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Showing posts with label Peter Asher Bill Inglot and Bernie Grundman (Remasters). Show all posts
Showing posts with label Peter Asher Bill Inglot and Bernie Grundman (Remasters). Show all posts

Monday, 6 July 2020

"The Warner Bros. Albums 1970-1976" by JAMES TAYLOR – Six US Albums including "Sweet Baby James" (February 1970), "Mud Slide Slim And The Blue Horizon" (April 1971), "One Man Dog" (November 1972), "Walking Man" (June 1974), "Gorilla" (May 1975) and "In The Pocket" (June 1976). Featuring Carole King of The City, Randy Meisner of Eagles, Red Rhodes of Bamboo, Chris Darrow of Kaleidoscope, Danny Kortchmar of The Flying Machine, Russ Kunkle of The Section, Leland Sklar, Joni Mitchell, John Hartford, Richard Greene, The Memphis Horns, Linda Ronstadt, Carly Simon, Alex and Kate Taylor, Randy and Michael Brecker, David Sanborn, Bobbye Hall, Paul and Linda McCartney, Hugh McCracken, David Spinnoza and many more (19 July 2019 UK Warner Brothers 6CD Box Set – Peter Asher, Bill Inglot and Bernie Grundman Remasters) - A Review by Mark Barry...

 







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"...Shower The People..."

For long-suffering JT fans (and those who like the earlier hits from 1970 and 1971 but don't know much more after that) - the big news here is not just the sweetly handled new remasters, the tasty presentation box (hell it even has an insert) and the extremely reasonable price (roughly three quid each) – it's finally getting availability to these Seventies albums after nearly four decades of digital shenanigans.

The Warner Brothers period of James Taylor's career has had a very chequered CD past since the mid 80ts. Then after years of ok-sounding reissues - there was the beautiful audio of the "You've Got A Friend" Best Of compilation in 2003 with choice album tracks, followed by the six sexily cool Japanese SHM-CD reissues in April 2010 with new mastering and exact repros of the American artwork. There were also American Audiophile Gold CD reissues of "Mud Slide Slim" and "One Man Dog" – and on it went. But the average Joe has been looking at £20 to £30+ per album purchase (if you can find them).

Well now – at last – in July 2019 - Rhino and Warner Brothers have finally done Boston’s Walking Man the reissue business - six albums in one neat clamshell box set, 75-Tracks from "Sweet Baby James" in 1970 through to "In Your Pocket" in 1976 and new Remastering of the whole shebang supervised by original Engineer and Producer Peter Asher (first three LPs). There is a woke load of detail to wade through, so let's indeed get sweet on baby James once more...

UK released 19 July 2019 - "The Warner Bros. Albums 1970-1976" by JAMES TAYLOR on Warner Bros/Rhino R2 587550 (Barcode 603497852390) offers six albums from 1970, 1971, 1972, 1974, 1975 and 1976 newly Remastered onto 6CDs with Mini LP Repro Artwork and it plays out as follows:

CD1 "Sweet Baby James" (31:54 minutes, 11 tracks):
Second studio album, US released February 1970 on Warner Brothers BS 1843 and November 1970 in the UK on Warner Brothers WS 1843 (reissued December 1971 on Warner Brothers K 46043)
Tan label CD, single card sleeve with gatefold lyric insert as per original 1970 vinyl LP

CD2 "Mud Slide Slim And The Blue Horizon" (37:21 minutes, 13 tracks):
Third studio album, US released April 1971 on Warner Brothers BS 2561 and May 1971 in the UK on Warner Brothers WS 2561 (reissued in the UK on Warner Brothers K 46085 in March 1972)
Tan label CD, gatefold card sleeve with no insert as per original vinyl LP

CD3 "One Man Dog" (37:44 minutes, 18 tracks):
Fourth studio album, US released November 1972 on Warner Brothers BS 2660 and November 1972 in the UK on Warner Brothers K 46185
Tan label CD, single card sleeve and lyric insert as per original vinyl LP

CD4 "Walking Man" (34:03 minutes, 10 tracks):
Fifth studio album, US released June 1974 on Warner Bros W 2794 and June 1974 in the UK on Warner Brothers K 56042
Burbank label CD, single card sleeve with no insert as per original vinyl LP

CD5 "Gorilla" (39:02 minutes, 11 tracks):
Sixth studio album, US released May 1975 on Warner Brothers BS 2866 and May 1975 in the UK on Warner Brothers K 56137
Burbank label CD, single card sleeve with no insert as per original vinyl LP

CD6 "In The Pocket" (44:56 minutes, 12 tracks):
Seventh studio album, US released June 1976 on Warner Brothers BS 2912 and June 1976 in the UK on Warner Brothers K 56197
Burbank label CD, single card sleeve with lyric insert as per original vinyl LP

There are cool period photos on the front and rear of the clamshell box and inside, a six-leaf foldout inlay (more period snaps) with new liner notes from original Engineer, Producer and Manager of JT for 25 years - PETER ASHER. Asher gives us a potted a backdrop into 1969 and 1970 especially - Taylor's cohorts in rehearsal and studios – huge names like Carole King of The City pre "Tapestry" fame, Randy Meisner of Eagles (before he'd joined the mega Country Rock band), Red Rhodes of Bamboo, Chris Darrow of Kaleidoscope and his regular rhythm section - Danny Kortchmar of The Flying Machine, Russ Kunkle of The Section and Leland Sklar. There are even corrections to missing musician credits - Craig Doerge (of Jackson Browne's band) playing Electric Piano on "One Man Dog" while David Sanborn played Alto Sax on the huge hit single "How Sweet It Is (To Be Loved By You)". They were mistakenly left off the original inserts. 

But the big news is a full-on vaults trawl for the remasters - Asher working in supervision tandem with one of Rhino's longest-standing Audio Engineers since the early 90s - BILL INGLOT - and then to final mastering by the legendary BERNIE GRUNDMAN - a name synonymous with audio excellence. And that's where this Box Set hits all the right notes - finally hearing deep album gems like "Sunny Skies", "You Can Close Your Eyes", "One Morning in May", "Wandering" or "I Was A Fool To Care" in properly great audio is fab. A gorgeous job done, and as mentioned earlier, not a box set that’s going to cost your life’s savings.

SINGLES:
This box set will also allow JT fans to sequence almost all 14 of his Warner Brothers US 45s from the period (see Note):

1. Sweet Baby James b/w Suite For 20 G (May 1970, Warner Bros 7387)
2. Fire And Rain b/w Anywhere Like Heaven (August 1970, Warner Bros 7423)
3. Country Road b/w Sunny Skies (January 1971, Warner Bros 7460)
4. You've Got A Friend b/w You Can Close Your Eyes (May 1971, Warner Bros 7498)
5. Long Ago And Far Away b/w Let Me Ride (September 1971, Warner Bros 7521)
6. Don't Let Me Lonely Tonight b/w Who, Don't You Know (November 1972, Warner Bros 7655)
7. One Man Parade b/w Nobody But You (February 1973, Warner Bros 7682)
8. Hymn b/w Fanfare (April 1973, Warner Bros 7695)
9. Let It All Fall Down b/w Daddy's Baby (August 1974, Warner Bros WBS 8015)
10. Walking Man b/w Daddy's Baby (November 1974, Warner Bros WBS 8028)
11. How Sweet It Is (To Be Loved By You) b/w Sweet Maria (June 1975, Warner Bros WBS 8109)
12. Mexico b/w Gorilla (September 1975, Warner Bros WBS 8137)
13. Shower The People (Edited) b/w I Can Dream Of You (July 1976, Warner Bros WBS 8222)
14. Woman's Gotta Have It b/w You Make It Easy (October 1976, Warner Bros WBS 8278)
Note: the 'edited' version of "Shower The People" runs to 3:52 minutes; the LP cut is 4:32 minutes
Also the B-side "I Can Dream Of You" is a Livingstone Taylor cover version (his brother) and is a non-album track not available here 

No less that six of the eleven tracks from his 1970 Warner Brothers debut album "Sweet Baby James" were issued across 1970 and 1971 and reissued many times after – classics like "Fire And Rain", "Country Road" and the title song "Sweet Baby James". But fans will go straight for deep cuts like "Lo And Behold", the warm California sound of "Sunny Skies" and the cool acoustic Blues of "Steamroller" – a track he would return to for his first Greatest Hits set in 1976 with a raucous live version.

As a simple Americana, Singer-Songwriter almost Folk-Rock album - "Sweet Baby James" remains as much beloved in 2020 (50 years after the event) as does the follow up from 1971 - "Mud Slide Slim And The Blue Horizon". And the Remaster here is gorgeous. For sure you can’t actually read the lyrics in the repro foldout insert without a magnifying glass – but a nice touch nonetheless. And they have correctly used the "Sweet Baby James" title-only artwork of the February 1970 original - copies from late 1970 through to 1971 and beyond had "Including Fire And Rain and Country Roads" printed beneath the album title when those tunes became huge radio hits.

While "Fire And rain" from 1970's "Sweet Baby James" and "You've Got A Friend" from 1971's "Mud Slide Slim..." made him a global star (Carole King and Joni Mitchell's songwriting and vocal presence helped) - 1972's "One Man Dog" had a lot of small tracks that felt awful like filler amidst the obvious singles like "Don't Let Me Be Lonely Tonight" and "Hymn" (with Randy and Michael Brecker on horns). Linda Ronstadt lent her voice to the excellent "One Morning In May" while a trio of Taylors (Alex, Hugh and James) gave their family harmonies to "Woh, Don't You Know".

Although he managed a healthy No. 13 placing the US Billboard album charts, it's safe to say that by 1974 and "Walking Man" (what boring cover art too), the public was deserting him in the UK where the album didn't chart at all. It's this forgotten album and the two that followed - 1975's "Gorilla" and 1976's "In The Pocket" when he'd teamed up with Carly Simon and was having a parallel career with her on Elektra Records - that will interest hard core fans the most. They are the albums you don't hear and acoustic-peaceful songs like "Daddy's Baby" and "Wandering" are tunes that deserve this second go round.

None other than Paul and Linda McCartney provided backing vocals on the bluesy "Rock 'n' Roll Is Music Now" while his Walking Man band featured famed guitarists Hugh McCracken and David Spinnoza as well as Carly Simon on Backing Vocals. Speaking of pretty (she sings on) "Ain't No Song" and its smooth production reminds me so much of Stephen Bishop's delightful 1976 debut "Careless" over on ABC Records. For sure stuff like "Hello Old Friend" with its city and country naming feels a tad too Neil Diamond (and not in a good way) and the Chuck Berry cover of "The Promised Land" smacks way too much of easily dashed-of filler. But then you get "Migration" - a perfectly lovely JT song - feels just a symphony to me - he sings - and I agree.

For sure there are those who would argue that JT has essentially sung the same tune for 50 years – just in many tiny variations. But I saw him live only ten years ago and it sure didn't feel like that to me. He was magical – evenly paced – never flash - but classy – steady and true. 

Re-visiting these albums has been both a joy and on occasion a tiny bit of a disappointment (especially LPs 3 and 4). But I'm certain that fans and newcomers are going to feel lifted up too - the good far outweighing the bad. Shower the people with love, he sang all those years ago. It was a good idea then and it still is now...

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MORE THAN A FEELING 
1976

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