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Showing posts with label PHOEBE SNOW - "Phoebe Snow" (June 1995 US The Right Stuff/Shelter 'Expanded Edition' CD Reissue with One Bonus Track - Steve Hoffman Remaster). Show all posts
Showing posts with label PHOEBE SNOW - "Phoebe Snow" (June 1995 US The Right Stuff/Shelter 'Expanded Edition' CD Reissue with One Bonus Track - Steve Hoffman Remaster). Show all posts

Thursday 19 July 2018

"Phoebe Snow" by PHOEBE SNOW (June 1995 US The Right Stuff/Shelter 'Expanded Edition' CD Reissue with One Bonus Track - Steve Hoffman Remaster) - A Review by Mark Barry...






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"...You Make Things All Rhyme..."

Like Dory Previn, Judee Sill and even Melissa Manchester - New York's Phoebe Snow released albums that made noises at the time (in this case a career peak position of No. 4 in the States in the Autumn of 1974) - but in truth her work has taken decades for true appreciation to be shown - for the rest of the world to catch up so to speak.

Over in Blighty - Snow remained something of a cult figure for years making a whopping four further albums on Columbia Records (issued through CBS here) between 1976 and 1979. I can recall they would sit in the secondhand racks of Reckless in Soho and Islington for months on end – nestled forlornly alongside Richie Furay, Eric Anderson and Bobby Whitlock LPs - hoping to be bought and loved by someone. Well better late than never...

Gorgeously produced by Dino Airali and mixed by Phil Ramone - the self-titled 9-track album originally on Shelter Records in the USA also boasted top musician contributions - Dave Mason of Traffic, Americana guitar supremo Dave Bromberg, uber sessionman Hugh McDonald on Bass, Bob James on Organ and Zoot Sims on Tenor Sax, Percussionist Ralph Mac Donald and even The Persuasions old-timey Vocal Group lending their lovely lungs on an inspired cover of Sam Cooke's "Good Times (aka Let The Good Times Roll)".

But what marks this CD reissue out for special praise is a glorious Remaster by Steve Hoffman (done at Future Disc Systems in Hollywood) - one of the Engineers behind the 'Audio Fidelity' CD Reissue Label and someone many Audiophiles will seek out just because he twiddled with the master tapes. Let's get to the 'manifold expressions' and poetry men...

US release 22 June 1995 - "Phoebe Snow" by PHOEBE SNOW on The Right Stuff/Shelter T2-31972 (Barcode 724383197224) is an 'Expanded Edition' CD Reissue of the 1974 album on Shelter Records with One Bonus Track (Non-Album B-side of a Single) that plays out as follows (39:52 minutes):

1. Good Times [Side 1]
2. Harpo's Blues
3. Poetry Man
4. Either Or Both 
5. San Francisco Bay Blues
6. I Don't Want The Night To End [Side 2]
7. Take Your Children Home
8. It Must Be Sunday
9. No Show Tonight
Tracks 1 to 9 are her debut album "Phoebe Snow" - released July 1974 in the USA on Shelter Records SR 2109 and September 1974 in the UK on Island/Shelter ISA 5010. Produced by DINO AIRALI (Co-Produced and Engineered by PHIL RAMONE) - "Phoebe Snow" peaked at No. 4 in the USA (didn't chart UK). All songs written by Phoebe Snow except "Good Times" by Sam Cooke and "San Francisco Blues" by Jesse Fuller.

BONUS TRACK:
10. Easy Street
Non-album B-side to "Harpo's Blues" - a US 7" single released April 1975 in the USA on Shelter SR-40400

The 8-page booklet is a fairly functional affair – album credits, the lyrics, the side-profile photo of Phoebe that adorned the rear sleeve but not a lot else (shame there wasn’t an assessment of her achievements). But the big news is a STEVE HOFFMAN Remaster (assisted by Engineer TOM BAKER) from original tapes – and this album sounds GLORIOUS – lovely warmth glowing from each song – a transfer that brings out that combo of top session playing and quality production. This is a mellow-mellow Soft Rock LP – it required a deft touch and that’s what you get. Classy indeed. To the slinky music...

With the album released in early July 1974 and not doing much business, Shelter USA pushed out the first of three singles to promote interest - and it worked. The impossibly hooky and Summer vibe-ish cover of Sam Cooke's "Let The Good Times Roll" b/w the equally catchy "Harpo's Blues" led the charge in August 1974 on Shelter SR-40278. Although it didn't make Top 20 per say - strong radio play saw the LP finally hit the Billboard charts in early September 1974 – from whence it made a steady climb to an impressive No. 4. Trying again with "Poetry Man" b/w "Either Or Both" in December 1974 on Shelter SR-40353 - it too would take the long road - finally charting in April 1975 and eventually giving Phoebe Laub (her real name) her first hit single on Billboard. The hugely popular song (and undoubted album highlight) enjoyed an 11-week run - peaking at No. 5 - aided in no small part by her guest duet vocal appearance on the "Gone At Last" track from Paul Simon's 1975 "Still Crazy After All These Years" album. Shelter seized the day again - reaching once more for "Harpo's Blues” as 45 Number Three - but this time putting the non-album "Easy Street" on the flipside - added onto this CD as a Bonus Track.

Side 1 opens with "Good Times" - a soft-shoe-shuffle through a famous Sam Cooke hit that features Steve Burgh of Jacobs Creek on Guitar with the dulcet tones of The Persuasions. You're immediately struck by her strangely intoxicating voice - a warbling refrain as she strums Acoustic Guitar. It gently slides into the Soft Rock of "Harpo's Blues" - Teddy Wilson on Piano, Zoot Sims on Tenor Sax and Bob James on Organ. The self-serving ladie's man wooing all the chicks with his fervent lines inhabits "Poetry Man" - Snow's knowing lyrics filled with sweetness one moment and savagery the next ("..Home's that place, somewhere you go each day, to see your wife..."). Acoustic Americana sails in with "Either Or Both" - just her and Dave Bromberg working an Acoustic Guitar and Dobro - sliding bluesy notes and her doubled vocals making the song feel like an intimate evening in some cellar downtown where you discover a magical force behind the microphone. Side 1 ends on a soft Blues shuffle - just her with an acoustic and Chuck Israels on Upright Bass working their way through the second cover version on the album - Jesse Fuller's "San Francisco Blues" - Snow sounding not unlike a female Tom Waits moaning about a woman who took the ocean liner and ain't likely to be coming back any time soon (what a bounder).  

Side 2 opens with a double-dose of mid-tempo shuffles - "I Don't Want The Night To End" and "Take Your Children Home" - the first a sexy 'oh daddy' longing song whilst the next has a plea to love children. Lyrically "It Must Be Sunday" is probably the wordiest song on the album - emotional desperados drinking Vermouth, shopping the pain away - lonely hearts dreading the reminders laced into another solo New Year's Eve (Zoot Sims on Tenor Sax and Bob James on Organ). Stage fright and malaise consume Phoebe in "No Show Tonight" - drowning in the dressing room - take back that Oscar (Dave Mason of Traffic plays Lead Guitar). "Easy Street" turns out to be a sweetie for a B-side - a feeling lost, kind of ill, last dollar bill song - pleading to God for help - a few tips on crossing over to Easy Street. It ends the CD on a high.  

IN 2013 "Phoebe Snow" received what many would consider to be the ultimate Audiophile accolade - a vinyl reissue by the highly regarded Analogue Productions as a 2LP set played at 45 speed. If you want the absolute CD business then the 1994 DCC Compact Classics 24-Carat Gold Reissue with the Bonus Track as listed above but also with an extra six demo versions of albums tracks - is the one for you (DCC Compact Classics GZS 1051 - Barcode 010963105124 for the right issue). The Demos are absolutely gorgeous by the way and I sometimes find myself playing them more that the more sophisticated finished versions. But beware, it's been deleted some years now and like much of DCC's Audiophile catalogue has acquired a bit of a nasty price tag. In the meantime you can settle for this easily available 1995 American CD reissue version - Barcode 724383197224. And it’s cheap too.

“...Do you like or love...either or both of me...” - Snow sings pleadingly on “Either Or Both". I’ll settle for this one to love ta very much...

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