"On The Threshold Of A Dream" by THE MOODY BLUES – April 1969 UK Fourth Studio LP on Deram Records in Stereo (May 1969 in the USA) with Justin Hayward, John Lodge, Ray Thomas, Graeme Edge and Mike Pinder (July 2008 UK Universal UMC/Deram Expanded Edition CD Reissue With New 2006 Remaster and Nine Additional Previously Unreleased Tracks) - A Review by Mark Barry...

This Review Along With 339 Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

 

WHOLE LOTTA LOVE - 1969
Rock, Pop and Genres Thereabouts
Exceptional CD Reissues and Remasters  

Just Click Below To Purchase for £6.95 (Jan 2022 Update)

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 

(No Cut and Paste Crap) 

 

<iframe style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=as_ss_li_til&ad_type=product_link&tracking_id=mabasreofcdbl-21&language=en_GB&marketplace=amazon&region=GB&placement=B07XY8CZ1Y&asins=B07XY8CZ1Y&linkId=d6286878893d3516fb953c1341ce2de0&show_border=true&link_opens_in_new_window=true"></iframe> 

<iframe style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=as_ss_li_til&ad_type=product_link&tracking_id=mabasreofcdbl-21&language=en_GB&marketplace=amazon&region=GB&placement=B0018LMZO4&asins=B0018LMZO4&linkId=ca84e26c417659c3d336583f1549835a&show_border=true&link_opens_in_new_window=true"></iframe>

"...Comes The Day..."

The fourth album in their Voyage gave The Moody Blues their first UK No. 1 and broke them Top 20 in the American Billboard Rock charts – a huge LP win for Decca's experimental label Deram Records back in the spring of 1969.

 

Hardly surprising then that "On The Threshold Of A Dream" was singled out for a prestigious SACD Reissue in 2006 overseen by leading band member Justin Hayward. This 2008 follow-up is therefore the Standard Stereo CD Remaster so to speak and part of a whole series of reasonably priced single CD reissues – all pumped up with tasty bonus material, most of which is unreleased. Are you sitting comfortably - then here comes the day...

 

UK released 15 July 2008 - "On The Threshold Of A Dream" by THE MOODY BLUES on Universal UMC/Deram 530 662-5 (Barcode 600753066256) is a 1CD Expanded Edition Reissue and Stereo Remaster of their 1969 UK fourth studio album with Nine Previously Unreleased Bonus Tracks and plays out as follows (68:19 minutes):

 

1. In The Beginning [Side 1]

2. Lovely To See You

3. Dear Diary

4. Send Me No Wine

5. To Share Our Love

6. So Deep Within You

7. Never Comes The Day [Side 2]

8. Lazy Day

9. Are You Sitting Comfortably?

10. The Dream

11. Have You Heard (Part 1)

12. The Voyage

13. Have You Heard (Part 2)

Tracks 1 to 13 are their fourth studio album "On The Threshold Of A Dream" - released late April 1969 in the UK on Deram DML 1035 (Mono) and Deram SML 1035 (Stereo) and late May 1969 in the USA on Deram DES 18025 in Stereo only. Produced by TONY CLARKE – it peaked at No. 1 in the UK and No. 20 on the US Billboard Charts. The STEREO MIX is used for this CD Reissue only.

 

BONUS TRACKS (Alternate Versions, Out-Takes & BBC Radio Sessions):

14. In The Beginning (Full Version, 3:26 minutes, LP Version is 2:07 minutes)

15. So Deep Within You (Extended Version, 3:32 minutes, LP Cut 3:07)

16. Dear Diary (Alternate Vocal Mix, 4:01 minutes)

17. Have You Heard (Original Take, 3:51 minutes)

18. The Voyage (Original Take 4:37 minutes)

19. Lovely To See You (2:26 minutes)

20. Send Me No Wine (2:39 minutes)

Tracks 19 and 20 recorded 18 Feb 1969 for the BBC Radio 1 John Peel "Top Gear" Show

21. So Deep Within You (3:06 minutes)

22. Are You Sitting Comfortably

Tracks 21 and 22 recorded 2 April 1969 for the BBC Radio 1 "The Tony Brandon Show" and is PREVIOUSLY UNRELEASED

 

THE MOODY BLUES was:

JUSTIN HAYWARD – Vocals, Guitars, Cello and Mellotron

JOHN LODGE – Vocals, Bass Guitar, Cello and Double Bass

MIKE PINDER – Vocals, Mellotron, Hammond Organ, Piano and Cello

RAY THOMAS – Vocals, Harmonica, Flute, Tambourine, Oboe, Piccolo and Synth

GRAEME EDGE – Vocals, Drums, Percussion, Synth

 

The big draw for fans here is going to be the ALBERTO PARODI and JUSTIN HAYWARD Remasters from original Deram tapes done in 2006 for the SACD Reissue – here reissued as a sort of 2008 Standard Stereo CD Remaster Edition (2006 is the copyright date on the CD, whilst 2008 is the release date on the rear inlay). The Audio is really excellent throughout. Another highly experienced and much-praised Remaster Engineer PASCHAL BYRNE (of The Audio Archiving Company) has done the Bonus Material - again sweet.

 

Anybody who bought the British pressed LP back in the 1969-day will remember with real affection its look – that glossy laminated gatefold sleeve and the 12-page lyric/illustrations book inside. While this CD can't of course reproduce the Red for Mono and Blue for Stereo indicator hole on the rear sleeve of the gatefold on the booklet (leave that to the Japanese SHM-CD reissues with their faithful artwork) – fans will be glad to see that the 24-page booklet reproduces the 12-page LP libretto in its entirety and the bulk of the inner gatefold artwork too. The band actually fought with Deram who were concerned that the elaborate LP booklet (with a liner note by musical impresario Lionel Bart entitled "And They All Lived Happily Ever After") would add two-pence cost to the LP and put some purchasers off – thank God The Moodies prevailed because surely that chunky presentation made the album feel like an event rather than just another release. Throw in some period photos and comprehensive liner notes from Esoteric's MARK POWELL – and you get the gist – this is a quality reissue through and though (five serious men and their Producer). To the music...

 

The album opens with the short Graeme Edge penned "In The Beginning" – all building keyboard Space 1999 soundscapes followed by a spoken passage – Edge going all computer nutty in his 'I Think Therefore I Am' vocal passage (face piles of trials with smiles man). That very particular brand of Moodies Pop/Rock follows on the Hayward-penned "Lovely To See You" – the electric guitars panning expertly across the speaks – the upbeat tune underpinned by acoustic rhythm and a wall of voices (don't know why Deram didn't chose this as the LP's go-to 45 release). Ray Thomas kicks in with the first of three writing credits on the album - "Dear Diary" – his warbling vocals run through devices while that flute, double bass, acoustic and piano float out through your speakers (been just like a dream) – a sweetly remastered tune.

 

Immediately into the John Lodge penned rapid-paced acoustic strummer "Send Me No Wine" – four of the boys providing a mulch of voices behind that ever-present Mellotron (Hayward, Lodge, Thomas and Pinder). Lodge gets his second and last songwriting shot on the album with the guitar-rocking "To Share My Love", but again I have always felt it sounded like 1966 instead of 1969 in its naïve poppermost vibe.

 

In "Never Comes The Day", Justin worries that if she only knew what was on his inside, she wouldn't want him at all. Beginning so quietly, I've loved this track for years – the almost McGuinness Flint English Folk-Rock jaunt to it – a tremendous cut with that Harmonica backing feeling like it has more muscle and those slowed-down acoustic pieces further in - really clear. Hardly surprising then that Deram thought it had Radio potential and placed "Never Comes The Day" with the lesser B-side "So Deep Within You" on a 45-single in April 1969 (Deram DM 247 in the UK and Deram 45-85044 in the USA). But its chop-change structure seemed to do for the release and it barely registered in the UK, making only No. 91 in the US Billboard Singles charts. The LP followed only three weeks after the 2 April 1969 UK 7" single with a B-side that was on the album, so with nothing new, that too probably downed its chances of a success. Shame really, because I think the A-side is one of those lost masterpieces of the late 60ts. Speaking of the flipside (and the Side 1 finisher), with its castle by a stream lyrics and its penchant for overdone Mellotron melodrama, "So Deep Within You" always felt like a skip to me (others love it though).

 

Harmonica, Cello and Acoustic Guitar all beautifully clear on the Sunday afternoon pastoral feel to "Lazy Day" – the second Ray Thomas tune on the album and one that may be too fay for the hardened ear pallets of 50+ years. Flute and soft Acoustic picking fill the Camelot/Merlin spell casting "Are You Sitting Comfortably?" – again the Remaster gorgeous on this pretty fan fave (a co-write between Justin Hayward and Ray Thomas). Graeme Edge gets his second and last poem-song contribution to the "On The Threshold Of A Dream" album with his "The Dream". While it might have been No. 1 material back in let's-give-everything-a-go 1969, its spoken-poetry backed by wailing Mellotron notes is pretty much my number one avoid in 2022.

 

The album proper ends on an eight-minute-or-so three-parter from Mike Pinder - "Have You Heard" broken into Part 1 and 2 - with those centred by an instrumental "The Voyage". This melodic trio is surely why the album is still held up as a passion by fans – their earlier more twee moments on Side 1 countered by this almost Procol Harum Prog Rock Medley – especially in the playing dexterity that permeates the instrumental passage (that Keith Emerson-type piano solo is brilliant). It returns to the you-and-I-belong-in-the-same-world idea for the Part 2 and ends the album on a happy high (how very 60ts) and the floating synth bit that opening Side 1.

 

I hadn't expected much from the Bonuses but how brilliant would have been to have had the Extended Version of "In The Beginning" open the LP – that one-minute and 19-seconds extra somehow making it so much more substantial. You can hear why the Alternate Vocal of "So Deep Within You" wasn't used – while the playing is up to muster – the voice is off. Can't say I hear much difference in the Alternate Vocal to "Dear Diary" but I like it. But for Prog-tastic chaps like me, the prize here is the Original Take of the instrumental "The Voyage" which is slightly extended to 4:37 minutes and feels proper epic. There's more than a rough-in-yer-face to the John Peel and Tony Brandon BBC sessions – good, but not something I'm going to be playing a whole lot of.

 

I'd be the first to admit that parts of the "On The Threshold Of A Dream" album (dare we say it) and its Symphonic Rock haven't aged as well as many would like to think (modern-day ears may wonder how this made it to No. 1 at all). 

 

But if you're a Moody Blues fan, and you need this densely produced artifact of 1969 in your life, then look no further than this superbly presented threshold...

"In Search Of The Lost Chord" by THE MOODY BLUES (July 2008 Universal/Deram CD 'Expanded Edition' Remaster) - A Review by Mark Barry...

This Review Along With Almost 300 Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

1960s and 1970s MUSIC ON CD - Volume 3 of 3

- Exceptional CD Remasters

As well as 1960s and 1970s Rock and Pop - It Also Focuses On

Blues Rock, Prog Rock, Psych, Avant Garde, Underground

Folk-Rock, Singer-Songwriter, Country Rock and more

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs

(No Cut and Paste Crap)

"...Best Way To Travel..."

The Moodies 3rd studio album "In Search Of The Lost Chord" saw the Blighty light of day in late July 1968 in Stereo (followed in the USA in October 1968) and has always been a firm fan fave.

Part Prog, Part Acid Trip, yet seriously melodic and lyrically reaching - their poppy debut "The Magnificent Moodies" of July 1965 must have seemed a long musical way back - because this Mellotron, Guitars and Flutes fusion saw the group embrace the far-out artwork of Philip Travers and the floating-on-astral-plains ideals of the day (gardens of delight baby, ultra violet lights and the earth turning slowly around as we all chant ‘om’ –if you know what I’m saying).

Shadows of "Revolver" and "Sgt. Peppers" collide with Ravi Shankar and Donovan and Island’s Nirvana to produce music that is dated in places for sure – but is still as innovative and beautiful as it was when first released. And this gorgeous sounding 40th Anniversary CD Remaster from 2008 only hammers home just how innovative it was. Here are the Voices In The Sky...

UK released July 2008 - "In Search Of The Lost Chord" by THE MOODY BLUES on Universal/Deram 530 706-9 (Barcode 600753070697) is an 'Expanded Edition CD Reissue with the 12-Track 1968 Stereo Albums plus Nine Bonus Tracks that plays out as follows (75:59 minutes):

1. Departure [Side 1]

2. Ride My See-Saw

3. Dr. Livingstone, I Presume

4. House Of Four Doors (Part 1)

5. Legend Of The Mind

6. House Of Four Doors (Part 2)

7. Voices In The Sky [Side 2]

8. The Best Way To Travel

9. Visions Of Paradise

10. The Actor

11. The Word

12. Om

Tracks 1 to 12 are the album "In Search Of The Lost Chord" - released July 1968 in the UK in Stereo on Deram SML 711 and October 1968 in the USA on Deram DES 18017. Produced by TONY CLARKE – it peaked at No. 5 in the UK and No. 23 in the USA LP charts.

BONUS TRACKS:

13. A Simple Game (Justin Hayward Vocal Mix)

14. The Best Way To Travel (Additional Vocal Mix)

15. Visions Of Paradise (Instrumental Version)

16. What Am I Doing Here? (Original Version)

17. The Word (Mellotron Mix)

18. Om (Extended Version, 6:07 minutes)

19. Doctor Livingstone I Presume

20. Thinking Is The Best Way To Travel

21. A Simple Game - Non-Album B-side to "Ride My See Saw", UK released 25 October 1968 on Deram DM 213)

The 20-page booklet is a surprisingly decent affair – MARK POWELL of Esoteric Recordings providing the hugely illuminating and enthusiastic liner notes. There are period colour photos of the five lads – Justin Hayward, John Lodge, Mike Pinder, Graeme Edge and Ray Thomas – as well as a Deramic Stereo Sound trade advert for the album, rare Euro pictures sleeves for singles like "Ride My See-Saw" and "Voices In The Sky" and of course the original LP artwork.

The Remaster of the Stereo Album by ALBERTO PARODI and JUSTIN HAYWARD has been taken from original Decca master tapes with MARK POWELL being the Audio Engineer on the Extra Tracks. This CD sounds amazing – real care taken – warm and kicking for all the right reasons. To the music...

Once you get past "Departure" (Graeme Edge's opening 44 seconds of spoken piffle) - you're greeted by the rocking John Lodge song "Ride My See-Saw" – a clear winner that screamed period 45 (and that’s what they did). After the American release of the album in October 1968, the Moodies returned to Decca's Studios in the UK to record Mike Pinder's "A Simple Game" (Track 21) - a song that was popped onto the B-side of the decidedly commercial "Ride My See-Saw" and rush-released (Deram DM 213 was issued 25 October 1968).

The fantastically hippy six thirty-six minutes of "Legends Of A Mind" tells us you can't take a trip on Astral Plains because Timothy Leary is dead (the 3CD Decca Underground Box Set of 2008 took its name from this trippy track - see separate review). The remaster is gorgeous really bring out those Hayward 12-String Guitar moments abled helped by Ray Thomas on Flute while Pinder brings up the Mellotron rear. After the magic of "The Best Way To Travel" with its clever stop-start melodies and far-out-man lyrics - "Visions Of Paradise" with its Flutes, Voices and subtle Sitar notes feels positively peaceful and beautiful. Side 2 ends on what I think is the records high point – the fabulous Nirvana vs. Donovan "Om" – nearly six minutes of the band layering Sitars, Flutes and Violins with gorgeously orchestrated voices – the whole clouds passing by my head thing floating on a soft Tabla beat. Heaven indeed...

An exemplary CD Reissue and for under five quid (if you’ll forgive the British Railways lost and found pun) – a bit of a aural find...

"Every Good Boy Deserves Favour" by THE MOODY BLUES (April 2007 Universal/Decca/Threshold SACD-Hybrid Disc Remasters) - A Review by Mark Barry...

This Review Along With 300+ Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

CLASSIC ROCK & POP 1970 to 1974 - Exceptional CD Remasters  

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)

"...One More Time To Live..."

As a newcomer suffers through the of-its-time near five-minute opener "Procession" with its monosyllabic three-point history of music (desolation, creation and communication are the only words doomily chanted throughout) - in the cold and brutal hindsight of 2017 those new ears might wonder how in God's name did July 1971's "Every Good Boy Deserves Favour" by The Moody Blues go to No.1 in the UK and No. 2 in the USA – and stay on both charts for months on end? 46 years after the event – this prettily packaged album is of its time indeed and maybe it should stay there, mate...

But then the fantastically guitar-hooky single "The Story In Your Eyes" kicks in - which in turn is followed by the cleverly layered "Our Guessing Game" and the melodic sweep of "Emily's Song" and even a newbee will begin to get it. Their seventh studio album was the Brummie Boys hitting something of an artistic peak – embracing the huge and complexity - leaving behind the Sixties and lashing into the musically adventurous new decade – the Seventies.

And this beautifully rendered 2007 Universal/Decca/Threshold 'Expanded SACD 5.1 Hybrid Disc Reissue' of that fondly remembered album only hammers that home. You get both the Stereo album and a 5.1 Surround Mix on the same disc and when you listen to that huge band crescendo that ends "After You Came" or the majestic keyboard build up in "One More Time To Live" - you also realise why people rave about good mastering and sympathetic transfers (band songwriter Justin Hayward is joined by a group of three renowned Engineers for this project). Here are the very favourable details...

UK released April 2007 - "Every Good Boy Deserves Favour" by THE MOODY BLUES on Universal/Decca/Threshold 984 550-6 (Barcode 602498455067) is a 'Expanded SACD 5.1 Hybrid Disc Reissue' with two layers - a Stereo Remaster and 5.1 Surround Sound Mix supplemented with Two Previously Unreleased Bonus Tracks (Session Outtakes). It plays out as follows (47:33 minutes):

1. Procession [Side 1]

2. The Story In Your Eyes

3. Our Guessing Game

4. Emily's Song

5. After You Came

6. One More Time To Live [Side 2]

7. Nice To Be Here

8. You Can Never Go Home

9. My Song

Tracks 1 to 9 are their seventh studio album "Every Good Boy Deserves Favour" - released 23 July 1971 in the UK and USA on Threshold Records THS 5 (same catalogue number for both country). Produced by TONY CLARKE (Engineered by Derek Varnals) - the album peaked at No. 1 in the UK and No. 2 in the USA.

BONUS TRACKS (Previously Unreleased):

10. The Story In Your Eyes (Original Version)

11. The Dreamer

THE MOODY BLUES was:

JUSTIN HAYWARD - Lead Vocals and Guitar

JOHN LODGE - Bass and Vocals

RAY THOMAS - Flute, Harmonica, Percussion and Vocals

MIKE PINDER - Keyboards and Vocals

GRAEME EDGE - Drums

Unusual for an SACD Reissue - "Every Good Boy Deserves Favour" comes in a card digipak – a tactile pleasure that repro's the gorgeous Phil Travers artwork of the original 1971 LP on Threshold Records (the Moodies own label). You don’t get the mottled effect of the actual album cover – but its close enough. Inside the left flap is a 20-page oversized booklet with new liners notes from MARK POWELL - a hugely respected force in quality reissues who runs the revered Prog/Avant Garde reissue label Esoteric Recordings for Cherry Red and is listed here as 'researcher, compiler and producer' of this lovely 2008 version. The swirling, dancing faces of the inner gatefold artwork is reproduced on Pages 2 and 3 - the lyrics are on Pages 14 to 17 (an insert on the original UK LP and an inner bag on US copies) and it ends with compiler notes about the four-speaker Quadrophonic Tapes used to construct the 5.1 Surround Mix (approved by Justin Hayward and John Lodge).

Their transformation away from British R&B band into International Mellotron Prog Rock flag-holders is discussed in detail - as are the first two years of the Seventies where three successful tours began to see them become huge in America and a major chart presence there. The cohesion of "A Question Of Balance" LP from 1970 (a whole album that could be reproduced live on stage for US audiences) was essentially continued for 1971's "Every Good Boy Deserves Favour". There are colour photos, a foreign picture sleeve for "The Story In Your Eyes" with "My Song" on the flipside and period snaps of the boys looking suitably perplexed and physically jetlagged. But the big news here is the AUDIO...

ALBERTO PARODI and JUSTIN HAYWARD did the STEREO Mix for the album from original Master Tapes at Logical Box Studios in Genova, Italy - while the 5.1 SURROUND SOUND Mix was reconstructed from original Decca Quadrophonic Master Tapes by PASCHAL BYRNE and MARK POWELL at The Audio Archiving Company in London (Bonus Tracks remastered by Paschal Byrne). Always a well-produced near-Audiophile band - the combined talents of all these Engineers has brought huge presence to these songs.

Focusing on exceptional remaster moments - that piano intro to "Our Guessing Game" is beautifully clear - the acoustic guitars that open the lone contribution from drummer Graeme Edge "After You Came" are full - as are the combined wall of voices that give us its 'I've been doing my best' chorus. John Lodge offers the very Simon & Garfunkel beauty of "Emily's Song" and the flute acoustic ballad "One More Time To Live" - sweeping organ builds as it accompanies acoustic guitars and voices that sooth with "...for I have riches more than these..." The second Ray Thomas track "Nice To Be Here" has always been a bit too childlike for my tastes (Jack Rabbit and Daffodils) but fans will find that the bass and acoustic guitars are sweetly transferred. Justin Hayward gives us the superb bombast of "You Can Never Go Home" that’s now even more epic.

The 'love with all your might' song "My Song" from Michael Pinder ends the album with Mellotrons, gently plucked guitars and harps - getting a bit Genesis in that brilliant heavy breathing mid section. The two bonus tracks will please fans no end – recorded in November 1970 before they departed for yet another US Tour – the original version of Justin Hayward’s "The Story In Your Eyes" is essentially the band live in the studio. A spoken one-two count-in and that great guitar riff excites again – even coming with an extended solo in its 3:30 minutes. The Hayward/Thomas composition "The Dreamer" was recorded 9 November 1970 and promptly forgotten about for 35 years until research for this reissue located its dusty and unloved box. Called a 'work in progress' because it clearly needed further polishing – "The Dreamer" nonetheless has enough of a finished feel to it to warrant calling this session outtake a bit of a find...

To sum up – "Every Good Boy Deserves A Favour" by The Moody Blues is a beloved album around the world and its most definitely been given a very tasty 2007 sonic do-over here (both mixes gleaming).

"...Lovely to know the warmth your smile can bring to me..." – Hayward sings on the hopeful "Emily's Song". Well I’d say the favour has been returned...