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Showing posts with label Roger Wake Remasters. Show all posts
Showing posts with label Roger Wake Remasters. Show all posts

Monday 2 May 2022

"Cool For Cats" by SQUEEZE - April 1979 UK Second Album on A&M Records featuring Glenn Tilbrook, Chris Difford, Jools Holland, Harry Kakouli and Gilson Lavis with Production by John Cale of Velvet Underground fame (January 1998 UK A&M CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks - Part of the A&M Re Master Pieces Series and also in the November 1997 "Six In One..." 6CD Box Set) - A Review by Mark Barry...



 
"...A Bit Of Slap And Tickle...Down The Pub..." 
 


 

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It was time to up the game. Released in March 1978 on A&M Records, the self-titled and self-assured debut album for Deptford's finest "Squeeze" was the first of their large catalogue to contain the mighty trio of Glenn Tilbrook, Chris Difford and Jools Holland. But it had failed to chart in either Blighty or the USA (known Stateside as "U.K. Squeeze" also on A&M).
 
But the catchy-as-a-cold singles, toned-down Punk trashing and naughty-boys schoolyard humour of their second platter "Cool For Cats" saw Squeeze launch into public transistor radio consciousness with a cricket-bat wallop – the 45-single "Cool For Cats" going all the way to No. 2 on the UK singles charts - "Up The Junction" doing the same (they rivalled The Police for sales on A&M).
 
Its journey however on digital has been a weird one and in May 2022, "Cool For Cats" on a CD Remaster is at times, a bit of difficulty to find. Initially launched in and part of the November 1997 "Six Of One..." 6CD Box Set on A&M Records 540 801-2 (Barcode 731454080125) - it was then put out as an A&M Re Master Pieces single CD re-release in January 1998 (February 1998 USA) with its Two Bonus Tracks intact (both are pictured above).
 
But it has been deleted years now and often carries with it a hefty price tag when it comes up for air on sale sites. The same goes for the A&M Re Master Pieces single CD editions of their popular debut and third albums "Squeeze" (1978) and "Argybargy" (1980) - both also issued with the Box set's Two Bonuses as single CD variants - see full reissue list details below. 
 
Let's go back to the 'Slap And Tickle' and 'Slightly Drunk' Deptford boys, hip enough back in the day to be actually considered to be cool cats...
 
UK released 19 January 1998 (4 February 1998 in the USA) - "Cool For Cats" by SQUEEZE on A&M 540 804-2 (Barcode 731454080422) is an A&M Re Master Pieces CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks that plays out as follows (44:06 minutes):
 
1. Slap And Tickle [Side 1]
2. Revue
3. Touching You Touching Me
4. It's Not Cricket
5. It's So Dirty
6. The Knack
7. Hop Skip And Jump [Side 2]
8. Up The Junction
9. Hard To Find 
10. Slightly Drunk
11. Goodbye Girl
12. Cool For Cats
Tracks 1 to 12 are their second studio album "Cool For Cats" - released April 1979 in the UK on A&M Records AMLH 68503 and in the USA on A&M Records SP-4759 with the same tracks. Produced by JOHN WOOD and SQUEEZE - it peaked at No. 45 in the UK (didn’t chart USA). 
 
BONUS TRACKS (Both Previously Unreleased):
13. I Must Go
14. Ain't It Sad
 
SQUEEZE was:
GLENN TILBROOK – Lead Guitar, Vocals
CHRIS DIFFORD – Rhythm Guitar, Vocals
JOOLS HOLLAND – Keyboards
HARRY KAKOULI – Bass
GILSON LAVIS – Drums
 
Part of the "Six Of One..." 6CD Box Set - it won't take Squeeze fans long to work out that there's two things wrong with this CD Reissue. 
 
Annotation - without the accompanying 52-page long book that came with that Box Set (a fabulous looking thing with huge swathes of memorabilia pictured), the skimpy gatefold slip of paper with barely any info that acts as an inlay for this CD is wildly inadequate. Pages 11 and 12 of the Box Set's 52-page booklet carried track-by-track comments for the debut album from the band, and that could easily have been re-printed for here. A&M took the lazy way out and simply reissued the CDs as is from the box set. 
 
Bonuses/Missing - with a total playing time of 44:06 minutes, yes it's nice to have two new outtakes, but where's all the singles and their non-LP B-sides - a format this band was not only famous for but one that fans revelled in?
 
To the good stuff - Digitally Remastered by band founder GLENN TILBROOK and A&M's go-to Audio Engineer for the A&M Re Master Pieces Series ROGER WAKE - the original tapes certainly pack a lethal punch. 
 
Having a mad synth go at the Funk and Disco market of the day (every band tried in their own sly way), the album "Cool For Cats" opens with the travails of a young romance gone left (or to the pub) with the brilliantly ordinary-world observant "Slap And Tickle". It comes roaring into your living room too – a song that gets better and better after every listen (dig those guitars as it fades out). Blackpool, back-page reviews and tittle-tattle in dressing-rooms comes in for some stick in "Revue" – Squeeze reacting to the flack they used to get for the British Press not being able to musically pigeonhole them. 
 
Better by far is the funny, rude and self-decrepating "Touching Me Touching You" – our active adolescent thinking of his girl just a little too often and putting those thoughts into private play (watch those curtains missus). That weedy Elvis Costello-type-organ sound in the background now has just enough power in the Remaster – as do the twin guitars that race "Touching Me Touching you" to its very-10cc finish. She used to do a topless down at the Surrey Docks with tassels on her trupenny bits – but our singer can't name names because "It's Not Cricket". You can imagine that if Madness had issued their own version of "It's Not Cricket", they would have had another Top 5 hit in Page 3 obsessed England. Huge organ and rhythm section pumps out "It's So Dirty" with lyrics about the old man not finding out about the latest squeeze who may or may not meet his exacting standards for female companionship. Four-minutes and thirty-three seconds of "The Knack" ends Side 1 with a typically candid tale of lesser-men regaling their collective weaknesses.
 
Opening Side 2 is the cracking rocker "Hop Skip And Jump" – a very Jools Holland bopper that makes me smile, even now – good quality in the transfer too. Hard to resist either the hooky melody or the girl-from-Clapham lyrics in the brilliant "Up The Junction" – kissing in front of the telly in a smelly flat leading to little kicks inside her. Two years on and his drinking has become a problem while his lady's mother has left for a soldier and now there are no more nights with nappies whiffy (telly's gone to the hock shop too). After the urban cool of "Up The Junction" – the twin vocal leads in "Hard To Find" and the song itself do well to hold their own – ballerina tights if only he was a girl. "Slightly Drunk" still doesn't do much for me though.
 
"Goodbye Girl" was the first 45-single off the album in November 1978 – a whole sixth months in advance of the LP (its Non-LP B-side "Saints Alive" is unfortunately not included here). It's a good tune, but I never thought it was a great one and I can kind of understand its No. 63 placing on the UK charts for only two weeks. But then comes the big daddy - "Cool For Cats" – Cowboys taking positions behind the trees while Davey Crockett rides around saying its...Cool For Cats. A brilliant chitty-chatty tune about likely lads in rough-and-tumble pubs, flashing the cash to disreputable types staggering from the dartboard amidst the overflowing ashtrays and spilled Watney's Pale Ale. Love that synth break before it kicks into the girl-standing-by-the-wall Disco scene and Holland's endearing plinky-plonky keyboard solo – so damn – well, cool.
 
The two Bonus Tracks are properly exciting - "I Must Go" (2:16 minutes) is a tale of Moscow and New York with Carry-On Fish-Wives witty vocals after the chorus and would have made a top Non-LP B-side for "Up The Junction" instead of the album track A&M did use ("It's So Dirty"). The rocker "Ain't It Sad" (3:27 minutes) is even better - a very cool-guitar and snotty-vocals number similar to some of the more Punky material on their March 1978 self-titled "Squeeze" debut album. I can imagine someone putting this on a period CD-R and a punter being shocked to find that it's edgy vibe is by Squeeze. Damn cool to hear these two now anyway – and pleasing to know they are actually worthy of the moniker Extras.
 
Squeeze would follow with the similar (if not better) brilliance of "Argybargy" for their third studio album in February 1980 – opening that productive decade with a doozy. But like so many, I have only to see that strangely lovely artwork that kind of harks back to Lounge Music, and I'm a happy purring feline (who maybe leaves the touching to someone else)...
 
SQUEEZE A&M Re Master Pieces CD Reissue Series
Released January 1998 UK, February 1998 USA
Each Single CD Remaster Contained Two Previously Unreleased Bonuses
 
1. "Squeeze" 
Original UK LP March 1978 on A&M Records AMLH 68465
UK CD Reissue January 1998 on A&M 540 806-2 (Barcode 731454080620) 
Bonus Tracks "Deep Cuts" and "Heartbreak"
 
2. "Cool For Cats" 
UK LP April 1979 on A&M Records AMLH 68503 
UK CD January 1998 on A&M Records 540 804-2 (Barcode
Bonus Tracks "I Must Go" and "Ain't it Sad" 
 
3. "Argybargy" 
UK LP February 1980 on A&M Records AMLH 64802
UK CD January 1998 on A&M 540 803-2 (Barcode 731454080323) 
Bonus Tracks "Funny How It Goes" and "Go" 
 
4. "East Side Story..." 
UK LP May 1981 on A&M Records AMLH 64854
UK CD January 1998 on A&M 540 805-2 (Barcode 731454080521) 
Bonus Tracks "The Axe Now Fallen" and "Looking For A Love"
 
5. "Sweets From A Stranger"
UK LP May 1982 on A&M Records AMLH 64899
UK CD January 1998 on A&M 540 807-2 (Barcode 731454080729) 
Bonus Tracks "I Can't Get Up Anymore" and "When Love Goes To Sleep"
 
6. "Cosi Fan Tutti Frutti" 
UK LP August 1985 on A&M Records AMA 5805 
UK CD January 1998 on A&M 540 802-2 (Barcode 731454080224) 
Bonus Tracks "Love's A Four Letter Word" and "The Fortnight Saga"

Sunday 1 May 2022

"Squeeze" by SQUEEZE - March 1978 UK Debut Album on A&M Records featuring Glenn Tilbrook, Chris Difford, Jools Holland, Harry Kakouli and Gilson Lavis with Production by John Cale of Velvet Underground fame (January 1998 UK A&M CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks - Part of the A&M Re Master Pieces Series and November 1997 "Six In One..." 6CD Box Set) - A Review by Mark Barry...



 
"...Take Me, I'm Yours..."



 
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This Review And Many More Like It 
Available In my Kindle e-Book (June 2022 Version)
 
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Your All-Genres Guide To
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"...Take Me, I'm Yours..."
 
Released in March 1978 on A&M Records, the self-titled and self-assured debut album for Deptford's finest "Squeeze" was the first of their large catalogue to contain the mighty trio of Glenn Tilbrook, Chris Difford and Jools Holland. 
 
Their other famously talented musical passenger - the brilliantly soulful singer-songwriter Paul Carrack of Ace and Mike & The Mechanics' fame - would join the band for 1981's fourth platter "East Side Story". But "Squeeze" (or "U.K. Squeeze" as it was known in America) is where the long and winding road began for the Cool Cats - a journey that is 44-years ongoing in 2022. 

Produced by the legendary John Cale of The Velvet Underground and chock full of British New Wave attitude, tunes and even a smidgen of radio-friendly 45-singles - "Squeeze" is a wee cracker of a debut album even now and this CD variant of it throws in two convincing unreleased bonuses tagged on at the end too. As of spring 2022, March 1978's "Squeeze" is almost forty-five years burning down the genre road and has indeed stood the test of time.
 
Speaking of digital, in May 2022, "Squeeze" on a CD Remaster is a bit of difficulty to find. Initially launched in and part of the November 1997 "Six Of One..." 6CD Box Set on A&M Records 540 801-2 (Barcode 731454080125) - it was then put out as an A&M Re Master Pieces single CD re-release in January 1998 (February 1998 USA) with its Two Bonus Tracks intact (both are pictured above). But it has been deleted years now and often carries with it a hefty price tag when it comes up for air on sale sites. The same goes for the A&M Re Master Pieces single CD editions of their popular second and third albums "Cool For Cats" (1979) and "Argybargy" (1980) - both also issued with the Box set's Two Bonuses as single CD variants - see full reissue list details below. 
 
Let's go back to the 'Bang Bang' and 'Wild Sewage Tickles Brazil' details of that fun debut though, time to muscle-bound creep this flexing-starter...
 
UK released 19 January 1998 (4 February 1998 in the USA) - "Squeeze" by SQUEEZE on A&M 540 806-2 (Barcode 731454080620) is an A&M Re Master Pieces CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks that plays out as follows (50:50 minutes):

1. Sex Master [Side 1]
2. Bang Bang 
3. Strong In Reason 
4. Wild Sewerage Tickles Brazil 
5. Out Of Control 
6. Take Me, I'm Yours 
7. The Call [Side 2]
8. Model 
9. Remember What 
10. First Thing Wrong 
11. Hesitation (Rool Britannia) 
12. Get Smart 
Tracks 1 to 12 are their debut album "Squeeze" - released March 1978 in the UK on A&M Records AMLH 68465 and in the USA as "U.K. Squeeze" on A&M Records SP 4687 with the same tracks. Produced by JOHN CALE (except "Bang Bang" and "Take Me, I'm Yours" - Produced by SQUEEZE) - it didn't chart in either country. 

BONUS TRACKS (Both Previously Unreleased):
13. Deep Cuts 
14. Heartbreak 

Part of the "Six Of One..." 6CD Box Set - it won't take Squeeze fans long to work out that there's two things wrong with this CD Reissue. 
 
Annotation - without the accompanying 52-page long book that came with that Box Set (a fabulous looking thing with huge swathes of memorabilia pictured), the skimpy gate-fold slip of paper with barely any info that acts as an inlay for this CD is wildly inadequate. Pages 9 and 10 of the Box Set's 52-page booklet carried track-by-track comments for the debut album from the band, and that could easily have been re-printed for here. A&M took the lazy way out and simply reissued the CDs as is from the box set. 

Bonuses/Missing - with a total playing time of 50:50 minutes, yes it's nice to have two new outtakes, but where's all the singles and their non-LP B-sides - a format this band was not only famous for but one that fans revelled in? None of the trio of songs on the "Packet Of Three" EP from August 1977 are here, neither is the excellent "Night Nurse" non-album B-side to February 1978's "Take Me, I'm Yours". Although it didn't chart, the May 1978 45-single to "Bang Bang" had "All Fed Up" on its flipside - and again - a no show, when there was room. It's disappointing for sure and would have amped up this rather anaemic CD reissue to a properly desirable status. But let's now deal with what we do have...

Digitally Remastered by band founder GLENN TILBROOK and A&M's go-to Audio Engineer for the A&M Re Master Pieces Series ROGER WAKE - the original tapes certainly pack a lethal punch. 
 
The frantic guitar and drums of "Sex Master" roars into your living room like its been listening to "The Clash" debut of 1977 a few too many times. I'd forgotten (if I'm honest) just how Punky both the opener "Sex Master" and the letters inside his coat "Bang Bang" both are. By the time we reach the 'get your trunks out of the drawer' Police chug of "Strong In Reason" - you can so hear the Remaster giving this a powerful bottom end (why didn't they print the lyrics either?). "Strong In Reason" gives a real indication of their song strengths - catchy riffage - catchy tune - great lyrics - and all of it in a usable commercial package. 
 
There then starts a cool trio to the end of Side 1 - some might say that the largely instrumental "Wild Sewage Tickles Brazil" is just an echoed-guitar workout that is strictly B-side material - but I've always loved its loopy Funk-Rock vibe. There's a bit of schoolgirl how's your father longing in "Out Of Control" - another sexy Funk-Rock British New Wave tune name-checking things that turn our boys on. The obvious Drums and Synth marching rhythms of "Take Me, I'm Yours" reminds me now of Eurythmics and Human League and OMD - dreams are made of this. Fantastic muscle to the guitar solo too...

Side 2 opens with 5:17 minutes of "The Call" - a Motels type of guitar-jerk that combines crazy fret runs with doubled-vocals - and again - that British Punk and New Wave vibe they're not given enough credit for having. Bending guitar notes and Joe Jackson "Look Sharp!" tight rhythms makes "Model" boogie - and for me - is one of the album's hidden gems. Big Bass notes abound in "Remember What" - another bopper that could have been a kick-ass New Wave hit single - XTC and Squeeze have a love child emptying ashtrays all over your shoes. You can almost hear late-70ts T.Rex "I Love To Boogie" Hitsville in the excellent "First Thing Wrong" - a great swaggering snotty rocker that feels like New Wave Rock 'n' Roll with Mick Ronson on Guitar. And we romp home with the skid-in-your-pants "Hesitation (Rool Britannia)" - a wordy cynical songs about posers and again with wicked guitar work - and the 2:06 minutes of "Get Smart" - a Ramones-paced bruiser that wants to kick your head in. 

The two Bonus Tracks are very 1978-period - "Deep Cuts" (4:04 minutes) is a booth-across-the-street smut tune which the Box Set Booklet describes it as a New Wave observation of a frustrated man (apparently it's based on Dan August on TV). It plays out with spoken words about getting into the bath together - would have made a fabulous Punky B-side. "Heartbreak" (4:54 minutes) is even better and even more sophisticated - a slow burner that opens with Piano Man barroom runs only to settle into a moody guitar-riffing lurch with lyrics that reflect its title's subject matter. Roars - moans - pain - huge guitar soloing to the end. In fact, you can't help think that both Bonuses would have lifted up the debut - but it's cool to hear them now and they are actually worthy of the moniker Bonuses. 

Squeeze would knock it out of the park with 1979's "Cool For Cats" (the title track, "Up The Junction" and "Goodbye Girl") and follow that with the equally superb "Argybargy" in 1980 ("Pulling Mussels (From The Shell)" and "Another Nail In Your Heart") being the big guns there. 
 
But spare a thought for their naughty-but-nice 1978 starter-for-ten "Squeeze" - way better than I remember it and asking for your rediscovery at a digital dancehall near you. "Remember What" - I'm glad I did... 

SQUEEZE on A&M Re Master Pieces CD Reissues 
 Released January 1998 UK, February 1998 USA 
Each Single CD Remaster Contains Two Previously Unreleased Bonuses

1. "Squeeze" 
Original UK LP March 1978 on A&M Records AMLH 68465
UK CD Reissue January 1998 on A&M 540 806-2 (Barcode 731454080620) 
Bonus Tracks "Deep Cuts" and "Heartbreak"

2. "Cool For Cats" 
UK LP April 1979 on A&M Records AMLH 68503 
UK CD January 1998 on A&M Records 540 804-2 (Barcode
Bonus Tracks "I Must Go" and "Ain't it Sad" 

3. "Argybargy" 
UK LP February 1980 on A&M Records AMLH 64802
UK CD January 1998 on A&M 540 803-2 (Barcode 731454080323) 
Bonus Tracks "Funny How It Goes" and "Go" 

4. "East Side Story..." 
UK LP May 1981 on A&M Records AMLH 64854
UK CD January 1998 on A&M 540 805-2 (Barcode 731454080521) 
Bonus Tracks "The Axe Now Fallen" and "Looking For A Love"

5. "Sweets From A Stranger"
UK LP May 1982 on A&M Records AMLH 64899
UK CD January 1998 on A&M 540 807-2 (Barcode 731454080729) 
Bonus Tracks "I Can't Get Up Anymore" and "When Love Goes To Sleep"

6. "Cosi Fan Tutti Frutti" 
UK LP August 1985 on A&M Records AMA 5805 
UK CD January 1998 on A&M 540 802-2 (Barcode 731454080224) 
Bonus Tracks "Love's A Four Letter Word" and "The Fortnight Saga"

Tuesday 15 March 2022

"In The City" by THE JAM - May 1977 UK Debut LP on Polydor Records featuring Paul Weller, Bruce Foxton and Rick Buckler (July 1997 UK Polydor 'The Jam Remasters' CD Reissue) - A Review by Mark Barry...



 

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"...I Was Young...I Was Full Of Ideas...I Was Serious!"
 
"One Two Three Four!" comes the shout at the opening of "Art School" - a theme-setter for The Jam's staggeringly angry debut album.
 
It's 1977 England and the TV's full of - newspapers telling you what to think - and the sound of the streets is unemployment shuffles to grimy pubs where earnest men rail over pints about the state of everything - Paul Weller feeding back his guitar in Polydor Studios towards the end of the song no doubt using every fibre in his body to not smash the damn thing against the wall.
 
I had genuinely forgotten how raw and raucous this slice of British New Wave was - probably the Punkest of all Jam albums. And this remaster from 1997 is just as snotty as their graffiti-scrawl-on-tiles name and Mod clothes. Baby, I changed my address, and I know it's for the best. Well, let’s get to one of Blighty's best...  
 
UK released July 1997 - "In The City" by THE JAM on Polydor 537 417-2 (Barcode 731453741720) is a straightforward CD Reissue and Remaster of their May 1977 debut album on Polydor Records (part of 'The Jam Remasters' Series, see list below) and plays out as follows (32:04 minutes): 
 
1. Art School [Side 1]
2. I've Changed My Address
3. Slow Down 
4. I Got By In Time 
5. Away From The Numbers 
6. Batman Theme 
7. In The City [Side 2]
8. Sounds From The Street  
9. Non-Stop Dancing 
10. Time For Truth 
11. Takin' My Love 
12. Bricks And Mortar 
Tracks 1 to 12 are their debut album "In The City" - released May 1977 in the UK on Polydor 2383 447 and in the USA on Polydor PD-1-6110. Produced by VIC SMITH and CHRIS PARRY - it peaked at No. 20 in the UK (didn't chart USA).
 
An eight-leaf foldout inlay gives PAT GILBERT just about enough room to lay down the Jam-formation basics in his entertaining and informative liner notes of April 1997. The album shifted 60,000 copies, but little of this gives you the impact The Jam had on British kids. Like The Smiths in the Eighties, their driving Dr. Feelgood meets The Clash tunes and sound took fans by storm and engendered cult loyalty that has not dissipated one jot in near 45+ years.
 
The Remastered audio is care of ROGER WAKE who had done Supertramp, Joan Armatrading and The Strawbs for A&M Records. It kicks – take the forgotten wildness of "Takin' My Love" over on Side 2 – all Wilko Johnson madman guitar as Weller sings about being out on a Saturday Night looking for more than Rock and Roll from any young lass unfortunate enough to be in the firing line of his black suit and pin-tie. You also so get the shadow of The Who from early Jam – all that power riffing – but it works – feels exciting. It ends on homelessness and kids wanting a shot at a future – the fantastic "Bricks And Mortar" chiming and screaming at one and the same time. 
 
My only bugbear is the superfluous cover of "The Batman Theme" (a throwaway cut if ever there was one), but The Jam's take on the 1958 Larry Williams classic "Slow Down" is fantastic, capturing all that tune's get-up-and-dance Rock 'n' Roll joy - something that had turned on Weller's heroes The Beatles decades earlier (the Fabs covered it on their UK Parlophone "Long Tally Sally" EP in 1964 and it was also the B-side of the US 45 for the Carl Perkin's tune "Matchbox on Capitol Records in the States - also that country's "Something New" LP).
 
The Jam's 20 May 1977 debut LP was and is such an angry record - a lash-out stab at the state of England in the late 70s. But then were The Jam ever anything else but confrontational on all fronts. Well, in-yer-face or not - "In The City" is raging at the machine with talent, brains and tunes. And when you then think about the near 50-year career to come for Paul Weller that all of us who were there for this explosive beginning have followed ever since - isn't that in-itself, just so staggering. Is it any wonder (whether he hates it or not) that they call Weller The Modfather. I would don the cap if I ever met him on the street.
 
Get this headless horse in your bed and then move on to the next respect...
 
UK CD Titles and Catalogue Nos. in The Jam Remasters Series of July 1997
Six Studio Albums in Release Date Order
Remasters by ROGER WAKE
 
1. In The City (May 1977 Debut LP) - Polydor 537 417-2 (Barcode 731453741720)
2. This Is The Modern World (November 1977) - Polydor 537 418-2 (Barcode 731453741829)
3. All Mod Cons (November 1978) - Polydor 537 419-2 (Barcode 731453741928)
4. Setting Sons (November 1979) - Polydor 537 420-2 (Barcode 731453742024)
5. Sound Affects (November 1980) - Polydor 537 421-2 (Barcode 731453742123)
6. The Gift (March 1982) - Polydor 537 422-2 (Barcode 731453742222)

Thursday 29 April 2021

"The Original Soundtrack" by 10cc – March 1975 UK Third Studio Album on Mercury Records featuring Kevin Godley, Lol Crème, Graham Gouldman and Eric Stewart (July 1997 UK Mercury 'Digitally Remastered' CD Reissue – Expanded Edition with Two Non-LP B-sides as Bonus Tracks) - A Review by Mark Barry...





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This Review and 204 More Like It Are Available In My
Amazon e-Book 

CAPT. FANTASTIC - 1975

Your All-Genres Guide To
Exceptional CD Reissues & Remasters 
All Reviews From The Discs Themselves 
(No Cut And Paste Crap) 

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"...The Flush Of Success Relieves A Constipated Mind..."

The boys in the band sang, "Something's cooking, and it might be you..." 

I remember when I first heard this extraordinary album by the ultimate Mancunian four-piece band - 10cc. In some respects it was like hearing "Sgt. Peppers" from 1967 all over again, because in March 1975 you didn't know where to look, such was the innovation and cleverness displayed on every single convoluted song. 

Wrapped in stunning (if not a tad too convoluted) tunes and Audiophile-type Production values, its matt gatefold sleeve and lyric insert gave the album the feel of event rather than just another release. These guys had worked like Billy-o on this sucker and it showed – an album that did indeed paint moving pictures and feel like their accompanying musical score. "The Original Soundtrack" has always been a gorgeous Vinyl LP to look at - and hear - and some 45 years plus after the event, remains so still. 

So even though this CD variant from July 1997 could really do with an upgrade in terms of presentation and more expanded extras (the 4:08 minute single edit of "Life Is A Minestrone" followed by the 3:46 minute single edit of "I'm Not In Love" for starters) – this Digitally Remastered and Expanded CD Edition still packs a serious aural Kiss Kiss Bang Bang in its digital pores. 

So - Gendarmes going to Hell in Paris, sleazy photographs in Soho, another honky on the dole, Mini Mouse getting more fan-mail than the Pope, portraits hiding nasty stains on the wall, big boys that should be quiet and not cry - let's get this romance cooking honey and return to their fourth Seventies classic...

UK released June 1997 - "The Original Soundtrack" by 10cc on Mercury 532 964-2 (Barcode 731453296428) is a Digitally Remastered Expanded Edition CD Reissue with Two Bonus Tracks that plays out as follows (48:53 minutes): 

1. Une Nuit A Paris [Side 1]
Part 1 - One Night In Paris 
Part 2 - The Same Night In Paris 
Part 3 - Later The Same Night In Paris
2. I'm Not In Love 
3. Blackmail 
4. The Second Sitting For The Last Supper [Side 2]
5. Brand New Day 
6. Flying Junk 
7. Life Is A Minestrone 
8. The Film Of My Love 
Tracks 1 to 8 are their fourth studio album "The Original Soundtrack" - released March 1975 in the UK on Mercury Records 9102 500 and April 1975 in the USA on Mercury SRM-1-1029. Produced by 10cc - it peaked at No. 3 in the UK and No. 15 in the US LP charts. 

BONUS TRACKS: 
9. Channel Swimmer 
Track 9 is the 25 March 1975 UK 45-single on Mercury 6008 010, Non-LP B-side of "Life Is A Minestrone" 

10. Good News 
Track 10 is the 23 May 1975 UK 45-single on Mercury 6008 014, Non-LP B-side of "I'm Not In Love"

The 8-page booklet is both good and bad. Only the front cover of the LP is represented - with the inner gatefold, rear cover and especially that hugely detailed lyric-insert - all AWOL. In their place is a new set of liner notes from ROB STEEN that are witty and super-affectionate with further track-by-track info from 10cc-man GRAHAM GOULDMAN. Typically his observations are erudite, sarcastic without being condescending and filled with factoids only the maker knows about. 

ROGER WAKE who did all the Strawbs and Joan Armatrading CD Remasters on A&M Records – handles the Remaster here and its lovely. Some say the Mobile Fidelity issue that followed (I think it was 1999) is better – but that US-only Audiophile CD is cost prohibitive in 2021 – while this beauty is a smidge above a fiver – and less on secondhand internet sites. To the music...

Apparently the three-part "One Night In Paris" suite was a Side-long 20-minute opus at one point but they decided it was too boring, so chopped in down to a mere eight and half minutes. And this is where the missing lyrics start to pinch. The wit and razor-blade wisdom that's inherent in 10cc songs means that the smarts in the words start to come at you fast and furious right from the off and you wish you could keep up. Layer after layer of music is intertwined with onion soup French accents, but this is nothing to the wall of synths that greets you for the iconic "I'm Not In Love" - still moving and so unique. The bippity boppity boo jaunt in "Blackmail" belies just how nasty the subject matter is as the guitars rip from speaker to speaker.

The opener on Side 2 "The Second Sitting Of The Last Supper" is the closest the LP gets to an out-and-out Rock song ala Zeppelin - a song about the Messiah returning reluctantly. It's huge in this Remaster. They use the Gizmo on the guitars for the swirling etherial "Brand New Day" - a rather lovely tune in a strange piano-plinking way that I return to more often than others. Autoharp and processed acoustic guitars fill the non-drugs tune "Flying Junk" - no doubt a reaction to the sheer amount of Charlie swirling around the music business at that time - expanding minds supposedly but also expanding paranoia and addiction. 

I've always loved that fade in on the brilliant "Life Is A Minestrone" - catchy as a seaside chill chorus and those hilarious lyrics too - what a winner - it's also one of my fave singles of theirs. "Film Of My Love" is my least fave on the LP and the B-sides are just that - good but not great. Having said that, it's cool to have these rare flip-sides in digital form. And also included in this 'Digitally Remastered' Series are "How Dare You" (1976), "Deceptive Bends" (1977) and "Bloody Tourists" (1978). 

"...The seat of learning and the flush of success relieves a constipated mind..." – they sang on the witty brilliant Pop of "Life Is A Minestrone". Don't get stuck between a bog and a hard place (sorry about that pun) and never mind your crepe suzette - get your ten cc's worth right here. Genius and then some my sons...

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