"Sticky Fingers: Deluxe Edition" by THE ROLLING STONES (June 2015 Polydor 2CD Reissue - Remaster) - A Review by Mark Barry...

AMAZON UK Best Price Link Above - AMAZON USA Best Price Link Below

"...English Blood Runs Hot..." 

There can’t be too many Rolling Stones fans out there in the big wide world that won’t look at the sleeve of "Sticky Fingers" and grin like a schoolboy watching the English Ladies Hockey Team practice their down strokes. And I suppose if us aging reprobates are to suffer yet another reissue of that absolute Classic Rock Album – then this June 2015 two-disc rehash is a great way to massage our hip-replacements - because frankly it’s a bit of belter. In fact fans of the 'Mick Taylor Era' of The Rolling Stones are going to flip for Disc 2. Once more unto the bleach...

First things first – Disc 1 is not a new version in any way – it’s the remaster done by Stephen Marcussen at Marcussen Mastering in 2009 and runs to exactly the same playing time – 46:25 minutes. Disc 2 presents us with 10 Previously Unreleased Bonus Tracks mixed by BOB IRWIN and mastered by STEPHEN MARCUSSEN – five album outtakes and five live cuts from the last date on their UK Tour – Sunday, 14 March 1971 at The Roundhouse in London.

The 8-page basic inlay that accompanied the 4 May 2009 reissue has been upgraded to 24-pages for this 2CD Deluxe Edition (there is a single disc version that keeps the 8-page inlay). The Andy Warhol torso and underpants photo that was hidden under the original ‘zipper’ sleeve is reproduced on Page 3 - with Pages 4 to 7 giving us new black and white portrait photos of each member of the band (all were once considered for the inner artwork). The photo that did grace the inner insert for the original April 1971 LP is reproduced on the left hand flap as you open the gatefold card digipak – but rather tastefully - an outtake I’ve never seen before from the same photo session is on the right flap. Instead of Mick yawning and Keith grinning in side profile – it has Keith and Mick staring forward pensively with the other three doing the same in the rear (Bill Wyman, Mick Taylor and Charlie Watts). You can see why they chose the one that finally came out – its just more funny and a better snap (but what a lovely touch). Beneath each see-through CD tray (yellow lips logo on Disc 1 and green on Disc 2) are pictures of tape boxes. The booklet also has shots of their initial recording sessions at the famed Muscle Shoals Studios in Alabama (there’s even a bill for $1009 for the recording of "Wild Horses"), black and whites of the Stargroves Estate in Hampshire where further recording took place, the artwork for the "Brown Sugar" UK 7" single picture sleeve, a repro of the UK Tour 1971 poster, colour shots from the Roundhouse gig in London and even photos of the album launch in France with Ahmet Ertegun of Atlantic Records. Finally there are detailed credits for both discs.

UK released 8 June 2015 (9 June 2015 in the USA) – this reissue of "Sticky Fingers" by THE ROLLING STONES comes in a dizzying TEN FORMATS - including Single and Double Vinyl variants, differing Downloads versions and even a Spanish Cover Version with its famously unique 'Fingers in A Tin Of Treacle' artwork. This review is for the 2CD Deluxe Edition on Polydor/Rolling Stones 376 483-6 (Barcode 602537648368). Here are the details...

Disc 1 (46:25 minutes)

1. Brown Sugar

2. Sway

3. Wild Horses

4. Can’t You Hear Me Knocking

5. You Gotta Move

6. Bitch [Side 2]

7. I Got The Blues

8. Sister Morphine

9. Dead Flowers

10. Moonlight Mile

Tracks 1 to 10 are the album "Sticky Fingers" - released 23 April 1971 in the UK and USA on Rolling Stones Records COC 59100

Disc 2 (54:02 minutes):

1. Brown Sugar (with Eric Clapton) – 4:05 minutes

2. Wild Horses (Acoustic) – 5:47 minutes

3. Can’t You Hear Me Knocking (Alternate Version) – 3:24 minutes

4. Bitch (Extended Version) – 5:53 minutes

5. Dead Flowers (Alternate Version) – 4:18 minutes

6. Live With Me – 4:22 minutes

7. Stray Cat Blues – 3:48 minutes

8. Love In Vain – 6:42 minutes

9. Midnight Rambler – 11:27 minutes

10. Honky Tonk Women – 4:14 minutes

Tracks 1 to 5 are Outtakes from the original sessions produced by Jimmy Miller. "Brown Sugar" is credited as (with Eric Clapton) when in fact it also has Al Kooper on Guitar (Ian Stewart on Piano and Bobby Keys on Saxophone too). Tracks 6 to 10 are highlights from a show at The Roundhouse in London on Sunday, 14 March 1971 (there is a CD3 only on the Super Deluxe Edition 12" x 12" Box Set which is called "Get Yer Leeds Lungs Out" and was recorded 1971 at Leeds University). The live band for the London show included Bobby Keys on Saxophone, Jim Price on Trumpet and Nicky Hopkins on Piano. All songs are Jagger/Richards originals except "Stray Cat Blues" which is a Robert Johnson cover version.

THE ALBUM:

Right from the opening riffs of "Brown Sugar" (slightly distorted it has to be said) - you know you're in the presence of a different beast. This (2009) thing rocks - the guitars and rhythm section filling your speakers with incredible energy. I can hear the 'loudness wars' naysayers already - sure these things are loud and sure they're hissy in places too - but at least I feel like I'm in the presence of the real master tape. The power and clarity of instruments on say "Can't You Hear Me Knocking" and "Dead Flowers" is astounding. Ry Cooder's Slide Guitar and Jack Nitzsche's Piano on "Sister Morphine" is so good too, Paul Buckmaster's gorgeous Strings on "Moonlight Mile" and Keith's beautiful acoustic playing on "Wild Horses" - all fabulous. But if I was to isolate one track that shows massive improvement on this SHM - it's the Side 2 nugget "I Got The Blues". Everything about it rocks - Keith Richards and Mick Taylor on guitars, Bobby Keys and Jim Price on Horns, Jimmy Miller's Percussion and especially the Billy Preston Organ solo - it sounds truly fabulous. There's just that little more pep in the step of every track on this format - and somehow that amazing Cooder Slide on "Sister Morphine" seems more in your face (but in a good way), the sexy Saxophones on "Bitch" - the guitars on their fantastic bluesy cover of the Mississippi Fred McDowell/Gary Davis dead-and-dying tune "You Gotta Move". There are many who hated the 2009 remaster saying it was too loud or something like that. I think this is crap of the highest order. I bought the Japanese Platinum SHM-CD version with a flat transfer (which is what many of these detractors wanted) and it 'was' awful. It's a matter of Audio taste I know - but I frankly get weary of Audiophile types telling me what I'm hearing is lousy when my ears tell me different.

I had expected Disc 2 to be a disappointment – five lesser versions with a bunch of live stuff that should have stayed in the can – neither let the side down thank God. To hear “Brown Sugar” in ‘any’ variant is a blast - yet you can so hear why Jagger toned down the “get down on your knees...” lyrics and how the twin slide guitar work of Clapton and Kooper is good but still feels too ramshackle. Bobby Keys comes blasting in with that Saxophone solo pretty much intact but the finished album cut is sharper and their decision to go with a cleaner more concise version was the right one. It’s odd ‘not’ to hear the opening acoustic strums of “Wild Horses” be accompanied by that second guitar – this time we get a sort of unplugged original – and what a gorgeous song it is too. Lyrically there’s not much that’s different except that you can you hear the words more clearly on this Alternate. We then get a weird reversal – the finished album masterpiece “Can’t You Hear Me Knocking” gets cut down from 7:16 minutes to 3:24 minutes and is really the band ‘feeling’ for something. In fact on the amazing near 12-minute live version of “Midnight Rambler” where Keith and Mick solo like crazy – you can hear the finished licks and solos creep in because it was March 1971 – after they’d recorded this early attempt. 

But then comes an absolute jewel – the extended “Bitch” where Bobby Keys (Saxophone) and Jim Price (Trumpet) add so much to the song. It’s absolutely fantastic and I actually shouted “More” at the Marantz as it finished – not wanting this bad sucker to end. After such excitement the Alternate of “Wild Flowers” isn’t nearly as Country as the finished album version and suffers for it. Fans will be disappointed that the five live cuts don’t actually feature a single “Sticky Fingers” track but that’s not to say that they’re inferior fare – far from it. This is the 1971 band cooking (with Mick Taylor) on 1969 “Let It Bleed” material like “Live With Me” and “Love In Vain”. There is already a huge step forward in the overall sound and impact – a band finding their Rock feet. The Robert Johnson cover of ”Stray Cat Blues” is just fantastic while the huge “Midnight Rambler” sees Mick give it some fabulous harmonica fills inbetween those Bluesy guitar moments (“Spotlight on Keith’s arse...” he say before they launch into the jam). After introductions of the band – Mick tells the crowd to “open your lungs on this one” as The Stones go into a stunning version of “Honky Tonk Women”. Very tasty stuff...

I don’t know if I’d plum up the dosh for the Super Deluxe Version – but I have to say that this 2CD Deluxe Edition is a triumph.

In the Jake Gyllenhaal/Dustin Hoffman/Susan Sarandon movie “Moonlight Mile” from 2002 – Jake’s character is in a bar, goes over to a jukebox and puts on the movie’s title track. It starts to play and then as the stunning Paul Buckmaster strings kick in – Jagger sings - “I’m riding down your Moonlight Mile...” And I remember watching it - and not for the first time did a chill go up my arms – reminding me of how much I loved this band and in particular this album that I played to death as a teen in Dublin.

Mick Jagger and Keith Richards are more Zimmer-Frame Twins these days than Glimmer Twins – but that doesn’t stop this 2CD reissue from being magical to me. Lick your lips folks...because here we go again...

"The London Howlin' Wolf Sessions by HOWLIN' WOLF [feat Eric Clapton, Steve Winwood, Bill Wyman and Charlie Watts] (2003 Universal/MCA/Chess 2CD 'Deluxe Edition' - Erick Labson Remasters] - A Review by Mark Barry..

"…Wang Dang Doodle…" 

Like many avid collectors I've felt that Universal's 2CD 'Deluxe Edition' series has had some dubious expansions of popular albums across the reissue decades - forever chasing our battered debit cards with yet another sonic temptation. But sometimes - just sometimes - you get the perfect blend. You get a forgotten album that shouldn't be - extras actually worthy of the moniker 'bonus tracks' - classy and sympathetic presentation and a Remaster Engineer capable of bringing genuine new life back into old recordings. Ladies and Gentlemen (and those of you who aren't sure) - welcome to one of those 'DE' beauties. Here are the little red roosters and the wang dang doodles...

Released March 2003 - "The London Howlin' Wolf Sessions: Deluxe Edition" by HOWLIN' WOLF on MCA/Chess 088 112 985-2 (Barcode 008811298524) is a 2CD set of Remasters and breaks down as follows (see below re Single Disc ‘Rarities’ Edition):

Disc 1 (56:52 minutes):

1. Rockin' Daddy (Side 1)

2. A Ain't Superstitious

3. Sittin' On The Top Of The World

4. Worried About My Baby

5. What A Woman!

6. Poor Boy

7. Build For Comfort (Side 2)

8. Who's Been Talking?

9. The Red Rooster (False Start And Dialogue)

10. The Red Rooster

11. Do The Do

12. Highway 49

13. Wang Dang Doodle

Tracks 1 to 13 are the album "The London Howlin' Wolf Sessions" - released August 1971 in the UK on Rolling Stones Records COC 47101 and Chess CH-60008 in the USA

14. Goin' Down Slow

15. Killing Floor

16. I Want A Word With You

Tracks 14 to 16 are Bonus Tracks - they originally appeared on the American Muddy Waters & Howlin' Wolf LP "London Revisited" from 1974 on Chess CH 60026. They're Newly Remixed From The Session Multi-Tracks for this reissue

Disc 2 (52:50 minutes):

1. Worried About My Baby (Rehearsal Take)

2. The Red Rooster (Alternate Mix With Alternate Piano)

3. What A Woman (A/K/A/ Commit A Crime) (Alternate Take)

4. Who's Been Talking (Alternate Take With False Start & Dialog)

5. Worried About My Baby (Alternate Take)

6. I Ain't Superstitious (Alternate Take)

7. Highway 49 (Alternate Take)

8. Do The Do (Extended Alternate Take)

9. Poor Boy (Alternate Lyrics Mix)

10. I Ain't Superstitious (Alternate Mix)

11. What A Woman (A/K/A Commit A Crime) (Alternate Mix With Organ Overdub)

12. Rockin' Daddy (Alternate Mix)

(All tracks on Disc 2 PREVIOUSLY UNRELEASED; Tracks 1 to 8 are newly remixed - Tracks 9 to 12 are the original 1970 mixdown sessions)

It was reissued in the UK on MCA/Chess 0600753278505 (Barcode 600753278505) in a 2CD jewel case - dropping the 'DE' packaging of a gatefold digipak in a wrap. 

The first thing that hits you is the awesome sound - remastered by ERICK LABSON. I've sung this man's praises before on many occasions - he's one of Universal's principal sound engineers and has been involved in excess of 1,100 reissues including the vast majority of the huge Chess catalogue. This guy knows his way around tapes like this - and his work here is fabulous - ballsy, clear and full of power. Once of the outer DELUXE EDITION plastic slipcase - the gatefold card digipak offers up a wide and long booklet that is classily put together. You get a revealing interview with NORMAN DAYRON the original engineer, pictures from the period and sessions and a recording credits roll call of ace British and American musicians lining up to play with their hero - ERIC CLAPTON (Guitars), STEVE WINWOOD (Keyboards), BILL WYMAN and CHARLIE WATTS of THE ROLLING STONES (Bass and Drums), HUBERT SUMLIN (Guitar), JEFFREY M. CARP (Harmonica), PHIL UPCHURCH (Bass) and IAN STEWART with LAFAYETTE LEAKE (Piano) to name but some.

Like "Fathers & Sons" with Muddy Waters and The Paul Butterfield Band blowing up a storm in 1969 - I've always felt this "London Session" was one of the most successful of those Blues-Rock collaboration albums precisely because of who was involved (Clapton in particular was in blinding form). Chester Burnett wasn't in the best of health (he would be lost to us in early 1976) - and at times his voice does seem ever so-slightly uncomfortable with the arrangements and the UK surroundings - but Clapton and his adoring boys broke the ice and brought in a formidable project in the end.

Side 1 opens with the Wolf's own "Rockin' Daddy" followed by Willie Dixon's "I Ain't Superstitious" and the joint is jumping right away. We get mean and gritty with a harmonica and piano-driven "Sittin' On Top Of The World" and the horns of Dennis Lansing, Joe Miller and Jordan Sandke back up the band for "Built For Comfort". Clapton tears into "Red Rooster" - really enjoying himself after giving the master the respect he needed by asking the Wolf to lead on guitar. But if was to single out two killers - it's the rocking "What A Woman!" and the unbelievably good Blues Boogie of "Highway 49" (a Joe Williams cover). I've put them on countless Shop Play CDs in Reckless - and it never failed - kids rushing to the counter wanting to know who `the real deal' is...

The 3 extras on Disc 1 are unbelievable - "Goin' Down Slow" featuring blistering slow bluesy harmonica playing from Jeffrey Carp - then his own "Killing Floor" in boogie style with the band sounding in your face and loving it. As if that's not enough - Disc 1 finishes with another storming version of one of the album's highlights "What A Woman!" Wow!

It's arguable that Disc 2 is actually a better album - meaner and grittier - with versions that are complete but rougher around their frayed edges. The slashing slide guitar on "Red Rooster" and the boogie of "What A Woman!" are fantastic stuff. Love the harmonica and shambolic feel to "Worried About My Baby" - razor sharp bass and vocals too in the remaster. And the piano is far more to the fore for "Highway 49" - his presence exuding out of the speakers ("stop by the whiskey store...and get me a jug of wine...").

Hospitalised in late 1975 with liver failure after an automobile accident - he passed away 10 January 1976 - one of the true greats - a Blues force of nature that wouldn't be tamed.

Hit the Blues Highway 49 children and start your journey to the dark side here...

PS: There is a subsequent American-only 2010 single-disc reissue called "The London Howlin' Wolf Sessions (Rarities Edition) - Essential Collector's Tracks" on MCA/Chess B0013720-02 (Barcode 602527256207). It's 15-tracks gather up Tracks 14, 15 and 16 on Disc 1 and Tracks 1 to 12 on Disc of the DELUXE EDITION and clumps them all onto 1CD. I mention this because unfortunately if you use the Barcode for that one-disc version (602527256207) - Amazon will bring to what looks like the 2CD DE version when it's not. If you want the 2CD-DE Version - you must use the Barcode provided above in my review (Barcode 600753278505)...

"Dear Mr. Fantasy: The Jim Capaldi Story" by JIM CAPALDI (2011 Universal/Island 4CD Box Set of Remasters) - A Review by Mark Barry...

“…All These Years…”

Compiled with love and care by his wife Aninha Capaldi and friends/admirers Paul Minkkinen and Daryl Easlea – "Dear Mr. Fantasy: The Jim Capaldi Story" by JIM CAPALDI was released June 2011 on Universal/Island 5333997 (Barcode 600753339978) as a 4CD Book Set spanning his entire musical career. 

67-Tracks include early songs with The Hellions, Revolution and Deep Feeling – then onto his stay with TRAFFIC and collaborations with PAUL KOSSOFF of FREE, GEORGE HARRSION, DAVE MASON of TRAFFIC and ERIC CLAPTON. It includes 11 Previously Unreleased songs and breaks down as follows…

Disc 1 (75:53 minutes):

1. Dreaming Of You – THE HELLIONS (1964 UK 7” Single on Piccadilly 7N 35213, A-side)

2. Hallelujah – REVOLUTION (1966 UK 7” single on Piccadilly 7N 35298, A-side)

3. Pretty Colours – DEEP FEELING (Autumn 1966 recording made in London)

4. Dealer – TRAFFIC

5. Mr. Fantasy – TRAFFIC (4 and 5 from their debut album “Mr. Fantasy”, 1967 on Island ILPS 9061)

6. Light Up Or Leave Me Alone – TRAFFIC

7. Rock And Roll Stew – TRAFFIC (6 and 7 from the LP “Low Spark Of High-Heeled Boys”, 1971 on Island ILPS 9180)

8. 40,000 Headmen – TRAFFIC (Previously Unreleased Version)

9. Pearly Queen (Live) – ERIC CLAPTON & FRIENDS (from “Eric Clapton’s Rainbow Concert”, 1973 LP on RSO 2394 116)

10. Tricky Dicky Rides Again – JIM CAPALDI (1973 UK 7” single on Island WIP 6165, features PAUL KOSSOFF of FREE on Guitar. Later appeared as “Dirty Business” on JC’s “Contender” album)

11. Oh How We Danced

12. Eve

13. Don’t Be A Hero

14. Open Your Heart

15. How Much Can A Man Really Take (11 to 15 are from his debut solo LP “Oh How We Danced”, 1972 on Island ILPS 9187)

16. Low Rider

17. Whale Meat Again (16 and 17 are from his 2nd LP ‘Whale Meat Again”, 1974 on Island ILPS 9254)

Disc 2 (78:07 minutes):

1. It’s All Up To You

2. Love Hurts

3. Short Cut Draw Blood

4. Boy With A Problem

5. Seagull (1 to 5 from his 3rd LP “Short Cut Draw Blood”, 1975 on Island ILPS 9336)

6. You And Me – JIM CAPALDI with PAUL KOSSOFF and The Muscle Shoals Rhythm Section (first appeared on the “Koss” double-album anthology in 1977 – first appearance on CD here)

7. Game Of Love

8. Elixir Of Life (7 and 8 from the LP “The Contender”, 1978 on Polydor 2383 490)

9. Shoe Shine (Disco Mix) – (a UK 12” Promo Remix on Polydor 2141 164 issued in 1979. Is a track on the “Electric Nights” LP)

10. Hotel Blues

11. Tabitha

12. Electric Nights

13. Wild Geese (10 to 13 are from the LP “Electric Nights”, 1979 on Polydor 2383 534)

14. Every Man Must March To The Beat Of His Own Drum

15. Man With No Country

16. Going Home (14 to 16 are from the LP “The Sweet Smell Of Success”, 1980 on Carrere CAL 116)

Disc 3 (80:33 minutes):

1. Let The Thunder Cry

2. Favella Music

3. Child In the Storm

4. Warm

5. Old Photographs

6. We Don’t Need (1 to 6 are from the LP “Let The Thunder Cry”, 1981 on Carrere CAL 123)

7. Tonight You’re Mine

8. Living On The Edge

9. That’s Love

10. Gifts Of Unknown Things (7 to 10 are from the LP “Fierce Heart”, 1983 on WEA Records U 0057 in the UK/Europe - Atlantic 80059-1 in the USA)

11. Lost Inside Your Love

12. Tales Of Power

13. Warriors Of Love (11 to 13 from the LP “One Man Mission”, 1984 on WEA Records 251350-1

14. Something So Strong

15. Oh Lord, Why Lord

16. Love Used To Be A Friend Of Mine

17. Some Come Running (14 to 17 are from the LP “Some Come Running”, 1988 on Island 259 439

18. Living On The Outside (on the CD album “Living On The Outside”, 2001 on SPV Records 085-72512)

Disc 4 (76:38 minutes):

1. Standing In My Light

2. Anna Julia

3. Love You ‘Til The Day I Die (1 to 3 are on the CD album “Living On The Outside”, 2001 on SPV Records 085-72512)

4. State Of Grace (Demo) (from the 1994 TRAFFIC reunion album sessions for “Far From Home” – Previously Unreleased)

5. Tallulah (Demo) (written for his daughter and was one of his last recordings - Previously Unreleased)

6. Humanity (Just Another Checkpoint) (Demo) – Recorded sometime in the 2000s - Previously Unreleased

7. Bright Fighter (from the CD album “Poor Boy Blue”, 2004 on SPV Records 085-70412)

8. Strange Bird (Demo) (no dates provided) - Previously Unreleased

9. How Do I Get To Heaven (Demo) - Previously Unreleased

10. Love’s Got A Hold On Me (with GEORGE HARRISON) (Demo prepared for this Box set) - Previously Unreleased

11. Song For George [aka George’s Song] (Demo) – written after his friend Harrison had passed - Previously Unreleased

12. The Time Of Cholera (Demo)

13. Invaders Of The Heart (Demo) (12 and 13 recorded sometime in the 2000s – Both Previously Unreleased)

14. Getting Stronger (from the CD album “Poor Boy Blue”, 2004 on SPV Records 085-70412)

15. Love Will Keep Us Alive (Live) – DAVE MASON and JIM CAPALDI (from the album “Live 40,000 Headmen Tour”, 1999 on Receiver Records RRCD 270 Z)

16. Dear Mr. Fantasy (Live) – TRAFFIC (recorded at the rehearsals for Traffic’s induction into the Rock & Roll Hall Of Fame in 2004 - Previously Unreleased)

The presentation is first class – the pasted-in chunky booklet is crammed with period colour photos, album covers, music press adverts, concert posters, facsimiles of rare Island singles, snaps of him with pals George Harrison and Eric Clapton, hand-written lyrics – and a track-by-track breakdown on each entry.

But for me the real news comes with the fantastic sound – tapes transferred, remastered and mulled over by two names familiar to anyone whose bought the Polydor, Island, Vertigo or Deram 3CD mini box sets – MARK POWELL and PASCHAL BYRNE. Their work here is exemplary – each track exuding warmth and clarity (I’d even swear these TRAFFIC remasters are better than what’s gone before).

Highlights for me are the Funky-Rock of “Low Rider” (not the War tune) and the echoed menace of the title track from “Whale Meat Again”. His writing became far more sophisticated by 1975 – “It’s All Up To You” and “Boy With A Problem” while his chipper cover of “Love Hurts” (first brought to us by The Everly Brothers) saw him break the Top 5 in October 1975. The “You And Me” track from 1977’s “Koss” double is a gem here featuring Kossoff in sly form (the song was later reworked by Capaldi as “The Contender”). The Disco Mix of “Shoe Shine” doesn’t come over as hideous as its title sounds – it funky and has clever synth runs and guitar breaks. The ache in “Every Man Must March To The Sound Of His Own Drum” is real and defies its slick Eighties production. Of the previously unreleased stuff his “Song For George” is very Traveling Wilburys and the song “Tallulah” for his daughter is very pretty. The ‘loose’ “Dear Mr. Fantasy” rehearsal in 2004 that ends Disc 4 is a nine-minute blast – beautifully recorded and played with Winwood sounding stunning. It’s a nice way to bring the whole box set full circle.

Capaldi never had the best of voices or the song-writing chops of say Steve Winwood or even Dave Mason – but there’s much on here to love. And with that top notch sound and trawl of desirable rarities – a real fan pleaser…

“Where’s There’s A Will There’s A Way – The ABC-Dunhill Recordings” by BOBBY WHITLOCK. A Review Of The 2013 Light In The Attic CD Reissue Which Remasters His First Two Vinyl Albums “Bobby Whitlock” (1972) and “Raw Velvet” (1973).

This review is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…You're The Only One…"

These two albums used to fill out the racks of used record stores and just sit there. And even though the self-titled debut contained heavy hitters - like George Harrison, Eric Clapton, Klaus Voormann (of "Revolver" fame), Delaney & Bonnie Bramlett, Chris Wood of Traffic, Rick Vito (Bonnie Raitt's band, Bob Seger's band and Fleetwood Mac) and even The Edwin Hawkins Singers  - both were largely ignored by the buying public. Now at last top US reissue label Light In The Attic (using their Future Days Recordings imprint) has given them a newfound respect with a world-class CD reissue.

Released June 2013 - "Where’s There’s A Will There’s A Way: The ABC-Dunhill Recordings" by BOBBY WHITLOCK on Light In The Attic/Future Days Recordings FDR 602 (Barcode 82626853060226) offers 2LPs Remastered onto 1CD and breaks down as follows (70:29 minutes):

1. Where There’s A Will

2. Song For Paula

3. A Game Called Life

4. Country Life

5. A Day Without Jesus

6. Back In My Life Again

7. The Scenery Has Slowly Changed

8. I’d Rather Live The Straight Life

9. The Dreams Of A Hobo

10. Back Home In England

Tracks 1 to 10 is his debut album "Bobby Whitlock" issued March 1972 in the USA on ABC-Dunhill DSX 50121 and on CBS Records S 65109 in the UK.

11. Tell The Truth

12. Bustin’ My Ass

13. Write You A Letter

14. Ease Your Pain

15. If You Ever

16. Hello L.A., Bye Bye Birmingham

17. You Came Along

18. Think About It

19. Satisfied

20. Dearest I Wonder

21. Start All Over

Tracks 11 to 21 is his 2nd album "Raw Velvet" issued November 1972 in the USA on ABC-Dunhill DSX-50131 and in the UK in early 1973 on CBS Records S

65301.

Produced by Andy Johns and Bobby Whitlock - the debut was recorded in London's Olympic Studios and featured an impressive array of British based Rock musicians. George Harrison and Eric Clapton (guitars) join Bobby Keys on Saxophone (practically an honorary member of The Rolling Stones), Klaus Voormann on Bass with Jim Price on Trumpet and Trombone and Jim Gordon on Drums. That amazing line-up grace three - "Where There's A Will", "A Day Without Jesus" and "Back In My Life Again" while Clapton also plays beautiful solo guitar on the lovely ballad "The Scenery Has Slowly Changed".  In fact the softer songs are far better than the rather frantic rushed tunes that are just trying too hard and getting nowhere. Chris Wood of Traffic adds flute to the lovely acoustic "A Game Called Life" - for me a nugget on this rather patchy album (lyrics from it title this review).

The second album ups the amps on Side 1 in an attempt to capture the 'rawk' market. 
It opens with "Tell The Truth" - a co-write with Eric Clapton. The countrified cover of Hoyt Axton's "Ease Your Pain" and the almost gospel-rock of "Bustin' My Ass" feature The Edwin Hawkins Singers to great effect. "Hello L.A. Bye Bye Birmingham" features a co-write with Mac Davis and mean slide guitar from Clapton. Things mellow out with Side 2 where he often only employs acoustic guitars, a piano and the Los Angeles Symphony on strings. "You Came Along" is undeniably lovely and Rick Vito's lead playing on "Satisfied" is superb. It ends sounding like "Sun King" from The Beatles "Abbey Road" album with "Start All Over" - all swirling and prettily ethereal.

The remaster is properly great - incredible clarity and presence - even when the raucous ensemble threatens to engulf everything. And the exceptional 48-page booklet entitled "The Bobby Whitlock Story" is done with complete co-operation from the singer himself - photos from his private archives, publicity material, repros of the album labels, detailed track-by-track annotation including his own reminiscences on each song. A lot of work and passion went into this and it shows...

To sum up - neither album is undiscovered genius by any stretch of the imagination - but there's plenty of here worthy of reappraisal. And like Rodriguez, Jim Sullivan, Michael Chapman and The City (featuring Carole King) - once again Light In The Attic has given a voice to an artist who deserved better and should be re-heard.

Check this one out...