"The Beatles In MONO" by THE BEATLES (2009 EMI/Apple 11CD Mini Box Set) - A Review by Mark Barry...

"…Is There Anyone Wants To Hear My Story…" 

In truth - when the Beatles 15-strong album catalogue finally went on worldwide sale in properly remastered form on the 9th of September 2009 - the Stereo box set not only looked flimsy and naff - it containing little inside to aesthetically please once opened. Inside a matt black and red lanky card wrapper - you got the 15 piddly gatefold sleeves of the albums (as per the individual releases - no repro artwork) and a booklet. For the money it always felt to me like a presentation let down. But the smaller hard-card MONO variant was an all-together different beast - not just sonically - but especially visually. Here are the one-channel details...

Released 9 September on Apple 5099969945120 - "The Beatles In MONO" by THE BEATLES contains the following 11 CDs (one is a double):

1. "Please Please Me" - March 1963 UK debut LP on Parlophone PMC 1202 (33:19 minutes)

1. I Saw Her Standing There

2. Misery

3. Anna (Go To Him)

4. Chains

5. Boys

6. Ask Me Why

7. Please Please Me

8. Love Me Do [Side 2]

9. P.S. I love You

10. Baby It’s You

11. Do You Want To Know A Secret

12. A Taste Of Honey

13. There’s A Place

14. Twist & Shout

2. "With The Beatles" - November 1963 UK LP on Parlophone PMC 1206 (33:55 minutes)

1. It Won’t Be Long

2. All I’ve Got To Do

3. All My Loving

4. Don’t Bother Me

5. Little Child

6. Till There Was You

7. Please Mister Postman

8. Roll Over Beethoven [Side 2]

9. Hold Me Tight

10. You Really Got A Hold On Me

11. I Wanna Be Your Man

12. Devil In Her Heart

13. Not A Second Time

14. Money

3. "A Hard Day's Night" - July 1964 UK LP on Parlophone PMC 1230 (31:01 minutes)

1. A Hard Day’s Night

2. I Should Have Known Better

3. If I Fell

4. I’m Happy Just To Dance With You

5. And I Love Her

6. Tell Me Why

7. Can’t Buy Me Love

8. Any Time At All [Side 2]

9. I’ll Cry Instead

10. Things We Said Today

11. When I Get Home

12. You Can’t Do That

13. I’ll Be Back

4. "Beatles For Sale" - December 1964 UK LP on Parlophone PMC 1240 (35:09 minutes)

1. No Reply

2. I’m A Loser

3. Baby’s In Black

4. Rock And Roll Music

5. I’ll Follow The Sun

6. Mr. Moonlight

7. Kansas City/Hey Hey Hey Hey

8. Eight Days A Week [Side 2]

9. Words Of Love

10. Honey Don’t

11. Every Little Thing

12. I Don’t Want To Spoil The Party

13. What You’re Doing

14. Everybody’s Trying To Be My Baby

5. "Help!" - August 1965 UK LP on Parlophone PMC 1255 (with Stereo PCS 3071) (69:14 minutes)

1. Help!

2. The Night Before

3. You’ve Got To Hide Your Love Away

4. I Need You

5. Another Girl

6. You’re Going To Lose That Girl

7. Ticket To Ride

8. Act Naturally [Side 2]

9. It’s Only Love

10. You Like Me Too Much

11. Tell Me What You See

12. I’ve Just Seen A Face

13. Yesterday

14. Dizzy Miss Lizzy

6. "Rubber Soul" - December 1965 UK LP on Parlophone PMC 1267 (Stereo PCS 3075) (72:50 minutes)

1. Drive My Car

2. Norwegian Wood (This Bird Has Flown)

3. You Won’t See Me

4. Nowhere Man

5. Think For Yourself

6. The Word

7. Michelle

8. What Goes On [Side 2]

9. Girl

10. I’m Looking Through You

11. In My Life

12. Wait

13. If I Needed Someone

14. Run For Your Life

Tracks 15 to 28 are the 1965 STEREO MIX of 1 to 14

7. "Revolver" - August 1966 UK LP on Parlophone PMC 7009 (35:33 minute)

1. Taxman

2. Eleanor Rigby

3. I’m Only Sleeping

4. Love You To

5. Here, There And Everywhere

6. Yellow Submarine

7. She Said, She Said

8. Good Day Sunshine [Side 2]

9. And Your Bird Can Sing

10. For No One

11. Dr. Robert

12. I Want To Tell You

13. Got To Get You Into My Life

14. Tomorrow Never Knows

8. "Sgt. Peppers Lonely Hearts Club Band" - June 1967 UK LP on Parlophone PMC 7027 (39:50 minutes)

1. Sgt. Pepper’s Lonely Hearts Club Band

2. With A Little Help From My Friends

3. Lucy In The Sky With Diamonds

4. Getting Better

5. Fixing A Hole

6. She’s Leaving Home

7. Being The Benefit Of Mr. Kite

8. Within You, Without You [Side 2]

9. When I’m Sixty-Four

10. Lovely Rita

11. Good Morning, Good Morning

12. Sgt. Pepper’s Lonely Hearts Club Band (Reprise)

13. A Day In The Life

9. "Magical Mystery Tour" - first released as a 10-track album ONLY in the USA in November 1967 on Capitol MAL 2835. It was a Mono and Stereo double 7" single 'EP' in the UK released in December 1967 with only 6 tracks. "Magical Mystery Tour" finally made it onto a 10-track album in November 1976 in the UK (37:07 minutes)

1. Magical Mystery Tour

2. The Fool On The Hill

3. Flying

4. Blue Jay Way

5. Your Mother Should Know

6. I Am The Walrus

7. Hello Goodbye [Side 2]

8. Strawberry Fields Forever

9. Penny Lane

10. Baby You’re A Rich Man

10. "The Beatles" [aka "The White Album"] - November 1968 Double-Album on Apple PMC 7067-8 (Disc 1: 46:20 minutes/Disc 2: 46:37 minutes)

1. Back In The U.S.S.R. [Side 1]

2. Dear Prudence

3. Glass Onion

4. Ob-La-Di, Ob-La-Da

5. Wild Honey Pie

6. The Continuing Story Of Bungalow Bill

7. While My Guitar Gently Weeps

8. Happiness Is A Warm Gun

9. Martha My Dear [Side 2]

10. I’m So Tired

11. Blackbird

12. Piggies

13. Rocky Racoon

14. Don’t Pass Me By

15. Why Don’t We Do It In The Road?

16. I Will

17. Julia

1. Birthday [Side 3]

2. Yer Blues

3. Mother Nature’s Son

4. Everybody’s Got Something To Hide Except Me And My Monkey

5. Sexy Sadie

6. Helter Skelter

7. Long, Long, Long

8. Revolution 1 [Side 4]

9. Honey Pie

10. Savoy Truffle

11. Cry Baby Cry

12. Revolution 9

13. Good Night

What's missing? Although issued in MONO in the UK - only 4 tracks from the "Yellow Submarine" album are included (see 9, 10, 11 and 12 on Disc 2 of "Past Masters" listed below) because the other mixes were essentially a 'fold-down' of the Stereo version (not true mono in other words). Both "Abbey Road" and "Let It Be" were only ever issued in STEREO - hence their exclusion. Fans will also notice that the "Help!" and "Rubber Soul" CDs listed above also feature (as bonuses) the 1965 George Martin STEREO MIX of those albums - mixed presumably from Mono sources. The "Past Masters" double CD compilation mops up the British 7" single and EP sides and any other stragglers and is laid out as follows...

11. "Past Masters"

Disc 1: 42:39 minutes (black and yellow Parlophone label on the CD)

1. Love Me Do (Original Single Version)

2. From Me To You

3. Thank You Girl

4. She Loves You

5. I'll Get You

6. I Want To Hold Your Hand

7. This Boy

8. Komm, Gib Mir Deine Hand (German sung "I Want To Hold Your Hand")

9. She Liebt Dich (German sung "She Loves You")

10. Long Tall Sally

11. I Call Your Name

12. Slow Down

13. Matchbox

14. I Feel Fine

15. She's A Woman

16. Bad Boy

17. Yes It Is

18. I'm Down

Disc 2: 56:26 minutes (Apple label on the CD):

1. Day Tripper

2. We Can Work It Out

3. Paperback Writer

4. Rain

5. Lady Madonna

6. The Inner Light

7. Hey Jude

8. Revolution

9. Only A Northern Song

10. All Together Now

11. Hey Bulldog

12. It's All Too Much

13. Get Back [with BILLY PRESTON]

14. Don't Let Me Down [with BILLY PRESTON]

15. Across The Universe

16. You Know My Name (Look Up The Number)

Some rumours have said that the box is a limited edition of 10,000 - but EMI has never confirmed this - and in 2014 - it's still available to buy. The beautiful card repro sleeves contained within ape the British original vinyl albums with tasty details like inner EMITEX bags, black and yellow Parlophone Records labels, flip-back laminate sleeves and the full 'white album' compliment of fold-out lyric poster and the four gorgeous photos. The 44-page booklet explains how The Beatles recorded in MONO and why (their preferred sound) - it's a sweet read. The sturdy hard card white box was done in Japan so the attention to detail is magnificent. GUY MASSEY, PAUL HICKS and SEAN MAGEE - Grammy nominees for their beautiful and sensitive handing of such a precious catalogue - carried out the remasters at Abbey Road from original master tapes - and what a job they've done...

Right from the opening bars of "I Saw Here Standing There" - the raw power and central channelling of the MONO mix slams in the solar plexus. It's like hearing these overly familiar gems anew. It continues that way to a point where "Taxman" on Revolver and "Getting Better" on "Sgt. Peppers" are almost different animals to their Stereo counterparts. In fact to my ears it's "Revolver", "Peppers" and especially "The Beatles" that benefit the most. The White Album always had a 'weedy' weakassed mix in Stereo - here "Back In The U.S.S.R" and "While My Guitar Gently Weeps" come at you with unbelievable power. Particular favourites of mine are the delicate and lovely melodies of "Mother Nature's Son" and "Blackbird" and the sheer balls-to-the-wall menace of "Revolution" (released as a single around the album). Not to be outdone by the later years - the three-part harmony vocals on those gorgeous B-sides "This Boy" and "Yes It Is" are so direct too and the jangly guitar on "Ticket To Ride" sounds so clear. "Yesterday" and " Norwegian Wood" are startling in MONO too. And what a tune "Don't Let Me Down" is (B-side or not)...

A wonderful listen, beautifully presented and finally in 2014 - we got the sensational VINYL equivalent that has been rightly heaped with praise. What a band and what a great way to celebrate their enduring legacy...

“1967 – 1970” by THE BEATLES. A Review Of The 2010 2CD Reissue Of 1973’s Iconic “Blue” Album.

"…Mother Mary Comes To Me…Speaking Words Of Wisdom…"

Commonly known as the "Blue Album", the 2LP vinyl set "1967 - 1970" became an instant classic when it was first released in April 1973 (as did its "Red" counterpart "1962-1966"). When they were finally reissued onto the new CD format in 1993 however, they caused consternation because of their extortionate full price.

So is this newly remastered 2010 mid-priced 2CD reissue on EMI/Apple 5099990674723 any better - the answer is an emphatic 'yes'.

PACKAGING:
The first thing you notice is that the clunky double jewel-case of the 1993 reissue has been dumped for a three-way foldout card sleeve. The centre and right flaps picture the photograph on the inner gatefold of the original vinyl double album (St. Pancras Old Church in London, 27 July 1969, The Beatles with the public looking through the railings - it's the same photo on the "Red" album). It also houses the two CDs - CD1 has the full Apple label (14 tracks, 51:15 minutes) and the 2nd CD has the half Apple logo (14 tracks, 48:43 minutes). The vinyl set is yet to come, the Digital Download versions are available from 25 Oct 2010 and there's also an issue that lumps both the Blue & Red reissues together as one package in late November.

The left flap houses a new 32-page booklet. The lyrics are intact from the inner sleeves of the original album issue, there's new liner notes by BILL FLANAGAN the MTV Executive and author of "Evening's Empire" (a book on Rock in the Sixties) and there's plenty of superb colour photos from the period - it's impressively done. Downsides - some complained that the 09/09/09 card digipak sleeves for The Beatles reissues were easy to smudge once out of the shrinkwrap and worse - the inner flaps easy to tear as you removed the disc. I'm afraid these are the same. I suppose I would have been naïve of us to think that EMI would actually listen to the complaints of 2009 about packaging, but they haven't - the need for these issues to look the same as the preceding ones has overridden all considerations... Having said that, I still think they look great - substantial even...

PLAYING TIMES:
Unlike the "Red" issue which could easily have fitted onto 1CD (and even included bonus tracks), as you can see from the playing times provided above, it would not have been possible with this set. Anyway - EMI would of course argue that a single CD issue of this most `iconic' of double albums would fundamentally alter the aesthetic of the original release. At least this time, this 2CD reissue is at mid price, so we're not being charged for the privilege of separation.

TRACK CHOICES:
The compilation itself is basically the A-sides of all their UK 7" singles releases between 1967 and 1970 in chronological release date order with a few key album tracks thrown in for good measure. Eagle-eye fans would therefore note that up to and including "Get Back" - ALL Beatles UK 7" singles for that period were issued only in MONO ("The Ballad Of John & Yoko" was their 1st STEREO single in the UK). So the tracks on the album should reflect that - the MONO single mixes. But EMI did nothing of the sort. They're all in STEREO (there's 4 MONO on the "Red" set) and i would argue that accuracy's loss is the listener's gain, because the STEREO versions used here are awesome.

SOUND:
Although the compilation is copyrighted to 2010 (released Monday 18 Oct 2010 in the UK and 19 Oct 2010 in the USA), the liner notes don't try to hide that these are the 2009 remasters by the same team who did the much-praised Beatles catalogue of 09/09/09. The sound quality is fantastic - breathtaking clarity on instruments - the piano and guitars on "Lady Madonna", the jet screeching in at the opening of "Back In The U.S.S.R", the brass on "All You Need Is Love", Billy Preston's superb keyboard work on "Let It Be", the wonderfully loose live feel of "Don't Let Me Down" (best B-side ever?) - and so on.

CONTENT:
But what impresses most is the actual listen itself. Even now, it's truly shocking to hear just how accomplished The Beatles became during this ludicrously productive period.
And diversity of writers crept in too. There's the 3 Harrison gems "While My Guitar Gently Weeps", "Old Brown Shoe" and the magical "Something" while Ringo gets the witty "Octopus' Garden". Leaving the rest as Lennon-McCartney originals. And what an embarrassment of riches they are...

7" perfection comes twice - "Strawberry Fields Forever" b/w "Penny Lane" and arguably the greatest single ever released - "Hey Jude" b/w "Revolution" (melodious Paul on the A with rockin' blistering John on the B). Most bands would kill a close relative to get anywhere near this level of genius. And by the time you get to the ballads at the end of Disc 2 - "The Long And Winding Road" and "Across The Universe" - adjectives begin to fail you... Were The Beatles really 'this' good - the answer is yes - and always will be.

To sum up - the sound on these new reissues is fabulous; the packaging better than the 1993 versions and each is being sold at mid-price - available in most places for less than the price of a single new album. You can't help but think that millions of people globally will take one look at these beauties on a shelf somewhere and slap them straight into their shopping baskets. And rightly so...

I've loved re-hearing these classic Beatles songs in this beautiful sound quality - I really have - and despite some minor packaging quibbles - the 2010 version of the "Blue" album is wholeheartedly recommended.

See also my review for the "Red" album

"1962 – 1966" by THE BEATLES - April 1973 'Red Album' 2LP Set on Apple Records - Companion to "1967 - 1970" 2LP 'Blue' Album on Apple (October 2010 UK EMI/Apple 2CD Reissue in Gatefold Panel Card Sleeves Using 2009 STEREO Remasters) - A Review by Mark Barry...

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Commonly known as the "Red" and "Blue" albums - the 2LP vinyl sets "1962 - 1966" (Apple PCSP 717) and "1967-1970" (Apple PCSP 718) by THE BEATLES became instant classics when they were first released in April 1973 on both sides of the pond. Balls to the wall with chart hits, number ones and moments of undeniable album genius – both double-albums have been beloved by the globe ever since. Based on the A&B of singles worldwide, both doubles also finally gave an 'album' placing to many fantastic Non-LP tracks like "We Can Work It Out" and the unbelieveibly good "Don't Let Me Down".

 

And now in October 2010 - finally free of those cumbersome 1993 double jewel-cases and an extortionate full price tag – we get the pair of them again. But this time the "Red" and "Blue" 2CD sets are in natty looking three-way Foldout Card Digipaks, pitched at a much more reasonable 'mid-price' - and most important of all – come resplendent with the fabulous remasters the full catalogue received in 2009 (see photos). 1st Prize rosettes for both! Here are the details for all our Yesterdays on the Long and Winding Abbey Road…

 

Disc 1 of "1962-1966" (31:02 minutes):

1. Please Please Me

2. She Loves You

3. All My Loving

4. Love Me Do

5. From Me To You

6. I Want To Hold Your Hand

7. Can't Buy Me Love

8. A Hard Day's Night [Side 2]

9. Eight Days A Week

10. Ticket To Ride

11. And I Love Her

12. I Feel Fine

13. Yesterday

 

Disc 2 of "1962-1966" (31:45 minutes):

1. You've Got To Hide Your Love Away [Side 3]

2. Day Tripper

3. Norwegian Wood (This Bird Has Flown)

4. Help!

5. We Can Work It Out

6. Drive My Car

7. Nowhere Man [Side 4]

8. In My Life

9. Paperback Writer

10. Yellow Submarine

11. Michelle

12. Girl

13. Eleanor Rigby

2CD set released Oct 2010 on EMI/Apple 5099990675225

 

Disc 1 of "1966-1967" (51:15 minutes):

1. Strawberry Fields Forever

2. Sgt. Peppers Lonely Hearts Club Band

3. Lucy In The Sky With Diamonds

4. All You Need Is Love

5. Penny Lane

6. With A Little Help From My Friends

7. A Day In The Life

8. I Am The Walrus [Side 2]

9. The Fool On The Hill

10. Lady Madonna

11. Revolution

12. Hello Goodbye

13. Magical Mystery Tour

14. Hey Jude

 

 

 

Disc 2 of "1966-1970" (48:43 minutes):

1. Back In the U.S.S.R. [Side 3]

2. Ob-La-Di, Ob-La-Da

3. Don't Let Me Down

4. Old Brown Shoe

5. While My Guitar Gently Weeps

6. Get Back

7. The Ballad Of John And Yoko

8. Here Comes The Sun [Side 4]

9. Something

10. Let It Be

11. The Long And Winding Road

12. Come Together

13. Octopus's Garden

14. Across The Universe

2CD set released October 2010 on EMI/Apple 5099990674723

 

The left flap in each set houses a new 32-page booklet. The lyrics are intact from the red and blue inner sleeves of the original album issues, the photo of the Beatles at St. Pancras Old Church in London looking out through the railings at the public (taken 27 July 1969) is there in the centre flaps, there's new liner notes by BILL FLANAGAN the MTV Executive and author of "Evening's Empire" (a book on Rock in the Sixties) and there's plenty of superb colour photos from the period - it's impressively done.

 

It doesn't take a particular genius to work out from the playing times provided above (especially on the "Red" album) that the first set could easily have fitted onto 1CD and even included bonus tracks. But EMI would of course argue that this would fundamentally alter the aesthetic of the original 1973 double-vinyl release. At least this time – with the reissue being mid price - we're not being charged for the privilege.

 

The compilations are basically the A-sides of all their UK 7" singles releases between 1962 and 1970 in chronological release date order with a few key album tracks thrown in for good measure. Eagle-eye fans would therefore note that as ALL Beatles UK 7" singles for that period were issued only in MONO, so the tracks on the album should reflect that - the MONO single mixes. But EMI did nothing of the sort. In fact the original 1973 albums stated only STEREO on the labels and only the STEREO code was reflected in their catalogue numbers too. At least this time this new 2010 issue notes that Tracks 1 to 4 on Disc 1 are in MONO, while all other are in STEREO ("Love Me Do" is the album mix and not the single version). Bottom line - I would argue that accuracy's loss is the listener's gain because the STEREO versions used here are awesome.

 

The sound quality is fantastic - breathtaking clarity on instruments - George Harrison's sitar on "Norwegian Wood (This Bird Has Flown)" - the string quartet on "Eleanor Rigby" and so on. But what impresses most is the actual listen itself. Even now it's truly shocking to hear just how accomplished The Beatles were. Re-listening to each disc in straight order is a gobsmacking experience – from the mop-tops of "Love Me Do" and "She Loves You" to the accomplished polish of “Ticket To Ride", “Michelle” and "Yesterday" (the song that single-handled shut all the begrudgers up) – it's all so incredibly sweet a listen. "We Can Work It Out" and "Day Tripper" were a single for God's sake - not on any English album at the time of release. "Paperback Writer", "Girl", the harmonizing on "Nowhere Man" - track after track of brilliance. Were The Beatles really this good and so early on? The answer is yes - and always will be.

 

In fact the second volume ("Blue") more than the first shows the rapidity with which they had matured as songwriters and innovators of recording techniques. The piano and guitars on "Lady Madonna", the jet screeching in at the opening of "Back In The U.S.S.R", the brass on "All You Need Is Love", Billy Preston's superb keyboard work on "Let It Be", the wonderfully loose live feel of "Don't Let Me Down" (best B-side ever?)

 

There's the truly beautiful and evocative "Across The Universe", Ringo's "With A Little Help From My Friends", Harrison's 'Abbey Road' double-whammy of "Here Comes The Sun" and "Something" while the epic 'Sgt. Peppers' finisher "A Day In The Life" still astounds. And I haven't even touched on the flute loveliness of McCartney's "The Fool On The Hill" or the monster guitar on Lennon's "Revolution"…

 

To sum up - the sound on these new reissues is fabulous - the packaging better than the 1993 versions and each is being sold at mid-price - available in most places for less than the price of a single new album. You can't help but think that millions of people globally will take one look at these beauties on a shelf somewhere and slap them straight into their shopping baskets. The world’s most collectable and revered band - and on the evidence presented here in these one-two double sucker punches - rightly so...

“Revolver” by THE BEATLES. A Review of their 1966 Masterpiece Now Ressiued On A 2009 Enhanced Remastered CD.

"…The Day Breaks…Your Mind Aches…"

Did you know that the Beatles don't actually play an instrument on "Eleanor Rigby" (it's a six string ensemble with Paul's vocals)? Or that George Martin plays the piano on "Good Day Sunshine"? Or that George Harrison doesn't play Sitar on "Love You To" (it was a session man) but does on "Tomorrow Never Knows? Did you know that the stereo catalogue number for the original British LP of "Revolver" on which this CD is based is Parlophone PCS 7009?

Well you do now!

All insufferable smartarse remarks aside - why do I mention this - because you're not going to learn any of these interesting and relevant facts from the woefully weak booklet that accompanies this CD...

Let's get this straight from the start – THE SOUND ON THIS 9 Sept 2009 REMASTER OF "REVOLVER" IS MAGNIFICENT - it really is - and for many people that will be enough. But for fans that have waited 22 years for EMI to get this right, the description of this CD reissue as being endowed with 'deluxe packaging' is frankly laughable.

I mean only EMI could forget to include the album's original catalogue number! Or how about supplying the lyrics (too much like hard work boys) or an interview with the Producer George Martin, the engineer Geoff Emerick? Or how about picturing the differing worldwide picture sleeves that accompanied the singles that came off the album? Or even adhering to the original issue of the LP for God's sake! With a playing time of 34:47 minutes and plenty of room, where's the MONO mix as it was originally released? The laughable "historical notes" last 2 whole pages - the recording notes a page and a half - the rest is pointless pictures of the boys that give absolutely no sense of event or any knowledge of the album and its monumental impact. The three-way card digipak is pretty - it is - but it has a matt cover and the second you get it out of the shrink-wrap it starts to mark and pick up grease. Infuriatingly, the BEATLES in MONO box set has the REPRO BRITISH LP SLEEVE in all its laminated hard-card flip-back rear-sleeve glory - a far sturdier and prettier effort - but it's £200 to acquire such a privilege (if you can find one)!

I know it's a bit of a cliché to whine on about packaging, but can you imagine what Ace Records of the UK, Bear Family of Germany, Rhino of the USA or Raven of Australia (proper reissue labels) would have done to a catalogue of this importance and stature? They would have shown this extraordinary band and one of its greatest recorded achievements the respect and affection it deserves - instead you get the distinct feeling of a corporate organisation just doing what it can get away with (there's no download variant of it available as yet either). Four years prepping this! Four years doing what? Picking their noses!

But let's get back to the music.

"Revolver" (their 7th album) was originally released 5 August 1966 in the UK on both Parlophone PMC 7009 Mono and PCS 7009 Stereo. The American issue followed 3 days later on Capitol T-2576 Mono and ST-2576 Stereo. The UK issue had 14 tracks, the US had 11 - the three missing from the American issue were "And Your Bird Can Sing", I'm Only Sleeping" and "Dr. Robert" which had appeared on the June 1966 US album "Yesterday And Today". This issue follows the UK release with the full compliment of 14. The CD label also reflects the black and yellow lettering of the original British LP, as does the rear cover artwork, which advertises the use of an "Emitex" record cleaning cloth! The enhanced CD track called "Mini Documentary" (broadcast last weekend on the BBC preceding the worldwide release of their catalogue) is largely black & white in-studio shots featuring the voices of the Fabs and George Martin discussing songs and techniques on the album - it's directed by BOB SMEATON and is nice, but disappears way too fast (and we've already seen it). There's a link to the official website, but naught else of any real worth... So the supposed bonus track turns out to be two and half minutes of video footage we've already seen and something EMI has blatantly used as a sales device!

Sound - hearing this 2009 remaster is a SONIC BLAST from start to finish. Both GUY MASSEY and STEVE ROOKE have remastered the first generation stereo master tapes and to say they've done a good job is like saying the Great Wall of China is an o.k. building project! Their work here is fabulous – monumental almost - it really is. The sound quality is glorious throughout - clear, warm, detailed - every single track a revelation. My only complaint would be that some songs are very loud - "Got To Get You Into My Life" and "Here, and There & Everywhere" in particular, but George Martin produced them that way. The hiss level is barely audible on any of the songs, but what is subtly audible now is the new instrument flourishes you can hear almost everywhere. The brilliant Harrison guitar playing on the New York Drug Pusher song "Dr. Robert" is at last to the fore, the lone horn work of ALAN CIVIL on "For No One" is suddenly so pretty, while Ringo's superlative drumming on "Tomorrow Never Knows" is now absolutely huge to a point where the clarity and sheer whack of the remaster brought me to tears. If you love this record, you're in for a treat.

So there you have it - an absolute wow 10-out-of-10 on the sound front - but could have done so much better on the rest.

But my God - what a band - and what a recorded legacy they left behind. Float downstream indeed folks...

Recommended - despite little old pacifist me wanting to threaten the pencil pushers at EMI with physical violence...

I need to get out more...