"Doremi Fasol Latido" by HAWKWIND – November 1972 UK Third Studio Album on United Artists (December 1972 in the USA) – featuring Dave Brock, Nik Turner, Del Dettmar, Lemmy (later with Motorhead) and Simon King (March 1996 UK EMI Premier Expanded Edition CD Original with Four Bonus Tracks in A Foldout Card Digipak - Followed by an August 2001 UK EMI Records Expanded Edition CD Reissue of the 1996 Variant in a Jewel Case – Paul Cobbold, Peter Mew and Kevin Reeve Remasters) - A Review by Mark Barry...

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TUMBLING DICE - 1972

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"...Greetings From Space Mother..."

Following on from the breakthrough of October 1971's "X In Search Of Space" LP and June 1972's 45-single "Silver Machine" (a worldwide hit) was always going to be difficult for a band as uncompromising as London's Space Rockers HAWKWIND. But our favourite flavoursome five reprobates delivered a worthy successor in the November 1972 sonic mayhem that was and is "Doremi Fasol Latido" – even if countries outside of Blighty didn't seem to notice much.

But if I'm truthful - "Doremi Fasol Latido" is a four-star Hawkwind album - all sonically drunk and Production disorderly and falling over itself on the way to an undoubtedly rank toilet. It's a wee beastie for sure (probably why I like it so much). But this March 1996 'Expanded Edition' CD Remaster elevates that four-star scamp into a five-star rocking thoroughbred, especially given four bonuses actually worthy of the name. 

So, let's go forth my Thorasin Blood Brothers because our Space Mother is calling her Hawklord offspring into the sorcerer’s cauldron for a bit of a brainstorm (if you catch my stellar drift)...

UK released 20 August 2001 - "Doremi Fasol Latido" by HAWKWIND on EMI Records 530 0312 / 7243 5 30031 2 8 (Barcode 724353003128) is an 'Expanded Edition' CD Reissue and Remaster with Four Bonus Tracks that plays out as follows (59:06 minutes):

1. Brainstorm [Side 1]

2. Space is Deep 

3. One Change 

4. Lord Of Light [Side 2]

5. Down Through The Night 

6. Time We Left This World Today 

7. The Watcher 

Tracks 1 to 7 are their third studio album "Doremi Fasol Latido" - released November 1972 in the UK on United Artists UAG 29364 and December 1972 in the USA on United Artists UA-LA001-F. Produced by DAVE BROCK and DEL DETTMAR - it peaked at No. 14 in the UK (didn't chart USA). 

BONUS TRACKS: 

8. Urban Guerrilla

9. Brainbox Pollution 

Tracks 8 and 9 are the non-album A&B-sides of a 22 June 1973 UK 45-single on United Artists UP 35566

10. Lord of Light (Single Version Edit) 

Track 10 was not a 45 in the UK; however, Amon Duul's Peter Kramper and Stefan Michel remixed it January 1973 in a Munich studio for the German market, reducing the LP cut of 6:59 minutes to 3:59 minutes. United Artists UA 35 492 was issued around about March 1973 in a picture sleeve with a remixed and edited version of "Born To Go" from "The Greasy Truckers Party" double-album on the B-side. 

11. Ejection (Previously Unreleased Version) - Written by Dave Brock, Produced by Roy Baker 

There are two variants of this release – the first appeared 22 March 1996 in a multi-flap card digipak on EMI Premier HAWKS 3 / 7243 8 37554 2 4 (Barcode 724383755424). If you want that version, you will need to seek it out in a separate entry. That was in turn replaced with this more common 20 August 2001 reissue that comes in a standard jewel case (EMI Records 530 0312 is easily available for about a fiver or less – new or used). 

Fan nerds will know that the original Barney Bubbles-designed LP famously came with a silver foil on black card design and a space art inner sleeve. The gobbledygook commentary printed on the back sleeve which starts with “Blood greetings O brother, from our great space mother...” is reproduced in the 1996 foldout card digipak version, as is the inner sleeve. But so also is the rare ‘Street Rats’ poster that only came with some original vinyl LPs in England. I mention this poster because although the 2001 reissue has exactly the same liner notes and credit details as before (same 1996 Remaster too) – someone forgot to display the poster in the 12-page booklet of the 2001 reissue. It’s a small mishap, but one worth mentioning. 

The 1996 Audio Remaster (carried over into the 2001 reissue) is care of long-time Abbey Road associate PETER MEW aided by PAUL COBBOLD and a name many will know from Universal Remasters – KEVIN REEVE. Those expecting Supertramp or Dark Side Of The Moon will need to look elsewhere. This is sloppy, grungy, heads down Space Rock with a grandiose dollop of Rock Psych thrown in. At times the band seems to be fighting to be heard in the heady mix – lead vocals distant, backing vocals in another room altogether. But this Remaster delivers the power and the muscle. And then just when you think you have Hawkwind pigeonholed to a wall of sound and volume – they whomp you with Acoustic beauty like Dave Brock’s "Space Is Deep" or Lemmy’s ethereal and eerie "The Watcher". Suddenly it feels beautifully produced even if the later half of the song might again descend into that drum vs. guitar drone. The transfer is grubby and dirty when it needs to be and soft as a baby's bum-bum when restraint is called for. I love it.

The dirtiest grittiest guitar ever greets the listener as Side 1 begins with "Brainstorm" - standing on the runway for 11:32 minutes of heads down Space Rock. The vocals are still lost but the gutbucket wallop of it is undeniable and a hoot. After the sheer eardrum assault of "Brainstorm" - the six-minutes of Dave Brock's "Space Is Deep" comes across as pretty - like an Acoustic Yes session mated with an exploratory Uriah Head whig-out, leaving both exhausted but proud Hawklord parents beaming down at their new gangly offspring. "Into the void we have to travel..." – he sings. Fairly sure I’m not alone in saying that "Space Is Deep" is my fave track on the album - a great vibe and now a fabulous remaster that fills the room as the crescendo builds. Fifty seconds of "One Change" ends Side 1 - a very cool piano instrumental that feels like it should be featured on the soundtrack to "Baby Driver 2: Second Gear" – the babe drives again – etc.

Side 2 opens with "Lord Of Light", a seven-minute Dave Brock guitar-shimmer accompanied by panned cymbals. It soon melts into a guitar riff similar in some ways to the might "Silver Machine" - probably why it was remixed in Germany in early 1973 and issued as a 7" single there. And again with another surprising acoustic opening to "Down Through The Night" - space vibes with echoed Nik Turner flute moments. Surely another fan crave is "Time We Left This World Today" - 8:43 minutes of pure Hawkwind grind. With other room vocals and whacking drums anchoring the wall of guitars, synths and flute warbling - you can just so see that 'strapping cohort Stacia' (as she is described in the commentary) giving it some bounce for the boys on stage as he singer chants 'today' like a mantra. Future Motorhead legend and Bass player Lemmy gets his moment as he finishes the album with the surprisingly restrained "The Watcher". 

But the extras have me jumping up and down in the living room with a Spalding tennis racquet - my missus with yet another worried look and the Nurse Ratched cast on speed-dial. I've always liked "Urban Guerrilla" but my poison is the fantastic 5:42 minutes of its B-side "Brainbox Pollution" - a track that I'm certain should have been the "Silver Machine" follow-up. What a tune. Throw in two great extras in the tighter single edit for "Lord Of Light" and a cool unreleased Rock tune in "Ejection" - and it’s a groovy listen overall. 

There will be those who listen to "Doremi Fasol Latido" and wonder did Daddy and Mummy take too many magic mushrooms in 1972 when they assure their already alarmed sprogs in 2020 that Hawkwind is the dogs bollox. I miss them and the sheer couldn't give a cobblers freedom of it all. Enjoy, you children of Nik Turner, Dave Brock, Del Dettmar, Simon King and the mighty Kilmister Kid...

"X In Search Of Space" [aka "In Search Of Space'] by HAWKWIND (August 2001 Parlophone 'Expanded Edition' CD with a 1996 Peter Mew Remaster) - A Review by Mark Barry...

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"...The Immaculate Void..." 

Mind-expanding riffage - altered states of consciousness – temptress dancing ample bosom overload (you go Stacia)... 

Oh yes folks - it can only be Hawkwind's second album "X In Search Of Space" - or as Pete Townshend and I know it nowadays - "In Search Of My Eardrums".

It's March 2017 - and as the sun beats down on the beardy environs of my aspirational address (I live in Walthamstow - cue smug grin and unwarranted touching of private parts) - I can still remember the visual and aural impact of this LP in the autumn of 1971 – closing on an astonishing 46 years back (where has the time gone Bob).

Hawkwind's most famous platter featuring the classic Dave Brock, Nik Turner and Bob Calvert line up arrived early October 1971 and sat rather uncomfortably beside John Lennon's "Imagine" - released that same week in the UK. Talk about musical differences. The only thing that connected them was perhaps all that clever packaging...it worked...I bought both. But before I did - an earful first...

I remember folding out the beautiful interlocking cover of "X In Search Of Space" in Pat Egan's Sound Cellar (in Dublin) with its United Artists LP inside and a strange looking mini comic book sat on top. I remember wondering at all the squared colour photos of six very hairy men (one or two with painted faces) and the intergalactic lyrics and the dancing blurred woman on the back with quite possible not a lot on (so hard now to find a vinyl original with the doors sleeve still intact nowadays). I also remember looking at 'The Hawkwind Log' Book - trying to make sense of its cosmic gobbledygook and strange black and white images of cartoon rockets to Andromeda, a Summer Solstice Stonehenge in silhouette, elliptical galaxies in Leo, third-eye hippies dancing around fields and sitting on tree trunks with a flute in their hands and a suspicious smile on their faces.

And what was all this karmic-knob about 'stellar worlds and microcosms of the absolute'. But then I remember something else - the needle hitting the groove for the sixteen-minute "You Shouldn't Do That" – the build up followed by that wall of guitars – that sound – that fantastic drone – almost a new variant of Kraut Rock. It was undeniably hooky and mesmerising. Space Rock (British style) had arrived in everyone’s lives.

Which brings us via Nebula Minor, Zodiac Major and Druggy Loads to this rather brill little CD reissue. Here are the Masters of the Universe...

UK released August 2001 - "X In Search Of Space" [aka "In Search Of Space"] by HAWKWIND on Parlophone 530 0302 (Barcode 724353003029) is an 'Expanded Edition' CD with Three Bonus Tracks (using a 1996 Remaster) that breaks down as follows (57:42 minutes):

1. You Shouldn't Do That [Side 1]

2. You Know You're Only Dreaming

3. Master Of The Universe [Side 2]

4. We Took The Wrong Step Years Ago

5. Adjust Me

6. Children Of The Sun

Tracks 1 to 6 are their second studio album "X In Search Of Space" - released October 1971 in the UK on United Artists UAG 29202 and April 1972 in the USA on United Artists UAS 5567. Produced by Hawkwind and George Chkiantz - it peaked at No 18 in the UK (didn't chart USA).

BONUS TRACKS:

7. Seven By Seven (Original Single Version)

8. Silver Machine (Original Single Version)

9. Born To Go (Live Single version Edit)

Tracks 8 and 7 are the A&B-sides of a non-album UK 7" single released June 1972 on United Artists UP 35381. The A-side "Silver Machine" was recorded live 13 February 1972 at The Roundhouse in London - the studio track B-side "Seven By Seven" was recorded at Rockfield Studios in Monmouth, Wales. Track 9 "Born To Go" (Live) is from the Various Artists 2LP set "The Greasy Truckers Party" on United Artists that featured Hawkwind. This 7" single B-side was issued 1973 in Germany on United Artists UA 35 492 - the A-side being "Lord Of Light" from the "Doremi Fasol Latido" LP in 1972.

HAWKWIND was:

NIK TURNER – Alto Saxophone, Flute, Audio Generator and Lead Vocals

DAVE BROCK – Vocals, Electric, Acoustic 6 and 12-string Guitars and Audio Generator

DAVE ANDERSON Bass, Electric and Acoustic 6-String Guitars

DEL DETTMAR – Synthesiser

TERRY OLLIS – Drums and Percussion

DIK MIK – Audio Generator

The substantial 24-page booklet is actually both fab and a frustrating thing. Good stuff - it offers brill period photos of the five-piece, Fanzine addresses for this most cultish of bands, the rare picture sleeve to the June 1972 breakthrough 7" single "Silver Machine", flyers from 60p benefit gigs in Margate, posters of Hawkwind supporting Polydor's Arthur Brown and Kingdom Come, Blue Horizon's Duster Bennett, Harvest's Tea & Symphony, RCA's Brewer's Droop, Neon's Indian Summer and a band as yet unsigned to EMI - Queen. There are beautiful and incredibly rare gig posters from Dunstable Civic Hall, Aldermaston Peace Festival in colour and the whole of the rare logbook that came with British original copies in all its mad glory (black and white) even if the print is tiny and just about readable in places (mostly not). If it looks so great - why moan? Apart from reissue credits - there are no new liner notes and the lyrics aren't here. If ever an album deserved an essay and its words - it's this one. When you think of the huge influence "X In Search Of Space" has had on Stoner rock and even the Kraut sound of say Neu! – bit of a damn shame someone didn't throw a few lines of appreciation and context together. Discussion on the album title – is it "X In Search Of Space" as it says on the cover art - or "In Search Of Space" as it says on the label and is more commonly known? I go by the cover art...

The picture CD uses the black and silver Hawkwind image on the 1978 and 1982 reissues of "Silver Machine" - a nice touch – and there’s a suitably beautiful Universe photo beneath the see-through CD tray. But the big news is a PETER MEW and PAUL COBBOLD Remaster with Tape assistance from Nigel Reeves done at Abbey Road. This sucker rocks and of course if ever an album cried out for a bit of Audio muscle - then it's this one - a nice job done.

Side 1 is dominated by the sixteen-minute drone of "You Shouldn't Do That" which spends about one and half minutes launching - building and building until it hammers you with that Bass and Guitar wall of sound - Space Rock - all Alto Sax and 'Ssssh' chanting about hair and getting nowhere. Even now it gives me a kick in the unmentionables and I'm transported back to my bedroom with Rory Gallagher, Led Zeppelin and Deep Purple on the wall and my trusty Garrard SP25 worrying my poor parents and their fragile post 60ts nerves. Side 1's other interplanetary occupant is the near seven-minute "You Know You're Only Dreaming" – no real tune – just more of the same endless guitar solos as spacey flute noises float in and out over random Bass plucking - wonderful.

A huge fan fave – the grungy riffage of "Masters Of The Universe" that opens Side 2 with an aural wallop may indeed define the band more so than "Silver Machine" – Brock singing about being the centre of the Universe and the world is just a figment of his mind (know what you mean man). But then - just as you think you have the Hawk Lords nailed – know their sound and they can’t surprise you – Dave & Co. clobber you with the beautiful and even moving ballad "We Took The Wrong Step Years Ago". Like an acoustic moment on a Zeppelin LP - the song sails it amidst gull cries, acoustic guitars and an aching lyric about warnings and scriptures in the sand that need heeding, Nature is trying to warn us of impending ecological doom (isn't it always) - but will we listen?

"Adjust Me" returns us to travels outside our solar system - electric guitars and treated saxophone notes fronted by a singer's voice that increases in speed and madness. "X In Search Of Space" ends on the suitably doom-laden "Children Of The Sun" which talks about our inheritance amidst cymbal crashes and building guitars - acoustic first then electric. Like "We Took The Wrong Step Years Ago" - I think it's one of the album's strongest tracks and one that's forgotten these days.

"Silver Machine" was recorded live in February 1972 at The Roundhouse in London and launched on the world in June with the non-album studio cut "Seven By Seven" on the flipside. Amazingly its droning wall of sound caught the public's imagination and was rewarded with a No. 3 placing on the British singles charts. In fact "Silver Machine" has had extraordinary legs ever since - reissued no less than three more times (1976, 1978 and 1982) where it charted again in both 1978 (No. 34) and in 1982 (no. 67). Actually I prefer the more musical "Seven By Seven" song - maybe not such an obvious hit - but a riff that would have fitted nicely onto the end of Side 1.

"X in Search Of Space" is very much of its 1971 time and some in 2017 will raise an eyebrow and check your pulse should you declare it a masterpiece. But despite all the Space Mystic mumbo-jumbo - I look at Hawkwind's seminal monster with huge affection. 

An album from a time when all things seemed possible and we were just that bit genuinely out there without being lost or damaged. All this and drifting two-dimensional spaceships on a CD for under a sky-diver (nice one boys)...