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Showing posts with label Edsel Records. Show all posts
Showing posts with label Edsel Records. Show all posts

Monday 25 November 2019

"Inside The Glass House/Thanks I Needed That" by THE GLASS HOUSE – US Albums from 1971 and 1972 on Invictus Records Plus Singles (March 2010 Edsel 2CD Reissue and Remasters) - A Review by Mark Barry...




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HIGHER GROUND
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Exceptional CD Reissues and Remasters  
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"…Just As Long As You And I Are Together…”

This superlative mid-priced set gathers together two very rare albums by US soul group THE GLASS HOUSE issued on Holland-Dozier-Holland's "Invictus Records" label in 1971 and 1972. 

Unlike the more commercially successful Chairmen Of The Board, Freda Payne, The 8th Day, General Johnson and so on - The Glass House never received British releases for either of their albums - so this twofer CD sert from England's Edsel Records is a wee bit of a HDH /Soulful treat. The 6 bonus tracks (non-album single sides) are just icing on an already very tasty cake. And the remastered sound quality is fabulous too. Here are the shattering details...

Released March 2010 in the UK as a 2CD set - "Inside The Glass House/Thanks I Needed That...Plus" by THE GLASS HOUSE on Edsel EDSD 2057 (Barcode 740155205737) offers Two Seventies US Albums on Invictus Records Remastered onto 2CDs with Five Bonus Tracks that plays out as follows:

Disc 1 (38:25 minutes):
1. Look What We've Done To Love
2. You Ain't Livin' Unless You're Lovin'
3. I Surrendered
4. Hey There Lonely Girl
5. If It Ain't Love (It Don't Matter)
6. Hotel
7. Touch Me Jesus
8. Heaven Is There To Guide Us
9. Crumbs Off The Table
Tracks 1 to 9 are their debut US album "Inside The Glass House" issued June 1971 on Invictus Records ST-7305 (no UK release)

BONUS TRACKS (10 to 12 are single sides - see below):
10. He's In My Life
11. Bad Bill Of Goods
12. I Can't Be You (You Can't Be Me)

Disc 2 (46:37 minutes):
1. V.I.P.
2. A House Is Not A Home
3. I Don't See Me In Your Eyes Anymore
4. Horse And Rider
5. The Man I'll Never Have
6. Thanks I Needed That
7. Giving Up The Ring
8. Don't Let It Rain On Me
9. Stealing Moments From Another Woman's Life
10. Let It Flow
11. Don't Go Looking For Something (You Don't Want To See)
Tracks 1 to 11 are their second and last US album "Thanks I Needed That" issued October 1972 on Invictus ST-9810 (no UK release)

BONUS TRACKS (12 to 14 are single sides - see lists below)
12. Playing Games
13. It Ain't The World (It's The People In It)
14. Let It Flow (Single Version)

Using the album cuts and the six bonus tracks across the 2CDs - you can sequence their entire US 7" singles output as follows...

1. "Crumbs Off The Table" b/w "Bad Bill Of Goods", Invictus IS 9071, September 1969 (B-side is non-album)
2. "I Can't Be You (You Can't Be Me)" b/w "He's In My Life", Invictus IS 9076, June 1970 (both tracks are non-album)
3. "Stealing Moments From Another Woman's Life" b/w "If It Ain't Love (It Don't Matter)", 1971, Invictus IS 9082
4. "Touch Me Jesus" b/w "If It Ain't Love (It Don't Matter)", June 1971, Invictus IS 9090
5. "Look What We've Done To Love" b/w "Heaven Is There To Guide Us", September 1971, Invictus IS 9097
6. "Playing Games" b/w "Let It Flow", January 1972, Invictus IS 9111 (Note: the B-side is Track 14 on Disc 2 - the "Single Version" - track 12 is the "Album" version)
7. "V.I.P." b/w "It Ain't The World (It's The People In It)", a solo single credited to SCHERRIE PAYNE, 1972, Invictus IS 9114 (B-side is non-album)
8. "Giving Up The Ring" b/w "Let It Flow", 1972, Invictus IS 9118 (Note: 2nd issue of the "Single Version" of "Let It Flow")
9. "Thanks I Needed That" b/w "I Don't See Me In Your Eyes Anymore", October 1972, Invictus IS 9129

Remastered by PETER RYNSTON at TALL ORDER, the sound quality is blisteringly good - alive and jumping out of your speakers with no real compression. The 20-page booklet has very detailed liner notes by soul expert TONY ROUNCE who also provides photos of those rare 7" singles - it's brilliantly informative and researched with both affection and care (his top class work features on most of Edsel's soul releases).

The Glass House had two uniquely great lead singers, Tyrone "Ty" Hunter and Scherrie Payne (sister of Freda Payne and later a member of The Supremes) who often shared duet vocals. The music is catchy H-D-H soul, bright, poppy and aimed squarely at the charts and your feet. Highlights are many as one infectious tune follows another - the lovely "If It Ain't Love (It Don't Matter)" is typical - misery in an upbeat way (lyrics above). Even the religious message songs are excellent especially "Heaven Is There To Guide Us" which sounds not unlike The Chi-Lites at their best.

It's an embarrassment of Soul riches really - Edsel are to be praised for releasing it and presenting it in such a top way. Ace stuff and heartily recommended...

"Wake Up Everybody" HAROLD MELVIN & THE BLUE NOTES - Fourth Studio Album from 1975 (USA) and 1976 (UK) on Philadelphia International Records (April 2010 Edsel 'Expanded Edition' CD Reissue – Tall Order Remaster) - A Review by Mark Barry...


 


This Review Along With Over 300 Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
HIGHER GROUND
SOUL, FUNK and JAZZ FUSION 
Exceptional CD Reissues and Remasters  
Just Click Below To Purchase for £6.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


"...You Know How To Make Me Feel So Good..."

A very clever CD reissue by Britain’s Edsel Records – the hugely popular "Wake Up Everybody" album from those Seventies Soul champs - Harold Melvin and The Blue Notes.  Expanded with one bonus remix - here are the dope pusher and teach the children details…

UK released April 2010 – "Wake Up Everybody" by HAROLD MELVIN and THE BLUE NOTES on Edsel EDSM0002 (Barcode 740155000233) is an Expanded Edition CD Reissue and Remaster (One Bonus Track) featuring vocalists Sharon Paige and Teddy Pendergrass that plays out as follows (50:21 minutes):

1. Wake Up Everybody [Side 1]
2. Keep On Lovin’ You
3. You Know How To Make Me Feel So Good
4. Don’t Leave Me This Way [Side 2]
5. Tell The World How I Feel About ‘Cha Baby
6. To Be Free To Be Who You Are
7. I’m Searching For A Love
Tracks 1 to 7 are the album "Wake Up Everybody" released November 1975 on Philadelphia International Records PZ 33808 in the USA and January 1976 on Philadelphia International Records PIR 69193 in the UK. It was their 4th and final studio LP for the famous soul label - and easily their most successful and fondly remembered, reaching the coveted Number 1 spot on the US R'n'B charts that Christmas.

BONUS TRACK:
8. Don't Leave Me This Way (The Tom Moulton Mix) - an 11:02 minutes extended version remixed in 1977

The 20-page booklet provides you with band snaps, lyrics, pictures of the LP label and 7” singles taken off of it as well as superb liner notes by noted soul expert TONY ROUNCE. The CD has been mastered by TALL ORDER of the UK and the sound quality is fantastic – clear and hiss free – it really allows the lush Gamble/Huff MFSB production values to shine.

Philly's ace song-writing team - John Whitehead, Gene McFadden and Victor Carstarphen provided tracks 1, 2, 5 and 6 - while label founders Kenneth Gamble and Leon Huff stumped up writing credits for tracks 3, 4 and 7 and produced the record with their usual lush MFSB arrangements.

The lovely SHARON PAIGE provided duet vocals on "You Know How To Make Me Feel So Good" and "I'm Searching For Love", but it was (Theodore) TEDDY PENDERGRASS who shone with lead vocals on all tracks - especially the huge title track "Wake Up Everybody" (which effectively launched Pendergrass as a solo star).

But for me one of the unheard gems on this album is Track 2 on Side 1, "Keep On Lovin' You" - as brill a Seventies soul tune as you can get (lyrics above). It's so good to hear it with such top sound quality. 

Niggles - both "Tell The World How I Feel About 'Cha Baby" and "Wake Up Everybody" were released as 7" singles with rare edit versions which AREN'T included as bonus tracks here - and I would have preferred those than the rather tiresome extension of the overly familiar "Don't Leave Me This Way". Other than that - this is a superb Philly album - and pitched at a marketplace price that's less than a fiver - it's an absolute steal…

PS: other titles in the series are/will be...
1. Dance Your Troubles Away - ARCHIE BELL and THE DRELLS (1975) [due Summer 2010, Edsel EDSM0006]
2. Philadelphia Freedom - M.F.S.B. (1975) [due Summer 2010, Edsel EDSM0005]
3. When Love Is New - BILLY PAUL (1975) [April 2010, Edsel EDSM0003]
4. Family Reunion...Plus - THE O'JAYS (1975) [April 2010, Edsel EDSM0001]
5. The Three Degrees Live [aka Live In London] (1975) - THE THREE DEGREES (due Summer 2010, Edsel EDSM0004)

Saturday 1 June 2019

"The Studio Album Collection" by JIM CROCE (March 2015 Edsel 7CD Box Set of Remasters) - A Review by Mark Barry...








"...Photographs And Memories..."

South Philly singer-songwriter JIM CROCE was a strange one in Blighty. A massive star in the USA when his first solo album proper "You Don't Mess Around With Jim" hit the racks in May 1972 on ABC Records - within a year and a half he'd had two No. 1 singles and one number one album.

Yet in England (where most of his catalogue was carried by Vertigo Records) - his music meant little and saw bugger all chart action. Even a killer single like "You Don't Mess Around With Jim" with the equally impressive and touching ballad "Photographs And Memories" on the flipside (issued August 1972 on Philips 6000 069 in the UK) did zip despite the incredibly radio-friendly hooky A-side that American DJs sent all the way to the top (and back in the days when those 45 sales figures were huge).

Tragedy struck too. In late September 1973, Croce and other band mates were on their way from Louisiana to a gig in Sherman, Texas when their light aircraft crashed on take off killing all six inside (including the pilot). Croce was only 30 and it was already over. Yet his way with a melody, his raconteur wit and his great lyrical songs stayed with people and saw a Greatest Hits set grab an impressive No. 2 spot on the Stateside Rock LP charts in October 1974 (even then there was still nothing in the UK by way of chart action). And that's where this rather cool little CD Box set comes swaggering in.

UK released 16 March 2015 - "The Studio Album Collection" by JIM CROCE [featuring Ingrid Croce] on Edsel CROCEBOX01 (Barcode 5014797891036) is a 7CD Box Set with Card Repro LP sleeves and Booklet that plays out as follows:

Disc 1 "Facets", 26:39 minutes, 11 Tracks
1. Steel Rail Blues [Side 1]
2. Coal Tattoo
3. Texas Rodeo
4. Charley Green, Play That Slide Trombone
5. The Ballad Of Gunga Din
6. Hard Hearted Hannah (The Vamp From Savannah) [Side 2]
7. Sun Come Up
8. The Blizzard
9. Running Maggie
10. Until It's Time For Me To Go
11. Big Fat Woman
Tracks 1 to 11 are the privately financed and issued "Facets" LP - released August 1966 in the USA on CROCE-101 (No Label), 500 copies only, most sold by JC at gigs

Disc 2 "Jim And Ingrid Too", 17:39 minutes, 7 Tracks
1. Child Of Midnight
2. Marianne
3. Railroads And Riverboats
4. Hard Times Are Over
5. The Railroad Song
6. Maybe Tomorrow
7. Pa (Song For A Grandfather)
Seven Studio Outtakes first issued March 2004 in the USA as Disc 2 in the 2CD Deluxe Edition reissue of "Facets" (Shout! Factory D2K 34724 - Barcode 826663472424). No recording dates or musician credits provided then or now. The recordings are probably 1967 and 1968 and are far better recorded quality than the bootleg feel of the original 1966 privately made "Facets" LP

Disc 3 "Croce" by Jim and Ingrid Croce, 27:23 minutes, 11 Tracks
1. Age [Side 1]
2. Spin, Spin, Spin
3. I Am Who I Am
4. What Do People Do
5. Another Day, Another Town
6. Vespers
7. Big Wheel [Side 2]
8. Just Another Day
9. The Next Man I Marry
10. What The Hell
11. The Man That Is Me
Tracks 1 to 11 are the US LP "Croce" originally issued September 1969 on Capitol ST-315 in Stereo and credited to JIM and INGRID CROCE. It was reissued 1974 in the USA and Canada as "Another Day, Another Town" on Pickwick SPC-3332 in different LP artwork (railway tracks sleeve) with nine rearranged tracks (the two dropped were "The Next Man That I Marry" and "I Am Who I Am"). That 1974 LP variant can be sequenced by using the following CD tracks – Side 1: 5, 6, 7, 4 and 2 / Side 2: 1, 8, 10 and 11. It was reissued yet again by Pickwick with the same catalogue number and nine tracks sometime in 1976 (Pickwick SPC-3332), but again with different artwork (painting/cartoon side profile face sleeve).

Disc 4 "You Don't Mess Around With Jim", 33:12 minutes, 12 Tracks
1. You Don't Mess Around With Jim [Side 1]
2. Tomorrow's Gonna Be A Brighter Day
3. New York's Not My Home
4. Hard Time Losin' Man
5. Photographs And Memories
6. Walkin' Back To Georgia
7. Operator (That's Not The Way It Feels) [Side 2]
8. Time In A Bottle
9. Rapid Roy (The Stock Car Boy)
10. Box No. 10
11. A Long Time Ago
12. Hey Tomorrow
Tracks 1 to 12 are the US LP "You Don't Mess Around With Jim" issued May 1972 in the USA on ABC Records ABCX-756 - July 1972 in the UK on Vertigo Records 6360 700 (peaked at No. 1 on the US LP charts, didn't chart UK)

Disc 5 "Life And Times", 29:51 minutes, 11 Tracks
1. One Less Set Of Footsteps [Side 1]
2. Roller Derby Queen
3. Dreamin' Again
4. Careful Man
5. Alabama Rain
6. A Good Time Man Like Me Ain't Got No Business (Singin' The Blues)
7. Next Time, This Time [Side 2]
8. Bad, Bad Leroy Brown
9. These Dreams
10. Speedball Tucker
11. It Doesn’t Have To Be That Way
Tracks 1 to 11 are the LP "Life And Times" - released January 1973 in the USA on ABC Records ABCX-769 - June 1973 UK LP on Vertigo Records 6360 7011 (peaked at No. 7 on the US LP charts, didn't chart UK)

Disc 6 "I Got A Name" , 31:47 minutes, 11 Tracks
1. I Got A Name [Side 1]
2. Lover's Cross
3. Five Short Minutes
4. Age
5. Workin' At The Car Wash Blues
6. I'll Have To Say I Love You In A Song [Side 2]
7. Salon And Saloon
8. Thursday
9. Top Hat Bar And Grille
10. Recently
11. The Hard Way Every Time
Tracks 1 to 11 are the LP "I Got A Name" - released December 1973 in the USA on ABC Records ABCX-797 - April 1974 UK LP on Vertigo Records 6360 702 (peaked at No. 2 in the US LP charts, didn't chart UK)

Disc 7 "The Lost Recordings", 31:46 minutes, 12 Tracks
1. You Don't Mess Around With Jim
2. New York's Not My Home
3. Tomorrow's Gonna Be A Brighter Day
5. Walkin' Back To Georgia
6. Operator
7. Time In A Bottle
8. Seems Like Such A Long Time Ago
9. Mississippi Lady
10. These Dreams
11. A Good Time Man Like Me Ain't Got No Business (Singin' The Blues)
12. Lover's Cross
Tracks 1 to 12 are early home studio recordings for the 1972 LP "You Don't Mess Around With Jim". Edsel have reissued that 1972 album as a standalone CD in 2015 on Edsel EDSA 5025 (Barcode 740155502539) with the above 12 tracks - 1972 Home Demo Recordings for the "You Don't Mess Around With jim" Album added on as Bonuses.

Each of the 7CDs listed above are in individual singular card sleeves that repro the front and rear of their original vinyl albums - excepting of course the two specially created compilations - "Jim and Ingrid Too" and "The Lost Recordings" (both with newly made up artwork). All seven slide into a hard card slipcase box sided by a very tastefully laid out 36-page accompanying booklet featuring lyrics, recording credits (if known) and a new essay on Croce's life and legacy by ALAN ROBINSON written in December 2014. As with so many Edsel reissues, although the titles are licensed from the majors, there is precious little by way of Remastering credits except that their long-time Audio Engineer - PHIL KINRADE – has mastered this compilation.

The "Facets" album from 1966 reflects its privately pressed and recorded origins and has what can generously be described as bootleg quality - good but never great. The rest are thankfully a whole lot better - especially the core trio of solo LPs "You Don't Mess Around With Jim", "Life And Times" and the album that was recorded before he was tragically taken and released after his passing "I Got A Name". And I'd swear they're the Rhino Remasters. All the instruments are clear and clean. The second CD called "Jim & Ingrid Too" (Disc 2 in the Shout! Factory 2004 Deluxe Edition reissue of "Facets") has shockingly good audio for all of its seven cuts. But that 2004 Shout! Factory reissue unfortunately gives absolutely no indication of when, where or who played on these songs (not elaborated on here either). But given their audio, it might be enough to surmise that they were recorded circa 1967 to 1968 in a professional studio – put down no doubt before the husband and wife "Croce" set on Capitol Records in 1969. Although neither the booklet nor the rear sleeve of the other rarities set here (CD7 entitled "The Lost Recordings") gives any info on those 12 tracks - they're 1972 home demos for the "You Don't Mess Around With Jim" album and their audio quality reflects that. The real studio albums however sound great.

The first bare bones album is OK, the outtakes second CD far, far better despite its short playing time, but whilst the husband and wife Sonny & Cher routine of "Croce" has some pretty and funny moments – mostly it comes over as twee 60ts and is terribly dated (Ingrid hasn’t the best of voices either). The leap to May 1972 and the first solo album proper "You Don't Mess Around With Jim" on ABC Records in terms of audio and quality songs is enormous. It's as if Croce had been crafting and saving up for years because the songs on "You Don't Mess Around With Jim" are fantastic. While the radio-grabber title track gets all the hooky plaudits, to this day there are people who can’t listen to the emotive ballad "Time In A Bottle" without getting soppy. It’s a truly affecting song and the great audio feels like that of Steve Hoffman when DCC reissued and remastered his material. Terry Cashman and Tommy West (trading as Cashman and West on ABC Records in the USA and Probe Records in the UK) aided and abetted on all three of the proper solo albums and with smashes like "Bad, Bad Leroy Brown", "Operator (That's Not The Way It Feels)", "One Less Set Of Footsteps" and "I'll Have To Say I Love You In A Song)"– Croce found himself up there with the likes of Don McLean, Gordon Lightfoot and even James Taylor as being beloved by the public and admired by music critics at one and the same time.

This is a nice set and a reminder of his sad loss – a legacy that shows (some say) that Jim Croce might have taken on the singer-songwriter big boys had his wit and charm been given a chance. In the meantime, try to seek this out rather elusive box set and enjoy those musical photographs of simpler times...

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