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Showing posts with label Stephen Dillane. Show all posts
Showing posts with label Stephen Dillane. Show all posts

Wednesday, 18 March 2020

"The Professor And The Madman" - A Review by Mark Barry of the 2019 Farhad Safina Film starring Mel Gibson, Sean Penn, Stephen Dillane, Natalie Dormer and Eddie Marsan - Now on BLU RAY...




"...Fly...On The Wings Of Words..." 

- The Professor And The Madman on BLU RAY -


As you sit through the engaging real-life-story movie that is "The Professor And The Madman" - you might well think - where was this fabulous film in the 2020 Oscars? Why was the entire world told that fatuous tut like Tarantino's "Once Upon A Time In Hollywood" was worthy of our attention or even an Oscar for Brad Pitt? There are just so many choice roles in "The Professor And The Madman" that on any other year, it would have been garnished with nominations galore. Is it that in Hollywood, Mel Gibson is still a persona non grata? Well, be that as it may, this is without question the Australian actor and director's most accomplished work in decades...

Shot in Ireland and especially the older parts of Dublin (the truly gorgeous library inside Trinity College is featured to fabulous effect), I suspect that for many viewers, this beautifully realized movie is coming out of left field. Few have heard of it, let alone went to see it in a cinema. Based on a true story - principled Scotsman and Professorial multi-lingual scholar James Murray (Mel Gibson) is charged with forming an English Language Dictionary chronicling every word along with its history, meaning and literature reference - a task that has defeated snooty Oxford and Cambridge dons for decades - possibly even driven some of them stark raving mad.

But James Murray is different. He has armour and secret weapons. His wife Ada is his rock and their many children fill James with wonder, strength and even purpose (Ada is beautifully played by Jennifer Ehle of Pride and Prejudice TV Series fame). Murray is also in love with language and words to the point where he feels they may even be a route to the divine, love and that most difficult of all emotions in the mid 19th century - forgiveness.

Used on one third of the earth as a 'mother tongue' - Murray goes at the impossible task of finding and defining 'every' word and permeation of the English language with aid from his team of researchers led by Henry Bradley (Iain Gruffudd). But it soon becomes obvious why others have been driven to tears with such a task - smashed up every time against the rocks of 'proof' for even the simplest of words like 'art' or 'approved' - and that's just the 'A's'. But help comes from an unlikely source and a parallel story.

Possessed of a demon-infested and yet brilliant mind, Dr. William Minor is also drawn to the healing of literature. But while he was once a respected surgeon in the American Civil War, conflict and actions he was forced into (maiming a soldier deemed to be a deserter) have left his mind shattered to the point where in a frenzy of voices and illusions - he shoots dead a young man called Everett. This has left his young wife Eliza and her five children to destitution (Natalie Dormer excelling in a genuinely great part for the Games Of Thrones star). Dr. Minor (a seriously brilliant Sean Penn) is easily convicted and sent to prison – Eliza Everett initially glad to see him suffer.

Inside the correctional facility/lunatic asylum for the criminally insane that is Broadmoor in Berkshire, he meets Dr. Richard Brayn - a caring physician played by the stunning Stephan Dillane - also of Games Of Thrones and cruelly robbed of an Oscar for his exceptional work in the Churchill film "Darkest Hour". Determined to methodically help inmates rather than let them rot in cells, Dr. Brayn gives the mad but clearly intelligent American leeway that may indeed lead to his salvation – space, paper and books. And after a letter is found inside a book that has called on the entire English-speaking world to supply words and their meanings, the strange relationship with the Scottish Professor James Murray and the convicted-of-murder American Civil War surgeon William Minor begins – over an English book from Oxford.

Both Gibson and Penn are magnificent in this movie - not just good - but towering. Throw in the genuinely awesome humanity that Eddie Marsan of "Ray Donovan" fame brings to everything that he does (Eddie plays a guard called Mr. Muncie who takes pity on the madman and is instrumental as a liason) and a fantastically good Steve Coogan as an establishment friend to James Murray who can oil and circumnavigate the cogs of Oxford snoots malicious and vindictive towards the Scotsman (Anthony Edwards and Laurence Fox leading the doubters) - and you get an inkling of the kind of quality ensemble cast that is on offer here. There are at least six or seven more names I could mention...

Good as they all are though, the cast excels because the story and the writing that depicts this unusual tale is simply beautiful - a gorgeous script by Director Farhad Safina (credited as P.B. Shemran) and Todd Komarnicki (Safina wrote large swathes of both seasons to a Kelsey Grammer Mayor-of-Chicago TV Series I loved called "Boss"). Based on a 1998 book by Simon Winchester called "The Surgeon Of Crowthorne", the 2019 film "The Professor And The Madman" has heart and compassion and delights in language and its power to diffuse and even heal. And on it goes to the credits where photographs and achievements give further insight into these odd but earnest men and their achievements – Bear McCreary’s music lifting proceedings all the way to the end.

I loved "The Professor And The Madman" and I suspect many others will too. As the damaged man, Dr. Minor says, "...I can fly out of here...on the wings of words..." Good advice, I think. A really, really good movie and well done to all involved...

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