"Saving Mr. Banks" on BLU RAY – A Review Of The 2013 Film….

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"…I Have Final Say!" – Saving Mr. Banks on BLU RAY

It’s 1906 in the beautiful and affluent city of Maryborough in Australia. Travers and Margaret Goff are leaving with their two daughters – Ginty and Dolly. Like Pied Piper their jokey father is leading his family to a new home, a new town, a new job in a bank for him and supposedly – a new and happier life. But the nanny who watches them leave yet another nice home and wife Margaret with an infant in her arms seems not so sure. And on the train to a remote place called Allora in Queensland (the last stop on the line) – Margaret watches with concern as her husband Travers sips slyly from a hip flask filled with whiskey. So while Ginty may adore her story-telling Dad who fills her with magic thoughts – she just stands on the back of the train dreamily watching everything she’s ever known disappear into the distance because of Daddy’s "ways"…

Now its April 1961 in London and the child Ginty is grown up into the frightfully prim and prig Pamela L. Travers – author of "Mary Poppins" – sat alone at her desk meditating (as per the works of George I. Gurdjieff). A ring at the front door brings in her literary agent Diarmuid Russell (Ronan Vibert) who informs her that the royalties have dried up and because she refuses to write anything new - soon even her beloved Bloomsbury home will go unless she procures money. But still she’s staggeringly prickly. Russell who has tread lightly long enough rages that Walt Disney - who has pursued her for twenty years to get the film rights to "Mary Poppins" - has even agreed to her excessive demands - no animation and full script approval. But she lives in terror that Hollywood will turn her beloved creation into pap.

But needs must – so - soon she’s on a BOAC jet to Los Angeles being rude to air hostesses, mothers with children and even the driver who picks her up at the other end – Ralph (a fabulous show by Paul Giamatti). "It smells like chlorine and sweat!" she says as Ralph tells her the scent in the Californian air is Jasmine. He buckles up – it’s going to be a bumpy ride. Mrs. Travers then throws pears out of her hotel window, growls at the writers in the Disney studios, whinges about piddly details like numbers on doors and moustaches and says "No! No! No!" absolutely all of the time. She’s even truculent in the face of the legendary Walt Disney and his considerable charm.

“Saving Mr. Banks” uses the technique of running Ginty’s 1906 childhood in Australia alongside her 1961 Californian battle with Disney and his people – so we slowly get to see why the dreamy hopeful child grows into a woman who would pen such a prig and proper character. Key to all of this is her relationship with the man she worshipped – Travers – her father. His daily battle with drink made his wife attempt suicide in a lake - lost him his job and health (consumption) – and eventually saw the kids farmed out to a visiting matriarch - Aunt Ellie. And with her starched almost churchlike garments, large carpetbag, face-shaped umbrella and 'no nonsense' practicality in the face of a crisis – Aunt Ellie would of course become the character "Mary Poppins". But is Mary Poppins about her saving the children - or is it really about Ginty saving her father through fiction? 

The superb cast includes Ruth Wilson as Margaret Travers, BJ Novak and Jason Schwartzman as the composing brothers Robert and Richard Sherman and Bradley Whitford as Disney man Don DaGradi. But the movie belongs to the leads… Tom Hanks and Emma Thompson.

There’s a strong body of evidence (“Castaway”, “Charlie Wilson’s War”, “Cloud Atlas” and “Captain Phillips”) that Tom Hanks may indeed be up there with De Niro, Al Pacino, Liam Neeson, Paul Giamatti, Philip Seymour Hoffman and other greats in terms of being the best actor who’s ever lived. So it takes serious boots to outshine him as Walt Disney. Up steps such a force of nature - Engerland’s Emma Thompson – giving her hateful bully lady a beating heart and gradually unfolding the real reasons for her guarded and prickly nature. Thompson gives a performance of true brilliance - an embattled woman who is hurting so deeply that you literally ache for her – cherishing dreams she cannot have sullied by commerce and gaudiness. The dances between her and Hanks are fabulous – but even better is her work with Giamatti – the humble limousine driver who touches her heart and makes her offer up a rare morsel of kindness when he reveals he has a special needs daughter ("Tell your daughter she can do anything she puts her mind too…").

Credit also has to go Colin Farrell who is magnificent and measured as the troubled yet adoring father Travers. The scenes between him and Annie Rose Buckley as young Ginty are beautiful and immensely moving. Childlike and wondrous himself – he instils in his little girl the qualities that would make her such a great writer later on. But he also crippled her mind with images of innocence betrayed – and a helpless descent into loss that would haunt her for the rest of her life.

Thomas Newman’s perfectly complimentary music and the presence of those wonderfully uplifting movie songs that are lingering in the back of our consciousness give the whole film warmth that’s tangible. But what really gets you over and over again - is the astonishing and truly immersive attention to period detail. The look of the bank Travers works in Allora, the huge wooden house on a hill in the middle of nowhere, the fun-fair day where he makes a fool of himself in front of his family because he’s drunk…  Then there’s the Beverly Hills Hotel where Pamela stays in 1961 – the Disney gift hampers she encounters in her room – even the stationery that Giamatti is holding when he meets her at the airport – all of it is period and absolutely spot on. There’s a scene where Walt takes Travers to Disneyland in an effort to soften her up – the stalls outside the theme park gates – the public crowds walking by the attractions and the carousel that ends up in the movie – huge set pieces - and all of it perfect.

The BLU RAY print is glorious throughout - a big Hollywood production and the picture quality reflects that. It’s defaulted to 2.34:1 so there are bars top and bottom – but even extended to Full Aspect – the print is gorgeous. This film is a real looker on the format.

Audio is English 5.1 DTS-HD Master Audio with English 2.0.
Subtitles are English for The Hard Of Hearing, Swedish, Norwegian, Danish and Finnish
Extras include "Deleted Scenes", "The Walt Disney Studios: From Poppins To The Present” and "Let’s Go Fly A Kite".

And on it goes to P. L. Travers finally sat in a cinema with tears rolling down her face as Walt Disney gives her Mister Banks the joy he so lacked all those years ago in Australia. Even Dick Van Dyke’s awful accent is forgiven as the joy of the songs and the film transcends everything. 

"Wind's in the east…mist coming in…like something is brewing…about to begin…"

"Saving Mr. Banks" is beautifully crafted cinema – superbly written by Kelly Marcel and Sue Smith and Directed by John Lee Hancock.

Do your heart and yourself a favour and spend Tuppence on this quality movie…

"The Last Station" on BLU RAY – A Review Of The 2011 Film by Michael Hoffman

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"…You're What I Came To Find…" - The Last Station on BLU RAY

In the last two decades of his life – the author of "War And Peace" and "Anna Karenina" - wasn’t just the most famous writer in the world – Leo Tolstoy was the inspiration for an entire movement that advocated pacifism, vegetarianism and love as the core of its commune philosophy. Tolstoy also rejected Church dictate, private property and was even seen by some as a living saint. And in 1919 his fame was such that he actually became one of the world’s first modern-day celebrities - filmed on Pathe Cameras everywhere he went - with crews and press teams relentlessly stalking his home for photos and footage of the great man. And although he neither sought out publicity nor was comfortable with it – his ego as Demigod enjoyed it too – putting huge pressure of his home life and volatile marriage.

The statistics surrounding the lifelong union of Leo and Sofya Tolstoy are incredible (played to perfection by Christopher Plummer and Helen Mirren). Married when she was 18, she bore him 13 children and they were still sexually passionate into their 80s. But forces like the leader of the worldwide Tolstoyan movement Vladamir Chertkov (Paul Giamatti), his devoted Doctor Dushan (John Sessions) and even his daughter Sasha (Anne-Marie Duff) all wanted him to give his legacy to posterity. This effectively meant forfeiting the copyright to his written works – giving the lot to the people and not his family.

Seeing how her ageing husband was being flattered for political ends while her family’s fortune was being simultaneously shafted - Countess Sofya thought otherwise - battling constantly with him and his army of devoted followers. After all - she had hand-written “War And Peace” six times for him – spent her entire life devoted to the man – only at the end to see his life’s accomplishments be used by reformist zealots ("They read him but they don't understand a word…").

Entering into this cauldron of personal warfare and political intrigue comes a young virginal Moscow idealist of 26 - Valentin Bulgakov (James McAvoy) - who becomes Tolstoy’s Private Secretary for the last year of his life. Valentin’s stay at the Tolstoy Estate of Yasnaya Polyana and the nearby Tolstoyan commune of Telyatinki introduces him to temper tantrums, ideological debate at garden parties, endless scribbling and even love in the shape of the feisty Masha (a fabulous turn by Irish Actress Kerry Condon – the jockey Rosie in the TV series "Luck" – her dialogue above titles this review). But soon Valentin is more than in love – he’s conflicted. Should he keep on spying for the ruthless and obsessed Chertkov or should he leave the great man in peace. It all culminates in driving the old author into despair - until one day Tolstoy can take no more and leaves on a train. But ill health brings him to…

"The Last Station" was adapted by Writer and Director Michael Hoffman from Jay Parini's 1989 novel of the same name (itself based on Valentin’s diaries). With such a juicy story and a well-written script – big names and big talent were drawn to it.

But none of this would amount to naught if it weren’t for the central story of their 'love' – the difficulty of living in it and the impossibility of doing without it. Mirren’s Sofya is all spiky rage, steely determination and drama Queen swoons while Plummer’s bearded Tolstoy looks benevolently on her - adoring his long-suffering wife one moment - repulsed by her need and annoyed by her courage the next. Both characters are big shoes to fill – and with fantastic word battles – they give utterly convincing performances of trapped people – giggling in young bedroom tenderness one night then spitting ideological venom at each other the following morning on the porch.

There are also fabulous conversations between Plummer and McAvoy as they walk on lilac-scented evenings about 'actual life' instead of philosophy and the scheming Giamatti character fills ever scene with a self-righteous knowing that he is so good at. Throw in acting heavyweights like John Sessions, Anne-Marie Duff, Kerry Condon and the spot-on James McAvoy (married in real life to Anne-Marie Duff) and you’re in for an emotional ride as well as an engaging historical tale. This is sumptuous, well-crafted, intelligent filmmaking (and even funny too in places) and quite why either Mirren or Plummer didn’t get Oscars for their lead roles is frankly a bit of a mystery…

Filmed in Germany with huge production values "The Last Station" is also a gorgeous watch on BLU RAY. Defaulted to 2.35:1 – there are bars top and bottom of the screen - but even stretching to Full Aspect – it’s looks beautiful throughout – especially on close ups of clothes, steam trains and in the idyllic countryside communes.

One of the two Extras includes a truly superb 45-minute Making Of called "Conversations On…" which features extensive interviews with Director and Screenplay Writer Michael Hoffman, the original author Jay Parini, Producers Jens Meurer and Bonnie Arnold and all the leads (the work process, favourite scenes, discussion of Tolstoy and the period). There's even Anthony Quinn’s agent who owned the book rights for decades (he had hoped to do the part). Audio is 5.1 DTS-HD Master Audio and the Subtitle is English.

In the end it’s a fascinating story – and an insight into the world of arguably the world’s first global pop star – only with a beard, arteritis, a cranky wife and a troop of peasants in tow waving their cloth caps instead of their Dolce and Gabbana handbags.

A top job done by all (especially Michael Hoffman) – "The Last Station" is a movie journey well worth the huff and puff…