"The Blind Side" on BLU RAY – A Review Of The 2009 John Lee Hancock Movie…

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"…Anything Is Possible…" – The Blind Side on BLU RAY

Separated as a child from his older brother Marcus and raised by a drug-addicted mother with 11 other kids in tow (his father was entirely absent) – 16-year old Michael Oher barely registered on public records. He’d been in and out of foster homes since the age of 7 and with a below average IQ of 80 and school grades barely scraping zero – the American education system also considered him to be simple as well as useless. And few in the Hurt Village area where he lived (notorious Housing Projects in North Memphis) fended for him – let alone made it into their twenties alive.

One day a school football coach is approached in his offices by Oher’s then black stepfather Big Tony the Mechanic (Michael is sleeping in his house on the sofa). Tony wants a place for his small son and 'Big Mike' at Wingate Christian School in Texas. When Coach Cotton looks out the window - he sees Big Mike (played to perfection by Quinton Aaron)- a grizzly-bear black teenager playing hoops like he was born to. But more than taken with Mike’s athletic skills – Coach Cotton is moved (great work from Roy McKinnon). He decides right there and then to persuade a reluctant school panel to give this massive teenager a second chance.

They agree - but then feel they may have made a mistake - as Michael appears incapable of learning - and his sole contribution to an exam paper is to draw a sailboat on the back page with a singular child in it – lost at sea. But one teacher Mrs. Boswell (beautifully played by Kim Dickens) believes there’s intelligence in Mike - if only she can find a way to get it out and up his grades (thereby keeping his place in the program)…

Also in Wingate School are S.J. and Collins Tuohy – the 7-year old son and 16-year cheerleader daughter of Sean and Leigh Anne Tuohy (Tim McGraw and Sandra Bullock) – wealthy owners of 86 Taco Bell food outlets. They are a faith-based white family with little to worry about monetarily but genuine in their beliefs (dialogue above).

Leigh Anne Tuohy is a Southern Lady – all tight skirts, sunglasses in her hair, perfect make-up and possessed of a non-nonsense practicality aligned with a will of iron few will tackle (she mutters "well all right…" all the time). But beneath all that steely mettle is a heart of gold – a woman who practices her Christianity - rather than just spend time with it on a Sunday. To Leigh Anne giving is as natural as speaking – and colour is not an issue.

Slowly Leigh Anne begins to notice her vivacious but tiny son S.J. gravitate towards the protective frame of Big Mike – a gentle giant with no malice in him and a handy ability to forget the past. One night walking back from the Coin-Op Laundry where Mike washes and dries one of only two teeshirts he owns (he’s been made homeless yet again) – Leigh Anne is driving with her family in tow and spots Mike walking in the freezing night air in flimsy clothing. He seems lost and even defenceless. She makes a decision to give him a place to stay that night – the opulent Tuohy home. And so it begins – a loving relationship that will eventually see him become a member of the family and Sean and Leigh Anne Tuohy become his legal guardians.

But then Mike begins to realize that when it comes to American Football – his 98% Protective Instincts (the only test he ever scored highly on) make him the perfect Left Tackle – the man who protects the Quarter Back. Soon huge clubs (six legendary football coaches make cameo appearances) are noticing his extraordinary natural ability to block anything that threatens his ‘family’ (the team) and soon he is learning at school too. But it could all be derailed by the Social Services people who feel Leigh Anne may have set Big Mike up all along so that he would play for their beloved team 'Ole Miss' (Mississippi). Soon he is back at the drug-infested Projects and then the Coin-Op – confused and hurting…

What gives "The Blind Side" a beating heart is that it’s beautifully played by all – especially Sandra Bullock and Quinton Aaron. There's a danger that it all descends into a rich-white-woman’s plaything – a patronizing project she’s taken on – it’s not like that. Bullock is fabulous in the role (and deserved her Oscar) while Aaron’s dignity in the face of ridicule and pain is filled with a grace that is still, peaceful and intensely moving.

The BLU RAY picture is GORGEOUS – defaulted to Full Aspect – it looks incredible all of the time. In fact at times you can see just a little ‘too much’ makeup. Audio is English 5.1 Dolby Digital, Castilian Spanish 5.1, German 5.1 and English 2.0 Audio Descriptive Service. Subtitles are English, Castilian Spanish, Danish, Dutch, Finnish, German, Norwegian and Swedish. Extras exclusive to BLU RAY are - Sidelines: Conversations On The Blind Side, The Story Of Big Quinton, Michael Oher Exclusive and Acting Coaches: Behind The Blind Side.

As Michael studies for an exam – he’s given the academic task by his teachers (who have come to believe in him) of appraising "The Charge Of The Light Brigade" poem by Alfred Tennyson. Michael surmises that you - "Hope For Courage, But Try For Honour…"

By the time the end credits roll - with real footage of Michael Oher joining The Ravens for the NFL Draft of 2009 as Team Member 74 - and then onto stills of him and his adopted Tuohy family – the tears are flowing and your warmth towards these fabulous people is genuine.

The true story of MICHAEL OHER is extraordinary - and John Lee Hancock’s wonderful film "The Blind Side" does his redemptive life-path proper justice.

An emotional touch down…and how…

"Saving Mr. Banks" on BLU RAY – A Review Of The 2013 Film….

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"…I Have Final Say!" – Saving Mr. Banks on BLU RAY

It’s 1906 in the beautiful and affluent city of Maryborough in Australia. Travers and Margaret Goff are leaving with their two daughters – Ginty and Dolly. Like Pied Piper their jokey father is leading his family to a new home, a new town, a new job in a bank for him and supposedly – a new and happier life. But the nanny who watches them leave yet another nice home and wife Margaret with an infant in her arms seems not so sure. And on the train to a remote place called Allora in Queensland (the last stop on the line) – Margaret watches with concern as her husband Travers sips slyly from a hip flask filled with whiskey. So while Ginty may adore her story-telling Dad who fills her with magic thoughts – she just stands on the back of the train dreamily watching everything she’s ever known disappear into the distance because of Daddy’s "ways"…

Now its April 1961 in London and the child Ginty is grown up into the frightfully prim and prig Pamela L. Travers – author of "Mary Poppins" – sat alone at her desk meditating (as per the works of George I. Gurdjieff). A ring at the front door brings in her literary agent Diarmuid Russell (Ronan Vibert) who informs her that the royalties have dried up and because she refuses to write anything new - soon even her beloved Bloomsbury home will go unless she procures money. But still she’s staggeringly prickly. Russell who has tread lightly long enough rages that Walt Disney - who has pursued her for twenty years to get the film rights to "Mary Poppins" - has even agreed to her excessive demands - no animation and full script approval. But she lives in terror that Hollywood will turn her beloved creation into pap.

But needs must – so - soon she’s on a BOAC jet to Los Angeles being rude to air hostesses, mothers with children and even the driver who picks her up at the other end – Ralph (a fabulous show by Paul Giamatti). "It smells like chlorine and sweat!" she says as Ralph tells her the scent in the Californian air is Jasmine. He buckles up – it’s going to be a bumpy ride. Mrs. Travers then throws pears out of her hotel window, growls at the writers in the Disney studios, whinges about piddly details like numbers on doors and moustaches and says "No! No! No!" absolutely all of the time. She’s even truculent in the face of the legendary Walt Disney and his considerable charm.

“Saving Mr. Banks” uses the technique of running Ginty’s 1906 childhood in Australia alongside her 1961 Californian battle with Disney and his people – so we slowly get to see why the dreamy hopeful child grows into a woman who would pen such a prig and proper character. Key to all of this is her relationship with the man she worshipped – Travers – her father. His daily battle with drink made his wife attempt suicide in a lake - lost him his job and health (consumption) – and eventually saw the kids farmed out to a visiting matriarch - Aunt Ellie. And with her starched almost churchlike garments, large carpetbag, face-shaped umbrella and 'no nonsense' practicality in the face of a crisis – Aunt Ellie would of course become the character "Mary Poppins". But is Mary Poppins about her saving the children - or is it really about Ginty saving her father through fiction? 

The superb cast includes Ruth Wilson as Margaret Travers, BJ Novak and Jason Schwartzman as the composing brothers Robert and Richard Sherman and Bradley Whitford as Disney man Don DaGradi. But the movie belongs to the leads… Tom Hanks and Emma Thompson.

There’s a strong body of evidence (“Castaway”, “Charlie Wilson’s War”, “Cloud Atlas” and “Captain Phillips”) that Tom Hanks may indeed be up there with De Niro, Al Pacino, Liam Neeson, Paul Giamatti, Philip Seymour Hoffman and other greats in terms of being the best actor who’s ever lived. So it takes serious boots to outshine him as Walt Disney. Up steps such a force of nature - Engerland’s Emma Thompson – giving her hateful bully lady a beating heart and gradually unfolding the real reasons for her guarded and prickly nature. Thompson gives a performance of true brilliance - an embattled woman who is hurting so deeply that you literally ache for her – cherishing dreams she cannot have sullied by commerce and gaudiness. The dances between her and Hanks are fabulous – but even better is her work with Giamatti – the humble limousine driver who touches her heart and makes her offer up a rare morsel of kindness when he reveals he has a special needs daughter ("Tell your daughter she can do anything she puts her mind too…").

Credit also has to go Colin Farrell who is magnificent and measured as the troubled yet adoring father Travers. The scenes between him and Annie Rose Buckley as young Ginty are beautiful and immensely moving. Childlike and wondrous himself – he instils in his little girl the qualities that would make her such a great writer later on. But he also crippled her mind with images of innocence betrayed – and a helpless descent into loss that would haunt her for the rest of her life.

Thomas Newman’s perfectly complimentary music and the presence of those wonderfully uplifting movie songs that are lingering in the back of our consciousness give the whole film warmth that’s tangible. But what really gets you over and over again - is the astonishing and truly immersive attention to period detail. The look of the bank Travers works in Allora, the huge wooden house on a hill in the middle of nowhere, the fun-fair day where he makes a fool of himself in front of his family because he’s drunk…  Then there’s the Beverly Hills Hotel where Pamela stays in 1961 – the Disney gift hampers she encounters in her room – even the stationery that Giamatti is holding when he meets her at the airport – all of it is period and absolutely spot on. There’s a scene where Walt takes Travers to Disneyland in an effort to soften her up – the stalls outside the theme park gates – the public crowds walking by the attractions and the carousel that ends up in the movie – huge set pieces - and all of it perfect.

The BLU RAY print is glorious throughout - a big Hollywood production and the picture quality reflects that. It’s defaulted to 2.34:1 so there are bars top and bottom – but even extended to Full Aspect – the print is gorgeous. This film is a real looker on the format.

Audio is English 5.1 DTS-HD Master Audio with English 2.0.
Subtitles are English for The Hard Of Hearing, Swedish, Norwegian, Danish and Finnish
Extras include "Deleted Scenes", "The Walt Disney Studios: From Poppins To The Present” and "Let’s Go Fly A Kite".

And on it goes to P. L. Travers finally sat in a cinema with tears rolling down her face as Walt Disney gives her Mister Banks the joy he so lacked all those years ago in Australia. Even Dick Van Dyke’s awful accent is forgiven as the joy of the songs and the film transcends everything. 

"Wind's in the east…mist coming in…like something is brewing…about to begin…"

"Saving Mr. Banks" is beautifully crafted cinema – superbly written by Kelly Marcel and Sue Smith and Directed by John Lee Hancock.

Do your heart and yourself a favour and spend Tuppence on this quality movie…