"Birth Right: A Black Roots Music Compendium" by VARIOUS ARTISTS – A 40-Track Themed 2CD Compilation Spanning 1951 Recordings Through to 2021 - Encompassing Acoustic and Electric Blues, Mississippi Hill Country Blues, Old-Time String Band Music, Acapella Gospel, Traditional and Old Timey Jazz, Spoken Word, Sung Historical Recordings, Cajun, Louisiana and more (February 2023 EU-UK Craft Recordings 2CD Compilation of Paul Blakemore Remasters) - A Review by Mark Barry...

https://www.amazon.co.uk/Birthright-Black-Roots-Music-Compendium/dp/B0BF45ZCN6?crid=EDVM9GIJGQDV&dib=eyJ2IjoiMSJ9.TGk0p0HZ-wGrHvWMsawIww.TjLG0wJDq3vRK7_Q05UVAMVNaLNKzxDo10PSCip9_sA&dib_tag=se&keywords=888072424869&nsdOptOutParam=true&qid=1733237956&sprefix=888072424869%2Caps%2C75&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=b5dd982e3a711bf2b139aaf64b2b25e5&language=en_GB&ref_=as_li_ss_tl

RATINGS:

Overall ****

Presentation *** to ****

Audio *****

"…Hard Time Killing Floor Blues…"

Tapping into the vast Rounder Records Roots Catalogue (40 songs across 2CDs straddling 1951 through to 2021) – "Birth Right: A Black Roots Music Compendium" gives you visits to famous collectable labels like Bluesville, Vanguard, Riverside, Smithsonian Folkways, Arhoolie and even Flying Fish Records with the occasional stop off at Specialty and Ron Records along the way. It is roughly a 50/50 split between old and new – the listen encompassing Acoustic and Electric Blues, Mississippi Hill Country Blues, Old-Time String Band Music, A Capella Gospel, Traditional and Old Timey Jazz, Spoken Word, Sung Historical Recordings, Cajun, Louisiana and more.

As you can imagine, the chunky 48-page booklet is a feast of discography info complimented by period photos (from the Concord Archive) and great essays/track-by-track comments from Producer Ted Olsen. This booklet took time and effort – admirable passion invested. 

But with such a huge range of artists and periods represented (compilers SCOTT BILLINGTON and TED OLSEN have spread the genre-net wide) – you might think the Audio is great one moment then seriously comprised the next – no – the whole shooting match is beautifully transferred and shockingly clear. These are PAUL BLAKEMORE Remasters and honestly with my love of the Blues et al and his name attached to the project – I was always going to buy "Birth Right: A Black Roots Music Compendium". I have found his Audio Engineer work exemplary every time.

Downsides - personally, I think it only half works – too many styles and the truly bland cover art and crappy card digipak also do the huge compendium effort a bad one. But (at four stars instead of five) – I am still digging it. Much to sledgehammer – much to lay down and fly – to the details…

EU released 17 February 2023 - "Birth Right: A Black Roots Music Compendium" by VARIOUS ARTISTS on Craft Recordings 00888072424869 (Barcode 888072424869) is a 40-Track 2CD Compilation (USA issue is Craft Recordings CR00497) encompassing Acoustic and Electric Blues, Mississippi Hill Country Blues, Old-Time String Band Music, A Capella Gospel, Traditional and Old Timey Jazz, Spoken Word, Sung Historical Recordings, Cajun, Louisiana and more. It plays out as follows:

CD1 (72:19 minutes): 
1. Bourbon Street Parade – PRESEVATION HALL JAZZ BAND (2012 CD "St. Peter And 57th St." on Rounder Records)

2. Station Blues – COREY HARRIS and SHARDÉ THOMAS (2003 CD Album "Mississippi To Mali" on Rounder Records)

3. 61 Highway – MISSISSIPPI FRED McDOWELL (1962 Recording first issue 1995 on the CD "Mississippi Fred McDowell" on Rounder Records)

4. Georgie Buck – CAROLINA CHOCOLATE DROPS featuring JOE THOMPSON (Previously Unreleased October 2006 Recording)

5. Ranky Tanky – RANKY TANKY (2017 CD "Ranky Tanky" on Resilience Music)

6. One Dime Blues – ETTA BAKER (1991 CD "One Dime Blues" on Rounder Records)

7. Eunice Two Step – BOIS SEC ARDOIN and CANRAY FONTENOT (1960s Cajun Recording first issued 1976 on the US LP "Louisianna Cajun Music From The South West Prairies Volume 2" on Rounder Records)

8. Automobile Blues - LIGHTNIN' HOPKINS (1961 US LP "Lightnin'" on Bluesville Records)

9. Grizzly Bear – BENNIE RICHARDSON (1965-1966 Texas chain-gang recording first issued 1975 on the US LP "Wake Up Dead Man: Black Convict Work Songs From Texas Prisons" on Rounder Records)

10. Motherless Children – THE STAPLE SINGERS (1963 US LP "This Land" on Riverside Records)

11. Blues Before Sunrise – BROWNIE McGHEE and SONNY TERRY (161 US LP "Blues And Folk" on Riverside Records)

12. Fox Chase – DINK ROBERTS (1998 CD "Black Banjo Songsters Of North Carolina And Virginia" on Smithsonian Folkways Records)

13. Sweet Georgia Brown – MARTIN, BOGAN and ARMSTRONG [Carl Martin, Ted Bogan and L.C. Armstrong] (1972 US LP "The Barnyard Dance" on Rounder Records)

14. Little Liza Jane – GOLDEN EAGLES (1956 US LP "Jazz In The Classic New Orleans Tradition" on Riverside Records)

15. Ay-Tete Fee – CLIFTON CHENIER And His Band (1955 US 45-Single on Specialty SP-522-45, A-side)

16. Hard Time Killing Floor Blues – SKIP JAMES (1966 US LP "Today!" on Vanguard Records)

17. Weary Blues – GEORGE LEWIS NEW ORLEANS JAZZ BAND (1951 Recording first issued 1956 on the US LP "Jazz In The Classic New Orleans Tradition" on Riverside Records)

18. Yonder Come Day – BESSIE JONES (1973 recording issued 1975 on the US LP "So Glad I'm Here" on Rounder Records)

19. We Will Understand It Better By And By – JOSEPH SPENCE (1978-1980 recording first issued 1991 on the US CD "Glory" on Rounder Records)

20. Best Of All – DIRTY DOZEN BRASS BAND (2012 US CD "Twenty Dozen" on Savoy Jazz Records)_

NOTES ON CD1:
Tracks 4 is PREVIOUSLY UNRELEASED

CD2 (68:31 minutes): 
1. Step In – CEDRIC BURNSIDE (2021 US CD "I Be Trying" on Single Lock Records)

2. Pretty Polly – AMYTHYST KIAH (2017 US CD "Big Bend Killing: The Appalachian Ballad Tradition" on Great Smokey Mountains Tradition)

3. St. Louis Blues – LONNIE JOHNSON and ELMER SNOWDEN (1960 US LP "Blues And Ballads" on Bluesville Records)

4. Money Is King – LEYLA McCALLA (2018 US CD "The Capitalist Blues" on Jazz Village)

5. Polly Put The Kettle On – DOM FLEMONS (Originally 2015 US CD "Prospect Hill" on Music Maker Records, Reissued 2020 on "Prospect Hill: The American Songster Omnibus" on Omnivore Recordings)

6. Diving Duck Blues – TAJ MAHAL and KEB' MO' (2017 US CD "TajMo" on Concord Records)

7. Crying Blues – BOOZOO CHEVIS (2001 US CD "Down On Dog Hill" on Rounder Records)

8. Morning Trail – CAMPBELL BROTHERS (1997 US CD "Pass Me Not" on Arhoolie Records)

9. When I Lay My Burden Down – JOHN LEE HOOKER (Unreleased 1950s Recording first issued 2017 on the Craft Recordings 5CD Book Set "King Of The Boogie")

10. Titanic – LESLEY RIDDLE (1993 US CD "Step By Step: Lesley Riddle Meets The Carter Family" on Rounder Records)

11. Go To The Mardi Gras – PROFESSOR LONGHAIR (December 1959 US 45-single on Ron Records 329, A-side)

12. Candy Man – MISSISSIPPI JOHN HURT (1966 US LP "Today!" on Vanguard Records)

13. San Francisco Bay Blues – JESSE FULLER (1963 US LP "San Francisco Bay Blues" on Good Time Jazz Records)

14. Special Delivery Blues – ODETTA (accompanied by Bill Lee on Double Bass) (1963 US LP "One Grain Of Sand" on Rounder Records)

15. Step It Up And Go – JACK JOHNSON (1979 US LP "Step It Up And Go" on Rounder Records)

16. Arkansas Blues – TUTS WASHINGTON (1984 US LP "New Orleans Piano Professor" on Rounder Records)

17. Lo, I Will Be With You – REV. GARY DAVIS (1960 US LP "Harlem Street Singer" on Bluesville Records)

18. Ups On The Farm – INMATE Named PETER (1976 US LP "Get Your Ass In The Water And Swim Like Me" on Rounder Records – Spoken Poems by Texas Inmates)

19. John Henry – CEPHAS & WIGGINS (1986 US LP "Dog Days Of August" on Flying Fish Records)

20. Study War No More – HONEY IN THE ROCK (1986 US LP "We All…Everyone Of Us" on Flying Fish Records)

Setting the Historical scene – CD1 opens with Preservation Hall Jazz Band giving a bit of "Bourbon Street Parade"  – a ragtime originally released 2012 in the USA. But I must say it is not my idea of live bliss let alone a good starter. On to something only marginally better – a modern-day Roots duet – Shardé Thomas and Corey Harris doing a 2002 version of a 1930 Mississippi Sheiks 78" classic "Sitting On Top Of The World". Good but again not great. But then it happens – the magic you had hoped for – an astonishing Mississippi Fred McDowell 1962 one-man-and-his-slide-acoustic-guitar recording of "61 Highway" that had remained in the can until it was issued in 1995 on Rounder Records. Complete with foot taps and the occasional cough and recorded at McDowell's home – Blakemore has Remastered the relaxed but mighty Blues Man and his strutting lowdown shuffle into your living room. "61 Highway" made me find every Acoustic Blues (or thereabouts) on CD1 and program/sequence it as such – Tracks 3, 8, 6, 10, 11, 16 and 19. What a listen!

The next half-decent track is Etta Baker plucking her acoustic on the self-penned "One Dime Blues" – another gorgeous recording done in 1990. But again, even that is whomped by the real deal – influential Bluesman Lightnin' Hopkins recorded in 1960 – his fantastic voice and menacing shuffle bemoaning the fact that his former lover is now driving around town with her handsome at the wheel. The fabulous "Automobile Blues" literally shuffles around your Stereo with a barely contained jealous rage whilst emoting the kind of cool white guys with guitars would kill for. Way down in Louisiana Bennie Richardson is leading the Chain Gang as they sing to pick-axe rhythms – seriously eerie stuff to hear. Nice then to catch the familiar healing sound of The Staple Singers – Pops and his distinctive shimmering guitar song while the ladies double-up on the vocal responses (hush now baby, don't you cry). Long-time heroes of the Blues Duet format – Brownie McGhee and Sonny Terry sound so damn good on their Harmonica and Acoustic Guitar "Blues Before Sunrise" – and such fabulously clean audio that lets it breathe. Other goodies include a rapido Banjo plucking Dink Roberts trying in vain to "Fox Chase" – Accordion Bop with Clifton Chenier on Specialty Records and a truly amazing Skip James oozing pain on "Hard Time Killing Floor Blues" with a Guitar and Voice (how many white Rock Bands dug this and turned it into Led Zeppelin and Cream type Rock-Blues). 

CD2 opens with a 2021 muscle-recording barnstormer – Cedric Burnside laying into a ZZ Top-ish slide guitar boogie – a child crying at night asking the Lord to his "Step In". Back to roots-basics with the grim-hardship tale of "Pretty Polly" - Amythyst Kiah and his banjo recalling in gruesome detail the story of a young girl leaving her family and loved ones behind forced by a bad man to endure an abusive pig who eventually kills her (literally a knife in her heart) – but her ghost gets revenge of sorts. Lonnie Johnson gleefully informs that he's got 99-women and only needs one more in his philanthropic "St. Louis Blues"  (we know what you feel Lon – stay strong brother). Leyla McCalls lays out the rules of life in her unnervingly jolly "Money Is King" – if a man has money today – he can commit murder and get off free – her roots band plucking Violas, Banjos and Trumpets adding a menace to the lyrics. The Traditional "Polly Put The Kettle On" gets a Vocals and Harmonica going over by Dom Flemons and his band of Roots players. Better and beautifully recorded – Taj Mahal and Keb' Mo' give it some National Steel and Acoustic guitar on a 2017 croaking vocal duet of the Sleepy John Estes Blues Classic "Diving Duck Blues" (Taj is going to love his baby until the Moo Cows come home). 

Incorporating Creole and Cajun lyrics/rhythms – I can't understand a word the wonderfully-named Boozoo Chavis is saying throughout the near six-minutes of "Crying Blues" - but the music is joyous and genuinely uplifting in a Van Morrison at-his-best type of way and destined for a mix tape (a highlight on CD2 for me). Time for some shouting Gospel-type Vocals alongside wild Pedal Steel Guitar – Campbell Brothers giving us an energetic 1997 rendition of the Traditional "Morning Train". John Lee Hooker is gonna wear Holy Slippers when he reaches the Golden Land – all his troubles over "When I Lay My Burden Down" – a fabulous late 50ts unreleased Guitar and Vocals recording first issued on the 2017 Craft Recordings 5CD Book Set "King Of The Boogie". Husbands, Wives and Children all lost their lives in the cold abyss – put in the inescapable belly of the poorly riveted 1912 cruise liner – Lesley Riddle and his lone slide acoustic guitar recounting the maiden-voyage tragedy of the "Titanic". 

Old-timers Mississippi John Hurt and Jesse Fuller impress with their slinky 60ts tunes "Candy Man" and "San Francisco Bay Blues" - but are seriously outgunned by a full-throated Odetta as she her guitar and the Double-Bass of Bill Lee (both are pictured on Page 39 of the booklet) beat "Special Delivery Blues" into submission. The hugely personable John Jackson attacks his Acoustic Guitar for "Step It Up And Go" – a 1979 jolly-Blues foot-tapper from 1979 on Rounder Records. Other old-timey winners include Rev. Gary Davis getting serious about his beliefs with "Lo, I Will Be With You Always" and a fantastic cut from Cephas & Wiggins doing the Traditional "John Henry". And on it goes to Sweet Honey In The Rock overdoing it a bit on the Holy Roller front - it has to be said. 

On the inside flap of CD2 is a 2021 quote from modern Bluesman Corey Harris filling us in on what this sonic 2CD compendium is chronicling – "…where we've been and where we are headed…". I have no doubt about that – but the sheer number of genre hops makes for a disjointed and ragged listen and the dull-as-dishwater artwork on the outside does a major disservice to the audio magic contained within.

I have seen this Craft Recordings twofer for as much as £30 or more – not worth that. But if you see "Birth Right: A Black Roots Music Compendium" for below a ten-spot – dive in and enjoy those gorgeous remasters – especially on the Vanguard and Riverside Records 50ts and 60ts originals. And frankly anything that Paul Blakemore masters – I need to own it...

"Mr. Luck: The Complete Vee Jay Singles" by JIMMY REED – A&B-sides of Thirty-Nine US 45-Singles (Eleven with 1965 Interview Introductions as Spoken Bonuses) Issued Between July 1953 and December 1965 on Vee Jay Records – Guest Musicians Include Guitarists John Brim, Eddie Taylor, John Littlejohn, Remo Biondi, Lefty Bates, Lonnie Brooks, Hubert Sumlin and Phil Upchurch, Vocalist Mama Reed, Chess Records Bassist and Songwriter Willie Dixon, Bassists Phil Upchurch and Marcus Johnson with Drummers Earl Phillips, Vernell Fournier and Albert Nelson (Albert King the Guitarist) on Drums (August 2017 EU Craft Recordings 3CD 88-Track Foldout Digipak Compilation Collated by Grammy Award Winners Scott Billington and Audio Engineer Paul Blakemore) - A Review by Mark Barry...

https://www.amazon.co.uk/Mr-Luck-Complet-Jimmy-Reed/dp/B072HTKR4F?crid=2F98MCEOBZ5O6&dib=eyJ2IjoiMSJ9.rSZtD3Oiou5s2dA_82c6Xw.etEpZiSMcTt2IvjbVaOG54GsPIeEtvfozY20P0h_HGc&dib_tag=se&keywords=888072024878&nsdOptOutParam=true&qid=1729935164&sprefix=888072024878%2Caps%2C139&sr=8-1&linkCode=ll1&tag=mabasreofcdbl-21&linkId=75d0ea7f49583d31119d50619b602d70&language=en_GB&ref_=as_li_ss_tl

RATINGS:

Content **** to *****

Presentation ****

Audio *****

"…Big Boss Man…"

Across this three-disc 88-Track bruiser there are eleven Introduction segments where in an interview with the great Jimmy Reed in 1965 – he mumbles and talks about his most famous grooves – most of which (like say Fat Domino) are all the same (he rarely varied a winning combo). But what you really notice are his sense of humour and that he's two-sheets to the wind. 

Matcher (or Mathis) James Reed was born in Leland, Mississippi in September 1925 and of all the Chicago Blues Men with an Electric Guitar who gravitated to that hallowed city in the 40ts and 50ts – Jimmy Reed was probably least likely to succeed and always struggled with alcohol. And yet one look at the Billboard Rhythm and Blues charts of the USA and you will see that Reed and his down-and-dirty warble and chugging beat charted a whomping 20-times between 1955 and 1966 – 19 of those on the independent record label set up by record-shop-owning husband and wife team Vivien Carter and Jimmy Bracken – the V and the J in Vee Jay Records. Seven of them went Top 10 too – three peaking at No.3.

And that's where this beautifully Remastered threesome from Craft comes a-boogieing in. I make no bones (in 2024) about chasing down all things Craft Recordings - I've been besieging our current account to this effect of late where managers are sending round the thought police as a matter on urgent intervention. Craft Recordings is out of the USA and are mostly associated with Stax Records and gorgeous reissues for Isaac Hayes, The Staple Singers, Stax '68, WattStax gigs in 1972 and those four huge Stax Singles Box Sets with eleven or twelve CDs in them (reviewed the lot). 

But they are also heavily involved in Blues and Jazz on both audiophile sounding CDs and VINYL LPs. John Lee Hooker, Sonny Terry and Brownie McGhee, Skip James, Lightnin' Hopkins and Johnnie Taylor are just some of the names that have had long-lost and forgotten albums of the Sixties reissued in 2024 with PAUL BLAKEMORE Remastering – the Grammy-winner responsible for the audio here.

There is a lot of the Big Boss Man to discuss. To the Brights Lights and Big City…

EU released August 2017 - "Mr. Luck: The Complete Vee Jay Singles" by JIMMY REED on Craft Recordings/Vee-Jay/Universal Music Group 
0888072024878 (Barcode 888072024878) is a 3CD 88-Track Compilation Collated by SCOTT BILLINGTON and Mastered by PAUL BLAKEMORE (both Grammy winners) that plays out as follows:

CD1 (13 x US 45s – 5 with 1965 Interview Introductions, 76:49 minutes):
1. High And Lonesome (Introduction)
2. High And Lonesome 
3. Roll And Rhumba 
July 1953, US 45-single on Vee Jay VJ-100, A&B-sides as Jimmy Reed and His Trio

4. Jimmy's Boogie (aka Jimmies Boogie)
5. Found My Baby Gone (aka I Found My Baby)
January 1954, US 45-single on Vee Jay VJ 105, A& B-sides

6. You Don't Have To Go (Introduction)
7. You Don't Have To Go
8. Boogie In The Dark
December 1954, US 45-single on Vee Jay VJ-119, A&B-sides – peaked No.5 R&B

9. I'm Gonna Ruin You
10. Pretty Thing
January 1955, US 45-single on Vee Jay VJ 132, A&B-sides (reissued April 1955)

11. She Don't Want Me No More
12. I Don't Go For That
September 1955, US 45-single on Vee Jay VJ 153, A&B-sides (Tracks 12 and 11) – peaked No. 12 R&B

13. Ain't That Lovin' You Baby (Introduction)
14. Ain't That Lovin' You Baby
15. Baby, Don't Say That No More
January 1956, US 45-single on Vee Jay VJ-168, A&B-sides – peaked No.3 R&B

16. Can't Stand To See You Go
17. Rockin' With Reed
April 1956, US 45-single on Vee Jay VJ 186, A&B-sides – peaked No.10 R&B

18. My First Plea
19. I Love You Baby
July 1956, US 45-single on Vee Jay VJ 203, A&B-sides (Tracks 19 and 18) – peaked at No.13 R&B

20. You've Got Me Dizzy (Introduction)
21. You've Got Me Dizzy
22. Honey, Don't Let Me Go
November 1956, US 45-single on Vee Jay 226, A&B-sides – peaked No.3 R&B

23. Little Rain
24. Honey, Where You Going?
March 1957, US 45-single on Vee Jay VJ-237, A&B-sides – A-side peaked No.2, B-side peaked No.10 R&B

25. The Sun Is Shining
26. Baby, What's On Your Mind?
June 1957, US 45-single on Vee Jay VJ 248, A&B-sides – peaked No.10 R&B

27. Honest I Do (Introduction)
28. Honest I Do
29. Signals Of Love
August 1957, US 45-single on Vee Jay VJ 253, A&B-sides – peaked No.4 R&B

30. You're Something Else
31. A String To Your Heart
January 1958, US 45-single on Vee Jay VJ 270, A&B-sides

CD2 (13 x US 45-singles – 4 with 1965 Interview Introductions, 70:21 minutes):
1. Go On To School
2. You Got Me Crying
April 1958, US 45-single on Vee Jay VJ 275, A&B-sides (Tracks 2 and 1)

3. I Know It's A Sin
4. Down In Georgia
July 1958, US 45-single on Vee Jay VJ 287, A& B-sides (Tracks 4 and 3)

5. I'm Gonna Get My Baby
6. Odds And Ends
October 1958, US 45-single on Vee Jay VJ 298, A&B-sides – peaked at No.5 R&B

7. I Told You Baby
8. Ends And Odds
December 1958, US 45-single on Vee Jay VJ 304, A&B-sides – peaked at No.19 R&B

9. Take Out Some Insurance
10. You Know I Love You 
April 1959, US 45-single on Vee Jay VJ 314, A&B-sides

11. Going To New York (Introduction)
12. Going To New York
13. I Wanna Be Loved 
September 1959, US 45-single on Vee Jay VJ 326, A&B-sides (Tracks 13 and 12)

14. Baby What You Want Me To Do (Introduction)
15. Baby What You Want Me to Do
16. Caress Me Baby
November 1959, US 45-single on Vee Jay VJ 333, A&B-sides – peaked at No.10 R&B

17. I Found Love
18. Where Can You Be
May 1960, US 45-single on Vee Jay VJ 347, A&B-sides – peaked at No.16 R&B

19. Hush Hush
20. Going By The River (Part II)
August 1960, US 45-single on Vee Jay VJ 357, A&B-sides – peaked at No.18 R&B

21. Close Together
22. Laughing At The Blues
January 1961, US 45-single on Vee Jay VJ 373, A&B-sides – peaked at No.12 R&B

23. Big Boss Man (Introduction)
24. Big Boss Man
25. I'm A Love You

March 1961, US 45-single on Vee Jay VJ 380, A&B-sides – peaked at No.13 R&B, No.38 Pop Hit for Elvis Presley in 1967

26. Bright Lights, Big City (Introduction)
27. Bright Lights, Big City
28. I'm Mr. Luck
August 1961, US 45-single on Vee Jay VJ 398, A&B-sides – peaked at No.3 R&B

29. Aw Shucks, Hush Your Mouth
30. Baby, What's Wrong?
December 1961, US 45-single on Vee Jay VJ 425, A&B-sides (Tracks 30 and 29)

CD3 (13 x US 45-singles – 2 with 1965 Interview Introductions, 72:33 minutes):
1. Good Lover
2. Tell Me You Love Me
May 1962, US 45-single on Vee Jay VJ 459, A&B-sides

3. I'll Change My Style
4. Too Much
July 1958, US 45-single on Vee Jay VJ 287, A& B-sides

5. Let's Get Together
6. Oh John
November 1962, US 45-single on Vee Jay VJ 473, A&B-sides

7. Shame, Shame, Shame (Introduction)
8. Shame, Shame, Shame 
9. There'll Be A Day
March 1963, US 45-single on Vee Jay VJ 509, A&B-sides

10. Mary-Mary
11. I'm Gonna Help You
August 1963, US 45-single on Vee Jay VJ 552, A&B-sides

12. Out Skirts Of Town
13. St. Louis Blues 
November 1963, US 45-single on Vee Jay VJ 570, A&B-sides

14. See See Rider
15. We Wee Baby Blues
March 1964, US 45-single on Vee Jay VJ 584, A&B-sides

16. Help Yourself
17. Heading For A Fall (Things Ain't What They Used To Be)
April 1964, US 45-single on Vee Jay VJ 593, A&B-sides (probably unreleased)

18. Down In Mississippi
August 1964, US 45-single on Vee Jay VJ-616, A-side (only)
NOTE: Oh John (Track 6) re-used as the B-side on Vee Jay VJ-616

19. I'm Going Upside Your Head (Introduction)
20. I'm Going Upside Your Head
21. The Devil's Shoestring (Part II)
October 1964, US 45-single on Vee Jay VJ 622, A&B-sides

22. I Wanna Be Loved
23. A New Leaf
January 1965, US 45-single on Vee Jay VJ 642, A&B-sides – New Leaf peaked at No.35 R&B

24. Left Handed Woman
25. I'm The Man Down There
August 1965, US 45-single on Vee Jay VJ-702, A&B-sides (Tracks 25 and 24)

26. When Girls Do It
27. Don't Think I'm Through
December 1965, US 45-single on Vee Jay VJ-709, A&B-sides

The outer card slipcase usually comes with a Details Sticker housing a three-way fold-out Digipak. It's nice but hardly startling – the 40-page booklet however is a truly in-depth affair. Every session is broken down by players, recording dates and so on. Entitled THE SONGS - after each discography entry is a paragraph detailing the song's history, chart success and his great session players who included musicians like Guitarists John Brim, Eddie Taylor, John Littlejohn, Remo Biondi, Lefty Bates, Lonnie Brooks and Hubert Sumlin, Vocalist Mama Reed, Chess Records Bassist and Songwriter Willie Dixon, Bassists Phil Upchurch and Marcus Johnson with Drummers Earl Phillips, Vernell Fournier and a young Albert Nelson (Albert King the Guitarist) on Drums. 

Jimmy played Carnegie Hall alongside Muddy Waters in the 60ts – his most famous song "Big Boss Man" (recorded March 1960) had Chess writing and playing giant Willie Dixon on his famous Double Bass with Lefty Bates and Lonnie Brooks on Guitars and Mama Reed sharing backing vocals. Jimmy of course took lead vocals and played his Guitar and Harmonica. The endless pages of Discography have trade adverts, chart lists and gig posters sepia-tinted into the background but that is something of a mistake because they are hard to see. SCOTT BILLINGTON has genuine enthusiasm for Reed – affection in his every entry – and it is a pleasure to read. 

As you can imagine, over 75 songs in roughly the same groove can be a bit much to take in one bilge – but what I love is the PAUL BLAKEMORE Remastered AUDIO. Although recordings were at times rough (especially on CD1 which deals with the Fifties) – Craft have done a fantastic job with the Transfers – full of life-affirming boogie. His explanations of how his wife was the principal inspiration for everything (she would sit by the stage and prompt lyrics during notorious inebriated shows) – even thoughts of what it would be like if she up and walked out – his "Shame, Shame, Shame" the result. By the time you get to CD3 and the 60ts and the instruments are wailing in your living room. Fab…

Highlights for me include cool flipsides like "I Don't Go For That" (CD1), "You Know I Love You" (CD2) and "There'll Be A Day" (CD3). You can also hear how tight his band was in the Fifties – Eddie Taylor on Guitar with Earl Phillips on Drums – love that Slide Guitar by John Littlejohn on "Boogie In The Dark" – same track with a young Albert Nelson on Drums soon to become "Born Under A Bad Sign" ace axeman Albert King on Stax in the mid Sixties. "Baby What You Want Me To Do" has Marcus Johnson on Electric Bass with Mama Reed providing Back Up Vocal Pipes. Jimmy assures his lady that she needs a real good lover and the Jimster is the man for the demanding job in "Good Lover". Speaking of Good Lovers - future Blue Thumb Records Jazz-Funk Guitarist Phil Upchurch plays axe on "Where Can You Be" and "Hush Hush" whilst providing Electric Bass on the aforementioned "Good Lover" plus "Too Much". Hubert Sumlin plays Guitar on "I Wanna Be Loved", "Left-Handed Woman" and "A New Leaf" – his last R&B chart entry for Vee Jay in January 1965. 

Most would probably want to cherry pick the best twofer singles on this three-disc Anthology and sequence them onto a Playlist CD-R for home enjoyment – or even the 20 R&B chart entries in a row (Jimmy Reed passed in 1976 whilst gigging in San Francisco). 

Whatever way you play it - "Mr. Luck: The Complete Vee Jay Singles" by JIMMY REED on Craft Recordings is a compilation I will be returning too with a smile on my face. It is not gorgeous – the booklet could have done with more photos and memorabilia repro stuff – but man oh man – that Audio, those often witty lyrics, the drunken grooves with Guitar, Harmonica and his world-weary slush-voice – Big Boss Man indeed…

"Stax '68: A Memphis Story" by VARIOUS ARTISTS – Featuring 134 US-Single Sides by Otis Redding, Sam & Dave, Shirley Walton, Carla Thomas, William Bell, Mable John, Rufus Thomas, Jeanne & The Darlings, Derek Martin, Linda Lyndell, Isaac Hayes, The Mad Lads, Bar Kays, Albert King, Johnnie Taylor, Eddie Henderson Quartet, Booker T. & The MG's, Eddie Floyd, Delaney & Bonnie, Johnny Daye, Bobby Whitlock, Judy Clay, The Delrays, The Aardvarks, Fresh Air, The Staple Singers, Ollie & The Nightingales, The Soul Children, Charmells, Southwest F.O.B., The Village Sound, Jimmy Hughes, Lindell Hill, The Goodees, Dino & Doc and more on Stax, Volt, Enterprise, Arch, Magic Touch and Hip Records (October 2018 USA Craft Recordings/Stax 5CD 134-Track Book Set of Remasters) - A Review by Mark Barry...

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RATINGS: **** Music, **** Presentation, ***** Audio

"…It's Been A Long Time Coming…"

Craft Recordings of the USA (part of the Concord Music Group out of Cleveland) have been bamboozling Stax Records fans for some years now – their inaugural releases begun in 2017. Craft have also caught the eye of those Audiophile Collectors whose interests stretch past famously well-recorded Rock and Pop Music to Vintage Music that can be re-presented better with the latest technology - old Vee Jay Blues, Latin, Salsa and Boogaloo on Fania Records, Prestige Jazz, Riverside Folk-Blues and Classic 60t's and 70t's Soul. Craft are also now synonymous with quality mastering from original tapes by award-winning Audio Engineers like Paul Blakemore (who did this set), Joe Tarantino, Kevin Gray, Greg Calbi, Jeff Powell, Dave Cooley, Bernie Grundman and more.

In fact, you could (and should) surmise that I have a thang for Craft Recordings who have celebrated loads of quirky/worthy recipients with reissues on CD, LP and Hi-Res Download Files – good folks like John Lee Hooker, Lightnin' Hopkins, Skip James, Albert King, the super-rare Cuban Jam Sessions LPs from the Sixties on Panart Records, Creedence Clearwater Revival in London at the Royal Albert Hall in April 1970, Terry Callier's beautiful almost entirely acoustic debut album The New Folk Soul Of on Prestige Records in 1968 (recorded in 1966), R.E.M at the BBC, a 2CD expanded revamp of Jewel's 1995 debut Pieces Of You, a 2CD 40th Anniversary reissue of the 1983 self-titled Violent Femmes debut album (originally on Rough Trade Records) and even England's Travis at Glastonbury.

And I've loved (reviewed most too) Craft's many celebratory releases on all things Stax-related with stunning multiple-disc retrospectives on Isaac Hayes The Spirit Of Memphis (1962-1976), The Staple Singers Come Go With Me: The Stax Collection, Various Artists for Stax Singles 4: Rarities & The Best Of The Rest, the rare 45s of an under-appreciated Stax subsidiary label The Gospel Truth: The Complete Singles Collection, a huge 140 Previously Unreleased in the Various Artists set Written In Their Soul: The Stax Songwriter Demos and live Music vs. Politics in the full-on re-presentation of Wattstax 72: The Complete Concert - originally a two x double-album set of vinyl releases back in the Seventies - now presented to us in 6 or 12-CD all-encompassing behemoth variants. There are loads more - many on celebrated well-mastered VINYL outings too that (as I said) audiophiles have been waking up to across this last seven years.

And thus, we come to a pivotal year for Soul and R&B – 1968 – Stax Records at the crossroads not just musically and commercially but spiritually too. Losses and gains – too many of the first perhaps and not enough outside of musical accolades of the second. There is much to love here BUT there is also unfortunately some serious cack to deride (hence the 4-stars and not 5). To the details…

US released 19 October 2018 - "Stax '68: A Memphis Story" by VARIOUS ARTISTS on Craft Recordings/Stax CR00103 (Barcode 888072053649) is a 5CD 134-Track Book Set of New Remasters that features the A and B-sides of 67 US 45-Singles released on STAX Records and its affiliated labels (Volt, Enterprise, Arch, Magic Touch and Hip) throughout 1968.

It has an attached 56-page book with new liner notes from Stax experts ANDRIA LISLE and ROBERT GORDON (as essay called Dreams To Remember on Pages 4 to 22) and STEVE GREENBERG (as essay called Stax 1968: The Three Shocks And Their Aftermath on Pages 23 to 47 - Greenberg is the founder of S-Curve Records and was Producer for the 9CD Box Set The Complete Stax/Volt Singles 1959-1968). Also featured are previously unissued photographs from the archives, Artist Promo and Personal Photos in Black and White and Colour, US Trade Adverts, Newspaper Clippings, Company Letters on Headed Paper and Song-by-Song Writer Credits, Catalogue Numbers, Release Dates etc (no personnel). Some titles like those on Arch Records or the primarily Rock & Pop label Hip Records make their CD debut here - while some B-sides were Non-LP and still hard to find on CD and are therefore rarities. Craft Recordings' "Stax '68: A Memphis Story" plays out as follows:

CD1 (69:23 minutes, 26 Tracks, 13 Singles)
Volt Singles Black & Orange Label repro on CD, hard card leaf holder pictures Booker T & The MGs September 1968 US LP "Soul Limbo" in colour

Each coupling of titles is the US 45 A-side first, B-side next - the release date on line 3, Label and Catalogue Number, and the chart positions on Billboard R&B and Pop will almost always be for the A-side (unless otherwise stated)

1. (Sittin' On) The Dock Of The Bay – OTIS REDDING 
2. Sweet Lorene 
8 January 1968, Volt 45-157, R&B No.1, Pop No.1

3. I Thank You – SAM & DAVE
4. Wrap It Up
8 January 1968, Stax 45-242, R&B No.4, Pop No.9

5. Don't Pass Your Judgement – THE MEMPHIS NOMADS
6. I Wanna Be (Your Lover & Your Honey)
January 1968, Stax 45-243 – non chart

7. I Was Born To Love You – SHIRLEY WALTON
8. I'm So Glad You're Back
January 1968, Enterprise 45-001 – non chart

9. Lovey Dovey – OTIS REDDING & CARLA THOMAS
10. New Year's Resolution
24 January 1968, Stax 45-244, R&B No.21, Pop No.60

11. I Got A Sure Thing – OLLIE & THE NIGHTINGALES
12. Girl, You Have My Heart Singing
1 February 1968, Stax 45- 245, R&B No.16, Pop No.73

13. Big Bird – EDDIE FLOYD 
14. Holding On With Both Hands 
1 February 1968, Stax 45-246 – non chart

15. A Hard Day's Night – BAR-KAYS
16. I Want Someone
February 1968, Volt 45-158 – non chart - A-side is a Beatles cover version

17. Next Time – JOHNNIE TAYLOR
18. Sundown 
14 February 1968, Stax 45-247, R&B No.34

19. Every Man Oughta Have A Woman – WILLIAM BELL
20. A Tribute To A King 
12 March 1968, Stax 45-248, R&B No.16, Pop No.86

21. Able Mabel – MABLE JOHN 
22. Don't Get Caught 
12 March 1968, Stax 45-249 – non chart

23. The Memphis Train – RUFUS THOMAS
24. I Think I Made A Boo Boo 
12 March 1968, Stax 45-250 – non chart

25. What Will Later On Be Like – JEANNE & THE DARLINGS
26. Hang Me Now 
22 March 1968, Volt 45-159 – non chart

CD2 (60:17 minutes, 22 Tracks, 11 Singles)
Stax Singles Green Label repro on CD, hard card leaf holder pictures Eddie Floyd October 1968 US LP "I've Never Loved A Girl" in colour
Each coupling is the US 45 single, A-side first, B-side next

1. Soul Power – DEREK MARTIN
2. Sly Girl
22 March 1968, Volt 45-160 – non chart

3. Bring Your Love Back To Me – LINDA LYNDELL
4. Here I Am 
26 March 1968, Vol 45-161 – non chart

5. A Dime A Dozen – CARLA THOMAS
6. I Want You Back
29 March 1968, Stax 45-251 – non chart

7. Groovy Day – KANGAROO'S
8. Every Man Needs A Woman
March 1968, Hip H-113 – non chart (Produced by Isaac Hayes/David Porter)

9. Precious Precious – ISAAC HAYES
10. Going To Chicago Blues 
16 March 1968, Enterprise 45-002 – non chart

11. Whatever Hurts You – THE MAD LADS
12. No Time Is Better Than Now
8 April 1968, Volt 45-162 – R&B No.31

13. The Happy Song (Dum-Dum) – OTIS REDDING
14. Open The Door 
8 April 1968, Volt 45-163, R&B No.10, Pop No.25

15. (I Love) Lucy – ALBERT KING
16. You're Gonna Need Me
8 April 1968, Stax 45-252 – R&B No.46

17. I Ain't Particular – JOHNNIE TAYLOR
18. Where There's Smoke There's Fire
25 April 1968, Stax 45-253 – R&B No.45

19. Georgy Girl – EDDIE HENDERSON QUINTET
20. A Million Or More Times
April 1968, Enterprise 45-003 – non chart

21. Send Peace And Harmony Home – SHIRLEY WALTON
22. The One You Can't Have All By Yourself
May 1968, Enterprise 45-004 – non chart

CD3 (79:21 minutes, 29 Tracks, 15 Singles – see Notes)
Stax Singles Yellow Label repro on CD, hard card leaf holder pictures The Staple Singers December 1968 US LP "Soul Folk In Action" in colour
Each coupling is the US 45 A-side first, B-side next (see NOTES below)

1. Soul-Limbo – BOOKER T. & THE MG'S
2. Heads Or Tails
31 May 1968, Stax STA-0001, R&B No.7, Pop No.17

3. I've Never Found A Girl (To Love Me Like You Do) – EDDIE FLOYD
4. I'm Just The Kind Of Fool
31 May 1968, Stax STA-0002, R&B No.2, Pop No.40

5. It's Been A Long Time Coming – DELANEY & BONNIE
6. We've Just Been Feeling Bad
31 May 1968, Stax STA-0003 - non chart

7. What A Man – LINDA LYNDELL
8. I Don't Know
17 June 1968, Volt VOA-4001, R&B No.50

9. Broadway Freeze – HARVEY SCALES & THE SEVEN SOUNDS
10. I Can't Cry Any No More
17 June 1968, Magic Touch MTA-16001 – non chart

11. Stay Baby Stay – JOHNNY DAYE
12. I Love Love
15 July 1968, Stax STA-0004 – non chart

13. Raspberry Rug – BOBBY WHITLOCK
14. And I Love You
1 July 1968, Hip H-8001 – non chart

15. Private Number – JUDY CLAY and WILLIAM BELL
16. Love-Eye-Tis
15 July 1968, Stax STA-0005, R&B No.17, Pop No.75

17. I Like Everything About You – JIMMY HUGHES
18. What Side Of The Door
15 July 1968, Volt VOA-4002, R&B No.21

19. Lollipop Lady – THE DELRAYS
20. (There's) Always Something There To Remind Me
July 1968, Arch ARA-1301 – non chart

21. Remone – LINDELL HILL
22. Used To Be Love 
26 July 1968. Arch ARA-1302 – non chart

23. Subconscious Train Of Thought – THE AARDVARKS
24. Unicorn Man 
August 1968, Arch ARA-1303 – non chart

25. Somebody Stole My Gal – FRESH AIR
26. Somebody Stole My Gal (Instrumental)
22 August 1968, Arch ARA-1304 – non chart

27. Bed Of Roses – JUDY CLAY
28. Remove These Clouds
September 1968, Stax STA-0006 – non chart

29. Long Walk To D.C. – THE STAPLE SINGERS
September 1968, Stax STA-0007 – A-side – non chart (see Notes)

NOTES on CD3: 
The last song on CD3 is The Staple Singers "Long Walk To D.C.", the A-side to Stax 0007 – its B-side "Stay With Us" is the first track on CD4

CD4 (78:35 minutes, 29 Tracks, 14 Singles – see Notes)
Volt Singles Blue Label repro on CD, hard card leaf holder pictures Johnnie Taylor December 1968 US LP "Who's Making Love…" in colour
Each coupling is the US 45 A-side first, B-side next (see NOTES below)

1. Stay With Us – THE STAPLE SINGERS
September 1968, Stax STA-0007 – B-side - non chart (see Notes)

2. Give 'Em Love – THE SOUL CHILDREN
3. Move Over
September 1968, Stax STA-0008 – non chart

4. Who's Making Love – JOHNNIE TAYLOR
5. I'm Trying
September 1968, Stax 0009, R&B No.1, Pop No.5

6. Funky Mississippi – RUFUS THOMAS
7. So Hard To Get Along With
September 1068, Stax STA-0010 – non chart - A-side by Eddie Floyd

8. Where Do I Go – CARLA THOMAS
9. I've Fallen In Love
September 1968, Stax STA-0011, R&B No.38, Pop No.88

10. So Nice – THE MAD LADS
11. Make Room
September 1968, Volt VOA-4003, R&B No.35

12. Lovin' Feeling – CHARMELLS
13. Sea Shell 
September 1968, Volt VOA-4004 – non chart – A-side is Righteous Brothers cover

14. It's Unbelievable (How You Control My Soul) – JEANNE & THE DARLINGS
15. I Like What You're Doing To Me
September 1968, Volt VOA-4005 – non chart

16. Smell Of Incense – SOUTHWEST F.O.B.
17. Green Skies
(Originally issued 10 July 1968 on GPC Records 1945)
Reissued September 1968, Hip HIA-8002 – non chart

18. Sally's Got A Good Thing – THE VILLAGE SOUND
19. The La La Song
September 1968, Hop HIA-8003 – non chart

20. Bring It On Home To Me – EDDIE FLOYD
21. Sweet Things To Do
12 October 1968, Stax STA-0012, R&B No.4, Pop No.17

22. Hang 'Em High – BOOKER T. & THE MG's
23. Over Easy 
12 October 1968, Stax STA-0013, R&B No.35, Pop No.9

24. You're Leaving Me – OLLIE & THE NIGHTINGALES
25. Showered With Love
19 October 1968, Stax STA-0014, R&B No.47

26. Kitchy Kitchy Koo – THE POP CORN GENERATION 
27. Shake It
October 1968, Hip HIA-8004 – non chart

28. Copy Kat – BAR-KAYS
29. In The Hole
2 November 1968, Volt VOA-4007 – non chart 

NOTES on CD4:
The last song on CD3 is The Staple Singers "Long Walk To D.C.", the A-side to Stax 0007 – its B-side "Stay With Us" is the first track on CD4

CD5 (78:17 minutes, 28 Tracks, 14 Singles)
Hip Single Label repro on CD, hard card leaf holder pictures Albert King October 1968 US LP "Live Wire – Blues Power" in colour
Each coupling is the US 45 single, A-side first, B-side next

1. Mighty Cold Winter – DINO & DOC [James Walker & Arthur L. Merriwether]
2. A Woman Can't Do (What A Man Do)
2 November 1968, Volt VOA-4006 – non chart

3. I Forgot To Be Your Lover – WILLIAM BELL
4. Bring The Curtain Down
November 1968, Stax STA-0015, R&B No.10, Pop No.45

5. Condition Red – THE GOODEES
6. Didn't Know Love Was So Good 
23 November 1968, Hip HIA-8005 – non chart

7. Running out – MABLE JOHN
8. Shouldn't I Love Him
30 November 1968, Stax STA-0016 – non chart

9. Family Portrait – BILLY LEE RILEY
10. Going Back To Memphis
November 1968, Hip HIA-8006 – non chart

11. My Baby Specializes – WILLIAM BELL and JUDY CLAY
12. Left Over Love
December 1968, Stax STA-0017, R&B No.45, Pop No.104

13. I'll Understand – THE SOUL CHILDREN
14. Doing Our Thang 
December 1968, Stax STA-0018, R&B No. 29

15. The Ghetto – THE STAPLE SINGERS
16. Got To Be Some Changes Made
December 1968, Stax STA-0019, - non chart

17. Blues Power (Edit) – ALBERT KING
18. Night Stomp (Edit)
December 1968, Stax STA-0020 – non chart – both sides live

19. The Echo – THE EPSILONS
20. Really Rockin
13 December 1968, Stax STA-0021- non chart – B-side is an instrumental

21. Funky Way – RUFUS THOMAS
22. I Want To Hold You
13 December 1968, Stax STA-0022 – non chart

23. The Children Have Your Tongue – THIS GENERATION
24. Give Her What She Wants
20 December 1968, Hip HIA-8007 – non chart

25. Who's Making Love – DAARON LEE
26. Long Black Train
20 December 1968, Hip HIA-8008 – non chart – A-side is a Johnnie Taylor cover

27. Take Care Of Your Homework – JOHNNIE TAYLOR
28. Hold On This Time
21 December 1968, Stax STA-0023, R&B No.2, Pop No.20

Produced by JOE McEWEN with the help of Robert Gordon, Chris Clough, Ryan Wilson, Sig Sigworth and Mason Williams - visually these Book Sets pack a punch if not being a tad unwieldy in real world use. The hard card CD holding leaves mentioned above are gorgeous – full colour plates of iconic Stax LPs – while snaps throughout the text show cool moments like Producer Steve Greenberg with a stoned Janis Joplin at a house party – Eddie Floyd and Steve Cropper (of Booker T) giving it some twin guitar poses like a Memphis version of Status Quo, white vocalist Delaney Bramlett shares a smile moment with Pervis Staples. You get Otis Redding's vocal group discovery The Epsilons, the mighty Mavis and Pops Staples checking Stax tape boxes, Linda Lyndell looking like she's ready for a night on the Vegas craps stood beside her Cadillac, Obituary cards and service itineraries for Phalon Jones, Jr. on 21 December 1967 – the Saxophone player in Otis Redding's backing band The Bar-Kays who died in the plane crash that also took Otis. And the darker surrounding picture too - photos of Rufus Thomas at City Hall with racist Mayor Henry Loeb as Memphis erupted post the Martin Luther King assassination while armed cops sit on cars outside, a sit-in by black postal and sanitation staff with Decent Wages For All Workers placards - the No Left Turn and I Am A Man protests - Honor King: End Racism cards held in hands as they march in their thousands (the cover photo). 

As you read the text and are hit with photos that espouse both joy and menace, it's a strange brew of electric progress vs. electric shocks – one step forward musically – two steps pushed back politically. But I focus on the positive – the vibe the music gave you – the images of abandon and sexiness and cool people getting it on. You gotta love the colour shots of William Bell and Judy Clay – the Stax cool couple of 1968 – Eddie Floyd at an airport shouting at jets to get on up Big Bird. There is also talk of the bitter and hamstringing distribution deal Stax and Atlantic had on paper (clauses put in by lawyers) whilst mentors like Jerry Wexler and Nesuhi Ertegun simultaneously professed solidarity with the label Jim Stewart and Estelle Axton had built with a roster of great artists. Disgusted the money was not enough during renegotiations, Stax walked away and would eventually dissolve into financial chaos in 1975. But outside all of this is the music – their identity moving into the realms of an Independent Black Music Company that appealed to ALL sides of the bombarded demographic. 

However, there is something of an elephant in the Soul Room about this release that should be talked about – that cover photo – and its supposed context with Stax. Although Stax was considered by punters like me (shall we say) to be more hard-hitting than the hit-single-chasing Motown – politics as this set tries to frame - was NOT their thing. As you listen to five CDs of Stax singles in 1968 – they chased that Billboard dragon just as hard as Motown and only on occasion did the positivity and action messages of The Staple Singers sing anything about the Black Experience of endemic Racism, workers inequality and slumlord misery ("Long Walk To D.C." and "The Ghetto"). The Vietnam War is not in here – William Bell's response to the loss of Redding ("A Tribute To A King") was a flipside to the business-as-usual A-side - "Every Man Oughta Have A Woman". Stax Music was obsessed with girls and relationships and the battle of the sexes – it wanted dancers and Funk and popularity in their R&B chartings - but hard political action in their songs – not here. That is not to say they didn’t get involved in the background – they did – but on 45-single – out front for the public to see – Stax were about shifting hit single units as much as the next guy trying to make in a fractured world.

PAUL BLAKEMORE did the Mastering – an award-winning Audio Engineer – and it just so damn good. For sure little is going to save the disastrous Rock-orientated label Hip Records were Stax seemed to be completely oblivious to what worked or was even any good. But throughout, you are hit with clarity, very little hiss, warm Bass and punchy Brass and of course discoveries that thrill and intrigue. Details…

I cannot hear the Otis Redding death song (Dock of the Bay) another time (too sad) and the Sam & Dave cut "I Thank You" is standard dancer fare for them. The lesser-heard Memphis Nomads had one 45 on Stax – the hug you and kiss you every night B-side "I Wanna Be (Your Lover & Your Honey)" being the tastier cut. Lovely and criminally forgotten is how I'd describe the rare Shirley Walton track "I Was Born To Love You" – a piano and strings pleading stroller – Shirley ably supported by some impassioned and soulful vocals from the backing ladies. And again the flipside for Otis & Carla is the best choice - "New Year's Resolution" while the Ollie & The Nightingales winner "I Got A Sure Thing" is a gem benefitting hugely from the Gary US Bonds type guttural rasp of lead vocalist Ollie Haskins (it has an equally sexy B-side, no wonder the single is sought after). Considering how good it is and with that HUGE brass and guitar start, it is odd that the chunky/funky get on up "Big Bird" from Eddie Floyd. 

CD5 offers us the very Sam & Dave earnest intensity of "Mighty Cold Winter" by the obscure duo of Dino & Doc (James Walker and Arthur L. Merriwether) – tears falling from their collective eyes in the month of July. They swap lead vocals on the hard-hitting morality-tale dancer B-side "A Woman Can't Do (What A Man Do)" making Volt VOA-4006 a tasty and sought-after double-header. That's followed by an effective chart-tickling pleader from William Bell – our Bill forgetting to be his baby's lover – and forgetful Bell feels so bad on the flipside that he literally wants to "Bring The Curtain Down". Cheesy, cornball, hugely enjoyable kitsch, contender for Kenny Everett’s worst records of all time – you could call the girl group Goodees sole entry "Condition Red" all these things and undoubtedly it would have at home on Phil Spector Records (long-hair bearded hippy courts dew-eyed lass, skeptical parents, bike ride and car-crash all in the same song). Their flipside is better – Girl Group harmonies and cool arrangements ahoy on "Didn't Know Love Was So Good" – a cool inclusion frankly. 

How in God's name the fantastic Ashford & Simpson written "Running Out" by Mable John was not a hit is a God Damn mystery (running out of forgiveness and tear drops) – her pleading to the girls for endorsement flipside "Shouldn't I Love Him" equal too. With that slight Amy Whitehouse innocent twang in her unusual voice, this pairing shows me why Mable John is such an unsung hero in certain circles. The Albert King 45 "Blues Power" is talking-to-the-audience moocher that is edited down from the album's ten minutes to a more manageable 3:07 minutes on 45 – the almost Allman Brothers Funky-Blues instrumental flipside "Night Stomp" too – down from 6:40 minutes to a more digestible 3:40 minutes. 

The HIP Label seemed to be an unmitigated disaster - horrible twee bubblegum and attempts at Pop & Rock songs chasing the charts by acts that are forgotten - and rightly so (the end run on CD5 is particularly depressing alleviated only by the final pairing of Johnnie Taylor). But then there's the discoveries - Dino & Doc's cool duo "Mighty Cold Winter" and its flipside - the Ollie & The Nightingale sides that ooze Vocal Soul class - Jeanne & The Darlings - the ever-suave Mad Lads. Soon to be a Domino for Eric Clapton's Derek & The Dominoes - Bobby Whitlock gets his moment and there are choice entries from Lindell Hill and a personal rave of mine - Linda Lyndell (what a gal, lucky man to have her). And I love B-sides - the rare one for Judy Clay and William Bell's "Private Number" called "Love-Eye-Tis" - the Eddie Floyd flip "I'm Just The Kind Of Fool" and Jimmy Hughes "What Side Of The Door".

A 5CD Book Set like "Stax '68: A Memphis Story" was/is always going to be a serious fan-affair. But if you get the inclination and a swelling of your wallet to the point where you can hide it among the spines on shelves and the missus can't batter you over the head with a rolling-pin spiked with nails - then splash out. 

I'm actively hunting down all these Craft Recordings splurges and despite minor distractions and plot anomalies - I'm knee-trembling at the lot of them. 

Well done to all involved at Craft Recordings and Concord Music Group and like those stunning Motown Year Books Hip-O Select did with fabulous Ellen Fitton mastering - roll on 1969, 1970, 1971, 1972 etc for the equally worthy STAX...