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Showing posts with label Repertoire Records. Show all posts
Showing posts with label Repertoire Records. Show all posts

Friday 8 January 2010

“Rockpile” by DAVE EDMUNDS (2001 Repertoire 'Expanded Edition' CD Remaster) - A Review by Mark Barry...





"…Dancing And Humming…A Rock'n'Roll Melody…"

This September 2001 Expanded CD gives us all 10 tracks of Dave Edmund's rare debut album "Rockpile" from 1972 and bolsters it up with the A&B sides of 3 singles that preceded its release. Repertoire REP 4966 (Barcode 4009910496626) breaks down as follows (50:54 minutes):

1. Down Down Down [written by Trevor Burton of The Move]
2. I Hear You Knocking [Stereo Album Version] [written by Dave Bartholomew and Pearl King, a Smiley Lewis cover]
3. Hell Of A Pain [written by Dave Edmunds]
4. It Ain't Easy [written by Ron Davies, a Nashville songwriter. It was covered also by Three Dog Night, David Bowie (on "Ziggy") and Long John Baldry. Baldry even named an album after the song in 1971 (UK Warner Brothers K 46088) - his version of the track was produced on that album by Rod Stewart and featured both Ron Wood of the Rolling Stones on Guitar and Maggie Bell of Stone The Crows on Backing Vocals]
5. The Promised Land [written by Chuck Berry]
6. Dance, Dance, Dance [written by Neil Young]
7. (I'm A) Lover Not A Fighter [mistakenly credited to Collier - it was written by Jay D Miller, a Louisiana record producer who first gave the song to Lazy Lester; it was released by Lester in 1958 on Excello Records 2143. The Kinks also covered it on their 1964 debut LP (correctly credited to Miller). Dave Edmunds' cover of the song combines elements of both versions]
8. Egg Or The Hen [written by Willie Dixon, a Koko Taylor cover]
9. Sweet Little Rock & Roller [written by Chuck Berry] (lyrics featured above)
10. Outlaw Blues [written by Bob Dylan]

Tracks 1 to 10 make up the album "Rockpile" issued June 1972 in the UK on Regal Zonophone SLRZ 1026 and on London/Mam Records MAM-3 in the USA

11. I Hear You Knocking [7" Single Mix]
12. Black Bill [An Instrumental written by Dave Edmunds]
Tracks 11 and 12 are the A&B of his first solo single issued October 1970 in the UK on Mam Records MAM 1 [Mono] (reached Number 1 in the charts). Its US issue was on Mam 45-3601.

13. I'm Coming Home [cover of a Traditional Stephen Foster song called "Old Black Joe" reworded and reworked by Jerry Lee Lewis]
14. Country Roll [written by Dave Edmunds]
Tracks 13 and 14 are the A&B of his second solo single issued March 1971 on Regal Zonophone RZ 3032 [Stereo]. Its US issue was on Mam 45-3608.

15. Blue Monday [written by Dave Bartholomew and Fats Domino]
16. I'll Get Along [written by John Williams, the Bass Player]
Tracks 15 and 16 are the A&B of his third solo single issued July 1971 on Regal Zonophone on RZ 3037 [Mono]. Its US issue was on Mam 45-3611.

(NOTE: Tracks 1 and 4, "Down Down Down" b/w "It Ain't Easy", were also issued as a 4th UK 7" single in July 1972 on Regal Zonophone RZ 3059. Tracks 11 to 16 were all non-album at the time of their release)

The musicians on "Rockpile" were:
Lead Guitar, Keyboards & Lead Vocals - DAVE EDMUNDS [Love Sculpture]
Second Guitar & Drums - ANDY FAIRWEATHER-LOW [Amen Corner]
Pedal Steel Guitar - B.J. COLE
Bass & Backing Vocals - JOHN WILLIAMS
Drums - TERRY WILLIAMS

The inner flap of the gatefold card digipak pictures 4 rare 7" picture sleeves while the 8-page liner notes feature an affectionate and expertly written history on the album by long-time Decca associate JOHN TRACY. John has done huge numbers of acclaimed liner notes for early Decca and Deram CDs - Thin Lizzy, Savoy Brown, Ten Years After etc.

The great news is the quality of the remaster - the tracks are wonderfully clear and full; there is some minor hiss on the MONO single mixes, but not too bad to make them a chore to listen to.

As you can see from the detailed track breakdown above, the album is top-heavy on cover versions, particularly those songs that have a rhythm 'n' blues or rock 'n' roll feel to them - Edmunds beloved field of expertise. "The Promised Land" was recorded in the summer of 1966 - and I suspect it wasn't re-recorded precisely because this version has that all-important `feel' to it. His version of Dylan's "Outlaw Blues" (from "Bringing It All Back Home") is a fantastic way to end the album.

In the near two decades that I've been mail-ordering rare records, this album on original UK Regal Zonophone vinyl has turned up maybe twice in decent condition - so it's a blast to have it finally reissued - and sounding so good too.


I've always loved Dave Edmunds and his particular slant on Rock 'n' Roll - a modern version of an old sound - filtered by a soul still enamoured with those glorious old 45s. A great little CD set really and heartily recommended…


This review is part of my SOUNDS GOOD Music Book Series. One of those titles is CLASSIC 1970s ROCK - an E-Book with over 245 entries and 2100 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap). 

Thursday 18 September 2008

"C.C.S. II" by C.C.S. [feat Alexis Korner, 2nd LP from 1972] (2000 Repertoire 'Expanded Edition' CD Remaster in Artwork-Repro Digipak) - A Review by Mark Barry...





"…Don't Give Me No Jive Talk Brother…"

CCS or C.C.S. (short for COLLECTIVE CONSCIOUSNESS SOCIETY) made 3 studio albums and 7 singles for Mickie Most's RAK Records in the UK in the early Seventies, before the band finally split up in late 1973.  This fantastically clear-sounding Repertoire CD from 2000 is the second of those three albums - supplemented with two rare and desirable B-sides as bonus tracks.

The CD digipak mimics the album's original single sleeve artwork front and rear (the 1st album - the red covered one - was a gatefold) and has an 8-page booklet with a CHRIS WELCH essay on the LP and the band's history. The original British pressing of their second album actually calls the LP simply "C.C.S." like the debut - but Repertoire have called it 'II' to avoid confusion with the first album from 1970 (also reviewed).

Released April 2000 (reissued June 2002) - "C.C.S. II" by C.C.S on Repertoire REP 4852 (Barcode 4009910485224) is an 'Expanded Edition' CD Remaster that plays out as follows (51:34 minutes):

1. Brother
2. Black Dog
3. I Want You Back
4. Running Out Of Sky (Sky Diver)
5. Whole Lotta Rock And Roll
(a) School Day (b) Lucille (c) Long Tall Sally (d) Whole Lotta Love
6. Chaos/Can’t We Ever get It Back [Side 2]
7. This Is My Life
8. Misunderstood
9. Maggie's Song
10. City
Tracks 1 to 10 are their 2nd album - which as well as their 1970 debut - was simply called "CCS" on the original vinyl LP. Here it's called CCS II for CD purposes. It was originally released in April 1972 on Rak Records SRAK 503 and on the strength of the March 1972 UK 7" single "Brother" - the album charted at 23 - the only one of their three LPs to break the Top 50. Great sleeve too.

Tracks 11 and 12 are the bonus tracks:
11 is "Mister What You Can't Have" which is the non-album B-side to "Brother" on RAK 126 (it's a John Cameron original - great fun track)
12 is "Sixteen Tons" which is the non-album A-side of RAK 141 issued in 1972. Its B-side is the Peter Thorup original "This Is My Life" - it's Track 7 on the album. However, the single version is shorter and different. It has Thorup vocals only, while the album version includes both Thorup and Korner. If you want the single mix (unfortunately not included here), it's on the superb EMI CD "A's B's & Rarities" which also sports 2 previously unreleased CCS tracks not on any of these Repertoire issues. Well worth seeking out that. Back to the A though. I've always thought CCS's version of "Sixteen Tons" to be one of 'the' great lost Seventies gems - and for soul boys looking for a funky rock track to fill out that cool 70's CD-R, this is the place to look. It's a cover version of the Tennessee Ernie Ford 1950's classic which was followed quickly by a PLATTERS version - this fabulous take on the famous 'shoveling coal' song borrows a bit from both and it's a song that whenever we play it in the shop, has customers coming to the counter asking "who's this, who's this?"

The huge ensemble group CCS was the brain-child of British Blues Boom Godfather ALEXIS KORNER who along with Danish singer PETER THORUP and British arranger JOHN CAMERON pulled together the cream of brass/flute-playing session-men of the time and went after the BLOOD, SWEAT & TEARS market for funked-up rock. Deciding right from the start to include cover versions ala B, S & T, they did a fantastic brassed-up take on Led Zeppelin's "Whole Lotta Love" that not only complimented the original, but also defined that "CCS" sound. So when the new BBC pop program "Top Of The Pops" needed a cool new theme song, they took this winner from their 1970 debut album, dropped the flute intro and the vocal middle and end - and a theme song legend was born. That mixture of cover-versions given the CCS treatment alongside JOHN CAMERON and ALEXIS KORNER originals continued on this LP. "Black Dog" is another Zeppelin cover from IV, "I Want You Back" was made famous by The Congregation and The Jackson 5 - while the "Whole Lotta Rock 'n' Roll" track is a 5-part medley of Chuck Berry, Little Richard and a reprise of Zeppelin's "Whole Lotta Love".

But the best bit is the SOUND. Repertoire re-issues are always good in my book, but this licensed-from-EMI remaster is exceptional. I'd expected wads of hiss, but the transfers are very clean - and given the amount of brass coming at you, muscular to a point where you have to sometimes reach for the volume control! A really great job done for a criminally forgotten album (lyrics from “Brother - the opening track on Side 1 of the LP - provide the title of this review).

When C.C.S. folded, both Korner and Thorup teamed up with King Crimson's BOZ BURRELL and IAN WALLACE to form SNAPE who issued some albums in Europe that were good too. But my heart is with the fab C.C.S. Highly recommended to those who love their Seventies with a bit of balls and a sense of humour.

PS:
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For those who want more, their 1st album from 1970 (also called "CCS" on vinyl - "CCS Vol.1" for CD purposes) is also available in this series - as is their 3rd and last album from 1973, "The Best Band In The Land". I've bought the other two also - and remastered with bonus tracks - they're the business too. I've also extensively reviewed Esoteric Recordings "Tap Turns On The Water: The C.C.S. Story" 2CD Anthology from 2013 which has equally stupendous audio quality...

Wednesday 20 August 2008

"C.C.S." by C.C.S. [feat Alexis Korner] (2000 Repertoire 'Expanded Edition' CD Remaster in Artwork-Repro Digipak) - A Review by Mark Barry...




"…Spin Your Threads…Spider Of Forgetfulness…"

C.C.S. (short for COLLECTIVE CONSCIOUSNESS SOCIETY) made 3 studio albums and 7 singles for Mickie Most's RAK Records in the early Seventies, before the band finally split up in late 1973.

This fantastically clear-sounding Repertoire CD is the first of those three - their self-titled debut album remastered and supplemented with four relevant bonus tracks. The Digipak on this 'Expanded Edition' Reissue/Remaster CD mimics the album's original laminate gatefold artwork (a nice touch) and has an 8-page booklet with a CHRIS WELCH essay on the LP and the band's history. Here's a 'whole lotta love'...

Released April 2000 (reissued June 2002) - "C.C.S." by C.C.S on Repertoire REP 4851 (Barcode 4009910485125) is an 'Expanded Edition' CD Remaster in a Card Digipak and plays out as follows (54:34 minutes):

1. Boom Boom
2. (I Can't Get No) Satisfaction
3. Waiting Song
4. Looking For Fun
5. Whole Lotta Love
6. Living In The Past [Side 2]
7. Sunrise
8. Dos Cantos
9. Wade In The Water
Tracks 1 to 9 are the debut album "C.C.S." by C.C.S. - originally released October 1970 on Rak Records SRAK 6751 in the UK and issued later as "Whole Lotta Love" in the USA on Rak 30559 in April 1971

BONUS TRACKS (Non-Album Singles):
10. Walking
11. Salome
Tracks 10 and 11 UK issued February 1971 on RAK Records RAK 109 as a stand-alone 7" single. "Walking" is a DONOVAN cover version while "Salome" is a John Cameron and Alexis Korner original.
12. Tap Turns On The Water
13. Save The World
Tracks 12 and 13 UK issued August 1971 on RAK Records RAK 119 as a stand-alone 7" single. Both songs are Korner/Cameron originals.

The huge ensemble group was the brain-child of British Blues Boom Godfather ALEXIS KORNER who along with Danish singer PETER THORUP and British arranger JOHN CAMERON pulled together the cream of brass/flute-playing session-men of the time and went after the BLOOD, SWEAT & TEARS market for funked-up rock. Mickie Most's timing couldn't have been better. Deciding right from the start to include cover versions ala B, S & T, they did a fantastic brassed-up take on Led Zeppelin's "Whole Lotta Love" that not only complimented the original, but also defined that "CCS" sound. So when the new BBC pop program "Top Of The Pops" needed a cool new theme song, they took this winner, dropped the flute intro and the vocal middle and end - and a theme song legend was born.

Even now, I can remember vividly as a budding teenager watching Top Of The Pops on a Thursday night (for what seemed literally like years) and when that theme came on, a rush went through your veins! I dare say that experience was repeated all across the land and it's probably one of the reasons why CCS is held in such affection to this day. "Whole Lotta Love" came before "Walking" as their 1st 7" single issued in October 1970 on RAK 104 with their cover of John Lee Hooker's "Boom Boom" on the B-side (both tracks are on the debut LP).

But the best bit is the SOUND. Repertoire re-issues are always good in my book, but this licensed-from-EMI remaster is exceptional. I'd expected wads of hiss, but the transfers are very clean - and given the amount of brass coming at you, muscular to a point where you have to sometimes reach for the volume control! Plus what also impresses is that there are a lot of quiet patches in between all the musical bluster in the songs and they sound lovely too - a really great job done.

Musically the album itself has been a treasure trove to me - the structure of the songs being complicated and therefore bear repeated listening and discovery. While I'm not overly mad about Thorup's vocals to be truthful, the gravel voice-over wonder that was Alexis Korner's larynx will always send a chill up my spine. A sadly, sadly missed man and God bless him wherever he may be. Their stabs at covers of Jethro Tull's "Living In The Past", The Stones' "Satisfaction" and John Lee Hooker's magical stop-start "Boom Boom" all impress - as does the swagger of the Traditional "Wade In The Water". Originals like "Waiting Song" "Lookin' For Fun" and "Sunrise" are superb too. But I've always loved "Dos Cantos" - an 8-minutes passage of pure C.C.S. melodrama and fun (lyrics from it title this review) - Korner's lyrics and menacing voice rattling around the speakers like some uncle you both love and don't trust!

When C.C.S folded, both Korner and Thorup teamed up with King Crimson's BOZ BURRELL and IAN WALLACE to form SNAPE who issued some albums in Europe. But my heart is with the fab C.C.S. on RAK Records. I’m biased of course because I've loved their albums since I was knee-high and I can say with certainty that this re-issue and its great remaster is superlative and highly recommended to those who love their Seventies Rock with a bit of balls and a sense of humour…

PS:
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For those who want more, their second album from 1972 also called "C.C.S." on the original vinyl (CCS II for CD purposes) is also available in this series - as is their 3rd and last album from 1973, "The Best Band In The Land". I've bought the other two also - and remastered with bonus tracks - they're the business too. I've also extensively reviewed Esoteric Recordings "Tap Turns On The Water: The C.C.S. Story" 2CD Anthology from 2013 which has equally stupendous audio quality...

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