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Showing posts with label Anna Paquin. Show all posts
Showing posts with label Anna Paquin. Show all posts

Thursday, 15 May 2014

"Fly Away Home" on BLU RAY – A Review Of The Beautiful 1996 Carroll Ballard Movie


Here is a link to AMAZON UK to get this beautiful film on BLU RAY at the best price:


"…Rocks May Melt…Seas May Burn…" – Fly Away Home on BLU RAY

It begins in New Zealand with windscreen wipers washing away rain. A mother in her mid thirties is driving her 13-year old daughter home at night to Pukekohe. Amy Alden (Anna Paquin) is listening to music on her headphones - smiling lovingly at her cool mum who looks over at her spirited girl with pride. But as a beautiful and inspirational piano theme plays ("10,000 Miles" by Mary Chapin Carpenter – a Robbie Burns poem put to music) – a truck approaches just when Mummy is taking an ill-timed mobile phonecall. She swerves fast to avoid the oncoming juggernaut but flips the car in doing so. It rolls to a shattered stand still – paramedics pull only the injured Amy from the wreckage. Her father Thomas then comes all the way from Ontario to bring his traumatized daughter home (they parted when she was three).

Thomas Alden (Jeff Daniels) is an upbeat force – a self-made man – a Canadian dreamer, sculptor and madcap inventor – obsessed with flight, hang gliders and ultralight trikes (he’s even built an exact replica of the Moon Lander in his barn because the Earth no longer has one). And where Dad lives is beautiful – rural woodland and rolling hills surrounds his farmstead. But developers covet the land and one-day after bulldozers have illegally knocked down trees and natural habitat – Amy is out surveying the carnage. She spots a batch of goose eggs thrown by the dozers that haven’t hatched yet. Gathering all 16 in a pouch – she carefully places them in a disused cabinet in the hay barn – using straw as a bed and her mother’s old clothes as wraps. To keep them warm in the closed wooden drawer - she steals one of Dad’s old mobile lamps (when he’s not looking) and then hops the yellow bus to school. Busy sculpting a commission of a bronze Dragon – Dad hasn’t noticed the deep bond that’s going on in the barn. But then they hatch into goslings and soon the little fuzzballs are all over the kitchen table squawking, eating, pooping and following Amy wherever she goes.

As they grow – Dad realizes he’s at sea with those gorgeous but needy creatures – so he seeks advise. A local sheriff who knows something of their habits comes calling and explains. 'Imprinting' means that Canadian Wild Geese will follow anything and anyone they see after their born and presume them to be their mother. They migrate South each year come late Fall to the wetlands for warmth and abundant food (as they’ve done for millennium). Their mother will show them the way and they’ll return in the spring to the exact same spot. Unfortunately as per the law – domestic birds must have their wings clipped so they don’t fly away. But when Glen tries to engage in the act of 'pining' as per Ordinance 9314 – Amy goes berserk and hits him with a frying pan.

Dad, his lovely girlfriend Susan (Dana Delany), the recently arrived brainbox Uncle Dave (Terry Kinney) and local mechanical help Barry (Holter Graham) all now collude. Inventor Thomas realizes that as the geese fly at 31 miles per hour and view Amy as their mother – they could theoretically follow her in a specially modified ultralight. So the building of small planes and the imprint training of the geese begin in earnest for the arduous marathon ahead. Soon the Canadian media and even the military at Niagara Air Force Base become involved as the now 14-year old Amy engages in her epic 5000-mile flight home with Igor (one who has difficulty flying), chaperone Dad in a second ultralight trailing behind and the other 15 birds flying alongside "Mama Goose". They become a cause celebre and Amy an environmental hero…

It’s hardly surprising that Caleb Deschanel won the Oscar for cinematography – because "Fly Away Home" is a looker to say the least. As you can imagine the up close and personal shots of hatching chicks and fluffy mites would melt a heart of stone. Fully extended wingspans of gracious birds landing in slow motion on spring ponds, glorious Canadian dawns as Dad tries out his latest whacko flying machine, aerial shots that look down on Amy’s imitation goose ultralight with Autumn coloured terrain below as her trusting flock accompany her home – gorgeous stuff. Even a memory of Mum pushing Amy on the swing in the barn is beautifully rendered.

The American 2009 BLU RAY (Barcode 0433962955346) is REGION ABC (Region Free) so no compatibility issues for any buyers. The picture is fabulous and combined with Mark Isham’s sweeping score – the effect is magical in a truly cinematic way. It’s defaulted to 1.85:1 - Full Screen Aspect Ratio  - giving you the full visual whack. The Audio offers English, French and Spanish Dolby TrueHD 5.1 while the Extras include pieces on the autobiography of Bill Lishman (who actually did fly with geese in his tiny biplane), interviews with the principal actors and Californian Director Carroll Ballard discussing how he worked with Robert Rodat and Vince McKewin on the adapted screenplay. It’s pleasingly indepth and newly informative – even after you’ve watched the film.

But this would all amount to naught if the movie didn’t work on a deeply parental level – and "Fly Away Home" does. I saw this at the cinema and there were mums and dads clutching their kids and bawling like big girl’s blouses. By the time Mary Chapin Carpenter’s stunning musical rendition of “10,000 Miles” returns (it’s on her 1998 hits CD "Party Doll And Other Favorites") as Amy nears her destination with thousands waiting anxiously for her to appear on the horizon – resistance is utterly futile (lyrics from it title this review). I’ve seen family films get to the parents before - "Wall-E", "Despicable Me" and even Disney's remake of "The Parent Trap" – but never quite like this.

"You've been a friend to me…" Mary Chapin Carpenter sings - with words that reach into your soul.

Buy this gorgeous family movie on BLU RAY (where it deserves to be) and find out why it’s lovely story of redemption has touched the hearts of millions…


Amazon UK reference is B001QMCJ1Y

Thursday, 20 February 2014

"Almost Famous – Extended Edition" – A Review Of The 2000 Cameron Crowe Movie On BLU RAY.



"…One Day…You'll Be Cool…"

Californian William Miller is 11 and naked in the school shower when his classmates rip into him about his lack of pubes. He quickly discovers two things  – he needs to grow up fast - and he has a gift for getting out of jams by convoluting the truth (like all the best writers do). And this is before he has to deal with his overbearing potty mother who seems obsessed with him not doing anything - let alone having promiscuous sex and copious amounts of hallucinogenic drugs (what a meanie).

Then one afternoon in hair-curlers and to the backdrop of Simon & Garfunkel’s “America” his older sister Anita has finally had enough of 'no' Mum and exits the nest leaving young William a parting gift that will shape his whole life – a carry bag full of vinyl albums under his bed (dialogue above). Inside is – Crosby, Stills & Nash’s self-titled debut from 1969 on Atlantic, The Rolling Stones "Get Your Ya Ya's Out" (1970), Led Zeppelin's "II" (1969), Joni Mitchell's "Blue" (1971) and The Who’s double "Tommy". Lighting a candle as instructed by sis (an early part for the gorgeous Zooey Deschanel) - William puts the needle down on the original 1969 US Decca vinyl of The Who and is transformed…

Written and Directed by Cameron Crowe – “Almost Famous" (2000) is his homage to Rock and a touchstone for suckers like me. I know all the references – all the feelings – all the inexplicably gorgeous women way out of your desert-boots reach. Why – because like so many of my generation – I lived it. And like many of us Crowe also seems to feel that something changed between 1973 and 1975 – Rock 'n' Roll somehow died and got replaced with pomposity and drugs and dumb Rock Stars as Gods who had no answers anymore – corrupted by a hard in their pants and an itch in their arms…

Sporting a fantastically cast ensemble group of actors - soppy-faced Patrick Fugit (as William) does well to keep up with Kate Hudson, Billy Crudup, Jason Lee, Noah Taylor, Anna Paquin, Fairuza Balk and Frances McDormand. But you also forget just how good Philip Seymour Hoffman was (even then). He plays Rock Critic Lester Bangs with a relish and character accuracy that is astonishing. As he eyes with horrified insider knowledge the naivety of the now 15-year old William hustling for a career in Rock journalism – Lester correctly surmises that the icons William loves so much will eat him up and spit him out a truly sullied being. But the kid is just so damn earnest…so Lester tells him "to be honest and unmerciful…" and hopes he'll survive a tour with rising rock band Stillwater who are supporting Black Sabbath on a US tour. Cue tour bus rides with paperbacks of Ray Bradbury, Circle magazine, sexy girls with long flowing hair boogieing to The Allman Brothers and the most fantastic use of an Elton John song in any movie – ever ("Tiny Dancer" from 1971's "Madman Across The Water"). There follows spaced-out DJs, dodgy promoters, electrified mike stands, trashed hotel rooms, Rolling Stone magazine deadlines, band squabbles and his ever-present mother phoning about drugs every ten minutes (and she’d be right too). There’s even an early but memorable cameo from Modern Family's Eric Stonestreet as Sheldon The Hotel Desk Clerk (he gets about 4 lines)…

The BLU RAY picture quality is lovely (if not unremarkable) throughout and at 1.85:1 aspect ratio – fills the entire screen. Audio is English TrueHD 5.1 while Subtitles include Arabic, Bulgarian, Croatian, Czech, English For The Hard Of Hearing, English, Hebrew, Hindi, Hungarian, Icelandic, Korean, Mandarin, Polish, Portuguese (Brazilian), Romanian, Slovak, Slovene, Spanish (Latin American), Thai and Turkish. But the two extras are a major let down – "Love Comes And Goes" features the cast goofing about on sets without any dialogue to camera which is awkward and uninformative (although Nancy Wilson's demo of the rock song "Love Comes And Goes" is great) - while the "Lester Bangs Interview" features the real Creem Magazine writer in archive footage bitching about the vacuous nature of Bryan Ferry and ELP (it's good but last mere minutes - not enough of it).

It should also be noted that this BLU RAY features only the half-hour more 'Extended Cut' of the film (2000 DVD has the original film at 122 minutes). It would have been better to include both versions - but at least the longer 'Director's Cut' does feature material that expands the fictional band’s relationship with their fans and more of William's coming-of-age – and it genuinely adds rather than detracts.

True – the album date lines are a bit screwed about with and careful scrutiny will reveal continuity problems – but none of that stops “Almost Famous” being magical to someone like me. And as you sit there - marvelling at just how truly gorgeous Led Zeppelin’s acoustic “That’s The Way” from “III” is – you’re transported to a time when music could change the world and expand your horizons and record shops were places you stood in shaking with excitement at what new thrill you would find… 

"Now's the time to look again…" Robert Plant sings on that lovely song (Track 3 on Side 2). 
Turns out that even in 1970 - one of Blighty’s best ever singers was right…

PS: Crowe went on to make the equally wonderful music-laden “Elizabethtown” in 2005.

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