Sounds Good, Looks Good...

Welcome to Mark Barry's Review Blog - SOUNDS GOOD, LOOKS GOOD... It features in-depth reviews for Quality CD Reissues and Remasters - all with Discography Info (six times Amazon 'Hall of Fame' Reviewer). With over 2,700 posts - genres covered include Rock, Pop, Soul, Funk, Jazz Fusion, Blues, Rhythm 'n' Blues, Doo Wop, Vocal Groups, 1960s and 1970s, Prog, Psych, Folk, Blues-Rock, Goth, Punk, New Wave, 1980s, Reggae and more. I also review FILMS, TV Shows, BLU RAYS and BOOKS. Enjoy the reads...

Showing posts with label Warners and HMV UK 'Premium Collection' Reissues. Show all posts

Thursday, 31 May 2018

"Bad Day At Black Rock" – the 1955 Film by JOHN STURGES (May 2018 Warners/HMV UK 'Premium Collection' BLU RAY, DVD and Download Reissue) - A Review by Mark Barry...

"...The Body Of A Hippo And The Brains Of A Rabbit..."

At times it’s hard not to think that Spencer Tracy was in fact the greatest actor who ever lived. His brooding slow-build performance in John Sturges’ "Bad Day At Black Rock" gave him a fifth Oscar Nomination for Leading Role in 1955 (when he passed in 1967 Tracy had been nominated nine times and had won twice for Captain Courageous in 1937 and Boys Town in 1938 – the first actor to win two years running).

But first a few notes about this new 2018 British-Issued BLU RAY, DVD and DOWNLOAD version...

In June 2018 – the UK Premium Collection Series for Warner Brothers (in conjunction with HMV UK – purchasable in store or online) will reach title No. 65 (I've compiled the full list below with Barcodes so you can locate the right issue). But please note – there is also a Warners 'Premium Collection' out of Europe (Germany I think) where titles come in 'Digibook' form. Most releases in that film series are different to their UK counterparts ("Excalibur" appears to be the only duplicate). Examples of European 'Premium Collection' releases include Troy, A.I., The Matrix, The Butterfly Effect, 10,000 BC, The Golden Compass, John Rambo, The Hurt Locker, Body Of Lies, Shoot 'Em Up and many more. Back to this latest 'UK' reissue...

Numbered on the card spine as 63 in the series - the glossy card slipcase once again lends this 2-disc release a very classy feel and the banded four artcards clipped inside are a very nice touch indeed - even if they are only the pencil drawings of Robert Ryan, Anne Francis and the same one of Spencer standing by the railway track that was used on the cover art (the fourth is the film’s poster art). Beneath the see-through trays that hold the two discs is another poster spread across both sides in Black and White that advertises the 1955 MGM Film in Colour! It’s a 2-Disc Set (BLU RAY and DVD) with no Region Code listing on either disc. From previous issues I’ve found that the BLU RAY is All Regions but the DVD is Region 2 (UK and Europe only) and therefore USA/Sub-Continent buyers will require a multi-region player to play the DVD if they buy this issue. There is no booklet (mores the pity – only a few titles in this series have one) - but there is a digital download code sheet to watch the movie on the go and an advert sheet with the first 60 titles listed (basic details only). Let’s get to the print and extras...

It's a 1080p High Definition Transfer, 16 x 9 – 2:4:1 Screen Ratio, a DTS Master-Audio with English in 2.0 – Subtitle is English for the Hard Of Hearing only. The Special Features are a Theatrical Trailer and a feature-length Commentary on the Film by Movie Historian Dana Polan – a University Professor in Southern California. The commentary may be extremely dry – but it's hugely informative and insightful as to what's happening on screen and why - I enjoyed it a great deal. It is of course crushing that there's no onscreen or off interviews with the stellar cast or Sturges - but the commentary as I say is a genuinely superb extra worth having. To the movie...

Sturges was and became famous for Westerns – "Escape From Fort Bravo" in 1953, "Gunfight At The OK Corral" would follow 1955's "Bad Day..." in 1957, "The Magnificent Seven" in 1960 and later of course a Western of another sort - "The Great Escape" in 1963. So its no surprise that his deliberate choice of Widescreen gives the film an aggressive Western look – dust blowing – used up ramshackle buildings in a town that’s been left behind while the rest of the country ploughs on into a Space Age future. The MGM colour is gorgeous and very clean throughout. There is a natural grain on almost every shot so it’s not pinprick perfect – but (and I can't state this enough) – restoration has been done here and the print has a fabulous vibrancy because of it. You also notice things more. While most of the men wear nondescript hats or none at all - Tracy wears a Black Trilby while Robert Ryan wears a Red Baseball Cap – the two colours stand out – marking them out as opposing forces. When the modern-looking Fifties Southern Pacific train speeds through desert and track in the opening title sequence – again its red-coloured siding is blazing – like a stained bullet hurtling towards its target. As it pulls into the crossroads and stops – we see men all along the porches watch eagle-eyed to see if anyone gets off – and when Spencer does – they grimace - sensing danger or even a reckoning.

Returning to this dark Fifties small-town murder-hunt in 2018 and I'm still marvelling at the extraordinary layering ST gives his John MacCreedy character – a one-armed World War II veteran who faces verbal and physical violence on returning to a modern day town that clearly wishes he’d stayed away or better still lost his life entirely in battle. It’s a clenched-fist place filled with broken men who either drink, skulk on porches or glare from outside the town's one hotel with malevolent intent - themselves under the heel of an even bigger bully - Robert Ryan’s character – Reno Smith – a man who seems to have a grip so tight on them that one look will silence all dissenters mid-sentence. There's only one woman on show – a young but dainty-looking grease monkey in the town's tires 'n' gas garage (Anne Francis) – there are no children anywhere – there's nothing to do but sweat in the unrelenting desert sun. Although it’s supposed to be Modern Day America – Black Rock feels like a declining frontier town you really should have avoided even if you're thirsty and in need of rest.

Thugs come in the shape of Ernest Borgnine and Lee Marvin – but its Reno Smith who quickly works out that MacCreedy’s unfazed yet determined way will dig out and expose their dirty little secret – a Japanese farmer called Komoko who went missing four years back post Pearl Harbour and all that nationalistic heated blood. Spence checks out his last known address – Adobe Flats – but finds a burnt down house and on the way back into town – Ernest Borgnine tries to run him off the road. This is a place where another hard man drives into town with a dead steer on his bonnet – its once-proud antlers dangling over his dirty radiator grill. If it isn’t implied macho violence – it’s actual cowardice as the local lawman (Dean Jagger) lies drunk in the bed of his own prison cell. In one scene the sheriff is being grilled on what the stranger asked about and is then soundly put in another box by the overbearing Robert Ryan - "...you've the body of a hippo and the brains of a rabbit..." he snarls at the sheriff and sadly the drunk meekly agrees. The only tiny semblance of decency comes in the local Doctor played by Western Movies veteran Walter Brennan who warns MacCreedy to get out of town. Andre Previn's music also amps up the tension as mob rule goes after lone decency.

“Bad Day At Black Rock” is a great film anchored by the mighty Spencer Tracy abled assisted by a troupe of hugely capable acting sidekicks who you suspect knew they were doing good work in a good movie helmed by a Directing great. Dig up the new dirt on this one and enjoy...

PS: Some details about the Warner Brothers 'Premium Collection' BLU RAY Reissue Series In Conjunction With HMV UK (releases 2016 to 2018):

Each 2-Disc Set Contains a BLU RAY, a DVD, a Digital Download Code (with Ultraviolet), an Exclusive Outer Glossy Slipcase and 4 Art Cards (usually one is the movie poster and others are stills from the movie). None of the 56 releases to date have booklets except where noted (11, 27, 31, 40 and 53) and “Casablanca” (No. 48) is the only issue in the Series with Three-Discs. The Entire Series is numbered on the silver spine with the year of the film's release above that number (as per the list below). Begun in October 2016 - releases are ongoing into 2018 and while some have been available in the USA many titles are first time on BLU RAY in the UK and Europe...

2016 RELEASES:

1. Them (1955) - released 3 October 2016 - Barcode 5051892202770

2. Forbidden Planet (1956) - released 3 October 2016 - Barcode 5051892202985

3. The Omega Man (1971) - released 3 October 2016 - Barcode 5051892202763

4. Soylent Green (1973) - released 3 October 2016 - Barcode 5051892202756

5. All The President's Men (1976) - released 3 October 2016 - Barcode 5051892202626

6. Logan's Run (1976) - released 3 October 2016 - Barcode 5051892202718

7. The Shining - Extended Cut (1980) - released 3 October 2016 - Barcode 5051892202206

8. Diner (1982) - released 3 October 2016 - Barcode 5051892202664

9. Little Shop Of Horrors (1986) - released 3 October 2016 - Barcode 5051892202749

10. Gremlins 2: The New Batch (1990) - released 3 October 2016 - Barcode 5051892202848

2017 RELEASES (except No. 48):

11. King Kong (1933) - released 27 February 2017 - Barcode 5051892206600 (with 32-Page Booklet)

12. The Adventures Of Robin Hood (1938) – released 27 February 2017 - Barcode 5051892206921

13. Excalibur (1981) – released 13 March 2017 - Barcode 5051892206280

14. The Mission (1986) - released 13 March 2017 - Barcode 5051892206877

15. Jason & The Argonauts (1963) - released 13 March 2017 - Barcode 5050349003724

16. The Hunger (1983) - released 17 Apr 2017 - Barcode 5051892207638

17. Performance (1970) - released 17 Apr 2017 - Barcode 5051892207621

18. The Time Machine (1960) - released 8 May 2017 - Barcode 5051892208291

19. Outland (1981) - released 8 May 2017 - Barcode 5051892208215

20. A Scanner Darkly (2006) - released 8 May 2017 - Barcode 5051892208857

21. Gattaca (1997) - released 8 May 2017 - Barcode 5050349523925

22. Donnie Brasco (1997) - released 29 May 2017 - Barcode 5050349609926

23. Blow (2001) - released 29 May 2017 - Barcode 5051892208277

24. Battle Of The Bulge (1965) - released 5 June 2017 - Barcode 5051892208260

25. The Dirty Dozen (1967) - released 5 June 2017 - Barcode 5051892208284

26. Casualties Of War (1989) - released 5 June 2017 - Barcode 5050349145820

27. Gettysburg: Director's Cut (1993) - released 12 June 2017 - Barcode 5051892208321

28. Jeremiah Johnson (1972) - released 12 June 2017 - Barcode 5051892208307

29. Legends Of The Fall (1994) - released 12 June 2017 - Barcode 5050629158823

30. Sex, Lies And Videotape (1989) - released 17 July 2017 - Barcode 5050349292623

31. A Streetcar Named Desire (1951) - released 17 July 2017 - Barcode 5051892209236

32. Cat On A Hot Tin Roof (1958) - released 17 July 2017 - Barcode 5051892209274

33. Who's Afraid Of Virginia Woolf? (1966) - released 17 July 2017 - Barcode 5051892209328

34. White Heat (1949) - released 14 August 2017 - Barcode 5051892209687

35. The Public Enemy (1931) - released 14 August 2017 - Barcode 5051892209656

36. Little Caesar (1931) - released 14 August 2017 - Barcode 5051892209618

37. Point Blank (1967) - released 18 September 2017 – Barcode 5051892209632

38. The Yakuza (1974) - released 18 September 2017 - Barcode 5051892209663

39. Body Heat (1981) - released 18 September 2017 - Barcode 5051892209557

40. Chinatown (1974) - released 18 September 2017 - Barcode 5053083131807

41. Shaft (1971) - released 2 October 2017 - Barcode 5051892209649

42. New Jack City (1991) - released 2 October 2017 - Barcode 5051892209625

43. Pet Sematary (1986) - released 16 October 2017 - Barcode 5053083131814

44. House Of Wax 3D (1953) - released 16 October 2017 - Barcode 5051892209984

45. The Haunting (1963) – released 16 October 2017 – Barcode 5051892209915

46. A Clockwork Orange (1971) - released 16 October 2017 - Barcode 5051892210867

47. The Maltese Falcon (1941) - released 6 November 2017 - Barcode 5051892209922

48. Casablanca (1942) - released 5 February 2018 (delayed release) - Barcode 5051892209816 (Three Disc Special Edition with Booklet)

49. The Big Sleep (1946) - released 6 November 2017 - Barcode 50501892209892

50. Lost Horizon (1937) - released 6 November 2017 - Barcode 5050629028638 (80th Anniversary Reissue/4K Restoration with Booklet)

2018 RELEASES:

51. Amistad (1997) - released 15 January 2018 - Barcode 5053083134747

52. Munich (2005) - released 15 January 2018 - Barcode 5053083134754

53. Badlands (1973) – released 19 March 2018 – Barcode 5051892212724

54. The Beast From 20,000 Fathoms (1953) – released 26 February 2018 – Barcode 5051892212618

55. Valley Of The Gwangi (1969) – released 26 February 2018 – Barcode 5051892212625

56. Clash Of The Titans (1981) – released 26 February 2018 – Barcode 5050189221263

57. (Frank Capra's) Mr. Smith Goes To Washington (1946) – released 5 February 2018 – Barcode 5050629038132

58. McCabe & Mrs. Miller (1971) – released 19 March 2018 – Barcode 5051892213189

59. My Own Private Idaho (1991) – released 9 April 2018 (Barcode 5051892212731)

60. The Last Picture Show (1971) – released 9 April 2018 (Barcode 50500629745030)

61. Dark Passage (1947) – released 30 April 2018 (Barcode 5051892215091)

62. The Treasure Of The Sierra Madre (1948) – released 30 April 2018 (Barcode 5051892214889)

63. Bad Day At Black Rock (1955) – released 21 May 2018 (Barcode 5051892215015)

64. I Confess (1953) – released 11 June 2018 (Barcode 5051892215022)

65. The Wrong Man (1952) – released 11 June 2018 (Barcode 5051892215084)

PPS: The HMV Mail-Order Website usually offers this series at 2 for £25 (P&P inclusive) - even including the latest titles...

Monday, 29 January 2018

"The Big Sleep" - The 1946 Film (2017 Warners/HMV UK 'Premium Collection' BLU RAY Reissue) - A Review by Mark Barry...

"…I'm Getting Cuter Every Minute…"

THE BIG SLEEP from 1946
2017 Warners/HMV UK 'Premium Collection' BLU RAY, DVD and Download Reissue

Directed by Howard Hawks and released in the summer of 1946 - No. 49 in the UK-issued Warners 'Premium Collection' BLU RAY Reissue Series is a true classic of the Noir genre – the witty, clever and impeccably stylish Bogart & Bacall vehicle - "The Big Sleep". Also UK-released 6 November 2017 onto BLU RAY is that other famous Bogart winner from five years earlier (1941) – "The Maltese Falcon".

Despite its occasional script references to the huge shadow of World War II – "The Big Sleep" positively brims with new sexiness, vim, great dialogue and a double-act chemistry that simply can’t be bought in any department store no matter how swanky. Here are the guns, gas-guzzlers and glamorous gals...

The outer glossy card slipcase housing the clear plastic case within lends this 2-disc release a very classy feel and the banded four artcards clipped inside are a very nice touch indeed (one of the cover-art movie poster and three of Bogart and Bacall in various close-up clinches). It’s a 2-Disc Set – a BLU RAY and a DVD – the BLU RAY is listed as Region ABC – All Regions or Region Free – so no issues with playback anywhere. But remember the DVD is Region 2 only – so Region 1 and 3 buyers should note this (however most will be buying this reissue for the All Regions BR disc). There is no booklet mores the pity (only 6 titles out of 56 so far in this British series have one) - but there is a ‘Watch It Anywhere’ Digital Download Code Sheet to use so you can watch the movie on the go on your mobile device. Technical details are...

Aspect Ratio: 1080 High Def 16x9 1:37:1

Audio is DTS-HD in English 2M, Dolby Digital, Castillan Spanish 2M, French 2M, German 2M, Latin Spanish 2M and Polish 2M.

Subtitles: English SDH, Castillan Spanish, French, German SDH, Latin Spanish and Polish

Extras include (a) the 1945 Alternate Version (b) The Big Sleep Comparisons 1945/1946 (c) Introduction by Robert Gitt and (d) Theatrical Trailer.

As you can see from the info above – the film in presented in its original Aspect Ratio of 1:37:1 (not widescreen) – which means a boxed view with black lines on both the left and right. The restored print is a joy to look at. From the moment Private Eye gumshoe Philip Marlowe enters the upmarket household of a wheelchair-bound General Sternwood to discuss his flighty mid-20s daughter Carmen and her debts to a bookstore owner – the print is glorious in all its Black and White Raymond Chandler period pomp (Sidney Hickox did the Cinematography).

Humphrey Bogart (Marlowe - a canny and suitably crumpled private eye), Charles Waldron (Sternwood - a cantankerous but practical father) and the gorgeous Martha Vickers as the young socialite Carmen slinkily smoozing everything in trousers – immediately start to light up the screen with their expertise and the sassy dialogue. But as soon as the older and smarter Sternwood daughter turns up – Lauren Bacall as Vivien Rutledge – and she gets to tangle with a clearly enamoured Bogie – the real sizzle begins. Vivien suspects that her wealthy papa has murderous enemies and the real reason he wants Marlowe is to not just plug his daughter's gambling connections and ability to bring scandal to the family name - but to find a young lad called Sean Regan who has disappeared mysteriously with secrets that can’t ever fall into the wrong hands. And on the story goes - twisting and turning and wrong-footing - as the Noir genre does. In fact the plot is bloody hard to follow at times if not impossibly convoluted - but who cares when it looks this good and has Bogart and Bacall steaming up the lends every few minutes.

The original 1945 version at 116 minutes is only a deuce longer than the re-shot, re-edited and re-released 1946 version (114 minutes) - but it has a different structure and ending. Also the part of Mona Mars played by Pat Clark in the first cut is replaced with Peggy Knudsen in the finally released 1946 version. The re-shoot took place for many reasons - mostly though because Hawks realised what was happening between Bogie and Bacall and he was smart enough to exploit their visual and physical dynamite. Their obvious affection and sexiness towards each other also ran in tandem with huge public interest in their slightly scandalous marriage. Hawks did well of course to milk that famous off-screen/on-screen chemistry - even though in my books you could argue that the seriously sexy Martha Vickers actually outshines Bacall (sacrilegious talk I know). And the bookstore assistant played by Dorothy Malone is equal to the task too (she only just passed in January 2018 aged 93).

Many have described the chemistry between Bogart and Bacall as incendiary – true – but for me it's the banter – the one-two verbal sucker punches from the William Faulkner, Leigh Brackett and Jules Furthman screenplay that send this movie soaring. Check these out...

Bacall: So you're a private detective. I didn't know they existed - except in books. Or else they were greasy little men snooping around hotel corridors. My - you're a mess - aren't you?

Bogart: I'm not very tall either. Next time, I'll come on stilts, wear a white tie and carry a tennis racket.

Bacall: I doubt if even that would help...

Bacall: I don't like your manners.

Bogart: I don’t like them either. I grieve over them long winter evenings...

In the bookstore – the initially friendly assistant (a front) smells a rat as Bogey grills her on her first edition expertise...knowledge she clearly doesn’t have...

Bogart: You do sell books - don't you?

Assistant (points downwards): What do they look like – grapefruit!

This is a film where gals are gals and any chump who gets fresh gets a sock in the jaw. Women casually says things like “...A lot depends on who’s in the saddle...” and this moll ain’t talking about her man’s odds at Epsom. Nobody smiles – people sleep in cars – smucks drown in cars – cops are either dead or dirty or both - shop assistants look like Harpers Bizarre models and any man without a Trilby is a bagman probably carrying a concealed weapon he intends to slug some wise guy with. And don’t get me started on the cool cars.

I love it - and this 2017 variant of "The Big Sleep" on BLU RAY is a sexy treat you need in your gangster's boudoir...

PS: Info on the Warner Brothers 'Premium Collection' BLU RAY Reissue Series

Released In Conjunction With HMV UK (releases 2016 to 2018):

Each 2-Disc Set Contains a BLU RAY, a DVD, a Digital Download Code (with Ultraviolet), an Exclusive Outer Glossy Slipcase and 4 Art Cards (usually one is the movie poster and others are stills from the movie). None of the 56 releases to date have booklets except where noted (11, 27, 31, 40, 48 and 53) with “Casablanca” being the only issue in the Series with Three-Discs. The Entire Series is numbered on the silver spine with the year of the film's release above that number (as per the list below). Begun in October 2016 - releases are ongoing into 2018 and while some have been available in the USA - many titles are first time on BLU RAY in the UK and Europe...

2016: