Welcome to Mark Barry's Review Blog - SOUNDS GOOD, LOOKS GOOD. It features in-depth reviews for Quality CD Reissues/Remasters - all with Discography Info (Amazon UK Top 10 Reviewer).
With over 1600 posts - genres covered include Rock, Pop, Soul, Funk, Jazz Fusion, Blues, Rhythm 'n' Blues, Doo Wop, Vocal Groups, 1960s and 1970s, Prog, Psych, Punk, New Wave, Reggae and more. I also extensively review Blu Rays issues for Modern and Classic Movies.
Rants, Raves and High Geekery.
Tuesday, 28 July 2015
"Subtle As A Flying Mallet" by DAVE EDMUNDS (2013 RPM Records Expanded CD – Simon Murphy Remasters) - A Review By Mark Barry...
"...Get Into Trouble..."
In the early Seventies Dave Edmunds seemed to
be late for everything. After departing LOVE SCULPTURE with two great albums
under his belt - "Blues Helping" from October 1968 and "Forms
And Feelings" from January 1970–
he recorded a cover version of the Smiley Lewis classic "I Hear You
Knocking" and released it 30 October 1970 on the then tiny UK independent
label Mam Records not thinking it would do much business (it was their first
single on MAM 1). "I Hear You Knocking" promptly took the UK charts by
storm (reaching number 1) and going Top 5 Stateside (as well as many other
territories). Our Dave wasn’t ready and his debut solo album didn’t arrive
until June 1972 on Regal Zonophone by which time two further singles -
"I'm Comin' Home" in March 1971 and "Blue Monday" in June
1971 sank without a trace as did "Down Down Down" from July 1972. Two
years after the momentum of the Number 1 single his 1972 "Rockpile"
album was barely noticed and sold jack (its very hard to find on original
The scatterbrain guitarist and Rock 'n' Roll
revivalist did the same for his 2nd solo album – the long forgotten Phil
Spector-ish sounding "Subtle As A Flying Mallet" from 1975.
"Subtle..." was also preceded by two singles in May 1973 "Born
To Be With You" and September 1974 "Need A Shot Of Rhythm And
Blues" before the album belatedly showed up in the spring of 1975. But by
that time – the same thing had happened again – no one noticed and
"Subtle" has been a bit of a dark corner in Edmunds' long and
illustrious career. Personally I’ve always loved both records (I reviewed the
"Rockpile" CD elsewhere) and I'd argue "Subtle..." deserves
a second-go-round on your deck. And you have to say that RPM Records have done
a bang up job on this CD (it's an absolute must-own for fans). Here are the Rock
'n' Roll hammerhead details...
UK released February 2013 – "Subtle As A
Flying Mallet" by DAVE EDMUNDS on RPM Records RPM 520 (Barcode
5013929552029) breaks down as follows (60:34 minutes):
1. Baby I Love You
2. Leave My Woman Alone
4. Da Doo Ron Ron
5. Let It Be Me
6. No Money Down
7. Shot Of Rhythm And Blues [Side 2]
8. Billy The Kid
9. Born To Be With You
10. She’s My Baby
11. I Ain't Never
12. Let It Rock
Tracks 1 to 12 are his 2nd studio album
"Subtle As A Flying Mallet" – released April 1975 in the UK on
Rockfield RRL 101 (reissued April 1978 on RCA PL 25129) and in the USA on RCA
13. Some Other Guy – non-album B-side (see 4
14. When Will I Be Loved
15. Make Me Good
16. You Kept Me Waiting
17. C'mon Little Dixie
18. Need A Shot Of Rhythm & Blues
19. Da Doo Ron Ron (by Dave Edmunds & The
20. Pick Axe Rag (by Dave Edmunds & Mickey
Gee) – non-album B-side (see 2 below)
Tracks 14 to 19 are from the November 1974 UK
2LP set "Stardust – 44 Original Hits From The Sound Track Of The
Film" on Ronco Records RG 2009 and are exclusive to that double-album.
The 12-track album consisted of 11 cover
versions and one original by NICK LOWE then with BRINSLEY SCHWARZ ("She's My
Baby"). Two of the tracks were recorded live in front of a Welsh audience
at the Top Rank Club in Cardiff with Brinsley Schwarz as the backing band –
covers of Chuck Berry's "No Money Down" and "Let It Rock".
"I Ain’t Never" has Nick Lowe on Bass and Pick Withers on Drums
(later the drummer with Dire Straits). "She's My Baby" features Nick
Lowe and Bob Andrews of Brinsley Schwarz on Bass and Piano respectively.
Edmunds produced the LP at Rockfield Studios in Monmouth, Wales and all other
tracks feature him playing every instrument. The album famously featured
productions that deliberately aped the dense Phil Spector Wall-Of-Sound
recordings of the Sixties on his Philles label. SINGLES: "Subtle..." also saw
four singles issued around it and this Expanded CD Remaster on RPM will allow
fans to sequence them all as follows ( = Track 1 on the CD etc)...
1. Baby I Love You  b/w Maybe 
Released December 1972 in the UK on Rockfield
Released 1973 in the USA On RCA Victor 74-0882
Notes: the A-side is a cover of the 1963
Ronettes hit on Philles, the B-side is a cover of the 1957 Chantels hit on End
2. Born To Be With You  b/w Pick Axe Rag
Released May 1973 in the UK on Rockfield ROC 2
Released 1973 in the USA on RCA Victor
Notes: the A-side is a Chordettes cover version
that features a Harmonica solo 'probably' by Lee Brilleaux of Dr. Feelgood. The
non-album B-side "Pick Axe Rag" is credited to Dave Edmunds &
Mickey Gee - Gee was the second guitarist in Love Sculpture for the "Forms
And Feelings" album and also played in Joe Cocker's Grease Band prior to
3. Need A Shot Of Rhythm And Blues  b/w Let
It Be Me 
Released September 1974 in the UK on Rockfield
Released 1974 in the USA on RCA Victor PB-10118
Notes: the A-side is an Arthur Alexander cover
version. The album track is listed as "Shot Of Rhythm And Blues" but
for some reason the words "Need A..." were added for the single (no
one seems to know why). The mix of the song on the "Stardust" double-album
soundtrack is an 'Alternate Version' and differs to and LP/45 cut. The B-side
"Let It Be Me" is a cover of The Everly Brothers 1959 hit on Cadence.
4. I Ain't Never  b/w Some Other Guy 
Released February 1975 in the UK on Rockfield
ROC 6 [no USA release]
Notes: the A-side is a cover of Webb Pierce’s
1959 hit on Decca while the non-album B-side "Some Other Guy" is a
cover of a Jerry Lieber & Mike Stoller song done by Richie Barrett on Atlantic
Records in 1962.
The 16-page booklet features liner notes by
ROGER DOPSON with new Dave Edmunds interviews about the album crossing
recording paths with the David Essex film soundtrack "Stardust" (as
well as appearing in the movie himself - DE also got the band Brinsley Schwarz
a part in it). There are photos of UK Rockfield labels, trade adverts and Euro
picture sleeves of "Baby I Love You" and "Born To Be With
You" as well as track-by-track credits. The remaster from original tapes
has been done by SIMON MURPHY at Another Planet Music and given the density of
the recordings – he’s done a stunning job. I love the way that this CD sounds –
Murphy has lost none of that Retro Rock 'n' Roll feel that Edmunds so adores –
it drips from every cleverly chosen song. In fact you could argue when you hear
the live takes of "No Money Down" and "Let It Rock" –
perhaps it would have been simpler and even more effective to simply record the
lot live – and get that 'real' feel the music so needs.
As fans will know – Edmunds feels the whole
Spector-in-the-studio sound he obsessed over only half works and even in some
cases is a downright mistake (an experiment that didn’t work). Personally I
like what he was trying to get in the echoed and dreamy "Let It Be Me"
– a fabulous cover of a gorgeous Everly Brothers song. Even "Billy The Kid" (the odd-man-out here stylewise) rocks in its own weird way. It's a
Traditional song Ry Cooder first threw at us in 1972 on his "Into The
Purple Valley" LP on Reprise Records. Edmunds apes Cooder's Cajun
Americana style of picking – but it also works because the song isn’t that familiar
to anyone and breaks up the Fifties R'n'R feel of the rest of the record. I
love it that Lee Brilleaux of Dr. Feelgood is 'probably' the Harmonica player
on his cover of "Born To Be With You" (its his trademark warble) and
you can 'so' hear Nick Lowe's languid vocal style in "She's My Baby".
Another fave is the Arthur Alexander cover "Shot Of Rhythm And Blues"
and a great stab at Webb Pierce's "I Ain't Never".
Amongst the Bonus Stuff both the non-LP B-sides
are worthy inclusions – the fast-paced almost Country picking instrumental
"Pick Axe Rag" is a curio for sure but it’s a cool one. I have the
Richie Barrett original of "Some Other Guy" on Atlantic Records from my
2006 Ace CD "Lieber & Stoller Story Vol.2..." – but again – a
smart choice by Edmunds that suits his love affair with Rock 'n' Roll leanings
and is a criminally forgotten sing-a-long gem of the genre. The
"Stardust" tracks are a brilliant inclusion what with the double-LP
languishing in CD limbo. Edmunds was commissioned by film producer David
Puttnam to do nine songs for the film - both "Let It Rock" and
"Shot Of Rhythm And Blues" from the album are on their but the other
six presented here make their CD debut to my knowledge. "When Will I Be
Loved" has always been an Everly Brothers bopping winner and Edmunds
wisely doesn't mess with that original dynamic. "Make Me Good" and
"You Kept Me Waiting" (written by the trio of Peter Anders, Paul
Naumann and Kenneth Laguna) sound like typical Edmunds layered-vocal fare. The
Orleans R'n'B boogie of "C'mon Little Dixie" is a winner (penned by
Gerry Goffin and Barry Goldberg) too...
A fab little reissue of "Subtle As A
Flying Mallet" and a long overdue reassessment that I hope will make
people sit up and take notice. Now if only someone would expand CDs of his Swan
Song albums – I’d be hammering on about those too...