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Showing posts with label Cherry Red Records. Show all posts
Showing posts with label Cherry Red Records. Show all posts

Saturday 9 March 2019

DOCTOR BIRD Records of the UK - CD REISSUE LABEL'S DISCOGRAPHY (Alphabetical and Numerical for 2017 to 2019) - A List by Mark Barry...









ALPHABETICAL and NUMERICAL ORDER Discography
For DOCTOR BIRD Records of the UK (2017 to 2019)
CD Reissues covering TROJAN RECORDS and its array of subsidiary labels...
Trojan Records original releases from 1967 to 2019
All CDs feature new ANDY PEARCE Remasters and
TONY ROUNCE and/or LAURENCE CANE-HONEYSETT Liner Notes

ALPHABETICAL ORDER Discography
2017 and 2018 DOCTOR BIRD CD Reissues for Trojan etc.

1. BOB ANDY and MARCIA GRIFFITHS - Young, Gifted And Black/Pied Pier 
(May 2018, Doctor Bird DBCD-014 - Barcode 5013929271432)
Features two albums from 1970 and 1971 - both albums in full

2. ERROL BROWN/THE REVOLUTIONAIRES – Dubb Everlasting/Dub Expression
(November 2017, Doctor Bird DBCD-07 – Barcode 5013929270732)
Features two 1977 and 1978 High Note LPs remastered onto 1CD

3. DAVE and ANSEL COLLINS – Double Barrel 
(June 2018 Expanded CD, Doctor Bird DBCD-016 - Barcode 5013929271630)
Features popular 1971 12-Track LP originally on Trojan plus 15 Bonus Tracks 

4. DESMOND DECKER and THE ACES – Action!/Intensified 
(August 2018 2CD Set, Doctor Bird DBCD-025 – Barcode 5013929272538)

5. DESMOND DEKKER – You Can Get It If You Really Want 
(September 2018 Expanded CD, Doctor Bird DBCD-015 - Barcode 5013929271531)

6. DESMOND DEKKER – Double Dekker 
(November 2018, Doctor Bird DBCD-018 – Barcode 5013929271838)
Features 1973 UK 2LP set on Trojan Records Plus A Bonus Track onto 1CD 

7. PHYLLIS DILLON – One Life To Live 
(September 2018, Doctor Bird DBCD-021 – Barcode 5013929272132)

8. ETHIOPIANS – Reggae Power/Woman Capture Man 
(January 2018, Doctor Bird DBCD-10 – Barcode 5013929271036)

9. MARCIA GRIFFITHS – Naturally/Steppin’ 
(August 2017, Doctor Bird DBCD-002 – Barcode 5013929270237)
Features two 1978 and 1979 albums remastered onto 1CD

10. DERRICK HARRIOTT and THE CRYSTALITES – Psychedelic Train
(October 2017 Expanded CD, Doctor Bird DBCD-05 – Barcode 5013929270534)

11. HARRY J. ALL STARS - Liquidator
(June 2008 Expanded CD, Doctor Bird DBCD-012 - Barcode 5013929271234)

12. JUSTIN HINDS and THE DOMINOES – From Jamaica With Reggae
(February 2018 Expanded CD, Doctor Bird DBCD-09 – Barcode 5013929270930)

13. THE KINGSTONIANS – Sufferer 
(September 2017 Expanded CD, Doctor Bird DBCD-03 – Barcode 5013929270336)

14. THE MAYTALS – Monkey Man/From The Roots 
(July 2018, Doctor Bird DBCD-017 – Barcode 5013929271739)
Features two albums from 1969 and 1973 on Trojan remastered onto 1CD with 3 Bonuses

15. THE PIONEERS – Long Shot/Battle Of The Giants 
(September 2018, Doctor Bird DBCD-019 – Barcode 5013929271937)

16. THE UNIQUES - Absolutely The...Uniques 
(January 2018, Doctor Bird DBCD-011 - Barcode 5013929271135)

17. THE UPSETTERS – The Upsetter/Scratch The Upsetter Again 
(October 2018, Doctor Bird DBCD-022 – Barcode 5013929272231)

18. THE UPSETTERS – Return Of Django/Eastwood Rides Again 
(May 2018, Doctor Bird DBCD-013 - Barcode 5013929271333)

19. VARIOUS – Dancing Down Orange Street [Trojan 1969 LP] 
(September 2017 Expanded CD, Doctor Bird DBCD-04 – Barcode 5013929270435)

20. VARIOUS – Gay Feet, Every Night 
(October 2017 Expanded CD, Doctor Bird DBCD-06 – Barcode 5013929270633)

21. VARIOUS – Greater Jamaica Moonwalk Reggae/Reggay At Its Best 
(October 2018 2CD Set, Doctor Bird DBCDD-030 – Barcode 5013929273030)

22. VARIOUS – Hot Shots Of Reggae 
(November 2017 Expanded CD, Doctor Bird DBCD-08 – Barcode 5013929270831)

23. VARIOUS – King Size Reggae 
(November 2018, Doctor Bird DBCD-026 – Barcode 5013929272637)

24. VARIOUS – No More Heartaches/What Am I To Do? 
(August 2017, Doctor Bird DBCD-01 – Barcode 5013929270138)
Features 2LPs from 1969 and 1970 remastered onto 1CD

25. VARIOUS [Duke Reid/Treasure Isle] – Soul Of Jamaica/Here Comes The Duke 
(August 2018 2CD Set, Doctor Bird DBCDD-024 – Barcode 5013929272439)

ALPHABETICAL ORDER Discography
2019 DOCTOR BIRD CD Reissues for Trojan etc.

1. ROLAND ALPHONSO & THE ORIGINAL ORCHESTRA – ABC Rock Steady (April 2019 Expanded 2CD Set with 43 Bonus Tracks, Doctor Bird DBCDD-023 – Barcode 5013929272330)

2. DENNIS BROWN – Just Dennis/Deep Down (April 2019 2CD Expanded Set, Doctor Bird DBCDD-027 – Barcode 5013929272736)

3. CLINT EASTWOOD and LEE ‘SCRATCH’ PERRY & THE UPSETTERS – Clint Eastwood/Many Moods Of The Upsetters (April 2019 2CD Expanded Set, Doctor Bird DBCDD-034 – Barcode 5013929273436)

4. JOHN HOLT – Like A Bolt (January 2019 Expanded CD, Doctor Bird DBCD-029 – Barcode 5013929272934)

5. DERRICK MORGAN – Moon Hop/Derrick Morgan In London (April 2019 Expanded 2CD Set, Doctor Bird DBCDD-032 – Barcode 5013929273238)
For Lee 'Scratch' Perry – see Clint Eastwood and...

6. VARIOUS – The Down Town Albums Collection [Down Town Label] (February 2019 2CD Set, Doctor Bird Records DBCDD-020 - Barcode 5013929272033)

7. VARIOUS – Greatest Jamaican Beat... (March 2019 2CD Set, Doctor Bird DBCDD-033 – Barcode 5013929273337)

8. VARIOUS – The Treasure Isle Ska Albums Collection (January 2019 2CD Set [4LPs and more], Doctor Bird DBCDD-031 – Barcode 5013929273139)

NUMERICAL ORDER
Discography for Doctor Bird Records of the UK (2017 to 2019)
(Part of Cherry Red)

DBCD-01 – VARIOUS – No More Heartaches/What Am I To Do? [2LPs from 1969 and 1970 onto 1CD] (August 2017, Doctor Bird DBCD-01 – Barcode 5013929270138)

DBCD-002 – MARCIA GRIFFITHS – Naturally/Steppin’ [1978 and 1979 2LPs on 1CD] (August 2017 CD, Doctor Bird DBCD-002 – Barcode 5013929270237)

DBCD-03 - THE KINGSTONIANS – Sufferer (September 2017 Expanded CD, Doctor Bird DBCD-03 – Barcode 5013929270336)

DBCD-04 - VARIOUS – Dancing Down Orange Street [Trojan 1969 LP] (September 2017 Expanded CD, Doctor Bird DBCD-04 – Barcode 5013929270435)

DBCD-05 - DERRICK HARRIOTT & THE CRYSTALITES – Psychedelic Train (October 2017 CD, Doctor Bird DBCD-05 – Barcode 5013929270534)

DBCD-06 - VARIOUS – Gay Feet, Every Night (October 2017 Expanded CD, Doctor Bird DBCD-06 – Barcode 5013929270633)

DBCD-07 – ERROL BROWN/THE REVOLUTIONAIRES – Dubb Everlasting/Dub Expression [1977 and 1978 High Note 2LPs on 1CD] (November 2017, Doctor Bird DBCD-07 – Barcode 5013929270732)

DBCD-08 - VARIOUS – Hot Shots Of Reggae (November 2017 Expanded CD, Doctor Bird DBCD-08 – Barcode 5013929270831)

DBCD-09 - JUSTIN HINDS & THE DOMINOES – From Jamaica With Reggae (February 2018 Expanded CD, Doctor Bird DBCD-09 – Barcode 5013929270930)

DBCD-10 - ETHIOPIANS – Reggae Power/Woman Capture Man (January 2018, Doctor Bird DBCD-10 – Barcode 5013929271036)

DBCD-011 - THE UNIQUES - Absolutely The...Uniques (January 2018, Doctor Bird DBCD-011 - Barcode 5013929271135)

DBCD-012 - HARRY J. ALL STARS - Liquidator (June 2008 Expanded CD, Doctor Bird DBCD-012 - Barcode 5013929271234)

DBCD-013 - THE UPSETTERS – Return Of Django/Eastwood Rides Again (May 2018, Doctor Bird DBCD-013 - Barcode 5013929271333)

DBCD-014 - BOB & MARCIA - Young, Gifted And Black/Pied Pier (May 2018, Doctor Bird DBCD-014 - Barcode 5013929271432)

DBCD-015 - DESMOND DEKKER – You Can Get It If You Really Want (September 2018, Doctor Bird DBCD-015 - Barcode 5013929271531)

DBCD-016 - DAVE & ANSEL COLLINS – Double Barrel (June 2018, Doctor Bird DBCD-016 - Barcode 5013929271630)

DBCD-017 - THE MAYTALS – Monkey Man/From The Roots [2LPs on 1CD] (July 2018, Doctor Bird DBCD-017 – Barcode 5013929271739)

DBCD-018 - DESMOND DEKKER – Double Dekker (November 2013, Doctor Bird DBCD-018 – Barcode 5013929271838)

DBCD-019 - THE PIONEERS – Long Shot/Battle Of The Giants (September 2018, Doctor Bird DBCD-019 – Barcode 5013929271937)

DBCDD-020 - VARIOUS – The Down Town Albums Collection [Down Town Label] (February 2019 2CD Set, Doctor Bird Records DBCDD-020 - Barcode 5013929272033)

DBCD-021 - PHYLLIS DILLON – One Life To Live (September 2018, Doctor Bird DBCD-021 – Barcode 5013929272132)

DBCD-022 - THE UPSETTERS – The Upsetter/Scratch The Upsetter Again (October 2018, Doctor Bird DBCD-022 – Barcode 5013929272231)

DBCDD-023 - ROLAND ALPHONSO & THE ORIGINAL ORCHESTRA – ABC Rock Steady (April 2019 Expanded 2CD Set with 43 Bonus Tracks, Doctor Bird DBCDD-023 – Barcode 5013929272330)

DBCDD-024 - VARIOUS [Duke Reid and Treasure Isle Productions] – Soul Of Jamaica/Here Comes The Duke (August 2018 2CD Set, Doctor Bird DBCDD-024 – Barcode 5013929272439)

DBCD-025 - DESMOND DECKER & THE ACES – Action!/Intensified (August 2018 2CD Set, Doctor Bird DBCD-025 – Barcode 5013929272538)

DBCD-026 - VARIOUS – King Size Reggae (November 2018, Doctor Bird DBCD-026 – Barcode 5013929272637)

DBCDD-027 - DENNIS BROWN – Just Dennis/Deep Down (April 2019 2CD Expanded Set, Doctor Bird DBCDD-027 – Barcode 5013929272736)

DBCD-029 - JOHN HOLT – Like A Bolt (January 2019 Expanded CD, Doctor Bird DBCD-029 – Barcode 5013929272934)

DBCDD-030 - VARIOUS – Greater Jamaica Moonwalk Reggae/Reggay At Its Best (October 2018 2CD Set, Doctor Bird DBCDD-030 – Barcode 5013929273030)

DBCDD-031 - VARIOUS – The Treasure Isle Ska Albums Collection (January 2019 2CD Set [4LPs and more], Doctor Bird DBCDD-031 – Barcode 5013929273139)

DBCDD-032 - DERRICK MORGAN – Moon Hop/Derrick Morgan In London (April 2019 Expanded 2CD Set, Doctor Bird DBCDD-032 – Barcode 5013929273238)

DBCDD-033 - VARIOUS – Greatest Jamaican Beat... (March 2019 2CD Set, Doctor Bird DBCDD-033 – Barcode 5013929273337)

DBCDD-034 - CLINT EASTWOOD and LEE 'SCRATCH' PERRY & THE UPSETTERS – Clint Eastwood/Many Moods Of The Upsetters (April 2019 2CD Expanded Set, Doctor Bird DBCDD-034 – Barcode 5013929273436)

Wednesday 15 August 2018

"So Who The Hell Is STACK WADDY? The Complete Works 1970-1972" (November 2017 Cherry Red 3CD Reissue with 2007 Remasters) - A Review by Mark Barry...







This Review Along With Almost 300 Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites
1960s and 1970s MUSIC ON CD - Volume 3 of 3
- Exceptional CD Remasters
As well as 1960s and 1970s Rock and Pop - It Also Focuses On
Blues Rock, Prog Rock, Psych, Avant Garde, Underground
Folk-Rock, Singer-Songwriter, Country Rock and more
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs
(No Cut and Paste Crap)



"...The Meat Pies Are Here..."

Talk about yer British underdog unknowns. I was the Rarities Manager at Reckless Records in Soho for nearly 20 years and Stack Waddy albums on John Peel's Dandelion Records we're not as they say in used-record parlance - growing on the ample side of your Aunty Godzilla's posterior.

Listed in the 2018 Edition of the Record Collector Rare Record Price Guide at £175 each - these grotty slices of early Seventies boogie hedonism must have sold absolute jack at the time (with some diddly squat thrown in for good measure). In fact I’d say I've seen actual physical copies of their February 1971 and October 1972 LPs maybe three times over four decades of collecting and listening. I suppose the egg 'n' greasy chips Ten Years After boogie of Manchester's Stack Waddy just didn't blend in with 1971 and 1972 - years dominated by sensitive singer-songwriters, horizon-expanding Prog Rock and eventually the speckled face-glitter, lip-gloss and boa-scarf prancing of androgynous Glam Rockers.

It didn't help either that with only two original songs on the debut and three on the follow-up (all others were R&B and Blues standards) and their almost deliberate grimy, lo-fi production values courtesy of big fan British DJ John Peel - Stack Waddy felt like little more than a glorified covers band. On the plus side – lead singer, harmonica player and whistling shouter John Knail had a voice that was literally channelling Captain Beefheart's vocal growl on every song - whilst guitarist Mick Stott went Bo Diddley on his undoubtedly physically traumatised guitar. Not a bad combo says you - and you'd be right - at times these low down, dirty, gutbucket versions are like Budgie's no-nonsense aural assault - get in, do the gritty business and leave. But then at other times they simply sound derivative – uninspired and if they extend three-minute wonders to something more drawn out - overstay their welcome entirely. The overall listen is a bit of both, truth be told. To specifics…

This is not the first time for Cherry Red Records and Stack Waddy – CR reissued both albums onto Remastered 'Expanded Edition' CDs back in July 2007 with 9 Bonus Tracks on the debut and 5 on the second. All 14 of those then Previously Unreleased versions have been gathered onto Disc 3 here in 2017. So although there’s technically nothing new here - Cherry Red's slimly packaged triple-disc card pack does offer up a very cool reminder – once more making available genuinely desirable 70ts platters whilst throwing Rarities, Out-Takes and BBC Concert Recordings into the sozzled bargain. Here are the Repossession Blues and Milk Cow Booze...

UK released 17 November 2017 - "So Who The Hell Is STACK WADDY? The Complete Works 1970-1972" by STACK WADDY on Cherry Red Records CDTRED 713 (Barcode 5013929171336) is a 3CD retrospective featuring their two studio albums "Stack Waddy" (1971) and "Bugger Off" (1972) along with Bonus Rarities and plays out as follows:

Disc 1 "Stack Waddy" (35:49 minutes):
1. Road Runner [Side 1]
2. Bring It To Jerome
3. Mothballs
4. Sure 'Nuff 'N' Yes I Do
5. Love Story
6. Susie Q [Side 2]
7. Country Line Special
8. Rollin' Stone
9. Mystic Eyes
10. Kentucky
Tracks 1 to 10 are their debut album "Stack Waddy" - released February 1971 in the UK on Dandelion Records DAN 8003 (no US issue). Produced by JOHN and SHEILA PEEL (credited at Eddie Lee Beppeaux and Miss Pig) - it didn't chart. All tracks are cover versions except "Mothballs" and "Kentucky" which are band compositions

Disc 2 "Bugger Off" (44:04 minutes):
1. Rosalyn [Side 1]
2. Willie The Pimp
3. I'm Your Hoochie Coochie Man
4. It's All Over Now
5. Several Yards (Foxtrot)
6. You Really Got Me
7. I'm A Lover, Not A Fighter [Side 2]
8. Meat Pies 'Ave Come But The Band's Not Here Yet!
9. It Ain't Easy
10. Long Tall Sally (Mainly)
11. Repossession Boogie
12. The Girl From Ipanema
Tracks 1 to 12 are their second and last studio album "Bugger Off" ("Bugger Off! on the artwork, "Bugger Off" on the label) - released October 1972 in the UK on Dandelion Records 2310 231 (no US issue).

Disc 3 "Hunt The Stag - Outtakes, Live and Rarities" (62:39 minutes):
1. With One Leap Dan Was By Her Side, 'Muriel' He Breathed
2. Ginny Jo
3. Hunt The Stag
4. Mystic Eyes (Alternative Version)
5. (Almost) Milk Cow Booze
6. Leavin' Here
7. I'm A Lover, Not A Fighter
8. Here Comes The Glimmer Man
9. Nadine
Tracks 1 to 9 first appeared as Previously Unreleased Bonus Tracks on the July 2007 'Expanded Edition' CD Reissue of "Stack Waddy" on Cherry Red CD MRED 318 (Barcode 5013929131828). Tracks 1 and 2 above recorded November 1970 at the Marquee Studios for an aborted 2nd album - Tracks 3 to 10 recorded May 1971 for the same

10. Mama Keep Your Big Mouth Shut (Live At The BBC, 1971)
11. Repossession Blues (Live At The BBC, 1971)
12. Lawdy Miss Clawdy...Meets Sooty 'N Sweep (Live At The BBC, 1971)
13. Jack & Jill Meet Blind Pugh On The Spot (Live At The BBC, 1971)
14. Mama Keep Your Big Mouth Shut
Tracks 10 to 14 first appeared as Previously Unreleased Bonus Tracks on the July 2007 'Expanded Edition' CD Reissue of "Bugger Off" on Cherry Red CD MRED 331 (Barcode 5013929133129). Tracks 10 to 13 recorded liv at The Paris Theatre, 22 July 1971 and broadcast 12 September 1971 by the BBC. Track 14 is a studio version of "Mama Keep Your Big Mouth Shut" that first appeared as an exclusive track on the 1972 Dandelion Records Sampler LP "There Is Some Fun Going Forward" on Dandelion 2485 021

STACK WADDY was:
JOHN KNAIL – Lead Vocals, Shouts, Whistles and Harmonica
MICK STOTT – Guitars
STUART BANHAM – Bass
STEVE REVELL - Drums on "Stack Waddy"
JOHN GROOM – Drums on "Bugger Off"

The slim outer card slipcase houses three singular card repro sleeves (as listed above) and a well laid-out, expertly annotated 20-page booklet with new September 2017 liner notes from NIGEL CROSS. Each of the single card sleeves (no gatefold for the debut unfortunately) contains a CD with the three variants of the Dandelion Records label - the two CBS-distributed colours and the Polydor-distributed variant for the 3rd. The booklet's a feast of memorabilia photos - colour snaps of the four-piece in (drunken) full flow, UK label repo's of the rare 45s for "Road Runner" and "You Really Got Me" along with a unique Euro pic sleeve on Polydor for "You Really Got Me" featuring the cover of Zappa's "Willie The Pimp" on the flipside. There's Dandelion Records headed letters announcing the debut 45 of "Road Runner" for July 1970 with the album supposed to arrive in September 1970 (it was delayed until February 1971) and even a poster of the 'Progressive Blues Festival' at the Pavilion Gardens in Buxton, Derby where DJ shaker and maker John Peel saw, loved and signed the band. Peel’s liner notes for the second LP are here as is John Tobler’s article for the underground Zig Zag magazine reviewing the 2nd album in October 1972. The band’s Bassist Stuart Banham also contributes reminiscences.

There is no mention anywhere of mastering so I'm presuming these are the 2007 versions (no engineers named). These LPs were always lo-fi and that's reflected in the Remaster - but the recordings are still punchy and well done with Disc 3 offering up a tantalising prospect of what Stack Waddy might have been had they had more time to crack the markets or perhaps even just used live shows as their released LPs.

Overall - you can't help thinking that much like Humble Pie who would have to wait until November 1971’s "Performance: Rockin' The Fillmore" to unleash their explosive brew on a stunned world (a full four studio albums since 1969 behind them on two different labels) - Stack Waddy must have been an awesome thing on a good night in the live environment. But even die-hard fans of Blues Boogie and Hard Rock would have to admit that both LPs seem ever so slightly muted in terms of sheer excitement – something lost in translation.

The self-titled debut opens with the album's one and only single "Road Runner" - a cover of the Bo Diddley (Eugene McDaniels) classic paired with "Kentucky" on the B-side - one of only two band originals on the album (penned by all four). Dandelion S 5119 was UK issued 24 July 1970 but received little airplay and reputedly had distribution problems because of a change over from CBS to Warner Brothers. Up next came another Diddley Daddy connection - the Jerome Green song "Bring It To Jerome" which had been covered by Diddley on his 1958 Chess Records debut album "Bo Diddley". What strikes you about the opening duel salvo is two things - Knail's rasping almost hysterical Beefheart kind of voice and the raw nature of the band's performance as loosely captured by Peel. Stack Waddy reminded you of booze and bars and bands playing with cheap equipment rammed up too loud. Their cover of Jethro Tull's "Love Story" is a clever take on a familiar song, the same for the Cyril Davis shuffler "Country Line Special" - but their decidedly ordinary version of "Susie Q" was done better by Creedence over on Liberty Records (originally a hit for Dale Hawkins). And in a song that should have been bread and butter to the band - their Muddy Waters "Rolling Stone" version is oddly unappetising for such a bulletproof standard. The day is saved by Van Morrison's Them and their "Mystic Eyes" - here turned into a six-minute droning guitar-blaster the Belfast band would have been utterly bemused by. Stack Waddy's debut album ends on "Mothballs" – the album's other original - a sort of second rate Chuck Berry knockoff that's good rather than great and has some really naff production.

While the debut could lay claim to a sheer passion that still reverberates to this day – the band should have seen the writing on the wall. Without their own tunes and an audience for that crash-bang-wallop Stack Waddy sound – LP number two would be the end of them – and it was. Peel rejected the aborted ‘Marquee Studio’ sessions for the second platter as 'too polished' and we can hear them on Disc 3 (he actually had a point). But despite its derivative and slightly desperate title ("Bugger Off! for God's sake) – their second slice of re-booted covers and three originals is far better in my mind that the debut.

For sure a band doing "The Girl From Ipanema" or "Long Tall Sally" in 1972 was already very old hat - Sha Na Na territory – even if Stack Waddy make a convincing and original-sounding stab at both. But the covers of Zappa's "Willie The Pimp" and The Kinks incendiary "You Really Got Me" shine here as does the incredibly Punky opener "Rosalyn" where Stack Waddy feel like The Stooges had a baby with The New York Dolls. There's a wonderful down-home boogie to the Bobby Womack standard "It's All Over Now" (made more famous by The Stones and Rod Stewart) and I can't help thinking it could have been a shoe-in for a second single but by the album’s release Dandelion Records had run out of money and the band run out of love and stamina. Not that it shows on the LP. Their own "Several Yards (Foxtrot)" is pure dirty Rock - grungy guitar over on the left - wailing Harmonica on the right with Knail giving it some "I'm Gonna Booglarize You Baby" growls. A fantastic screw-it-all boogie and chug takes "Meat Pies..." close to Ten Years After at their dirty best (another good original from the band). The vocals are all over the place on "It Ain't Easy" (like Lee Brilleaux of the Feelgoods doing a rough demo) - another messy little boogie beast that feels like fun even now (think Status Quo circa "In My Chair" with Harmonicas). Five and half minutes of their own "Repossession Boogie" shows just how 'Ten Years After' Stack Waddy were – a fantastic little rocker that mixes in Bluesy let-that-boy-boogie-woogie lyrics with huge power chords and frantic Harp – the band on fire as they my-mama-told-me that sucker.

The first nine tracks of Disc 3 are the guts of the aborted second LP and as good as the 'when did you blow in' "Ginny Jo" is - both it (a Ten Years After vibe), the pained "(Almost) Milk Cow Booze" and the stodgy "Hunt The Stag" (a sort of poor man's Black Sabbath) are weak - so it was a smart decision to go with what was released. Their 3:45 minute take on Chuck Berry's "Nadine" sounds like Stack Waddy have just become an embryonic Dr. Feelgood - great fun. Another welcome inclusion for heavy-heavy 70ts nuts is the very grungy studio version of "Mama Keep Your Big Mouth Shut" that turned up as an exclusive on the Dandelion Records LP sampler "There Is Some Fun In Going Forward" - the kind of snarling beast that would get some bands bottled.

STACK WADDY will not be for everyone and that's for damn sure - but those who love their Rock with a nasty, lowdown snarl should look no further...

INDEX - Entries and Artist Posts in Alphabetical Order