay and that version again sometime in 2007 (appears to be on their
catalogue roster ever since). The 8-page booklet keeps the DOUG LING liner
notes of 1995 reproducing the photos of the band on stage that graced the inner
gatefold. Ling gives a brief history of the band, but it might have been nice
if BGO used the 2002 reissue as a reason to include the 4-page booklet that
came with original American vinyl copies. And although it doesn't say so
specifically - a Remaster is evident – probably ANDREW THOMPSON their resident
Audio Engineer. Either it rocks like the proverbial hairy-man it is.
Quickly establishing their
twin-guitar assault on the audience, not surprisingly "Live Dates"
opens Side 1 with three from their most popular platter "Argus" –
their third studio album issued April 1972 in the UK on MCA Records (June 1972
in the USA on Decca). After a short drum roll and barely-spoken Good Evening - "The
King Will Come", "Warrior" and "Throw Down The Sword"
all share Martin Turner and Andy Powel handling Lead Vocals and Guitars - whomping
the party faithful in front of them with a group that has clearly become tight,
tight, tight. The audio is full and really good for the time frame involved –
those flicked guitar notes that open "Warrior" alarmingly clear. And
I've always loved the slow slightly Proggy vibe to "Throw Down The
Sword" – Upton's symbol swishes and the crowd's clapping - well recorded.
Up next is the fourth studio
platter "Wishbone Four" from only five months earlier in May 1973 –
that album represented by two - "Rock 'N
Roll Widow" and "Ballad Of The Beacon". The slide
guitar sound that opens "Rock 'N Roll Widow" gets that
concert distance it needed – an album that wasn't really loved after "Argus", I
have always held a candle for it. The pretty "Ballad Of The Beacon"
slows down the mood – leaving this town in the morning – it sounds great and as
a song is actually a genuine grower (dig that guitar solo too).
We get a weird one in the
shape of a Jimmy Reed cover version – "Baby What You Want Me To Do" - the only cut recorded at the Portsmouth gig on 21 June 1973. Maybe
because the Audio quality feels a little bootleg-plus – it's good but just a
tad unconvincing if I'm honest. Faith is very quickly restored with a fantastic
nine-plus minute version of the builder that is "The Pilgrim" – their
control and playing subtly on fire – notes building – symbols shimmering –
Pilgrim is the kind of stoner track so few bands would do nowadays – but when
that change and dual assault kicks in at three minutes – it's like Todd
Rundgren's Utopia on a great night out. And on it goes via the youthful "Blowin' Free", the almost Danny Kirwan Fleetwood Mac 1970s riffage
chug of "Jailbait" to the monstrous
seventeen-minutes of "Phoenix" which I would admit may test my
staying power at the age of 64.
Back
in the day Wishbone Ash fans would have been lucky to get their hands on Live
material by the band - with one exception - the famous "Live From Memphis"
3-Track EP put out by Decca in the States in 1972 as a sort of mini Promotional
LP (Decca Records DL 7-1922) to promote the group amongst
US Radio Stations and their Rock-friendly jocks. Recorded 21 August 1972 in
the studios of WMC-FM Radio in Memphis, Tennessee – MCA used one of its cuts –
the 17-minute "Phoenix" as a Bonus Track on the 2CD Remaster of
"Live Dates" in 1992 (MCA Records MCAD2 10396). Beat Goes On have
never used that song nor any of the others, but the Promo EP’s three can be
found on both the single CD remaster of "Argus" from March 2002 or on
the 2CD Deluxe Edition of "Argus" from November 2007. And as recently as 2020, "Live Dates" was repressed on a Vinyl Is Beautiful 2LP set in the USA –
MCA Records 410012/13 being a Limited Edition of 1,500 copies in (wait for it)
Yellow and Blue Translucent pressing aping of course the original Hipgnosis
cover-scheme artwork. And we are back to what rocked then and now.
April
2018 saw a ginormous 30CD Box Set on Madfish Records called "Wishbone Ash
The Vintage Years 1970-1991" – one
for the uber-fan with more money and real estate in Cornwall than sense. And in
2022 and 52-years burning down the Rock and Roll Road – original guitarist Andy
Powell keeps a version of a four-piece Wishbone Ash ticking over.
But
this is where the rep for and legend of Wishbone Ash was hewn – "Live Dates" - with the wind in your hair, blowin'
free. Enjoy...