"Close To The Edge: How Yes's Masterpiece Defined Prog Rock"
A Book by
WILL ROMANO
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PROG ROCK, PSYCH, AVANT GARDE...
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And Others Genres Thereabouts
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Covering 1967 to 1977 - It Also Focuses On
Fusion Rock, Acid Folk, Art Rock and Underground
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I've been pouring over Will Romano's book for
about a fortnight now and there's both good news and bad - with the bad being largely
out of his control and the good news outweighing annoying omissions.
At the age of 58 (I'm 59 this September) - I'm
probably one of the old gits this New York writer has aimed his book at. Romano
has already penned a book on the subject of Progressive Rock - "Mountains
Come Out Of The Sky: The Illustrated History Of Prog Rock - Prog Rock FAQ"
- which was an excellent and truly informative read. Romano has also scribed a
Blues tome (a fave subject of mine as well) called - "Big Boss Man: The
Life & Music Of Bluesman Jimmy Reed". So he's not new to this
music-book malarkey...
"Close To The Edge: How Yes's Masterpiece
Defined Prog Rock" was published March 2017 by Backbeat Books in oversized
paperback - 288-pages of seriously in-depth detail about a September 1972 album
that amazed then - and is still making jaws drop 45 years later in 2017.
The fourth YES album "Close To The Edge"
had only three tracks - one of which was the 18-minute 4-part "Close To
The Edge" suite on Side 1. The others over on Side 2 were "And You
and I" - four-parts at just under eleven minutes - and "Siberian
Khatru" (all one track) at just under ten minutes. "Close To The
Edge" had taken months to rehearse and record and cemented the rep given
this most British of bands by adventurous Rock with "The Yes Album"
and "Fragile" from either end of 1971.
Centred are 12-pages of photos - but only one
of the cover – no rear, no inner gatefold, no inner bag? For an album that was
so dominated by Roger Dean's artwork - especially the inner painting and the
beautifully CTTE scripted lyric bag - it's absence here gives you no insight
into what the actual LP looked like - that whole tactile thing. I dare say
Romano and Backbeat couldn't get clearance from Dean to reproduce that inner
sleeve that so many of us poured over back in the day (I even copied the
writing into my schoolbooks) or even show the other three unused RD paintings
that turned up for our titillation on the Steve Wilson Remixed 'Panegyric'
reissues of 2013 (CD and BLU RAY).
He does reproduce the American A-side label for
Atlantic SD 19133 - but sloppily it's a late 70s pressing with the corporate
Warner Brothers logo and not an American original. Besides - where's the
British original LP label for such a very British band - the Orange and Yellow
variant of Atlantic K 50012? The other photos are of band members - the sadly
passed Bassist Chris Squire in a church choir as a child - an Atlantic Records
'Gold' LPs trade advert for 1972 and so. They’re good – but I think they missed
a trick here by not having the actual artwork…
Impressively detailed reminiscences come from
Engineer Eddy Offord, lead singer Jon Anderson, keyboard-whiz Rick Wakeman and
everyone else who was key to the project. There are histories of each player
(Wakeman with The Strawbs - Bruford with King Crimson etc) - the torturous
recording process where certain tracks ended up in a bin by mistake - the
endless layers on layers - Steve Howe's amazing guitar playing - Wakeman the
same.
This is a good book on an album that actually
bears up to this level of scrutiny. It’s just a shame that the very thing that
turned us on (as much as the awesome music did) - isn't here – how it looked -
the visuals. Fans will know what I mean…
But the best compliment I can pay "Close
To The Edge" the book is that it made me want to drag out my Steve Wilson
Remastered CD reissue again. And as those 'climb clear of the morning' lyrics
and gorgeous acoustic guitar themes kicked in on "And You And I" -
not for the first time with this groundbreaking record - I shed a little Proggy
tear.
Nice one Will...
