"Walls And Bridges" by JOHN LENNON (November 2005 EMI/Apple 'Expanded Edition' CD Remaster) - A Review by Mark Barry...

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"...Whatever Gets You Through The Night..."

I remember a review I read a few years ago that rubbished practically all of John Lennon's solo catalogue. The guy was pretty adamant and compared McCartney's prolific output to Lennon and especially the chart success and public affection that seemed to come so easy to Macca in the Seventies.

The gist of his argument was that apart from some great stand-alone singles and a few choice album tracks - you could barely fill one CD full of decent songs by Dr. Winston O'Boogie. Ludicrously harsh I thought. But if I'm completely truthful and like most lifetime fans filled with affection for the greatly missed Liverpudlian - I know from painful album-by-album purchase-experience just where this guy's constant disappointment in JL is coming from.

Before we get to "John Lennon/Plastic Ono Band" in 1970 and "Imagine" in 1971 - I found most of the preceding stuff unlistenable cack – and still do. And as I was also trying to give the largely dreadful double-album "Some Time In New York City" from 1972 another chance when I was reading his critique article (apart from maybe "John Sinclair" and "Angela" - the rest of it is ponderous and drab - and don't start me on that rubbish live disc) - my heart sank. Maybe the guy's got a point.

But then you come to 1973's strangely overlooked "Mind Games" and 1974's upbeat and deeply accessible "Walls And Bridges" – and things improve immeasurably. "Walls And Bridges" especially has some fantastic Lennon tracks on it – ably abetted by the talent of Guitarist Jesse Ed Davis, Klaus Voorman on Bass, Jim Keltner on Drums, Bobby Keys on Sax and famous pals Elton John and Nilsson on Piano and Backing Vocals. But as fans our woes don't end there. Since his horrible loss in December 1980 – we've had to deal with his stuff reissued several times on CD and I personally thought the 2005 reissues did a superb job. So enough was enough already...

But now along comes Yoko Ono in 2010 and once again with her endless meddling in his legacy - what does she do - she strips away the 2005 Bonus Tracks and great sound and gives us the albums bare. They're housed in glossy gatefold card sleeves that look nice but are functionally useless and even downright irritating. There's a new booklet for sure but not much else of worth. But the bottom line is that these have ended up feeling like new versions that offer us less and not more or better. 

So I decided to ditch the admittedly pretty-looking October 2010 'John Lennon Signature Collection' version (EMI/Apple 5099990650826 - Barcode is the same) and go back to that November 2005 EMI issue because frankly I prefer its sound and the extras are something I want to keep and not lose. In fact I'd going to argue that in this case - the version you need is already out there. Here are the number nine dreams...

UK released November 2005 - "Walls And Bridges" by JOHN LENNON on EMI/Apple 340 9712 (Barcode 0094634097123) is an 'Expanded Edition' with Three Bonus Tracks that plays out as follows (59:26 minutes):

1. Going Down On Love [Side 1]
2. Whatever Gets You Through The Night
3. Old Dirt Road
4. What You Got
5. Bless You
6. Scared
7. No. 9 Dream [Side 2]
8. Surprise, Surprise (Sweet Bird Of Paradox)
9. Steel And Glass
10. Beef Jerky
11. Nobody Loves You (When You're Down And Out)
12. Ya Ya
Tracks 1 to 12 are his studio album "Walls And Bridges" - released October 1974 in the UK on Apple PCTC 253 and in the USA on Apple SW-3416. Produced by JOHN LENNON - it peaked at No. 6 in the UK and No. 1 in the USA.

BONUS TRACKS:
13. Whatever Gets You Through The Night (Live)
14. Nobody Loves You (When You're Down And Out) (Alternate Version)
15. John Interview (Conducted by Bob Mercer in 1974)
Track 13 first appeared in March 1981 in the UK on DJM Records DJS 10965 on the 3-track 2 x 7” EP "28th November 1974" credited to ELTON JOHN featuring JOHN LENNON and The Muscle Shoals Horns. Recorded live at Madison Square Garden in New York, 28 November 1974
Tracks 14 and 15 are PREVIOUSLY UNISSUED

The 12-page booklet makes an admittedly ham-fisted effort as reproducing the beautiful 'flaps' artwork of the original 1974 LP. We get the Lennon and glasses photos (looking the best he ever did) - the early drawings of his teachers and pupils he did at school - the lyrics and the Lennon surname discussed that was on the inner sleeve and the usual musician credits and reissue details. There's a picture CD with the 'Listen To This Disc/Record' banner that they used advertising the LP all those decades ago. But there's no new liner notes or history/legacy of the American No. 1 album, which is disappointing.

However - I'm loving the new Audio. All of the titles have been newly remixed in 2005 except Tracks 3, 5, 6 and 11 - newly remastered in 2005. A team of experts associated with The Beatles catalogue has handled the Audio transfers at Abbey Road Studios - Remix Engineer PETER COBBIN, Assistant Engineer MIREK STILES, Mastering Engineer STEVE ROOKE with further input from ALLAN ROUSE and PAUL HICKS. The album sounds fab. To the music...

In his typically cryptic and witty manner - JL credits himself as no less than nine different musicians across 12 tracks - Dr. Winston O'Ghurkin playing guitar alongside Jesse Ed Davis on the cool opener "Going Down On Love" - Rev. Thumbs Ghurkin playing piano with Nicky Hopkins on "Old Dirt Road" - Kaptain Kundalini playing lead guitar n "What You Got" while Rev. Fred Ghurkin and Dr. Dream play acoustic guitar on "Bless You" and "No. 9 Dream". Other notable contributions comes from Harry Nilsson who sings backing vocals on the lovely "Old Dirt Road" while Elton John mucks in with backing vocals on two - "Whatever Gets You Through The Night" and "Surprise, Surprise (Sweet Bird Of Paradox)". The house band consisted of long-standing sessionmen - Jim Keltner on Drums with Arthur Jenkins on Percussion, Klaus Voorman on Bass, Nicky Hopkins on Piano and the real heroes of the album - ace guitarists Jesse Ed Davis (Taj Mahal and the Bangladesh concert) and Eddie Mottau throughout. Bobby Keyes of Stones fame and other horn players feature also. His son Julian Lennon even gets a look on the short and frankly dismissible cover of Lloyd Price's "Ya Ya" that ends the LP on two-minutes on piano self-indulgence.

In order to promote the lavishly packaged album - Apple launched the frantic bop of "Whatever Gets You Through The Night" with the throwaway instrumental "Beef Jerky" on its B-side as a 45 on both sides of the pond in September 1974. It worked - the single went all the way to No. 1 on the US Pop charts (Apple 1874) whilst hitting a more sedated No. 36 in the UK (Apple R 5998). I have to say that the whole of Side 1 works for me - it's all coherent and good. The beautiful "Old Dirt Road" (a co-write with Harry Nilsson) feels almost like a George Harrison song in its construction (could have been a killer alternate single to "No. 9 Dream") - while the funky Rock of "What You Got" has a wicked backbeat and tremendous rasping lead vocals. The floating Paul Simon soundscapes of "Bless You" feel like "Still Crazy After All These Years" one year before PS's album - while "Scared" is lead in by a wolf howling at the moon before an incessant beat drums home the message of emotional fear that seemed to dominate every day of his existence (lovely Sax solo too from Howard Johnson).

"No. 9 Dream" with its strings and "Across The Universe" foreign language chorus was the obvious second single from the LP - Apple R 6003 peaking at No. 23 in the UK and Apple 1878 making No. 9 in the USA in January 1975. Personally I prefer the brassy and upbeat "Surprise, Surprise (Sweet Bird Of Paradox)" and the truly brilliant "Nobody Loves You (When You're Down And Out)" is the best track on the album for me. The New York tan and talk of "Steel And Glass" feels almost like a Pink Floyd "Wish You Were Here" ballad - great string arrangements as the big production values hammer home those acidic lyrics. "Beef Jerky" is pure filler and the quirky piano duet between him and Julian ends the album on a strangely throwaway moment. But then we get some seriously great Bonus Tracks – least not of all is a fantastic stripped-down Acoustic take of "Nobody Loves You (When You’re Down And Out)" – Lennon sounding truly bare and raw. It’s beautifully reproduced too. The interview is fun – Lennon talking about the green card issues – name-checking his musicians on the album – urging Capitol in his own jokey way to get behind the album (they did).

"Walls And Bridges" is a great John Lennon album and those extras are actually worth owning.

"...Was magic in the air?" – he asked on "No. 9 Dream". Yes it was and we still miss you for it...

"Everything Stops For Tea" by JOHN BALDRY [with Rod Stewart & Elton John] (August 2005 UK Warners 'Expanded Edition' CD Reissue and Remaster) - A Review by Mark Barry...

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"…Jubilee Cloud…" 

In June 1964 - Long John Baldry & The Hoochie Coochie Men released an obscure UK 7" single on United Artists UP 1056. Its B-side - a raucous cover of Sister Rosetta Tharpe's gospel tune "Up Above My Head" featured an uncredited duet vocal with a sensational new singer. It was Rod Stewart's first vinyl appearance.

To repay such incalculable smarts and generosity and at the behest of Joe Smith (then President of Warners) – Rodders stepped up to the plate at the height of his Faces/Solo Career fame (1971) and produced two corking but long forgotten Blues-Rock LP gems for Baldry. Each record used the guts of his own studio band and those of Elton John's backing group – Hookfoot - with both Elton and Rod also having a hand in producing. The albums were "It Ain't Easy" (June 1971) and "Everything Stops For Tea" (May 1972). As well as Rod's and Elton's key players each LP featured a stellar cast of other notable Rock luminaries – all wanting to help out the much-respected and dapper darling of the UK R&B scene – John Baldry. And that's where this second of two Warner Brothers/Rhino expanded CD Remasters comes in. Here are the strange brew details...

UK and Europe released 29 August 2005 (September 2005 in the USA) – "Everything Stops For Tea" by JOHN BALDRY on Warner Brothers 8122784652 (Barcode 081227846527) is an 'Expanded Edition' CD Remaster and plays out as follows (54:19 minutes):

1. Intro: Come Back Again [Ross Wilson cover]

2. Seventh Son [Willie Dixon song – Willie Mabon cover]

3. Wild Mountain Thyme [Traditional Air, McPeake Family]

4. Iko Iko [The Dixie Cups cover]

5. Jubilee Cloud [John Kongos cover]

6. Everything Stops For Tea [Jack Buchanan cover of a 1935 song] - Side 2

7. You Can't Judge A Book [Willie Dixon Song – Muddy Waters cover]

8. Mother Ain't Dead [Traditional]

9. Hambone [Sam Mitchell cover]

10. Lord Remember Me

11. Armit's Trousers [Ian Armit of The Hoochie Coochie Men song]

Tracks 1 to 11 are his album "Everything Stops For Tea" – released May 1972 in the UK on Warner Brothers K 46160 and Warner Brothers BS-2614 in the USA. Tracks 1 to 5 (Side 1) produced by ELTON JOHN in February 1972 with Tracks 6 to 11 (Side 2) produced by ROD STEWART between January and February 1972.

CD BONUS TRACKS

12. Radio Spot No. 1 (advertising the album)

13. Bring My Baby Back To Me (Live Mar-Y Sol Festival, Puerto Rico, April 1972) – first appeared on the 2LP set "Mar Y Sol" in 1972 on Atco SD 2-705 – Previously Unreleased on CD

14. Only Love Can Break Your Heart (album outtake, duet vocals with Joyce Eversion, a Neil Young cover) – Previously Unreleased

15. I'm Just A Rake & Ramblin' Boy (album outtake, duet vocals with Joyce Eversion, a Ron Davies cover) – Previously Unreleased

16. Radio Spot No. 2 (advertising Joyce Everson's "Crazy Lady" album, 1972)

The band for the ELTON JOHN sessions was (Side 1 – Track 1 to 5):

Lead Vocals - JOHN BALDRY

Vocal Accompaniment - ELTON JOHN (Tracks 1, 3, 4 and 5)

Guitars – DAVEY JOHNSTONE

Bass – KLAUS VOORMAN

Percussion – RAY COOPER

Drums – NIGEL OLSSON

Piano – IAN ARMIT (on "Jubilee Cloud")

Viola – STEFAN DELFT (on "Wild Mountain Thyme")

The band for the ROD STEWART sessions was (Side 2 – Tracks 6 to 11):

Lead Vocals - JOHN BALDRY (Guitar on "Mother Ain't Dead")

Duet Vocals – ROD STEWART (on "Mother Ain't Dead", Rod also plays Banjo)

Guitars – JAMES LITHERLAND and ROBERT WESTON (on "You Can't Judge A Book" and "Lord Remember Me")

Guitars – SAM MITCHELL (on "Hambone")

Piano - IAN ARMIT (on "You Can't Judge A Book", "Lord Remember Me" and "Armit's Trousers")

Bass – BILL SMITH (on "You Can't Judge A Book" and "Lord Remember Me")

Bass – JOHN PORTER (on "Hambone")

Drums – JOHN DENTITH (on "You Can't Judge A Book" and "Lord Remember Me")

Drums – JOHN PORTER (on "Hambone")

Percussion - MICKIE WALLER (of Steampacket) (on "You Can't Judge A Book")

Backing Vocals – MADELINE BELL, LIZA STRIKE and DORIS TROY (on "You Can't Judge A Book")

Backing Vocals – MADELINE BELL, LIZA STRIKE and BARRY St. JOHN (on "Lord Remember Me")

The original green label of the US and UK vinyl albums is aped on the CD label, the 12-page inlay has affectionate and informative liner notes by SID GRIFFIN. There's a "Dear Boy..." letter to fans from Baldry dated May 2002 on Pages 2 and 3 - while Griffin's notes go into the history of Steampacket, Baldry's solo career (as Long John Baldry) and of course his association with Rod and Elton. It's pretty and all the original album artwork is in place too. But the big news for fans is the quality Audio. Expert remastering has been carried out by Rhino's long-time tape associate DAN HERSH with sound produced by DAN HERSCH. This CD sounds fabulous with that great 70ts Classic Rock sound...

It opens well with an R&B one-two of "Come Back Again" and "Seventh Son" where the album feels like "It Ain't Easy" Part 2 (the LP that preceded it in 1971). But then he attempts a Scottish air – the McPeake Family's beautiful traditional "Wild Mountain Thyme" and along with a wishy-washy take on the Dixie Cups classic "Iko Iko" kills any real momentum the side might have had. Things recover big time with his rocking cover of "Jubilee Cloud" – a track from the 1971 "Kongos" album on Fly Records (by John Kongos). With the band rocking it out – you really wish the whole side was filled with these smart choices. But Side 2 makes the same mistake of including too many styles when really it would have been better to Rock or even Funk.

Preceded by some very silly dialogue about fans seeking signatures as he types a reluctant letter of apology – a hassled Baldry plays up his terribly aristocratic British accent on the intro to "Everything Stops For Tea". Written by Al Goodhart, Al Hoffman and Maurice Sigler – this ode to England's favourite tipple was first a witty vocal vehicle for Jack Buchanan alongside Fay Wray in the 1935 movie "Come Out Of The Pantry". Baldry keeps his version firmly in the music hall shuffle tradition – "...you remember Cleopatra...she had a date to meet Mark Anthony at three...but he came an hour late...she said you'll have to wait...because everything stops for tea..." – you get the audio picture.

There are tongue-in-cheek jabs at the outlandish garbs of Rod Stewart and Elton John in the lyrics of the superb cover of Willie Dixon's "You Can't Judge A Book" where the band finally rocks out – Jimmy Horowitz giving in some chunky Hammond chords while Madeline Bell, Liza Strike and Doris Troy give it some Soulful backing vocals. Baldry opens "Mother Ain't Dead" with a spoken intro about how he hadn't sung with Rod sing the Steampacket days back in 1965. They then duet on this rather lovely version of the Blues Traditional with Baldry playing Guitar and Rod doing an impressive Banjo backing. The funky drum-shuffle of "Hambone" turned up in 2002 on the "Right On! Volume 4" CD compilation on Warner Brothers - Soul Boys and Funksters alike digging its sexy groove. Written by guitarist Sam Mitchell – he also plays all guitars on this fantastically catchy tune (one of the album’s highlights). Written by Myrtle Jackson in the Forties and famously covered by Country Music star Hank Snow in 1966 - "But This I Pray, Oh Lord Remember Me" is reduced to "Lord Remember Me" - a slow Soulful Gospel rap that builds into a frantic preacher 'piano and ladies' chant. The album then fizzles out with Ian Armit's "Armit's Trousers" – a two-minute instrumental ditty with him on a lone piano (he was one of The Hoochie Coochie Men back in the 60ts day with Baldry).

The Bonus Tracks are a mixed bag. After a one-minute Radio Spot (No. 1) that uses the dialogue/typewriter gag at the beginning of "Everything Stops For Tea" (not a very convincing sales pitch I'd have to say) – we get something worth celebrating in a hard-hitting Blues Boogie similar to Muddy Waters/Johnny Winter. The self-penned Slow-Blues of "Bring My Baby Back To Me" was first released by Baldry as a British 45 on United Artists UP 1158 in 1966 – the B-side of "Cuckoo". This fantastic 6:25 minute version first appeared on Side 4 of the vinyl double-album "Mar Y Sol – The First International Puerto Rico Pop Festival" in 1972 on Atco SD 2-705. I don't know who's playing guitar – but it's a barnstormer (and first time on CD here too). This is followed by two album outtakes – covers of Neil Young's sorrowful "After The Gold Rush" classic "Only Love Can Break Your Heart" and Ron Davies' lesser-known "I'm Just A Rake & Ramblin' Boy". Both feature the vocals of Joyce Everson whose album "Crazy Lady" appeared in 1972 on Warner Brothers BS 2604 (the Radio Spot No. 2 advertises it using Baldry's voice). Although she's a good voice – her high pitch doesn't suit him and the Neil Young track comes across as mawkish rather than tuneful. The largely acoustic "I'm Just A Rake & Ramblin' Boy" is far better - but in truth you can see why both were left off an already confusing album.

Although the 2nd LP isn't as good as the first (too many conflicting styles and a couple of choices that simmered rather than sizzled) – I still see "Everything Stops For Tea" as a fabulous little CD reissue. And it perfectly compliments his first album for Warner Brothers "It Ain't Easy" from 1971 which Warners/Rhino 'Expanded' on a 2005 Remaster also (see separate review).

With John Baldry lost to us since 2005 – both CDs are a lovely way to remember him. 
And well done to all those involved for finally seeing it reissued. 
Rest in Peace you British beauty...

 

PS: In December 2005 Rhino Handmade (the mail-order side of US reissue specialist label Rhino Records) released a 2CD set called "Boogie Woogie: The Warner Bros. Recordings" on Rhino Handmade RHM2 7896 (Barcode 603497789627). It contained the "It Ain't Easy" album and its extras on CD1 (18 tracks) and the "Everything Stops For Tea" album and its extras on CD2 (16 tracks). That release was limited to 2,500 copies worldwide and received no UK issue. 

 

So the two Expanded Albums CD Reissues put out by Rhino in the UK in August 2005 are that 2CD set broken down into separate releases (with no loss of bonus tracks). 16 Nov 2013 USA saw the Rhino Handmade 2CD Set "Boogie Woogie: The Warner Bros. Recordings" reissued on Wounded Bird WOU 1921 (Barcode 664140192126) with the same artwork and again no loss on Bonus Material...

"It Ain't Easy" by JOHN BALDRY – June 1971 US and UK LP on Warner Brothers featuring Rod Stewart, Elton John, Ron Wood, Ray Jackson of Lindisfarne, Maggie Bell of Stone The Crows, Leslie Duncan, Doris Troy and members of Hookfoot and Elton John’s Band (August 2005 UK Warner Brothers 'Expanded Edition' CD Reissue and Remaster Plus Six Bonus Tracks (Five Previously Unreleased Studio Outtakes and One Radio Spot Commercial) - Dan Hersch Remasters by Rhino) - A Review by Mark Barry...

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"...It Ain't Easy...When You're Going Down..."

 

When Nashville songwriter Ron Davies wrote "It Ain't Easy" for his 1970 LP "Silent Song Through The Land" (A&M SP-4264) - he probably had no idea that huge rock acts would then take his unknown song and name TWO entire albums after it – THREE DOG NIGHT in 1970 and (LONG) JOHN BALDRY in 1971.

 

Many will also be aware of the song through David Bowie's cover on Side 1 of 1972's "Ziggy Stardust". Even Dave Edmunds had a go for his debut album "Rockpile" on Regal Zonophone - also in 1972 (see separate review). "It Ain't Easy" was just one of those cool rock tracks that lent itself to other artists who then somehow made it 'their' song. Baldry (who loved bluesy based acoustic tunes) was also clearly partial to its charms (lyrics above)...

 

The LP "It Ain't Easy" by JOHN BALDRY was released on Warner Brothers WS 1921 in June 1971 in the USA and on Warner Brothers K 46088 in the UK. The British Album sported different artwork to the US Issue (it is not pictured or mentioned on the release) and as this is based on the American album – the US artwork is used throughout.

 

This UK-released 29 August 2005 CD Reissue (September 2005 in the USA) on Warner Brothers 8122784642 (Barcode 081227846428) bolsters up the original 9-track album with 6 bonus outtakes and 1 Radio Spot. The cover uses the US artwork (the UK front and rear sleeve was different, but is unfortunately not featured anywhere on this reissue) while the booklet provides session details for each song (excepting the bonus tracks). The recording of the album also involved a large cast of British rock notables (all listed below) - but first here's a detailed track-by-track breakdown (69:11 minutes):

 

"It Ain't Easy" Album

1. Intro: Conditional Discharge [Side 1]

2. Don't Try To Lay No Boogie-Woogie On The King Of Rock And Roll [Jeff Thomas song]

3. Black Girl [Huddie Ledbetter aka Leadbelly cover]

4. It Ain't Easy [Ron Davies song]

5. Morning, Morning [Fugs cover]

6. I'm Ready [Willie Dixon song/Muddy Waters cover]

7. Let's Burn Down The Cornfield [Randy Newman cover] – Side 2

8. Mr. Robin [Leslie Duncan cover]

9. Rock Me When He's Gone [Elton John/Bernie Taupin song - Exclusive Track]

10. Flying [Ronnie Lane-Rod Stewart-Ronnie Wood song/Faces cover]

 

CD BONUS TRACKS

11. Going Down Slow [a St. Louis Jimmy cover - 1941 Blues track - real name Jimmy Burke Oden]

12. Blues (Cornbread, Meat And Molasses) [Sonny Terry/Brownie McGhee cover]

13. Love In Vain [Robert Johnson cover]

14. Midnight Hour Blues [Leroy Carr cover]

15. Black Girl [Alternate Take]

16. It Ain't Easy [Alternate Take]

17. I'm Ready [Alternate Take]

18. Radio Spot [30-Second Spoken Advert for the US Market made in 1971 - it talks about LBJ and Fleetwood Mac leaving the UK to tour and "...storm America"]

 

The band for the ROD STEWART sessions was:

Lead Vocals - LONG JOHN BALDRY (12-String Guitar on "Black Girl")

Guitars - RON WOOD (of Faces, Rolling Stones) [Tracks 2, 4, 5, 6, 16 and 17]

Guitars and Pedal Steel Guitar - SAM MITCHELL [Tracks 1 to 5, 15 and 16]

Piano - IAN ARMIT

Mandolin - RAY JACKSON (of Lindisfarne) on "Black Girl" and "Morning Morning"

Tenor Sax Solo - ALAN SKIDMORE on "Don't Try To Lay No Boogie Woogie..."

Bass - RICK BROWN

Drums - MICKIE WALLER (of Steampacket)

Backing Vocals - MAGGIE BELL (of Stone The Crows) on "Black Girl" and "It Ain't Easy"

 

The band for the ELTON JOHN sessions was:

Guitars - CALEB QUAYE and JOSHUA M'BOPO (of Hookfoot)

Piano - ELTON JOHN

Bass - DAVE GLOVER

Drums - ROGER POPE

Backing Vocals - Leslie Duncan, Madelene Bell, Doris Troy, Kay Garner, Liza Strike, Tony Burrows, Tony Hazzard & Roger Cook

 

The original green label of the US and UK vinyl albums is aped on the CD label, the 12-page inlay has affectionate and information June 2005 liner notes by SID GRIFFIN and the expert remastering has been carried out by Rhino's long-time tape associate DAN HERSCH.

 

It sounds just brilliant - analogue warm and in your face for all the right reasons. At times in fact it feels like the FACES unleashed - both acoustically and in full-on band mode. Music wise - this is pre "Every Picture Tells A Story" and "Madman Across The Water" - I mention these albums specifically because Side 1 sounds like "Picture" (produced by Rod and featuring his backing band), while Side 2 sounds like a more rockier version of "Madman" (produced by Elton etc). Couple this with great song selections (fast and folky alike) and Baldry's British toff speaking voice sounding like a guttural fired-up Eric Burden when he sings and the effect is magical...

 

But the real fireworks for me come in the blistering bonus tracks. Faces and Mercury-years Rod Stewart fans will flip for these - 4 are acoustic (11, 12, 14 and 15), while the other 2 are band orientated (16 and 17). In fact it almost sounds like these tracks represent the true spirit of the sessions - an unplugged pure blues album trying desperately to get out - get past all that production. Infuriatingly, it doesn't say who plays the harmonica and acoustic guitar on the fabulous version of "Going Down Slow" or the weird cello intro on the Alternate "Black Girl"?

 

A fabulous little CD reissue then and it compliments his second album for Warners "Everything Stops For Tea" that followed in 1972 which is also now reissued 25 August 2005 by Warner Brothers in the UK (see separate review for "Everything Stops For Tea" by JOHN BALDRY on Warner Brothers 8122784652 - Barcode 081227846527). That CD is also another 'Expanded Edition' Remaster this time with Five Bonus Tracks. Both of these individual CDs were combined into one 2CD compilation called "Boogie Woogie: The Warner Bros. Recordings" on Rhino Handmade for the American market in December 2005 (see separate review for that also).

 

In June 1964, Long John Baldry & The Hoochie Coochie Men released an obscure UK 7" single on United Artists UP 1056. Its B-side - a raucous cover of Sister Rosetta Tharpe's gospel tune "Up Above My Head" - featured an uncredited duet vocal with a sensational new singer (it was Rod Stewart's first vinyl appearance). You have to say that Rod The Mod certainly repaid the gallant Englishman for this launching pad, when he put together this wicked little album for him in 1971 at the behest of Joe Smith - President of Warners. As Baldry says in an interview in the liner notes – both Elton and Rod were feeling their way at the time – but the feel of the spirit of those Faces type-sounds of 1971 permeates this release and for me anyway that is in itself a special kind of aural Heaven.

 

With Baldry lost to us since July 2005 after a long battle with cancer (aged 64 and living in Canada) - this CD Reissue and its Best Buddy "Everything Stops For Tea" is a lovely way to remember that most Blighty of male singers. And well done to all those involved for finally seeing them reissued. Rest in Peace you British beauty...

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