"Street Corner Symphonies Volume 5: 1953" by VARIOUS ARTISTS (2012 Bear Family CD - Marcus Heumann Remasters) - A Review by Mark Barry...

"…Crying In The Chapel…"

Hot on the heels of their definitive "Blowing The Fuse" and "Sweet Soul Music" CD Series (15 volumes to each genre of R'n'B and Soul) comes their Vocal Group attack - 15 discs spanning 1939 to 1963. Volumes 1 to 10 hit the shops in 2012 in clumps of five (May and October) and the last five in the spring of 2013. And while critics will argue that Vocal Group music has already been done to death by Rhino (3 x 4CD Box Sets across the decades) and a mountain of other cheapo labels taking advantage of the 50-year copyright law - this is the first time someone reputable (other than Rhino) have had a go - and typically these Bear Family CDs are gorgeous in all the right places - presentation and audio. Here are the boys Crying In The Chapel...

Released May 2012 in Germany - "Street Corner Symphonies Volume 5: 1953" by VARIOUS ARTISTS on Bear Family BCD 17283 AR (Barcode 4000127172839) breaks down as follows (87:52 minutes):

1. Money Honey - CLYDE McPHATTER & THE DRIFTERS (Atlantic 45-1006, A)

2. Crying In The Chapel - THE ORIOLES (Jubilee 45-5122, A)

3. Baby, It's You - THE SPANIELS (Chance 1141, A)

4. White Cliffs Of Dover - THE CHECKERS (King 4675, A)

5. Baby Please - THE MOONGLOWS with the Red Holloway Orchestra (Chance CH-1147, A)

6. Is It A Dream - THE VOCALEERS (Red Robin 114, A)

7. Gee - THE CROWS (Rama 5, A)

8. Nadine - THE CORONETS (Chess 1549, A)

9. You're Mine - THE CRICKETS (MGM 11428, A) [Not Buddy Holly's group]

10. Too Much Lovin' (Much Too Much) - THE "5" ROYALES with CHARLIE "LITTLE JAZZ" FERGUSON & His Orchestra (Apollo 448, A)

11. A Sunday Kind Of Love - THE HARP-TONES featuring Willie Winfield (Bruce 101, A)

12. Golden Teardrops - THE FLAMINGOS with Red Holloway's Orchestra (Chance CH-1145, A)

13. Good Lovin' - CLOVERS (Atlantic 45-1000, A)

14. (Now And Then There's) A Fool Such As I - THE ROBINS (RCA Victor 47-5175, A)

15. My Girl Awaits Me - THE CASTELLES (Grand 101, A)

16. Marie - THE FOUR TUNES with Sid Bass Orchestra (Jubilee 5128, A)

17. These Foolish Things Remind Me Of You - BILLY WARD & HIS DOMINOES (Federal 12129, A)

18. We Could Find Happiness - THE WANDERERS (Savoy 1109, A)

19. I Wanna Know - THE DU DROPPERS (RCA Victor 47-5229, A)

20. Dear Ruth - THE BUCCANEERS with The Joe Whelan Trio (Southern 101, A)

21. Just Walkin' In The Rain - THE PRISONAIRES (Sun 186, A)

22. Get It - THE ROYALS (Federal 12133, A)

23. Lovie Darling - THE CARDINALS (Atlantic 45-995, B-side of "You Are My Only Love")

24. I Had A Love - THE FLAIRS (Flair 1012, A)

25. My Saddest Hour - THE FIVE KEYS (Aladdin 3214, A)

26. Hey Now - TONY WILLIAMS and THE PLATTERS (Federal 12153, B-side of "Give Thanks")

27. I - THE VELVETS (Red Robin 122, A)

28. Baby, Come Back To Me - THE FIVE ECHOES with Fat Cole's Band (Sabre SA-102, A)

29. Nobody's Lovin' Me - THE SWALLOWS (King 4632, A)

30. Big Leg Mama - VANN WALLS and THE ROCKETS (Atlantic 45-988, A)

31. I Can't Believe - THE HORNETS (States S-127, A)

32. You're The One - THE SPIDERS (Imperial 5265, B-side of "I Didn't Want To Do It")

The 84-page non-detachable booklet is a feast of indepth liner notes on each release by Grammy-winning writer and lifelong fan BILL DAHL. Let's put it this way - there's a 'Photo Captions' index on Page 83 that tells who's who in the black and white publicity shots that accompany most (not all) of the photos. It actually lists the singer's names  - who else but Bear would do this? There are cool trade adverts from 1953 peppering the text and some of those rare American 45 labels are even pictured in colour (Atlantic, Baton, Mercury and Robin). The CD repros the "Good Lovin’" 45 on Atlantic by The Clovers and the spine eventually makes up a single photograph when you line up all 15 volumes alongside each other on a shelf. Long-standing and trusted names like Walter DeVenne and Billy Vera have been involved and MARCUS HEUMANN did the superb mastering. The sources (as you can imagine) differ wildly but the sound quality to my ears is improved on anything I've heard before. Some of these cuts are amazing in their clarity (Atlantic tracks especially).

What a difference a year makes - 1953 Vocal Group 7" singles are incredibly hard to find hence the rarities quotient goes through the roof - check out these prices: The Hornets $8000.00, The Buccaneers $4000.00, The Castelles $2000, The Flamingos $1000 (black vinyl), $3000 (red vinyl), The Five Echoes $600 (black vinyl), $1500.00 (red vinyl), The Spaniels $500.00 (black vinyl), $2000.00 (red vinyl), The Moonglows $1000 (black vinyl) and $3000 (red vinyl). Or you can buy The Swallows, The Checkers, The Wanderers and The Prisonaires for a paltry $500.00 each with The Flairs, The Crows, The Five Keys and The Platters putting you back a bargain-basement $400.00 a pop (and so on down The Orioles at a frankly piddly $80.00).

When you get past the big guns you've heard too often like "Crying In The Chapel" and "Gee" - you get the lesser-heard gems like the rare "I" by The Velvets and the gorgeous "You're Mine" by The Crickets (Not Buddy Holly's backing group) - as pure Vocal Group as you can get. "Nadine" (not the Chuck Berry classic) is another slow moody rarity from The Coronets (on Chess). I love the lead vocalist in The Vocaleers "Is It A Dream" - an unusual almost childish ache in his phrasing - so good. And there can't be too many fans who don't have a big place in their hearts for The Harp-Tones and the silky "A Sunday Kind Of Love". The Spaniels and the bluesy Swallows are clever compiler choices too. There’s crackle on the uber-rare “My Girl Awaits Me” by The Castelles for sure but the audio quality on The Robins version of “A Fool Such As I” is utterly stupendous – Bobby Nunn and Grady Chapman sharing the crystal clear audio glories.

Rhythm 'n' Blues boppers pop up more than once - the "my love is yours" saxophone and talking "Get It" by The Royals (the lead singer sounding like Clyde McPhatter) while The Cardinals on Atlantic is that halfway-house mix of R'n'B and Vocal Group. Speaking of great lead vocals "I Wanna Know" by The Du Droppers has our hero pleading, "I wanna know what you do round there?" (not likely to get an answer mate). The Four Tunes go full-on Jackie Wilson "Reet Petite" (complete with warbling vocals) on the fab "Marie" - a great bopping dancer while "Money Honey" by Clyde McPhatter and The Drifters is always worth re-hearing especially in this fabulous sound quality.

Niggles - they're too expensive as singles discs and perhaps they should have been doubles because real collectors will have large swathes of this already. Bear will argue 'but not in this sound quality or presentation' - and they'd have a point. Having said all of that - what is actually on here is fabulous stuff and given to us with love and affection by a company that cares about voices that would be forgotten without them...

"...You keep on loving somebody...while nobody's loving me..." The Swallows croon on King 4632. Give this superb compilation a go and you may find yourself loving it so much - the others in the set will join it in a jiffy...

"Street Corner Symphonies Volume 4: 1952" by VARIOUS ARTISTS (2012 Bear Family CD – Marcus Heumann Remasters) - A Review by Mark Barry...

"…Won't You Have Mercy Baby..."

Hot on the heels of their definitive "Blowing The Fuse" and "Sweet Soul Music" CD Series (15 volumes to each genre of R'n'B and Soul) comes Bear Family’s Vocal Group attack - 15 discs spanning 1939 to 1963. Volumes 1 to 10 hit the shops in May and October 2012 and the last five in the spring of 2013. And while critics will argue that Vocal Group music has already been done to death by Rhino (3 x 4CD Box Sets across the decades) and a mountain of other cheapo labels taking advantage of the 50-year copyright law - this is the first time someone reputable (other than Rhino) have had a go - and typically these German-issued Bear Family CDs are gorgeous in all the right places - presentation and audio. 'Have Mercy Baby' because 'This Is Where The Heartaches Begin' if you know what I’m saying 'Rockin' Daddy-O'....

Released May 2012 in Germany - "Street Corner Symphonies Volume 4: 1952" by VARIOUS ARTISTS on Bear Family BCD 17282 AR (Barcode 4000127172822) breaks down as follows (I've provided American single catalogue numbers on all tracks - 85:21 minutes):

1. Have Mercy Baby – THE DOMINOES (Federal 12068, A)

2. The Wheel Of Fortune – THE CARDINALS (Atlantic 958, A)

3. Be True – THE VOCALEERS (Red Robin 113, A)

4. Baby Don't Do It – THE '5' ROYALES with Charlie Ferguson – His Tenor and Orchestra (Apollo 443, A)

5. That's When Your Heartaches Begin – BILLY BUNN and HIS BUDDIES (RCA Victor 20-4657, A)

6. One Mint Julep – THE CLOVERS (Atlantic 963, A)

7. But I Forgive You – THE SERENADERS (Coral 65093, A)

8. Every Beat Of My Heart – THE ROYALS (Federal 12064, A)

9. Rock Me All Night Long – THE RAVENS (Mercury 8291, A)

10. Hold Me – THE LARKS featuring Eugene Mumford (Apollo 1194, A)

11. That's The Way It's Gonna Be – THE FOUR KNIGHTS (Capitol 2195, A)

12. Beside You – THE SWALLOWS (King 4525, A)

13. You're Part Of Me – THE FOUR BUDDIES (Savoy 845, A)

14. Don't Cry Baby – THE ORIOLES with Buddy Lucas Orchestra (Jubilee 5092, A)

15. Let's Give Love Another Chance – THE FOUR TUNES (RCA Victor 20-4968, A)

16. The Last Of The Good Rocking Men – THE FOUR JACKS (Federal 12087, A)

17. Make Me Thrill Again – THE MARYLANDERS with Buddy Lucas and His Band Of Tomorrow (Jubilee 5091, A)

18. Rug Cutter – THE FOUR BLAZES (United 127, A)

19.  Don't Be Angry – THE SULTANS (Jubilee 5077, B-side to “Blues At Dawn”)

20. A Beggar For Your Kisses – THE DIAMONDS (Atlantic 981, A)

21. Can’t Do Sixty No More – THE DU-DROPPERS with Ben Smith’s Quintet (Red Robin 108, A)

22. I've Lost – THE ENCHANTERS (Jubilee 5080, A)

23. Flame In My Heart – THE CHECKERS (King 4558, A)

24. Serve Another Round – THE FIVE KEYS (Aladdin 3158, A)

25. One More Time – THE MEL-O-DOTS featuring Ricky Wells (Apollo 1192, A)

26. You're My Inspiration – THE FIVE CROWNS (Rainbow 179, A)

27. Rockin' Daddy-O – THE HEARTBREAKERS (RCA Victor 20-4662, A)

28. Later – THE FOUR FLAMES (Speciality 429, A)

29. That's What You're Doing To Me – THE DOMINOES (Federal 12059, A)

30. Stormy Weather – THE FIVE SHARPS (Jubilee 5104, A)

31. Ting-A-Ling – THE CLOVERS (Atlantic 969, A)

The 82-page non-detachable booklet is a feast of indepth liner notes on each release by Grammy-winning writer and lifelong fan BILL DAHL. Let's put it this way - there's a 'Photo Captions' index on Page 77 that tells who's who in the black and white publicity shots that accompany most (not all) of the photos. It actually lists the singer's names  - who else but Bear would do this? The text is also peppered with pictures of those old American 45 labels like Atlantic, Red Robin, King, Jubilee, Savoy, Mercury, RCA-Victor, Coral, Apollo and Specialty (one pic is the uber rare 'red vinyl' version of "Baby Don't Do It" by The '5' Royales on Apollo which books at $400.00) and an occasional trade advert (The Four Buddies at the Circle Theatre in October 1952). The CD repros the rare "Don’t Be Angry" by The Sultans on Jubilee and the spine makes up a single photograph of the series name when you line up all 15 volumes alongside each other on a shelf. Long-standing and trusted names like Walter DeVenne, Nico Feuerbach, Victor Pearlin, Colin Escott and Billy Vera have been involved in the research - while Audio Engineer MARCUS HEUMANN did the superb mastering (some Disc/Metalpart transfers by Victor Pearlin and Lothar Blank). The sources (as you can imagine) differ wildly but to my ears the sound quality is improved on everything that I've heard before (including some of the Rhino box sets). The audio and presentation are top-class here (a norm for Bear Family)...

With a huge 31 tracks and a format-busting playing time of 85:21 minutes – you certainly can't accuse this CD of scrimping it. It's also noticeable how many are Independent labels without whom none of this fabulous music would have seen the light of day. It opens on an upbeat R&B tip with the fantastic boogie of "Have Mercy Baby" by The Dominoes lead by the vocals of the legendary Clyde McPhatter. It was a smash and a huge influence on the young Smokey Robinson who explains in the liner notes how McPhatter's high voice (which seemed to win over the girls) gave him hope. "Wheel Of Fortune" is a known Atlantic Vocal Groups rarity and here it sounds spiffing (really clean). "Be True" by The Vocaleers is a pleader while the shuffling boogie of "Baby Don't Do It" by The '5' Royales is classy R&B. "That's Where Your Heartaches Begin" sounds like a post WWII smoocher – a gorgeous vocal by Billy Bunn who clearly admired The Ink Spots the most.

If I was to pinpoint one song on here that shows up how good the Audio Transfer is – it would be the beautifully recorded "Every Beat Of My Heart" by The Royals (written by Johnny Otis). It's just Lead Baritone Charles Sutton and the close harmony voices of The Royals and a tiny amount of chimes. It sold nada on release and is correspondingly rare as the proverbial hen's molars with a stock copy booked at $1500 while a blue vinyl version will set you back a paltry $3000. And here it is sounded minty fresh. "Hold Me" by The Larks is equally lovely with a top vocal from Eugene Mumford. A welcome upping of the pace comes with The Four Knights and their R&B "That's The Way It's Gonna Be" (a bit rough on the audio though) and then back to pleaders from The Swallows and The Four Buddies. There can't be too many genre enthusiasts who don't hear The Orioles and get a bit weak at the knees – but actually better is the genius inclusion of "Let's Give Love Another Chance" by The Four Tunes where the velvet immaculate voice of Baritone William Best (who also doubled on Guitar) makes the song (this is seriously classy stuff).

Although the transfer is a little rough - I'm loving "The Last Of The Good Rocking Men" – a fantastic R&B shuffler very similar to "Sixty Minute Man" by The Dominoes only with Will 'Dub' Jones on Lead Vocals (the actual lead is the deep voiced Ellison White who used to be with The Wings Over Jordan Choir). What a find and I can completely understand its inclusion despite the crackle. "Rug Cutter" is a Duke Ellington cover by The Four Blazes sounding not unlike Louis Jordan and his Tympany Five – wickedly enjoyable. We then get a masterpiece of the genre and a flipside rarity – "Don't Be Angry" by The Sultans (written by Lead Vocalist Clyde Wright). On release it was hooked up with a faster "Blues At Dawn" on the A - but it's the B that draws gasps and I'm not surprised this beautiful pleader ("...don't be angry...let me stay") commands $800+ on the collector’s market. Love the witty R&B dancer "Can't Do Sixty No More" by The Du Droppers where our hero advises his woman that even though he loves her he can’t do that speed anymore...so a short thirty minutes will have to suffice (oh dear).

"Flame In My Heart" and "Serve Another Round" by The Checkers and The Five Keys are Vocal Group and R&B – even if the Five Keys track is a bit rough around the transfer edges. Time to dance with The Mel-O-Dots and The Dominoes who give us infectious boppers "One More Time" and "That's What You're Doing To Me" where Clyde tells us he's "...gonna rock...gonna roll..." - and who am I to disagree. The Five Sharps cut is very rough ("Stormy Weather") clearly dubbed from a worn disc - but the finisher is the wickedly cool and altogether better-sounding "Ting-A-Ling” by The Clovers On Atlantic. To sum up – a hugely enjoyable entry in the series of 15 with many standout moments – the kind of compilation enthusiasts will love.

Niggles - they're too expensive as singles discs and perhaps they should have been doubles because real collectors will have more than a few titles on offer here. Bear Family will argue 'but not in this sound quality or presentation' - and they'd have a point.

Presented to us with love and affection by a company that cares about forgotten voices that shouldn’t be forgotten. What a sweetheart of a compilation and another gold standard from Bear... 

"Street Corner Symphonies Volume 3: 1951" by VARIOUS ARTISTS (2012 Bear Family CD – Marcus Heumann Remasters) - A Review by Mark Barry...

"…Lemon Squeezing Daddy..."

Hot on the heels of their definitive "Blowing The Fuse" and "Sweet Soul Music" CD Series (15 volumes to each genre of R'n'B and Soul) comes Bear Family’s Vocal Group attack - 15 discs spanning 1939 to 1963. Volumes 1 to 10 hit the shops in May and October 2012 and the last five in the spring of 2013. And while critics will argue that Vocal Group music has already been done to death by Rhino (3 x 4CD Box Sets across the decades) and a mountain of other cheapo labels taking advantage of the 50-year copyright law - this is the first time someone reputable (other than Rhino) have had a go - and typically these German-issued Bear Family CDs are gorgeous in all the right places - presentation and audio. You get 32 tracks and a genre-expanding total playing time of 89:05 minutes – some kind of record I think. So let’s talk about 'The Glory Of Love' with our 'Lemon Squeezing Daddy'...if I might be so bold...

Released May 2012 in Germany - "Street Corner Symphonies Volume 3: 1951" by VARIOUS ARTISTS on Bear Family BCD 17281 AR (Barcode 4000127172815) breaks down as follows (I've provided American 78" catalogue numbers on all tracks – 89:05 minutes):

1. Sixty-Minute Man – THE DOMINOES (Federal 12022, A)

2. The Glory Of Love – THE FIVE KEYS (Aladdin 3099, A)

3. Sweet Slumber – THE FOUR BUDDIES (Savoy 779, A)

4. Don't You Know I Love You – THE CLOVERS (Atlantic 934, A)

5. Will You Be Mine – THE SWALLOWS (King 4458, A)

6. Baby Please Don't Go – THE ORIOLES (Jubilee 5065, A)

7. Gotta Find My Baby – THE RAVENS (Columbia 39194, A)

8. My Reverie – THE LARKS (Apollo 1184, A)

9. Shouldn't I Know? – THE CARDINALS (Atlantic 938, A)

10. Wine – THE HOLLYWOOD'S FOUR FLAMES (unique 003/Fidelity 3001, A)

11. Where Are You (Now That I Need You) – THE MELLO-MOODS with The Schubert Swanston Trio (Robin 105, A)

12. Who'll Be The Fool From Now On – THE MARSHALL BROTHERS (Savoy 825, A)

13. That's What The Good Book Says – BOBBY NUNN with The Robbins (Modern 807, B-side of "Rockin'")

14. I'm Afraid – BILLY BUNN and His Buddies (RCA Victor 20-4483, A)

15. Asking – THE CAP-TANS (Coral 65071)

16. Lemon Squeezing Daddy – THE SULTANS (Jubilee 5054, A)

17. Heartbreaker – THE HEARTBREAKERS (RCA Victor 20-4327, A)

18. My Dear – THE FOUR DOTS (Dot 1043, B-side of “You Won’t Le Me Go”)

19. Walkin' And Whistlin' Blues – THE FOUR KNIGHTS (Capitol 1707, A)

20. Little Small Town Girl (With The Big Town Dreams) – THE BLENDERS (Decca 27403, A)

21. I Guess You're Satisfied – THE VICTORIANS (Specialty 411, A)

22. I Gotta Go Now – THE RHYTHM KINGS with Isaac Royal & Orchestra (Apollo 1181, A)

23. Just In Case You Change Your Mind – THE 4 DEEP TONES (Coral 65061, A)

24. How Blind Can You Be – THE FALCONS featuring Goldie Boots (Regent 1041, A)

25. Give Me One More Chance – THE ROYALS (Apollo 434, A)

26. Honey Chile – THE DRIFTERS (Excelsior 1314, A)

27. I'll Try To Forget I Loved You – THE VARIETEERS (MGM 10888, A)

28. Rain Is The Teardrops Of Angels – KING ODOM FOUR (Derby 757, A)

29. Would I Mind – STEVE GIBSON and The Original Red Caps (RCA Victor 50-0138, A)

30. May That Day Never Came – THE FOUR TUNES (RCA Victor 2200131, A)

31. Fool, Fool, Fool – THE CLOVERS (Atlantic 944, A)

32. I Am With You – THE DOMINOES (Federal 12039, A)

The 82-page non-detachable booklet is a feast of indepth liner notes on each release by Grammy-winning writer and lifelong fan BILL DAHL. Let's put it this way - there's a 'Photo Captions' index on Page 78 that tells who's who in the black and white publicity shots that accompany most (not all) of the photos. It actually lists the singer's names  - who else but Bear would do this? The text is also peppered with pictures of those old American 78 and 45 labels like Columbia, Apollo, Unique, Robin, Savoy, Dot, RCA Victor, Excelsior, Coral, Regent and Specialty. There is an occasional other photo (a neon of The Robins at the Savoy Ballroom for gigs on the 2, 3 and 4 of July) and a trade advert (The Tingling Harmony of The Four Tunes). The CD repros the rare "Just In Case You Change Your Mind" by The 4 Deep Tones on Coral and the spine makes up a single photograph of the series name when you line up all 15 volumes alongside each other on a shelf. Long-standing and trusted names like Walter DeVenne, Nico Feuerbach, Victor Pearlin, Colin Escott and Billy Vera have been involved in the research - while Audio Engineer MARCUS HEUMANN did the superb mastering (some Disc/Metalpart transfers by Victor Pearlin and Lothar Blank). The sources (as you can imagine) differ wildly but to my ears the sound quality is improved on everything that I've heard before (including some of the Rhino box sets). The audio and presentation are top-class here (a norm for Bear Family)...

With a huge 32 tracks and a format-busting playing time of 89:05 minutes – you certainly can't accuse this CD of scrimping it. It opens with the sublime crossover smash "Sixty-Minute Man" by The Dominoes – one of the wittiest and sexiest of R 'n' B tunes that must have slayed them in the aisles back in the day – the girls screaming as Bill Brown advises them 'to come up and see old Dan' for his one-hour wonder session. We immediately melt into proper Vocal Group magic with the deep harmonies and warmth of "The Glory Of Love" where we "...got to cry a little...and laugh a little..." in order to appreciate the glories of being head-over-heels. We get further sappy sleepyhead with "Sweet Slumber" by The Four Buddies (sounding beautifully clear despite its age) while the slinky 'Don't You Know I Love You" shows why collectors adore the sheer class of The Clovers – surely one of Atlantic's best 50ts R&B acts. Uber rare and sounding awesome is "Will You Be Mine" by The Swallows featuring the sweet Lead of Eddie Rich joined half-way through by Norris 'Bunky' Mack. Perennial favourite of every bar-boogie band that's every existed – Joe Williams' "Baby Please Don't Go" gets a Vocal Group going over by The Orioles (and again sounds fabulous).

"...Well, well...I came home this morning just about the break of dawn...the house was empty...all the pillows was gone..." There can't be any genre lovers who don't get weak at the knees at the deep-as-an-ocean voice of Jimmy Ricks going at a jaunty R&B number backed by The Ravens – what a treat! You’re then hit with a double whammy of vocal-group loveliness - "My Reverie" from The Larks and "Shouldn’t I Know?" by The Cardinals – both sounding glorious and massively evocative of the age. We get boozy with The Hollywood's Four Flames on their drink some "Wine" dancer that is followed by the sombre echo of The Mello-Moods and their cautionary tale of love. Worse - The Marshall Brothers warn us that she may have "...found someone new..." - unforgiveable frankly.

Genius songwriters Jerry Lieber and Mike Stoller get their first ever record credit on the flipside of a Bobby Nunn 78" – "That's What The Good Book Says" – accompanied by The Robins (misspelt of the label as The Robbins). All the hallmarks of their witty rocking R&B is there – the irresistible rhythm and those great words hat just seem to roll off the tongue "...Noah was taking that brim and mixing it with wine...having himself a real crazy time..." It's followed by a gorgeous inclusion – "I'm Afraid" by Billy Bunn who's crying high falsetto was described by RCA Victor as their answer to Johnnie Ray – and on the strength of this wonderfully evocative smoocher – you have to say that RV weren't talking trash. Chimes lead in Sherman Buckner's unique vocal twinge on the weepy "I'm Asking" as he wonders what made his gal cry (his royalty cheques maybe) - only to have that innocence trounced by the decidedly fruity "Lemon Squeezing Daddy" from The Sultans where Clyde Wright tells us that out in California they grow big and round (whatever can that nice boy be talking about). Gorgeous Audio greets dear listeners for the genre-defining "Heartbreaker" by The Heartbreakers where you can just see five guys in matching suits standing under lampposts singing out their warning to all the ladies – "...I'm a heartbreaker from now on..." (many women in the district packed in relationships for good after this). Clearly dubbed from a very old Dot 78" - "My Dear" by The Four Dots is not just here for sheer rarity value - but because it’s a genuine lost beauty (you wish there was a better take of it).

But best track on the whole compilation may very well be the brilliant "Walkin' And Whistlin' Blues" - a cover of the Les Paul B-side to "How High The Moon" - also from 1951) that does what it says on the tin. You get footsteps acting as the backdrop while the voices go "ooh" throughout and then Lead Tenor Gene Alford starts whistling after his smooth as velvet lines. It's the kind of nugget that will surely turn in some hip TV program soon where a man with a Fedora or Pork-Pie Hat tips the rim at the camera before he shoots someone who deserves his comeuppance. As if "Walkin'..." isn’t sweet surprise enough – you're then hit with another gorgeous winner – the lovely and lilting "Little Small Town Girl (With The Big Town Dreams)" fronted by the beautiful voice of Ollie Jones of The Ravens (what a total peach - it's going on a CD compilation of mine right now). More R&B boppers come in the shape of the organ-driving "I Gotta Go Now" by The Rhythm Kings and "Honey Chile" by The Drifters. Rough transfers include the impossibly rare "I Guess You're Satisfied" (the Specialty 45 is pictured on Page 51) and "Just In Case You Change Your Mind" by The 4 Deep Tones. Final genius inclusion is the beautiful (almost Ink Spots feel to) "Rain Is The Teardrops Of Angels" by the unlikely sounding King Odom Four (what a sweetheart of a tune). Then it all ends on two winners fans will surely own already – "Fool, Fool, Fool" by Atlantic's The Clovers and "I Am With You" by The Dominoes with Clyde McPhatter warbling a goodun (both sounding better than anything I've had them on before)...

To sum up – I hadn't really expected to enjoy this 1951 instalment as much as I have but it's typical of these compilations – surprises and discoveries that floor you. Niggles - they're too expensive as singles discs and perhaps they should have been doubles because real collectors will have more than a few titles on offer here. But Bear Family will argue '...not in this sound quality or looking this good...' - and they'd have a point.

Presented to us with love and affection by an independent record company that cares about forgotten voices that shouldn’t be forgotten. What a sweetheart of a compilation and another gold standard from Bear...

"Street Corner Symphonies Volume 2: 1950" by VARIOUS ARTISTS (2012 Bear Family CD – Marcus Heumann Remasters) - A Review by Mark Barry...

"…If You See The Tears In My Eyes..."

Hot on the heels of their definitive "Blowing The Fuse" and "Sweet Soul Music" CD Series (15 volumes to each genre of R'n'B and Soul) comes Bear Family’s Vocal Group attack - 15 discs spanning 1939 to 1963. Volumes 1 to 10 hit the shops in May and October 2012 and the last five in the spring of 2013. And while critics will argue that Vocal Group music has already been done to death by Rhino (3 x 4CD Box Sets across the decades) and a mountain of other cheapo labels taking advantage of the 50-year copyright law - this is the first time someone reputable (other than Rhino) have had a go - and typically these German-issued Bear Family CDs are gorgeous in all the right places - presentation and audio. You get 30 tracks and a genre-expanding total playing time of 83:04 minutes. So let’s talk about a 'Cool Saturday Night' where you're so romantically enamoured with your gal that you'll practically beg the boss at the Fire Station to 'Chief, Turn The Hose On Me'...

Released May 2012 in Germany - "Street Corner Symphonies Volume 2: 1950" by VARIOUS ARTISTS on Bear Family BCD 17280 AR (Barcode 4000127172808) breaks down as follows (I've provided American 78" catalogue numbers on all tracks – 83:04 minutes):

1. Count Every Star – THE RAVENS (National 9111, A)

2. Turkey Hop, Part 1 – THE JOHNNY OTIS ORCHESTRA – Vocal By: The Robins (Savoy 732, A)

3. I'd Rather Be Wrong Than Blue – THE BEAVERS (Coral 65026, A)

4. Do Something For Me – THE DOMINOES (Federal 12001, A)

5. When You Come Back To Me – THE CLOVERS (Rainbow 122, B-side to "Yes Sir, That’s My Baby")

6. Chief, Turn The Hose On Me – THE CAP-TANS (Dot 1018, A)

7. If You See The Tears In My Eyes – THE DELTA RHYTHM BOYS (Atlantic 900, A)

8. At Night – THE ORIOLES (Jubilee 5025, A)

9. Jumping Jack – THE THREE RIFFS (Apollo 1164, A)

10. I'll Never Love Anyone Else – STEVE GIBSON and The Red Caps (Mercury 5380, A)

11. I've Got No Time – THE WHISPERS (Apollo 1156, A)

12. I Will Wait – THE FOUR BUDDIES (Savoy 769, A)

13. Old Fashioned Love – THE FOUR TUNES (RCA Victor 22-0085, A)

14. Cool Saturday Night – THE STRIDERS (Apollo 1159, A)

15. Do You Love Me – THE CATS and THE FIDDLE (Gotham 239, A)

16. I Don't Mind Being All Alone – THE COLEMANS (Regal 3297, A)

17. Gone (My Baby’s Gone) – THE BLENDERS (Decca 48156, A)

18. I’ll Never, Never Let You Go – THE SHADOWS (Sittin' In With 583, A)

19. She's Gone – THE DOZIER BOYS (Aristocrat 409, A)

20. As Long As I Live – THE FOUR BLUES (Apollo 1160, A)

21. I Don't Have To Ride No More – THE RAVENS (National 9101, A)

22. Mr. Blues – THE MASTERKEYS (Abbey 3017, A)

23. Please Believe In Me – THE CAROLS (Columbia 30210, A)

24. Nevertheless – THE MILLS BROTHERS (Decca 27253, A)

25. My Heart Cries For You – THE 5 LARKS (Apollo 1177, A)

26. Young Girl – THE FLAMES (Selective 113, A)

27. Who Is There To Blame – THE FOUR ACES (4 Star 1408, A)

28. Love Come Back To Me – KING ODOM FOUR (Derby 736, A)

29. Rival Blues – THE RIVALS (Apollo 1166, A)

30. A Dream Is A Wish Your Heart Makes – THE JUBALAIRES (Capitol 845, A)

The 82-page non-detachable booklet is a feast of indepth liner notes on each release by Grammy-winning writer and lifelong fan BILL DAHL. Let's put it this way - there's a 'Photo Captions' index on Page 78 that tells who's who in the black and white publicity shots that accompany most (not all) of the photos. It actually lists the singer's names  - who else but Bear would do this? The text is also peppered with pictures of those old American 78s like Savoy, Derby, Apollo, Abbey, National, Sittin’ In With, Rainbow and Dot and a solitary advert poster for The Cats And The Fiddle. The CD repros the rare "Turkey Hop, Part 1" by The Johnny Otis Orchestra on Savoy and the spine makes up a single photograph of the series name when you line up all 15 volumes alongside each other on a shelf. Long-standing and trusted names like Walter DeVenne, Nico Feuerbach, Victor Pearlin, Colin Escott and Billy Vera have been involved in the research - while Audio Engineer MARCUS HEUMANN did the superb mastering (some Disc/Metalpart transfers by Victor Pearlin and Lothar Blank). The sources (as you can imagine) differ wildly but to my ears the sound quality is improved on everything that I've heard before (including some of the Rhino box sets). The audio and presentation are top-class here (a norm for Bear Family)...

With a huge 30 tracks and a format-busting playing time of 83:04 minutes – you certainly can't accuse this CD of scrimping it. 1950 opens with the "...Da Da Dum..." of "Count Every Star" by The Ravens - the stunning vocals of Louis Heywood out front instead of Jimmy Ricks who provided the Bass lines (classy NYC vocal group sounding gorgeous too). We up a gear for "Turkey Hop" with its R&B shuffle – Bobby Nunn giving it some Bass while the band saxophone shimmies through the later half of this excellent shuffler. Clearly dubbed from a 78" – the audio on the lovely "I'd Rather Be Wrong Than Blue" is still amazing – featuring a beautiful central tenor vocal from Freddy Hamilton that gives us "...you make me tick...you make me tock...just like my grandfather's clock..." Clyde McPhatter sails out of your speakers for "Do Something For Me" while the rest of The Dominoes give it some classy "ooh" in the background. Uber rare flipside "When You Come Back To Me" by The Clovers is a million miles away from their usual rocking Atlantic Records fare – it features the high as a steeple vocals of Johnny 'Buddy' Bailey and came out on the tiny independent Rainbow Records – hardly surprising then that its ballad magic is booked at a cool $1,500. Lead Tenor Sherman Buckner of The Cap-Tan's wants an immediate watering down in "Chief, Turn The Hose On Me" because he’s developed a temperature of 1000 degrees since he kissed his baby (methinks she’s hot).

Old-fashioned harmonies dominate two lovelies in a row – "If You See The Tears In My Eyes" by The Delta Rhythm Boys and "At Night" by The Orioles – both emotionally hopeless pleaders. Time to bop when The Three Rifts want you to do the "Jumping Jack" – and irresistible saxophones and piano boogie will make sure you comply. Worse sounding track has to be "I'll Never Love Anyone Else" by Steve Gibson & The Red Caps clearly taken from a wrecked disc – but it's so rarely ever heard – inclusion is a clever choice. The audio immediately leaps into the startling with "I've Got No Time" by The Whispers where the unknown Lead Vocalist sounds like Brook Benton in full-on wooing mode (what a lovely tune). More audio excellence follows in the charming and innocent "I Will Wait" by The Four Buddies where Leon 'Larry' Harrison puts in a stunning vocal backed by the "oohs and aahs" of his singing pals and a simple guitar (a brilliant choice by the compilers).

Impossible romantic yet not cloying in any way – the gorgeous "Old Fashioned Love" by The Four Tunes is wonderful stuff up until they inexplicably punch up the pace to fast half way through it and ruin the loving vibe created in the first half. The chant of "Ping, ping, ping..." time opens "Cool Saturday Night" where the weather is not on the minds of The Striders - pining like muppets in a local park for their gals. Rough transfer for "I Don't Mind Being All Alone" by The Colemans (still a pretty song though) while romance dominates "I'll Never, Never Let You Go" by The Shadows and the swooning "As Long As I Live" by The Four Blues where the Lead Vocalist assures us that "...love sees with the heart and not the mind..." (so he ain't going nowhere). "...Daddy why should you roam...when everything you want is right here at home..." sings Jimmy Ricks in the saucy "I Don't Have To Ride No More" by The Ravens (I hope that boy’s listening). More bopping fun comes in the shape of "Mr. Blues" by The Masterkeys where the group want Mister Blues to come back and Hucklebuck some more (and shout too if he feels up to it).

Undiluted genius arrives with The Mills Brothers (a colour photo of them adorns Page 57) and a beautifully transferred "Nevertheless" where they croon those immortal opening lines "...Maybe I'm right and maybe I'm wrong and maybe I'm weak and maybe I'm strong...but nevertheless I'm in love with you..." The audio on this truly lovely song is reference – congrats to all involved. And on it goes with more crooners in "Young Girl" by The Flames, "Who Is There To Blame" by The Four Aces and "Lover Come Back To Me" by King Odom Four. It has to be said that the last few cuts mentioned and "Rival Blues" by The Rivals that follows them are all dubbed from badly worn discs – so don't expect miracles on the Audio front. It ends on a real high though - a wistful winner from The Jubalaires called "A Dream Is A Wish Your Heart Makes" where the boys happily advise all to "...have faith in your dreams...and your rainbow will come smiling through..." - I say amen to that.

To sum up – 1950 seemed to be dominated by smoochers and pleaders telling us of their undying fidelity and commitment so this is probably the most out-and-out 'romantic' compilation in the series so far. By the time you get to 1951 and onwards - lewd naughtiness and rambunctious behaviour was creeping in and people were having more fun (thank Gawd). Having said that - the run is broken up nicely with just enough fun R&B dancers to make it enjoyable – even if some of those transfers are rough. Niggles - they're too expensive as singles discs and perhaps they should have been doubles because real collectors will have more than a few titles on offer here. But Bear Family will argue '...not in this sound quality or looking this good...' - and they'd have a point.

Presented to us with love and affection by an independent record company that cares about forgotten voices that shouldn’t be forgotten. What a sweetheart of a compilation and another gold standard from Bear...

"Groovin' The Blues" by VARIOUS ARTISTS (2016 Bear Family CD Remasters) - A Review by Mark Barry...

"...Got A Key To The Highway...Goin' Back Home..." 

On Page 34 of this very cool Fifties Rhythm 'n' Blues CD there's the eye-catching cover shot of Atlanta's Zilla May distracting comedian Al Jackson with her 'shapely charms' and 'torso tossing' at the Royal Peacock Club. Full of fun, hip-shaking naughtiness and good time music – it visually sums up this first of two barnstorming CD reissues from Bear Family for RCA's 'Groove' label - "Groovin' The Blues" and "Rockin' The Groove". And I'm lovin' both big time...

RCA Victor's major label response to the dominance of the R&B genre by driven-independents like Atlantic, Modern and King Records was the fondly remembered but unfairly forgotten 'Groove' label inaugurated in February 1954. As a major player in the field - RCA had had a long and prestigious history with their 'Bluebird' imprint - pumping out pre-War Blues 78’s since 1932 that featured huge and influential names like Memphis Minnie, Big Bill Broonzy, Lil Green and Arthur 'Big Boy' Crudup (to name but a few) - Groove was their attempt to take a new share of the burgeoning 45 marketplace.

Now with access to their vaults via a deal with SONY – BF have formulated two jam-packed compilations to celebrate Groove Records - "Groovin' The Blues" on Bear Family BCD 17411 (Barcode 5397102174117) and "Rockin' The Groove" on Bear Family BCD 17412 (Barcode 5397102174124). Both are released February 2016 and come stuffed to the gunnels with tasty unreleased tracks, gorgeous 80-minute-plus Remasters from award-winning Audio Engineer MARCUS HEUMANN and 60-page booklets courtesy of one of the best genre chroniclers in the business - BILL DAHL. There's a heap of mess to get through...so...

UK and Europe released February 2016 - "Groovin' The Blues: When Groove Was More Than Just A Habit" by VARIOUS ARTISTS on Bear Family BCD 17411 (Barcode 5397102174117) is a 33-track single CD compilation (13 of which are Previously Unreleased) with an attached 59-page booklet and plays out as follows (84:25 minutes, all tracks Mono):

1. SONNY TERRY - Lost Jawbone (1954 USA 7" single on Groove 4G-0015, A - see 6 for B-side)

2. COUSIN LEROY (Leroy Rozier) - Goin' Back Home (1955 USA 7" single on Groove 4G-0123, A - see 19 for B-side)

3. CHAMPION JACK DUPREE - The Ups (September 1956 RCA Victor recording - PREVIOUSLY UNRELEASED)

4. BUDDY LUCAS - No Dice (1954 USA 7" single on Groove 4G-0030, A, Instrumental)

5. SUE ALLEN and OSCAR BLACK - Hold Me Baby (1954 USA 7" single on Groove 4G-0012, B-side of "I'll Get By")

6. SONNY TERRY - Louise (1954 USA 7" single on Groove 4G-0015, B - see 1 for A-side)

7. CLAYTON LOVE - Love Blues (May/June 1956 Recording - PREVIOUSLY UNRELEASED)

8. MAYMIE WATTS - There Goes That Train (1955 USA 7" single on Groove 4G-0103, A)

9. BIG TINY KENNEDY - 'Taint Right (1955 USA 7" single on Groove 4G-0133, A)

10. LITTLE TOMMY BROWN - Don't Leave Me (1955 USA 7" single on Groove 4G-0132, A - see 26 for B-side)

11. COUSIN LEROY (Leroy Rozier) - 41 Highway (July 1955 RCA Victor recording - PREVIOUSLY UNRELEASED)

12. SONNY TERRY - Tell Me Baby (September 1955 RCA Victor instrumental recording - PREVIOUSLY UNRELEASED)

13. BUDDY LUCAS - I Got Drunk (1954 USA 7" single on Groove 4G-0003, A)

14. ZILLA MAYS - Romance In The Dark (October 1955 recording - PREVIOUSLY UNRELEASED)

15. BIG TINY KENNEDY - I Need A Good Woman (1955 USA 7" single on Groove 4G-0106, A)

16. OSCAR BLACK - What Makes Me Love You So (August 1956 RCA Victor recording - PREVIOUSLY UNRELEASED)

17. SONNY TERRY - Hootin' Blues No. 2 (1955 USA 7" single on Groove 4G-0135, A)

18. THE DU-DROPPERS - You've Been Good To Everybody (March 1954 RCA Victor recording - PREVIOUSLY UNRELEASED)

19. COUSIN LEROY (Leroy Rozier) - Catfish (1955 USA 7" single on Groove 4G-0123, B-side - see 2 for A)

20. BEATRICE READING - Beantown Boogie (May 1954 RCA Victor recording - PREVIOUSLY UNRELEASED)

21. COUSIN LEROY - Lonesome Bedroom (July 1955 RCA Victor recording - PREVIOUSLY UNRELEASED)

22. CHAMPION JACK DUPREE - Lonely Road Blues (1956 USA 7" single on Groove 4G-0171, A)

23. SONNY TERRY - Throw This Old Dog A Bone (November 1955 RCA Victor recording - PREVIOUSLY UNRELEASED)

24. BUDDY LUCAS (Amelia Stewart Lead Vocal) - I Need Help (1954 USA 7" single on Groove 4G-0006, A)

25. SONNY TERRY - I Took You In Baby (February 1954 RCA Victor recording - PREVIOUSLY UNRELEASED)

26. LITTLE TOMMY BROWN - Won't You Forgive Me (1955 USA 7" single on Groove 4G-0132, B-side of "Please Don't Leave" - for A see 10)

27. CHAMPION JACK DUPREE - Story Of My Life (September 1956 RCA Victor recording - PREVIOUSLY UNRELEASED)

28. BEATRICE READING - I Wash My Hands (1954 USA 7" single on Groove 4G-0022, B-side of "Little Things Mean A Lot")

29. OSCAR BLACK and SUE ALLEN - I'll Live My Life Alone (1955 USA 7" single on Groove 4G-0115, A)

30. SONNY TERRY - Juice Head Woman (February 1954 RCA Victor recording - PREVIOUSLY UNRELEASED)

31. SONNY BROOKS - Sentimental Blues (1954 USA 7" single on Groove 4G-0027, B-side of "Champ Ale")

32. OSCAR BLACK - Into Each Heart (Some Tears Must Fall) (1956 USA 7" single on Groove 4G-0168, A)

33. BIG CONNIE - Wait Till Next Year, Baby (1956 USA 7" single on Groove 4G-0142, B-side of "Mumble Blues")

NOTES: Tracks 3, 7, 11, 12, 14, 16, 18, 20, 21, 23, 25, 27 and 30 are PREVIOUSLY UNRELEASED

Produced by DANNY KESSLER and BOB ROLONTZ - the card digipak for "Groovin' The Blues" has a beautiful 59-page booklet attached to the centre with Artist-By-Artist biographies in Alphabetical Order from renowned genre authority BILL DAHL. As well as a newly researched Discography (Pages 45 to 57) - in-between the wall-to-wall factoids are quality black and white publicity photos of each artist as well as repros of rare trade adverts. It's both visually gorgeous and a great read about lesser-heard names in R 'n' B. A trio of trusted names carried the great-sounding transfers - RON SANTOS and BILL DAHL (Tape Research and Comparison) with final Mastering done by MARCUS HEUMANN - a name I've raved about before. Despite the massive playing time (nearly eighty-five minutes) - it Rocks and Rolls and pleases in every way.

Last time I visited the 'Groove' label was on reissue vinyl - "Groove Jumping" on the UK's De-Tour Records DT 33003 in 1984 and the follow up compilation 'Still Groove Jumping" on De-Tour DT 33006 in 1987. I used to twirl them along with all those Edsel and Charly R&B reissues and theta sense of fun is back. It's hard to imagine why something as witty and catchy as "The Ups" by Champion Jack Dupree could remain unreleased - Champion talking out his daily 'ups and down' while Teddy 'The Bear' McRae answers his protestations about his baby's mean lowdown ways with a growling voice. It's a blast and is typical of this compilation. Instrumentals come at you in the shape of Sonny terry's Harmonica groover "Lost Jawbone" and the guitar driver "No Dice" from Buddy Lucas. Some of the tracks have a very homemade vibe like Sue Allen and Oscar Black's "Hold Me Baby" - a very rare and early 45 on the label - and Clayton Love - where the whole band sound like their literally going to drown in the sea of "Love Blues" they're singing about.

A genius discovery is the rasp and 'meow' of Maymie Watts giving it some seriously great Big Maybelle/Little Esther ache on "There Goes That Train" where some willowy strumpet has stolen her man and bunked on the 12:15. Big Tiny Kennedy sits down and drinks a cup of coffee to ease his aching head and warns that if his baby doesn't start 'treating him right' - this snake might have to bite back (oh dear). The mock weeping of Little Tommy Brown throughout the whole of "Please Don't Leave Me" will probably make you laugh out loud instead of empathise with this clearly deranged sucker (I can't imagine how many takes it took to get this down – it’s bloody funny anyway). Another witty winner is "I Got Drunk" where Buddy Lucas gets loaded and name checks more drink types than there are Juke Joints in Memphis. Sauciness is never far from the surface and the truly fabulous ZILLA MAYS (the gal gracing the cover) gives it some 'touch my lips' on the wonderful piano-stroller "Romance In The Dark" where she urges her man to explore more than rhythms as they dance. Zilla's previously unreleased cover version of Lil Green and Big Bill Broonzy's song was recorded October 1955 at RCA Victor's studios with both Mickey Baker on guitar and Sam 'The Man' Taylor on Saxophone and is one of many highlights on "Groovin' The Blues". The B-side "Right Now" of her officially released lone 45 on Groove (Groove 4G-0127) along with a Previously Unreleased track feature on the companion volume "Rockin' The Groove" (I wish they was more photos of Zilla May - she passed in 1995 after a lifetime in music).

Seriously great slide-guitar boogie comes in the shapely form of "I Need A Good Woman" from Big Tiny Kennedy - immeasurably improved by the fretwork of McHouston 'Mickey' Baker (pictured in colour in the Discography on Page 54). DJs will dig the brass bopper "What Makes Me Love You So" by Oscar Black where he asks what makes a man do the things he does for his 'little girl' (let me take a year to explain buddy). And they'll also be able to use "Beantown Boogie" by Beatrice Redding - a shuffler with a fun vocal. Rock History has always had a special place for "Catfish" - a version of Robert Petway's "Catfish Blues" done here by Cousin Leroy (Leroy Crozier) and naughtily listed as co-penned by Champion Jack Dupree's wife Lucille (check out the blistering Jimi Hendrix version on the CD compilation "Blues" or Rory Gallagher's Taste from "Live At The Isle Of Wight). Lucille also penned the unreleased "Lonesome Bedroom" for Cousin Leroy - a half-decent bopper with Larry Dale on Guitar and her hubby Champion Jack on Piano.

Sonny Terry begs his lady throughout a Harmonica shuffle to please "Throw This Old Dog A Bone" - but I think she's done cooking our hero breakfast even if he is on his knees howling like a hound towards the end. Almeta Stewart fronts a fabulous vocal for Saxophonist Buddy Lucas as she pleads "I Need Help" and should have received dual credit on the 45-label (she makes the song). Champion Jack Dupree gives us spoken advice on his 'lowdown and dirty' mistreatment by friends who used to turn up in Cadillacs - but now that his spondulicks have gone – so have his so-called friends. The big and sassy Beatrice Reading (great photo of her on Page 37) fairs no better on the B-side "I Wash My Hands" where she cries out convincingly that she's done with all things 'concerning love'. Sonny Brooks does his best Johnny Ray impression with the soppy "Sentimental Blues" - while the CD ends on a bopping winner from Big Connie who finds that the lady friend in his '56 Ford wants him to "Wait Till Next Year, Baby" and having spent all his dough and taken all that lip all night long – the Big C is none too pleased (boo hoo). What a great listen this whole CD is. 

It's a measure of "Groovin' The Blues" that I can't wait to rip open the shrink-wrap of "Rockin' The Groove" which arrived this morning too. 

Beautifully done, superbly presented and sounding as eager as Saturday Night at the Apollo - Bear Family have done it again. A shoe-in for Rhythm 'n' Blues 'Reissue Of The Year' 2016...