"...Lone Star Hotel..."
With his first two favourably-received
albums under his belt at RCA Records – "Old No.1" in August 1975 and "Texas
Cookin'" in October 1976 – Singer-songwriter GUY CLARK signed a new deal with
Warner Brothers and slowly sneaked out this trio of affectionately-remembered Country
LPs across the next five years (1978, 1981 and 1983).
Quickly acquiring a
reputation as a Texas-Born Troubadour down with the drunks, the broken
marriages and the outlaw fringes of society – Guy Clark saw his biggest chart
success in the early Eighties. But more than that - his albums (like those of
say John Hiatt, Chris Smither and John Prine) were also greeted with huge
affection by other artists and became
a wellspring – a provider of catchy tunes for the likes of Johnny Cash, Vince
Gill, Waylon Jennings, Nicolette Larson, Emmylou Harris and Ricky Scaggs (to
name but a few). Fellow Texan and lifelong friend Rodney Crowell produced both
the 80's LPs – co-writing "The Partner Nobody Chose" and the US Country No.1 "She's Crazy For Leavin'" on "The South Coast Of Texas" album.
England's Beat Goes On Records (BGO) has licensed these three long-deleted albums from WEA and presents them here in
their usual classy way – a card slipcase, quality remastered sound and decent
liner notes. There’s a lot on offer – so let’s get to the jailhouse now...
UK released June 2015 (July
2015 in the USA) – "Guy Clark/The South Coast Of Texas/Better Days" by GUY
CLARK on Beat Goes On BGOCD1190 (Barcode 5017261211903) is a Compilation that provides 3LPs Remastered onto
2CDs and breaks down as follows:
Disc 1 (69:29 minutes):
1. Fool On The Roof [Side 1]
2. Fools For Each Other
3. Shade Of All Greens
4. Voila, An American Dream
5. One Paper Kid
6. In The Jailhouse Now [Side
2]
7. Comfort And Crazy
8. Don't You Take It Too Bad
9. The Houston Kid
10. Fool On The Roof Blues
Tracks 1 to 10 are his 3rd
studio album "Guy Clark" – released May 1978 in the USA on Warner Brothers BSK
3241 and in the UK on Warner Brothers K 56565
11. Who Do You Think You Are [Side 1]
12. Crystelle
13. New Cut Road
14. Rita Ballou
15. South Coast Of Texas
16. Heartbroke [Side 2]
17. The Partner Nobody Chose
18. She's Crazy For Leavin'
19. Calf-Rope
20. Lone Star Hotel
Tracks 11 to 20 are his 4th
studio album "The South Coast Of Texas" – released February 1981 in the USA on
Warner Brothers BSK 3381 and in the UK on Warner Brothers K 56902.
Disc 2 (31:30 minutes):
1. Blowin' Like A Bandit [Side 1]
2. Better Days
3. Homegrown Tomatoes
4. Supply & Demand
5. The Randall Knife
6. The Carpenter [Side 2]
7. Uncertain Texas
8. No Deal
9. Tears
10. Fool In The Mirror
Tracks 1 to 10 are his 5th
studio album "Better Days" – released 1983 in the USA and Europe on Warner
Brothers 9 23880-1.
The card slipcase that is
now standard with all BGO releases lends the whole thing a classy feel and look
while the pleasingly chunky 24-page booklet features the original album
credits, inner sleeve artwork spread across the text and the lyrics to all
three records at the rear. Inbetween is a typically superb and detailed
analysis of his whole career by noted-writer and long-time BGO-collaborator
JOHN O'REGAN. The "Better Days" album sleeve is used as the back inlay on the
inside. The remasters are by ANDREW THOMPSON and sound gorgeous – the
production values of NEIL WILBURN ("Guy Clark") and RODNEY CROWELL (the other
two) shining through – not to mention the long line of quality players
including names like Buddy Emmons, Albert Lee, Don Everly and KT Oslin.
The self-titled Warner
Brothers debut has six Clark originals with the other four being covers of old
and new songs – "In The Jailhouse Now" (Jimmie Rogers), "Voila, An American
Dream" (Rodney Crowell), "One Paper Kid" (Walter Cowart) and "Don't You Take It
Too Bad" (Townes Van Zandt).
Guy Clark, Rodney Crowell and Irishman Phillip
Donnelly provide the acoustic and electric guitars for most tunes but England's
Albert Lee puts in lead (once with Heads, Hands & Feet and later The
Crickets). And along with Dave Briggs and the legendary Buddy Emmons on Pedal Steel
Guitars and Mickey Raphael on Harmonica – the sound was slicker and
dare-we-say-it more radio-friendly Country than that of the first two records. There
are a lot of broken-hearted lovers in these tunes and people who are just plain
out of luck – the accusations fly in slyly lovely "Fools For Each Other" as
Clark croons with a side-order of blasé "...who took off when their heart got
broke..." while an innocent local dreamer is taken out by a drunk-driver in "One Paper Kid" and now sings in a place where "...it's legal to dream..."
The
prettiness of "Shade Of All Greens" is about as languid as Country Rock gets
with Buddy Emmons adding so much to the song as he slides up and own those
pedal steel strings in the background. For me one of the album highlights is
the sad yet hopeful "One Paper Kid" which Emmylou Harris would cover that year
on her "Quarter Moon In A Ten Cent Town". Side Two opens with Jimmie Rogers' fun as he camps up the pace with "In The Jailhouse Now" which The Coen Brothers would
have Tim Blake Nelson sing in their 2000 movie "O, Brother Where Art Thou?" (credited as "The Soggy Bottom Boys"). Soft and gentle comes at you twice on Side 2 – his own "Comfort And Crazy" and his delicious cover of Townes Van Zandt's "Don't You
Take It Too Bad" with both Don Brooks on Harmonica and Kay T. Oslin on Duet
Vocals making the song.
His 4th album
“The South Coast Of Texas” from 1981 saw some high-profile (soon to be stars)
contributions – Ricky Scaggs plays Fiddle and sings on “Heartbroke”, Roseanne
Cash sings on “Crystelle” and Vince Gills puts in Vocals too. Emmylou Harris’
Hot Band made up the backing musicians – Hank DeVito on Guitars, Ricky Scaggs
on Fiddle, Emory Gordy and Glen Hardin on Keyboards. “The South Coast Of Texas”
has pleasing tunes on it like the chipper “New Cut Road” and the line-dancing
shuffle of “Rita Ballou” – but on the underage song “Crystelle” and the title
track – there feels like some of the magic of the “Guy Clark” album is somehow
lost. The almost poppy “Heartbroke” is a clear aim at commercial Country but
again it feels ordinary – while I find it inexplicable as to why “She’s Crazy
For Leavin’” made it to Number One. Perhaps his love for his wife Susanna Clark
(his lifetime partner) imbibed the Warners debut with something special that
the follow up three years later didn’t have.
The “Better Days” album
opens with a winning melody “Blowin’ Like A Bandit” where taking a boat out to
sea will guarantee all occupants become shark-bait in the morning (Reggie Young
on Lead Guitar). Once again Vince Gill and Hank DeVito bring their guitars to
the backing group and the remaster is gorgeous on the “Better Days” title
track. Paul Kennerley (who worked a lot with The Judds) provides Bass Vocals on
the ever-so-slightly hick “Homegrown Tomatoes” but better is the side finisher
“The Randall Knife” where Clark sounds and sings like John Prine’s younger
brother (a great storytelling song about his father). Crowell sings on
“Uncertain Texas” where again he sounds like John Prine circa 1991’s “The
Missing Years”. It ends on the funky guitar chug of “Fool In The Mirror” where
he bemoans that he’s putting on a little bit of weight because his “baby’s
gone”.
So there you have it – three
good albums sounding real sweet on one 2CD quality remaster/reissue. In 2014 Guy
Clark’s album “My Favorite Picture Of You” pulled the Grammy for ‘Best Folk
Album Of The Year’.
20-albums into a 40-year career and still a class act...
20-albums into a 40-year career and still a class act...
