"Mannish Boy - The Stax, Volt & Truth Recordings 1969-74" by THE NEWCOMERS. A Review Of The 2013 Ace/Stax CD Remaster - A Limited Edition Of Only 1500 Copies.

This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

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Hailing out of Memphis - I've had only three tracks by the Vocal Soul group The Newcomers to my name - all of which turned up on "The Complete Stax/Volt Singles Volume 2" 9CD Box Set in 1993 - over 20 years ago. So being a voracious Stax Records collector/fan  - this CD caught my eye - and I'm so glad I bought it.

Released 30 September 2013 as a limited edition of 1500 copies, Ace/Stax CDLUX 010 (Barcode 029667056120) runs to a generous 77:48 minutes and breaks down as follows:

Track 2 and 1 "Open Your Heart (Let Me In)" and "Girl, This Boy Loves You" make up the A&B sides of their debut 45 on Volt VOA-4022 (issued September 1969).

Tracks 3 and 4 "You Put The Sunshine In My Heart" and "Still A Boy In My Heart" make the A&B sides of their 2nd 45 on Volt VOA-4049 (issued October 1970).

Tracks 5 and 6 "Pin The Tail On The Donkey" and "Mannish Boy" are the A&B sides of their 3rd 45 on Stax STA-0099 (issued September 1971). It was also their first of only two 45s in the UK - it was issued on Stax 2025 063 in 1972.

Tracks 7 and 8 "The Martian Hop" and "Humpty Dumpty" are their 4th 45 on Stax STA-0186 (issued 1973). It was also issued as the second 45 in the UK on Stax STXS 2023 in 1975.

Track 9 is "Keep An Eye On Your Close Friends" - the A-side is their 5th 45 on Truth TRA-3204 (issued September 1974). The 'Instrumental' B-side is not included on here.

Tracks 10 and 11 "(Too Little In Common To Be Lovers) Too Much Going To Say Good-Bye" and "The Whole World;s A Picture Show" are their 6th single on Truth TRA-3213 (issued January 1975).

They had one other 45 on Mercury in 1978 which is not within the reaches of this CD. They never made an album.

Track 12 is "Betcha Can't Guess Who" which was unissued until the Ace/Kent Soul CD compilation "More Perfect Harmony - Sweet Soul Groups 1967-1975" (CDKEND 252) in 2005.

Track 13 is "See Saw Lovin'" which was unissued unto the Ace/Stax CD "5000 Volts Of Stax" (CDSXD 116) in 1998.

Tracks 14 to 24 are all previously unreleased (14, 15, and 21 are Mono, the rest Stereo)

The group were made up of several accomplished singers all of whom auditioned at Stax for their parts - Bertram Brown, Terry Bartlett, Homer Garis, Carl Lloyd and Randy Brown were the original line-up. William Sumlin, Terry Bartlett and Randy Brown made up the core of the new line-up. The song-writers included Allen Jones, Bobby Manuel, Marshall Jones, Melvin Davis, Homer Banks and many others.

This compilation feels like a tale of two cities - the singles and the unreleased stuff. I say this because Stax clearly thought of The Newcomers as their answer to Tamla's Jackson 5 and therefore pitched some terrible A-sides to that effect ("Put The Tail On The Donkey"). And their B-sides were so much better than the A - which is probably why the opener here is "Girl, This Boy Loves You" - a glorious slab of high-vocals Sweet Soul - the kind of tune Northern Soul fans would throttle a close relative for. But stuff like their awful reworking of The Ran-Dells 1963 novelty hit "The Martian Hop" backed by the sickly "Humpty Dumpty" fail terribly. But then just when you're getting worried - you get the fantastic "Mannish Boy" and the truly aching "(Too Little In Common To Be Lovers) Too Much Going On To Say Good-Bye" which is properly gorgeous Slow Soul.

But what's most shocking is the sheer quality of the unreleased stuff - mostly consisting of slower ballads. Tony Rounce's typically superb liner notes point out that the six-minute slow stew of "The Exit" is the toppermost - and he's right. In fact listening to these tracks feels like some long lost smoocher album that somehow slipped through the net. Many of the songs feature The Bar- Kays as the backing band too (their cover of Steve Mancha's "I Don't Want To Lose You" is a highlight). Another nugget is the vocal harmonies achieved by Stax stalwarts Bettye Crutcher and Marvell Thomas on "What A Girl I've Got (Lovin' Me)" - 'so' good. The demos are not fluffs either but fully recorded tracks - and even they sound great. In fact the audio quality is superb throughout (typically top transfer work done by NICK ROBBINS at Sound Mastering).

Ace Records of the UK is beloved among fans and collectors - and this kind of release is testament as to why. You couldn't imagine a major label giving a monkeys about this stuff - but Ace have made the effort and made it available to Soul lovers everywhere.

Fabulous stuff - and easily one of my Soul reissues of the year for 2013.

“Soul Men/I Thank You…Plus” by SAM and DAVE. A Review Of Their 3rd and 4th LPs on Stax and Atlantic Records - Now Reissued By Edsel Of The UK On CD In 2012.

This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

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"…Good God Almighty!"

I’ve already reviewed the 1^st disc reissued for Sam Moore and Dave Prater in this Edsel series - “Hold On, I’m Coming/Double Dynamite” - which covers their first and second albums on Stax in 1966 (and some singles around those releases). This 2^nd reissue gives us their 3^rd and 4^th albums on Stax and Atlantic and is just as stunning in every way – sound, presentation and (despite it being a 2CD set) value-for-money price. Here are the finite details…

UK released 26 March 2012 (10 April 2012 USA) - Edsel EDSD 2131 breaks down as follows:

Disc 1 (35:14 minutes): 

Tracks 1 to 11 are the album "Soul Men" – released October 1967 in the USA on Stax Records ST-725 [Mono] and STS-725 [Stereo]. The STEREO mix is used.

Tracks 13 and 12 are “Soothe Me (Recorded Live In London, England)” and "I Can’t Stand Up For Falling Down” – see Singles List below

Disc 2 (53:48 minutes):

Tracks 1 to 12 are the album “I Thank You” – released November 1968 on Atlantic Records SD-8205 [Stereo]

Track 13 is “This Is Your World” – non-album - see Singles List below

Tracks 14 and 15 are “Can’t You Find Another Way (Of Doing It)” and “Still Is The Night” – non-album - see Singles List below

Tracks 16 and 17 are “Soul Sister, Brown Sugar” and “Come On In” – non-album - see Singles List below

Tracks 18 and 19 are “Born Again” and “Get It” – non-album - see Singles List below

This 22-track 2CD set will also allow fans to sequence the following US Stax and Atlantic 7” singles surrounding the two albums [13/1 = Track 13/Disc1 etc]:

1. Soothe Me (Recorded Live In London, England) [13/1] b/w I Can’t Stand Up For Falling Down [12/1] – Stax 45-218 (June 1967) [see NOTE]

2. Soul Man [1/1] b/w May I Baby [2/1] – Stax 45-231 (September 1967)

3. I Thank You [1/2] b/w Wrap It Up [4/2] – Stax 45-242 (February 1968)

4. You Don’t Know What You Mean To Me [6/2] b/w This Is Your World [13/2] – Atlantic 45-2517 (May 1968)

5. Can’t You Find Another Way (Of Doing It) [14/2] b/w Still Is The Night [15/2] – Atlantic 45-2540 (August 1968)

6. Everybody Got To Believe In Somebody [2/2] b/w If I Didn’t Have A Girl Like You [5/2] – Atlantic45-2568 (October 1968)

7. Soul Sister, Brown Sugar [16/2] b/w Come On In [17/2] – Atlantic 45-2590 (December 1968)

8. Born Again [18/2] b/w Get It [19/2] – Atlantic 45-2608 (March 1969)

[Note: the ‘studio’ version of “Soothe Me” rather than the ‘live’ cut was used as a UK 7” single on Stax 601004 in March 1967 with “Sweet Pains” as its B-side – both tracks are on the “Double Dynamite” album – available on the 1^st CD by Edsel mentioned above]

PHIL KINRADE at Alchemy Studios in London has done the mastering and it's a fantastic job – muscular and pounding out of your speakers like those old 45's used to do. Being 60's Soul and recorded with indecent haste in less than audiophile conditions - there's hiss on occasion and some muddiness to the bass every now and then – but mostly this remaster sounds 'so' clear to me – the brass, drum whacks and guitar - much better than the early Nineties Rhino discs I've had for years now. And as a sucker for those 45's and their double-shots of brilliance – I also love the fact that this release allows me to line up those songs for play – and in top sound quality too.

The 20-page full-colour booklet featuring a 4000-word essay by noted Soul expect and aficionado TONY ROUNCE is superlative. Rounce has had a long-time association with both Edsel and Ace Records of the UK and their Philadelphia and Chess CD reissues - and his work here is typically indepth, knowledgeable and enthusiastic in a way that only British Soul nuts can be. Pages 12 and 16 have gorgeous full colour plates of each album sleeve and the rest of the text is peppered with insert photos of the Florida (Sam) and Georgia (Dave) boys in various live shows. There's a track-by-track Discography at the rear and it even reproduces the original liner notes that graced the back of each American LP sleeve. Rounce’s liner notes also extend to their later years (aged 76, Sam Moore is still with us and singing). In other words Edsel could have taken the easy way out and put in foldout 3-page filler that would have sufficed – but they haven’t – and they're to be praised for this.

To the music – the album “Soul Men” is considered by most to be their best album and it’s easy to hear why. Fast or slow – the song quality is tops. Lesser-heard album tracks like ”Hold It Baby” and “I’m With You” are brilliant (lyrics above) – equal to any of the single releases. The torch ballads “May I Baby” and “I’ve Seen What Loneliness Can Do” are belters too. I have to say that I find the ‘live’ version of Sam Cooke’s “Soothe Me” ok – I much prefer the album cut on the “Double Dynamite” LP. But I can so see why Elvis Costello covered the superb non-album B-side “I Can’t Stand Up For Falling Down” – another slowy with Soul power. The title track is of course their most famous song - it hit the number 1 spot in many countries around the world and was quite rightly inducted into the US ‘Grammy Hall Of Fame’ in 1999.  

“I Thank You” opens with the band sounding ‘so’ tight on the title track. But it’s the inexplicable non-charting of “Everybody Got To Believe In Somebody” that impresses even more. Penned by the inimitable duo of ISAAC HAYES and DAVID PORTER – it should have been a smash, but alas the 45 waned at the same time their career did. Other highlights include the piano/guitar ballad of “If I Didn’t Have A Girl Like You” and the building intensity of the holy-roller cover “That Lucky Old Sun” finishes the album is style. The singles are fab too – I especially like the quality B-sides “This Is Your World” and “Come On In”. Scottish Soul Rockers DEACON BLUE did a lively B-side cover of the superb “Born Again” on their “Real Gone Kid” CD single in 1988. Like I say – it’s an embarrassment of riches.   

To sum up - presented well, sounding spiffing and cheaper than a soiled paper napkin in Buckingham Palace – this is a huge amount of top Sixties Stax Soul for peanuts money.

So good – and thoroughly recommended.

"Something Extra Special - The Complete Volt Recordings 1968-1971" by JIMMY HUGHES (July 2010 UK Ace/Kent Soul CD Compilation with Nick Robbins Remasters) - A Review by Mark Barry...

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"…I Like Everything About You…"

As a voracious lover of Sixties and Seventies Motown, Chess and Stax, I’ve probably waded through a veritable warehouse full of CD compilations in my search to find Soul goodies to listen to. And as the years pass - a few names begin to emerge as genuine class acts you didn’t know too much about before your journey started - singers like Barbara Acklin, Luther Ingram, Maxine Brown, James Carr, Doris Duke, Spencer Wiggins and many more. JIMMY HUGHES is one of those singers.

Possessed of a truly great voice, he could rasp like Otis Redding and Wilson Pickett, but could also caress a melody like Bobby Womack, Tyrone Davis and Brook Benton. Couple this vocal dexterity and expressiveness with superb Stax in-house songwriting (Isaac Hayes, David Porter and Homer Banks) – and you’re on a winner. And that’s where this fantastic CD reissue comes in…

UK released in July 2010 - this is the 3rd volume in a series of three dedicated to the Alabama soul man; Ace Records/Kent CDKEND 341 breaks down as follows (79:11 minutes):

1. I LIKE EVERYTHING ABOUT YOU
2. LET `EM DOWN BABY
3. I'M SO GLAD
4. LAY IT ON THE LINE
5. SWEET THINGS YOU DO
6. CHAINS OF LOVE
7. I'M NOT ASHAMED TO BEG AND PLEAD
8. IT'S ALL UP TO YOU
9. LOCK ME UP
10. WHAT SIDE OF THE DOOR
11. PEEPED AROUND YONDER'S BEND
12. JUST AIN'T AS STRONG AS I USED TO BE (YOU DONE FED ME SUMPIN')
13. DID YOU FORGET
14. NO EASY WAY
15. DON'T YOU KNOW I'M ALL ALONE
16. I WAS CLOSEST AT HAND
17. I WANT YOU SO BAD
18. I WORRY ABOUT YOU
19. IT JUST AIN'T ENOUGH
20. LOOK WHAT I GOT
21. NEVER GROW OLD
22. YOUR LOVE MADE A U TURN
23. TELL HIM TONIGHT
24. TOO OLD TO PLAY
25. LEAVE US ALONE
26. YOU GOT THE POWER
27. YOUR LOVE IS IMPORTANT TO ME

Tracks 1 to 11 are the Stereo album "Something Special" issued May 1969 in the USA on Volt Records VOS-6003 (Volt was a subsidiary label of Stax Records)

Tracks 12 and 13 are "Just Ain't As Strong As I Used To Be (You Done Fed Me Sumpin')" and "Did You Forget" – the non-album A&B sides of a USA 45 (see below)

Tracks 14 to 27 are PREVIOUSLY UNRELEASED Volt Recordings

For the first time - this CD will allow fans to sequence all 5 of his rare and desirable 'Volt' 45's as follows:

1. I Like Everything About You b/w What Side Of The Door (July 1968, Volt VOA-4002)
2. Sweet Things You Do b/w Let 'Em Down Baby (February 1969, Volt VOA-4008)
3. Chains Of Love b/w I’m Not Ashamed To Beg Or Plead (April 1969, Volt VOA-4017)
4. I’m So Glad b/w Lay It On The Line (May 1969, Volt-VOA 4024)
5. Just Ain't As Strong As I Used To Be (You Done Fed Me Sumpin') b/w Did You Forget (June 1969, Volt VOA-4060)
[Note: 2 above was issued as his 1st 45 in the UK on Stax 117 in April 1969, while 3 was UK issued on Stax 126 in August 1969]

Proceedings open with an absolute killer – "I Like Everything About You" – as lovely as Sixties Soul gets (lyrics above). But you are also floored by the sound quality – it’s GORGEOUS. Remastered by NICK ROBBINS at Sound Mastering in London – I’ve raved about his huge body of work before and this CD is no exception. The audio quality is clear, warm and detailed – and if there is hiss on some tracks, it isn’t compressed out of existence - nor is the treble ratcheted up to 12 to get volume for the sake of volume. It’s a really nice job done.

The 26-page booklet is the usual informative affair from Ace with superb liner notes from Soul lover and expert – TONY ROUNCE. It gives a history of Hughes' short but frustrating stay at the Stax subsidiary label and pictures all the 45’s (with label bags), some demo versions of the same, publicity photos and a repro of the rear of the rare album sleeve. Rounce’s name has been involved in a huge number of reissues covering major Soul labels like Philadelphia International, Hot Wax, Invictus and RCA Victor.

Highlights include the fabulously funky "Chains Of Love" which was coupled with the aching "I’m Not Ashamed To Beg Or Plead" on its flip – a great double-header issued as a seven on both sides of the pond. I’ve had the "Chains Of Love" A-side on the 1993 9CD Box Set "The Complete Stax/Volt Singles 1968-1971 (Volume 2)" for years now, but the sound quality here is much improved. The harmonica-driven slink of "What Side Of The Door" is wicked too and the album ends on the lovely Al Green soundalike - "Did You Forget". The whole record is an embarrassment of riches really…

The huge haul of 14 Previously Unreleased tracks confirms what fans have known for years – like Motown – the vaults of Stax have harboured hidden gems for decades – only now seeing the light of day thanks to dedicated reissue labels like Ace and many others.
The recording dates range from February 1968 to April 1971 and feature songs by famous soul writers like STEVE CROPPER, GEORGE JACKSON, EDDIE FLOYD, DONNA and SANDRA RHODES, AL JACKSON and CHARLES CHALMERS. Highlights include the pleading "Tell Him Tonight" (recorded April 1970 at Sun Studios) and "Don’t You Know I’m All Alone" sounding not unlike an Al Green outtake. Impressive stuff…

To sum up - in his liner notes to this CD (and being a lifetime lover and collector of Soul Music) - Tony Rounce can barely contain his glee at being involved in reissuing everything this great artist did. It’s been a labour of love for him and Ace Records - and on hearing these 27 slices of Southern goodness by Jimmy Hughes - it’s easy to hear why.

A superlative reissue – and wholeheartedly recommended.

PS: the other 2 volumes in this series are "Steal Away – The Early Fame Recordings" (Kent CDKEND 324) and "Why Not Tonight? – The Fame Recordings Vol.2" (Kent CDKEND 331)

"Sweet Inspiration – The Songs Of Dan Penn And Spooner Oldham" by VARIOUS ARTISTS. A Review Of The 2011 Ace Records CD Compilation.

"…I’m Yours…To Have And To Hold…"

You know you’re in the presence of a great compilation when the compilers put Dionne Warwick and Charlie Rich on a 'soul' CD – clever choices and class acts. And this latest issue in Ace’s 'Songwriters' series is a real class act - a bit of a masterpiece frankly.
But to the details first…

Released Monday 31 January 2011 in the UK (15 February 2011 in the USA), Ace Records CDCHD 1284 breaks down as follows (66:52 minutes):

1. Out Of Left Field by PERCY SLEDGE (1967, Atlantic 2396)
2. I’m Your Puppet by DIONNE WARWICK (1968, Scepter 12352)
3. Sweet Inspiration by THE SWEET INSPIRATIONS
(1968, Atlantic 2476)
4. A Woman Left Lonely by CHARLIE RICH (1971, Epic 10745)
5. I Worship The Ground You Walk On by ETTA JAMES
(1968, Cadet 5606)
6. I’m Living Good by THE OVATIONS (1969, Goldwax 342)
7. Take Me (Just As I Am) by SOLOMON BURKE (1967, Atlantic 2416)
8. Cry Like A Baby by ARTHUR ALEXANDER (1969, Sound Stage 7 2652)
9. It Tears Me Up by JEANNE NEWMAN
(Previously Unreleased Goldwax Recording From 1966)
10. Slippin’ Around With You by ART FREEMAN (1966, Fame 1008)
11. I Met Her In Church by TONY BORDERS (1969, Revue 11040)
12. Are You Never Coming Home by SANDY POSEY (1967, MGM 13824)
13. Let It Happen by JAMES CARR
(Previously Unissued Alternate Version of Goldwax 323)
14. Everything I Am by THE BOX TOPS (1967, Mala 580)
15. Feed The Flame by TED TAYLOR (1967, Atco 6481)
16. Watching The Trains Go by TONY JOE WHITE
(1968, Monument 1053)
17. In The Same Old Way by ARTHUR CONLEY (1966, Fame 1007)
18. Denver by RONNIE MILSAP (1969, Scepter 12246)
19. Dreamer by PATTI LaBELLE And THE BLUEBELLES
(1967, Atlantic 2408)
20. Good Things Don’t Come Easy by IRMA THOMAS
(Originally Unissued Chess Recording From 1967 Put Out In 1988)
21. I Need Someone by THE WALLACE BROTHERS (1968, Jewel 792)
22. He Ain’t Gonna Do Right by BARBARA LYNN (1968, Atlantic 2585)
23. Wish You Didn’t Have To Go by TOMMY ROE (1965, ABC 10706)
24. Let’s Do It Over by JOE SIMON (1965, Vee-Jay 694)

The mastering has been done by NICK ROBBINS at Sound Mastering in London and the extensive 28-page booklet features a 10,000-word exploration of every track by noted soul aficionados TONY ROUNCE and BOB DUNHAM. I’ve raved about the Bear Family CD compilations “Sweet Soul Music” from 1961 to 1970 (reviewed all 10) and their great sound and packaging (regularly hitting 70 pages and beyond in each booklet) – well Ace are on the same tip here because their booklet is a truly fabulous read – and beautifully laid out. There isn’t a wasted page – photos of the artists, 7” US singles in their label bags (some demos), trade adverts – it’s just a feast of informative and enthusiastic detail that enhances your enjoyment of these deeply Southern Soul sides. Even the inlay under the see-through plastic tray advertises other Ace releases with Penn/Oldham songs on them – and after hearing this peach - imminent purchase of all seven advertised CDs may become a priority – credit-crunch or no…

The sound quality varies from the merely good (“Out Of Left Field”) to the stupendous (“Take Me (Just As I Am)”, “Dreamer” and “I Need Someone” - and back again. Mostly it just sounds great throughout. These are big American labels and rarely does the quality dip. But what overrides all of that is the awesome material itself and how it’s been sequenced…

Take “I’m Your Puppet” (lyrics above) – the version everyone knows and loves is by James And Bobby Purify – Ace has craftily chosen a lesser-heard but equally sweet Dionne Warwick version from her 1969 US album “Soulful”. When I put this CD in our shop play shuffle on Saturday, this track immediately brought soul customers to the counter asking after it. The intense Percy Sledge version of “It Tears Me Up” is another – the compilers know that as good as it may be, Percy’s version has been heard one too many times – so it’s been replaced with a countrified-soul version by Bobby Gentry soundalike Jeanne Newman – and it’s just brilliant. And a major previously unreleased coup occurs with the James Carr track – Ace have uncovered an alternate take of the slow and majestic “Let It Happen” where the background vocals are removed - it even features him talking a little as the track plays out – wow!

Then there’s the picture on Page 17 of the ultra-rare Tony Borders Fame 7” single “I Met Her In Church” – it’s a Northern Soul monster and will have NS fans weak at the knees and stroking their debit cards with an evil glint in their eye - already forming a great excuse for the wife when she gets to see the bank statements at the end of the month. It all ends of a lethal triple-whammy – Barbara Lynn and Joe Simon versions to die for - even the “Dizzy” Tommy Roe gets a moment to shine on “Wish You Didn’t Have To Go”.

Niggles - I suppose looking at the 66 minute plus playing time - you could argue that more tracks should have been included, but actually I think the lack of overkill is perfect – quality and not quantity.

To sum up - both Penn and Oldham have been underground white-boy songwriters for Black Soul music for decades – and finally this disc does them justice. I’m more than impressed – easily one the hippest and best reissues to date in 2011. Well-done boys and roll on Volume 2…

PS: if you want to hear Dan Penn cover his own huge hits – check out his own solo outing on CD from 1991 called “Do Right Man” – it’s brilliant and he’s possessed of the loveliest Tony Joe White type voice and warmth.

“Shades Of Mitty Collier – The Chess Singles 1961– 1968” by MITTY COLLIER. A Review of the UK 2008 Kent Soul CD Compilation.

"…I Gotta Get Away From It All…"

Released in June 2008 on Kent Soul CDKEND 301, "Shades Of Mitty Collier" is a 24-track UK CD compilation which will finally allow fans to sequence all 15 of US Chess 7" singles as follows (69:07 minutes):

1. I've Got Love b/w I Got To Get Away From It All
(Chess 1791 from June 1961, Tracks 24 and 23, A & B-sides)
2. Don't Let Her Take My Baby b/w I Dedicate My Life To You
(Chess 1814 from March 1962, Track 21, A-side only)
3. Miss Loneliness b/w My Babe
(Chess 1856 from June 1963, Tracks 20 and 22, A & B-sides)
4. I'm Your Part Time Love b/w Don’t You Forget It
(Chess 1871 from October 1963, Track 17, A-side only)
5. Pain b/w Let Them Talk
(Chess 1889 from March 1964, Track 19, B-side only)
6. I Had A Talk With My Man b/w Free Girl (In The Morning)
(Chess 1907 from October 1964, Track 18, A-side only)
7. No Faith, No Love b/w Together
(Chess 1918 from January 1965, Track 16, A-side only)
8. Come Back Baby b/w Ain't That Love
(Chess 1934 from March 1965, Track 15, B-side only)
9. Help Me b/w For My Man
(Chess 1942 from July 1965, Tracks 13 and 14, A & B-sides)
10. Sharing You b//w Walk Away
(Chess 1953 from March 1966, Tracks 11 and 12, A & B-sides)
11. My Party b/w I'm Satisfied
(Chess 1964 from July 1966, Tracks 9 and 10, A & B-sides)
12. (Looking' Out The Window) Watching And Waiting b/w Like Only Yesterday
(Chess 1987 from December 1966, Tracks 7 and 8, A & B-sides)
13. Do It With Confidence b/w You're The Only One
(Chess 2015 from July 1967, Tracks 5 and 6, A & B-sides)
14. Git Out b/w That'll Be Good Enough For Me
(Chess 2035 from December 1967, Tracks 3 and 4, A & B-sides)
15. Gotta Get Away From It All b/w Everybody Makes A Mistake Sometimes
(Chess 2050 from 1968, Tracks 1 and 2, A & B-sides)

This release will also allow you to sequence almost all of her lone album on the famous label entitled "Shades Of A Genius" which was issued in 1966 on Chess LP 1492.


Side 1:
1. Come Back Baby
2. I Had A Talk With My Man Last Night [18]
3. Would You Have Listened
4. Gotta Get Away From It All [23]
5. My Babe [20]
6. Hallelujah (I Love Him So)
Side 2:
1. Drown In My Own Tears
2. No Faith, No Love [16]
3. Together
4. Let Them Talk [19]
5. Little Miss Loneliness [22]
6. Ain't That Love [15]

Notes:
1. "I Got To Get Away From It All" on Chess 1791 is Version 1 (Track 23) while "Gotta Get Away From It All" is a remake on Chess 2050 which is Version 2 (Track 1)
2. Excepting "I'm Your Part Time Love", "I Had A Talk With My Man" and "Don't Let Her Take My Baby" (which are in MONO), all other tracks are in STEREO
3. As you can see from the two lists above there are 8 singles complete, but six sides are missing and 5 of the album tracks aren’t on here either. However, 4 of those single sides and 3 of the missing LP tracks are available elsewhere - on the 1999 Chess CD compilation called "Shades Of A Genius".

The booklet is the usual classy affair from Ace Records of the UK, a 16-page info-packed break down of her legacy by noted expert and soul lover TONY ROUNCE. Each single is pictured with label bags, there's the withdrawn sleeve of her lone album "Shades Of Mitty Collier" (featured another woman!) along with US trade magazine adverts. The CD itself apes the front page of the colour booklet while the inlay beneath the see-through tray features snaps of Pye International 7" demos and Chess Records adverts - all of it very nice touches.

Sound - it's been mastered by NICK ROBBINS and has had audio restoration work done by ROB SHREAD at Sound Mastering in the UK. The audio quality is superb given the vintage - the usual top job done by Ace.

Track highlights for me are the extraordinary torch ballad "Everybody Makes A Mistake Sometimes" (written by Lloyd Reese) - a B-side with the balls of an A. The cover of Ray Charles' "Ain't That Love" sounds like Barbara Lewis at her Atlantic best while the Northern Soul dancefloor favourite "My Babe" (a Little Walter cover) is a belter.

History tells us that like Florence Ballard at Motown (looked over for Diana Ross), Mitty Collier felt her releases were second fiddle in the promotion department to Chess's other killer singer - Etta James. Collier charted only 4 titles out of 15 across a near 8-year period, but Rounce also quite rightly notes that this also showed Leonard and Phil Chess' commitment to their artists - they stood by them - even in the dry patches. In the end perhaps Mitty Collier was too soulful for the public to take ("Like Only Yesterday") or the songs just weren't catchy enough for the charts to go crazy over ("My Party").

Still, at least we are left with this legacy of superb powerhouse soul tracks to enjoy. Ace is to be congratulated for this release – because once again, they deliver the goodies.

“Shades Of Mitty Collier – The Chess Singles 1961 – 1968” by MITTY COLLIER. A Review of the UK 2008 Kent Soul CD Compilation.

This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…I Gotta Get Away From It All…"

Released in June 2008 on Kent Soul CDKEND 301, "Shades Of Mitty Collier" is a 24-track UK CD compilation which will finally allow fans to sequence all 15 of US Chess 7" singles as follows (69:07 minutes):

1. I've Got Love b/w I Got To Get Away From It All
(Chess 1791 from June 1961, Tracks 24 and 23, A & B-sides)
2. Don't Let Her Take My Baby b/w I Dedicate My Life To You
(Chess 1814 from March 1962, Track 21, A-side only)
3. Miss Loneliness b/w My Babe
(Chess 1856 from June 1963, Tracks 20 and 22, A & B-sides)
4. I'm Your Part Time Love b/w Don’t You Forget It
(Chess 1871 from October 1963, Track 17, A-side only)
5. Pain b/w Let Them Talk
(Chess 1889 from March 1964, Track 19, B-side only)
6. I Had A Talk With My Man b/w Free Girl (In The Morning)
(Chess 1907 from October 1964, Track 18, A-side only)
7. No Faith, No Love b/w Together
(Chess 1918 from January 1965, Track 16, A-side only)
8. Come Back Baby b/w Ain't That Love
(Chess 1934 from March 1965, Track 15, B-side only)
9. Help Me b/w For My Man
(Chess 1942 from July 1965, Tracks 13 and 14, A & B-sides)
10. Sharing You b//w Walk Away
(Chess 1953 from March 1966, Tracks 11 and 12, A & B-sides)
11. My Party b/w I'm Satisfied
(Chess 1964 from July 1966, Tracks 9 and 10, A & B-sides)
12. (Looking' Out The Window) Watching And Waiting b/w Like Only Yesterday
(Chess 1987 from December 1966, Tracks 7 and 8, A & B-sides)
13. Do It With Confidence b/w You're The Only One
(Chess 2015 from July 1967, Tracks 5 and 6, A & B-sides)
14. Git Out b/w That'll Be Good Enough For Me
(Chess 2035 from December 1967, Tracks 3 and 4, A & B-sides)
15. Gotta Get Away From It All b/w Everybody Makes A Mistake Sometimes
(Chess 2050 from 1968, Tracks 1 and 2, A & B-sides)

This release will also allow you to sequence almost all of her lone album on the famous label entitled "Shades Of A Genius" which was issued in 1966 on Chess LP 1492.


Side 1:
1. Come Back Baby
2. I Had A Talk With My Man Last Night [18]
3. Would You Have Listened
4. Gotta Get Away From It All [23]
5. My Babe [20]
6. Hallelujah (I Love Him So)
Side 2:
1. Drown In My Own Tears
2. No Faith, No Love [16]
3. Together
4. Let Them Talk [19]
5. Little Miss Loneliness [22]
6. Ain't That Love [15]

Notes:
1. "I Got To Get Away From It All" on Chess 1791 is Version 1 (Track 23) while "Gotta Get Away From It All" is a remake on Chess 2050 which is Version 2 (Track 1)
2. Excepting "I'm Your Part Time Love", "I Had A Talk With My Man" and "Don't Let Her Take My Baby" (which are in MONO), all other tracks are in STEREO
3. As you can see from the two lists above there are 8 singles complete, but six sides are missing and 5 of the album tracks aren’t on here either. However, 4 of those single sides and 3 of the missing LP tracks are available elsewhere - on the 1999 Chess CD compilation called "Shades Of A Genius".

The booklet is the usual classy affair from Ace Records of the UK, a 16-page info-packed break down of her legacy by noted expert and soul lover TONY ROUNCE. Each single is pictured with label bags, there's the withdrawn sleeve of her lone album "Shades Of Mitty Collier" (featured another woman!) along with US trade magazine adverts. The CD itself apes the front page of the colour booklet while the inlay beneath the see-through tray features snaps of Pye International 7" demos and Chess Records adverts - all of it very nice touches.

Sound - it's been mastered by NICK ROBBINS and has had audio restoration work done by ROB SHREAD at Sound Mastering in the UK. The audio quality is superb given the vintage - the usual top job done by Ace.

Track highlights for me are the extraordinary torch ballad "Everybody Makes A Mistake Sometimes" (written by Lloyd Reese) - a B-side with the balls of an A. The cover of Ray Charles' "Ain't That Love" sounds like Barbara Lewis at her Atlantic best while the Northern Soul dancefloor favourite "My Babe" (a Little Walter cover) is a belter.

History tells us that like Florence Ballard at Motown (looked over for Diana Ross), Mitty Collier felt her releases were second fiddle in the promotion department to Chess's other killer singer - Etta James. Collier charted only 4 titles out of 15 across a near 8-year period, but Rounce also quite rightly notes that this also showed Leonard and Phil Chess' commitment to their artists - they stood by them - even in the dry patches. In the end perhaps Mitty Collier was too soulful for the public to take ("Like Only Yesterday") or the songs just weren't catchy enough for the charts to go crazy over ("My Party").

Still, at least we are left with this legacy of superb powerhouse soul tracks to enjoy. Ace is to be congratulated for this release – because once again, they deliver the goodies.

“Women’s Love Rights/I Can’t Make It Alone/Two Sides Of Laura Lee…Plus” by LAURA LEE. A Review of the 2010 2CD Set on Edsel.

This review is part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…If You Can Beat Me Rockin’ (You Can Have My Chair)…"

This superb 2CD overview of US soul singer Laura Lee was released January 2010 in the UK (February 2010 in the USA) on Edsel EDSD 2050 and is part of a series of reissues Edsel are doing to extensively cover Holland-Dozier-Holland's Invictus and Hot Wax labels. It features her 3 albums for H-D-H in their entirety, rare single sides as bonus tracks and much improved liner notes too. It breaks down as follows...

Disc 1 (71:29 minutes):
Tracks 1 to 10 are her entire album 1st album "Women's Love Rights", released November 1971 in the USA on Hot Wax HA 708
Tracks 11 to 16 are 6 of the 8 tracks from her 3rd album "I Can't Make It Alone", released 1974 in the USA on Invictus KZ 33133 (see Note below)
Track 17 is "Since I Fell For You", Mono Promo-Only Single Edit, 1974 on Hot Wax (no catalogue number)
Track 18 is "I Need It Just As Bad As You" (Unedited Version), originally on Deep Beats CD DEEPD 025

Disc 2 (55:07 minutes):
Tracks 1 to 10 are her entire 2nd album for the label "Two Sides Of Laura Lee", released 1972 on Hot Wax HA 714
Track 11 is "Crumbs Off The Table", USA 7" Single Re-Edit on Hot Wax HS 7210
Tracks 12 and 13 are the A&B sides of a 1973 USA 7" single on Hot Wax HS 7305 (both tracks are non-album)
Track 14 is "Since I Fell For You" (Mono Commercial Single Edit)

Note: Two tracks were duplicated on her 2nd and 3rd albums - they are "Every Little Bit Hurts" and "Crumbs Off The Table". Edsel have put them on Disc 2 in their proper sequence for the "Two Sides Of Laura Lee" album, however, if you want to sequence the 8 tracks of her 3rd album "I Can't Make It Alone" in proper order, then it runs as follows...
Side 1 is tracks 11 to 13 on Disc 1 + Track 3 on Disc 2
Side 2 is track 2 from Disc 2 + tracks 14 to 16 from Disc 1

Using the album cuts and the six bonus tracks across the 2CDs, you can now also sequence her entire US Hot Wax 7" singles output as follows...

1. "Wedlock Is A Padlock" b/w Her Picture Matches Mine", Hot Wax HS 7007, January 1971
2. "Women's Love Rights" b/w "Wedlock Is A Padlock", Hot Wax HS 7105, August 1971
3. "Love And Liberty" b/w "I Don't Want Nothing Old (But Money)", Hot Wax HS 7111, December 1971
4. "Since I Feel For You" b/w "I Don't Want Nothing Old (But Money)", Hot Wax HS 7201, February 1972
5. "Rip Off" b/w "Two Lovely Pillows", Hot Wax HS 7204, June 1972
6. "If You Can Beat Me Rockin' (You Can Have My Chair)" b/w "If I'm Good Enough To Love (I'm Good Enough To Marry)", Hot Wax HS 7207, October 1972
7. "Crumbs Off The Table" b/w "You've Got To Save Me", Hot Wax HS 7210, January 1973 [Note: A was originally a hit for The Glass House (another HDH act) in September 1969 on Invictus IS 9071]
8. "(If You Want To Try Love Again) Remember Me" b/w "If I'm Good Enough To Love (I'm Good Enough To Marry)", Hot Wax HS 7302, 1973
9. "I'll Catch You When You Fall" b/w "I Can't Hold Out Much Longer", Hot Wax HS 7305, 1973 [Note: both A&B are non-album tracks]

Remastered by PETER RYNSTON at TALL ORDER, the sound quality is great - alive and jumping out of your speakers. The 20-page booklet has very detailed liner notes by soul expert TONY ROUNCE who also provides photos of those rare 7" singles and LP labels - it's brilliantly informative and researched with both affection and care (his top class work features on most of Edsel's soul releases).

The music is upbeat floor-filling soul with a message of breaking free, standing up for yourself and street smarts. Track after track is great stuff. One of my all time favourites and a criminally forgotten gem is her declaration to other women about her loving prowess in the brilliantly funky single "If You Can Beat Me Rockin' (You Can Have My Chair)" - expect to see it in a movie any day now.

At less than six pounds on-line, this is a whole lot of great Seventies soul for not a whole lot of wedge (even as an import in other countries).

Superb - recommended.

“When Love Is New” by BILLY PAUL. A Review of his 1975 Philadelphia International LP now reissued by Edsel on a 2010 CD.

"…Unemployment On The Rise…Interest Rates Going Up…Please…Let The Dollar Circulate…"

"When Love Is New" is part of a mid-price series of Philadelphia International reissues by Demon's EDSEL label in the UK (see PS below). Most of the albums seem to be focusing on the year 1975.

Released April 2010, Edsel EDSM0003 breaks down as follows (37:43 minutes):

Tracks 1 to 7 are a straightforward reissue (no bonus tracks) of the LP "When Love Is New" released December 1975 on Philadelphia International Records PZ 33843 in the USA and early 1976 on Philadelphia International Records S PIR 69207 in the UK. It was his 5th album for the famous soul label and peaked at Number 17 on the US R ’n’ B charts.

The 12-page booklet provides you with production credits and superb liner notes by noted soul expert TONY ROUNCE. But the real deal is in the sound. The CD has been mastered by TALL ORDER of the UK and the sound quality is truly fantastic (Rounce name checks this). Clear, ballsy and wonderfully detailed – the remaster allows the lush GAMBLE & HUFF production values to really shine.

The album seemed to be a tale of two halves – Side 1 had 3 socially conscious tunes in a row ending with a slightly upbeat 4th ditty (“Marjorie”), while Side 2 was a full-on lover man suite with all 3 tunes provided by label founders Kenneth Gamble and Leon Huff.

My personal favourite (and recently sampled by rap/soul artists Jay Dilla, Steve Spacek and Cartie) is “Let The Dollar Circulate” (lyrics above) which is a brilliantly funky tune with a top ‘message’ that unfortunately reverberates to this day. I also like the album opener too “People Power” - which is arranged by jazz-funk favourite Dexter Wansel.

As the years have passed by some soul fans have deemed Billy Paul to be just too – well, lightweight. But I’d say this album should be revisited so as to change that opinion.

It’s not a masterpiece by any stretch of the imagination – it’s not - but there are goodies on here – and they now have superlative sound and a dirt-cheap price tag thrown in.

Worth investigating…

PS: other titles in the series are/will be...
1. Dance Your Troubles Away - ARCHIE BELL and THE DRELLS (1975) [due Summer 2010, Edsel EDSM0006]
2. Wake Up Everybody…Plus – HAROLD MELVIN and THE BLUE NOTES (1975) [April 2010, Edsel EDSM0002] - see REVIEW
3. Philadelphia Freedom - M.F.S.B. (1975) [due Summer 2010, Edsel EDSM0005]
4. Family Reunion…Plus – THE O’JAYS (1975) [April 2010, Edsel EDSM0001] – see REVIEW
5. The Three Degrees Live [aka Live In London] (1975) - THE THREE DEGREES (due Summer 2010, Edsel EDSM0004)

“Family Reunion…Plus” by THE O’JAYS. A Review of the 1975 Philadelphia International LP now reissued by Edsel on a 2010 extended CD.

The O'Jays "Back Stabbers" and "Ship Ahoy" are part of my "SOUNDS GOOD: Exceptional CD Remasters Soul, Funk & Jazz Fusion" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…Going Across Town…Gonna Pick Up My Lady…Gonna Party Down…"

"Family Reunion...Plus" is part of a mid-price series of Philadelphia International reissues by Demon's EDSEL label in the UK (see PS below). Most of the albums seem to be focusing on the year 1975.

Released April 2010, Edsel EDSM0001 breaks down as follows (52:57 minutes):

Tracks 1 to 7 are the LP "Family Reunion" released November 1975 on Philadelphia International Records PZ 33807 in the USA and on Philadelphia International Records S PIR 69196 in the UK. It was their 6th studio LP for the famous soul label - and along with “Ship Ahoy” from 1973 and “Survival” from March of that year – also reached the coveted Number 1 spot on the US R'n'B charts. In fact November and December 1975 were exceptional months for Philly Soul - “Family Reunion” was immediately replaced at Number 1 only weeks later by another of the label’s gem LPs - “Wake Up Everybody” by Harold Melvin and The Blue Notes (also in this series).

Track 8 is "I Love Music (Tom Moulton Mix)", a 9:42 extended version remixed for the “Philadelphia Classics” 2LP set on Philly from 1977.

The 12-page booklet provides you with production credits, mini pictures of the 7” singles taken off of it as well as superb liner notes by noted soul expert TONY ROUNCE. The CD has been mastered by TALL ORDER of the UK and the sound quality is fantastic – clear and hiss free – it really allows the lush GAMBLE & HUFF production values to shine.

Label founders Kenneth Gamble and Leon Huff stumped up most of the album’s songs (Tracks 1, 2, 5, 6 and 7) and along with Norman Harris and Tony Bell’s arrangements gave the whole record their lush TSOP production values. The other ace writing team of John Whitehead, Gene McFadden and Victor Carstarphen gave us “She’s Only A Woman” while Bunny Sigler and Louise Bishop wrote "You And Me”.

Both “I Love Music” and the brilliantly infectious “Livin’ For The Weekend” (lyrics above) went to Number 1 on the R’n’B singles chart too. I also like the two big ballads “Stairway To Heaven” and “She’s Only A Woman”.

To sum up - this is another superb Philly album - and pitched at a marketplace price that's less than a fiver - it's an absolute steal.

Recommended.

PS: other titles in the series are/will be...
1. Dance Your Troubles Away - ARCHIE BELL and THE DRELLS (1975) [due Summer 2010, Edsel EDSM0006]
2. Wake Up Everybody…Plus – HAROLD MELVIN and THE BLUE NOTES (1975) [April 2010, Edsel EDSM0002]
3. Philadelphia Freedom - M.F.S.B. (1975) [due Summer 2010, Edsel EDSM0005]
4. When Love Is New - BILLY PAUL (1975) [April 2010, Edsel EDSM0003]
5. The Three Degrees Live [aka Live In London] (1975) - THE THREE DEGREES (due Summer 2010, Edsel EDSM0004)

“Wake Up Everybody…Plus” by HAROLD MELVIN and THE BLUE NOTES. A Review of the 1975 Philadelphia International LP now reissued by Edsel on a 2010 CD.

"…The Way You Walk And The Way You Smile…"

“Wake Up Everybody…Plus” is part of a mid-price series of Philadelphia International LP reissues by Demon’s EDSEL label in the UK (see PS below). Most of the albums seem to be focusing on the year 1975.

Released April 2010, Edsel EDSM0002 breaks down as follows (50:21 minutes):

Tracks 1 to 7 are the album “Wake Up Everybody” released November 1975 on Philadelphia International Records PZ 33808 in the USA and early 1976 on Philadelphia International Records S PIR 69193 in the UK. It was their 4th and final studio LP for the famous soul label – and easily their most successful and fondly remembered - reaching the coveted Number 1 spot on the US R’n’B charts that Christmas.

Track 8 is “Don’t Leave Me This Way (The Tom Moulton Mix)”, an 11:02 minutes extended version remixed in 1977

The 20-page booklet provides you with band snaps, lyrics, pictures of the LP label and 7” singles taken off it - as well as superb liner notes by noted soul expert TONY ROUNCE. The CD has been mastered by TALL ORDER of the UK and the sound quality is fantastic – clear and hiss free – and it really allows the lush Gamble/Huff MFSB production values to shine.

Philly’s ace song-writing team – John Whitehead, Gene McFadden and Victor Carstarphen provided tracks 1, 2, 5 and 6 - while label founders Kenneth Gamble and Leon Huff stumped up production and writing credits for tracks 3, 4 and 7.

The lovely SHARON PAIGE provided duet vocals on “You Know How To Make Me Feel So Good” and “I’m Searching For Love”, but it was (Theodore) TEDDY PENDERGRASS who shone with lead vocals on all tracks – especially the huge title track “Wake Up Everybody” (which effectively launched Pendergrass as a solo star).

But for me one of the unheard gems on this album is Track 2 on Side 1, “Keep On Lovin’ You” – as brill a Seventies soul tune as you can get (lyrics above). It’s so good to hear it with such top sound quality.

Niggles – both “Tell The World How I Feel About ‘Cha Baby” and “Wake Up Everybody” have 7” single edits which AREN’T included as bonus tracks and I would have preferred those than the rather tiresome extension of the overly familiar “Don’t Leave Me This Way”.

Other than that – this is a superb Philly album – and pitched at a marketplace price that’s less than a fiver – it’s an absolute steal.

Recommended.

PS: other titles in the series are/will be…
1. Dance Your Troubles Away – ARCHIE BELL and THE DRELLS (1975) [due Summer 2010, Edsel EDSM0006]
2. Philadelphia Freedom – M.F.S.B. (1975) [due Summer 2010, Edsel EDSM 0005]
3. When Love Is New – BILLY PAUL (1975) [April 2010, Edsel EDSM0003]
4. Family Reunion…Plus – THE O’JAYS (1975) [April 2010, Edsel EDSM0001]
5. The Three Degrees Live [aka Live In London] (1975) – THE THREE DEGREES (due Summer 2010, Edsel EDSM0004)