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Showing posts with label Roger Wake Remasters. Show all posts
Showing posts with label Roger Wake Remasters. Show all posts

Thursday 29 September 2022

"How Dare You!" by 10cc – January 1976 UK Fourth Studio Album on Mercury Records featuring Kevin Godley, Lol Crème, Graham Gouldman and Eric Stewart (July 1997 UK Mercury 'Digitally Remastered' CD Reissue – Expanded Edition with One Non-LP B-side as a Bonus Track) - A Review by Mark Barry...



 
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"...Gimme In The Kitchen, Gimme In The Hall..."
 
This Review And More Like It Can Be Found in my Amazon e-Book
 
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"...I've nibbled the cheese of it, the birds and the bees of it..."
 
Following on from the March 1975 monster album "The Original Soundtrack" – an event audiophile vinyl LP that carried the mesmerizing "I'm Not In Love" and the pastrami Pop brilliance of "Life Is A Minestrone" - was never going to be an easy task. Manchester's super-songwriting 10cc would have to up the game all the way and on the 24 January 1976 release of their fourth studio album – they did. 
 
I remember buying the original LP with its wildly clever Hipgnosis artwork continued on the inside with a beautifully presented gatefold and further lyric inner sleeve. Then there was the needle down and being duly taken aback by the aural sophistication on the grooves inside. Like its 1975 predecessor, you didn't know where to look, such was the innovation and cleverness displayed on every single twisty-bendy song – even if in my mind some of them just didn't work then and still don't now ("Iceberg" and "I Wanna Rule The World" in particular too clever-clever for their own clogs).
 
Kind of worse than that for me is the overall impact of the Remaster which to my ears sounds more muddled than "The Original Soundtrack" disc in this series. HDY! is good, but there is a seriously over-produced feel to the album that is upped by the ROGER WAKE transfer - though not in a good way. The inner sleeve artwork with the brilliant lyrics is missing entirely, no pictures of those tasty foreign 45 sleeves either ("Lazy Ways" was issued as a 45 in France but not in the UK or US) and the 4:12 minutes edit of "Art For Art's Sake" along with the 4:40 minutes edit of "I'm Mandy Fly Me" could have been easily added on as Bonus Tracks as they were on the 2008 Japanese CD Reissue. But let's get to what we do have...
 
UK released June 1997 - "How Dare You!" by 10cc on Mercury 534 975-2 (Barcode 731453497528) is a 'Digitally Remastered' Expanded Edition CD Reissue with One Bonus Track that plays out as follows (45:26 minutes):
 
1. How Dare You [Side 1]
2. Lazy Ways
3. I Wanna Rule The World
4. I'm Mandy Fly Me
5. Iceberg
6. Art For Art's Sake [Side 2]
7. Rock 'n' Roll Lullaby
8. Head Room
9. Don't Hang Up
Tracks 1 to 9 are their fourth studio album "How Dare You!" - released January 1976 in the UK on Mercury Records 9102 501 and January 1976 in the USA on Mercury SRM-1-1061. Produced by 10cc - it peaked at No. 5 in the UK and No. 46 in the US LP charts.
 
BONUS TRACK:
9. Get It While You Can
Track 9 is the 21 November 1975 UK 45-single on Mercury 6008 017, Non-LP B-side of "Art For Art's Sake" (15 Nov 1975 USA on Mercury 73725)
 
The 8-page booklet is both good and bad - functional at best. Only the front and rear cover of the LP is represented with the inner gatefold and the hugely detailed lyric inner-sleeve both AWOL. In their place is a new set of liner notes from CHRIS WHITE that cover their second LP for Mercury Records with archival interview quotes from all four of the boys. Unfortunately too much of its time is spent recanting the band's history prior to the LP and the split into two factions after "How Dare You!"  - Godley and Crème going solo - while Stewart and Gouldman carried on as 10cc to "Deceptive Bends" and "Bloody Tourists" in May 1977 and September 1978 (and further). And despite the rear inlay printing "Art For Art's Sake" at 4:19 minutes (the single edit timing) - it is actually the full album version at 5:59 minutes.
 
ROGER WAKE who did all the Strawbs and Joan Armatrading CD Remasters on A&M Records – handles the Remaster here and it’s a very mixed bag for me - victim of the heavily overdubbed recordings (horrible muffle on "Art For Art's Sake") on one hand whilst jumping out of your speakers because of it on the other ("Head Room" and the fabulous album finisher "Don't Hang Up"). If in doubt, crank it is actually a good instruction! To the music...
 
"How Dare You!" opens with the title track as an instrumental to 4:14 minutes (no exclamation mark for some reason) which then segues immediately into "Lazy Days". On the strength of these two brilliant ditties alone (clever changes of mood abound in the opener) - you begin to think this is another Pop masterpiece and echoes of where Tears for Fears would go with "The Seeds Of Love" flood in. But then its all chucked out the window by the clever but seriously irritating "I Wanna Rule The World". All is redeemed by one of the album's true gems - "I'm Mandy Fly Me". It opens with an obscure 10cc tune in the left speaker about fear-of-flying called "Clockwork Creep" from their second album "Sheet Music" in 1974 on UK Records - then the real speaker-to-speaker flanging of "I'm Mandy Fly Me" crashes into your living room. But it's the guitar parts that are utterly brilliant - a genuine 10cc moment of joy. Side 1 ends with the awful "Iceberg" with its mock-Tango rhythms and corny in-jokes.  

Preempting the album by nearly three months, the 4-minute edit of the catchy as Hell "Art For Art's Sake" was issued on both sides of the pond in November 1975 as the album's first 45-single (lyrics above). With the only-OK Non-LP "Get It While You Can" on the flipside (a Bonus Track on this CD) - it returned 10cc to the British and American singles charts and nicely set up a buzz for its parent LP. The full album cut at just under six minutes is an impressive piece of song-assembly, but the audio on the Remaster feels damp and muffled - though I suspect this may be more to do with how it was studio-trickery recorded in the first place. No such audio compromises on the brilliant trio that ends Side 2 - "Rock 'n' Roll Lullaby", "Head Room" (lyrics above head this review) and the weirdly unsettling/moving "Don't Hang Up" - they sound great with both "Head Room" and "...Lullaby" fencing some very funny lyrics. And that dial-tone that ends "Don't Hang Up" still grates after all these decades.

"How Dare You!" should have done better in the US album charts, but I hold a candle for it (the trusty LP remains in my heavy-gauge plastic in Mint condition to this day). 
 
"I've called a million times, but to me you're never in..." they sang on the sad and funny "Don't Hang Up". I'd go back and revisit this marriage-on-the-rocks density - it has stag nights and violins and aisle-walking and scum buzzing around busy bodies you should check out one more time (she's got a Rocky terrain too you know)...

Monday 2 May 2022

"East Side Story" by SQUEEZE - May 1981 UK Fourth Album on A&M Records featuring Glenn Tilbrook, Chris Difford, Paul Carrack [ex Ace] with John Bentley and Gilson Lavis with Production by Elvis Costello, Dave Edmunds and Nick Lowe (January 1998 UK A&M CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks - Part of the A&M Re Master Pieces Series and also in the November 1997 "Six In One..." 6CD Box Set) - A Review by Mark Barry...



 
"...Left My Ring By The Soap..."
 


 
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When Keyboardist and humourist Jools Holland left Squeeze after three albums to pursue his own Rhythm & Blues and Big Band dreams, they needed a seriously good replacement. And for their fourth album of May 1981 (again released on A&M Records) – Squeeze pulled in the stunning Vocals of Paul Carrack who had been with Ace for three albums and after Squeeze would join the ranks of Mike & The Mechanics for No. 1 chart fame (shame that his vocal prowess was not used more - sings on only one track).
 
"East Side Story" went to No. 44 in the USA in May 1981 – a better showing than its predecessor "Argybargy" from April 1980 that had managed a No. 71 slot – their first album to register on the Stateside Billboard Rock LP charts. Squeeze would thereafter enjoy a long and fruitful nine-album chart run Stateside that stretched well into the Nineties and beyond.
 
But the path of "East Side Story" onto digital has been (like a lot of their stuff) a wee bit piecemeal to say the least. Initially launched in and part of the November 1997 "Six Of One..." 6CD Box Set on A&M Records 540 801-2 (Barcode 731454080125) - "East Side Story" was then put out as an A&M Re Master Pieces single CD re-release in January 1998 (February 1998 USA) with its Two Bonus Tracks intact (both are pictured above). But the single-CD got quickly deleted (like the Box Set) and has remained so ever since. To the hearty details we do have...
 
UK released 19 January 1998 (4 February 1998 in the USA) - "East Side Story" by SQUEEZE on A&M 540 805-2 (Barcode 731454080521) is an A&M Re Master Pieces CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks that plays out as follows (56:05 minutes):
 
1. In Quintessence [Side 1]
2. Someone Else's Heart
3. Tempted
4. Piccadilly
5. There's No Tomorrow
6. Heaven
7. Woman's World
8. Is That Love? [Side 2]
9. F-Hole
10. Labelled With Love
11. Someone Else's Bell
12. Mumbo Jumbo
13. Vanity Fair
14. Messed Around
Tracks 1 to 14 are their fourth studio album "East Side Story" - released May 1981 in the UK on A&M Records AMLH 64854 and in the USA on A&M Records SP-4854. Produced by ROGER BECHIRIAN and ELVIS COSTELLO - it peaked at No. 19 in the UK and No. 44 in the USA.
 
BONUS TRACKS (Both Previously Unreleased):
15. The Axe Has Now Fallen
16. Looking For A Love
 
SQUEEZE was:
GLENN TILBROOK – Lead Guitar, Vocals
CHRIS DIFFORD – Rhythm Guitar, Vocals
PAUL CARRACK [ex Ace] – Keyboards and Vocals (Track 3, Duet Vocals Track 16)
JOHN BENTLEY – Bass
GILSON LAVIS – Drums
Guests:
ELVIS COSTELLO – Production for the whole album except Track 1
DAVE EDMUNDS and NEIL KING – Production for "In Quintessence"
ELVIS COSTELLO – Sang Backing Vocals on "Tempted" and "Piccadilly"
NICK LOWE – Produced the Bonus Track "Looking For A Love"
 
Annotation - without the accompanying 52-page long book that came with that Box Set (a fabulous looking thing with huge swathes of memorabilia pictured), the skimpy gatefold slip of paper with barely any info that acts as an inlay for this CD is wildly inadequate. Pages 13 and 14 of the Box Set's 52-page booklet carried track-by-track comments for the third album from the band, and that could easily have been re-printed for here. A&M took the lazy way out and simply reissued the CDs as is from the box set. 
 
Bonuses/Missing - with a total playing time of 56:05 minutes, yes it's nice to have two new outtakes, but where's all the peripheral singles and their non-LP B-sides - a format this band was not only famous for but one that fans revelled in? When there was ample room, it's disappointing for sure. To the good stuff - Digitally Remastered by band founder GLENN TILBROOK and A&M's go-to Audio Engineer for the A&M Re Master Pieces Series ROGER WAKE - the original tapes certainly pack a lethal punch. But for such a huge step forward in songwriting and especially the brilliant words in each and every song, the absence too of the lyrics is kind of unforgivable. To the music...
 
The album opens with the too-clever-by-far "In Quintessence" - a lyrical step too far. He got nosy, done read her letters and diary in "Someone Else's Heart" - Elvis Costello adding backing vocals to this tune that was rejected for the preceding album "Argybargy". Unfortunately it still feels weedy with a tagged-on unconvincing lead vocal. Paul Carrack at last steps up to the microphone for the popular 45-single "Tempted" (went to No. 40) and immediately you feel it was a mistake that Tilbrook and Difford didn't give him more microphone duties (the "Tempted" Non-LP B-side "Yap Yap Yap" isn't here either, when it could have been). 

Their famous whimsy returns in the Costello-Produced "Piccadilly" - another wordy tale of hopes and clothes and expectant shop assistants. There's a slightly sinister vibe to "There's No Tomorrow" - the treated vocals and overall echoed keyboard song-sound bearing an uncanny resemblance to 10cc circa "The Original Soundtrack" and "How Dare You" in 1975 and 1976. Pumping Bass lines punctuate your room with "Heaven" - a tale of Cypriots and tobacco and beer mats and stained tea cloths (knackered barmaids). I can't in all honesty make out if the words to "Woman's World" are praising lady-kind or taking the Michael out of their lot (or both). It's definitely one of the album's more sophisticated tunes - appliances and science. 

Side 2 opens with what is undoubtedly the album's best cut - "Is That Love?" A&M UK issued it as the lead-off 45-single in April 1981 on AMS 8129 (a month before the LP) with the Non-LP "Trust" on the flip-side. Rewarded with a No. 35 chart peak - it set up the LP nicely. Teasing, beating him with her letters, walk-out notes - the poor chap is unhappy but still the sucker stays - her assets rising while his droop. Another strange vibe for "F-Hole" - 4:44 minutes of face-filler and painted palaces - those ghostly strings now upfront in the Remaster. Better for me is the other LP gem - "Labelled With Love" - a September 1981 UK 45-single on A&M AMS 8166 that rose all the way to No. 4. The past is bottled - an American pilot drags his gal to his Prairie home where he promptly drinks himself into the dirt while she carries a bump around a kitchen that's just too big. The country-lilt of "Labelled With Love" allows you to concentrate on the clever story-telling - eventually making it home being the goal in this cautionary tale of wartime passion.
 
"Someone Else's Bell" is another little-town tale of other people's beds - the Garden of Eden once again not being as relationship-fruitful as Eve had hoped. We go Flamin Groovies Rock and Roll with "Mumbo Jumbo" - an attacking song about being saddled with lonely flats and their even lonelier inhabitants. Baroque strings open the lovely and touching "Vanity Fair" - Squeeze goes "Eleanor Rigby" - a lady in a butcher's shop looking out past the blood and severed animal parts. The album ends with the Eddie Cochran echo of "Messed Around" - Squeeze going Stray Cats with a slapped double-bass vengeance. Fantastic Remastered sound too.
 
The Two Bonus Tracks kick too - "The Axe Has Now Fallen" (3:51 minutes) is a beautifully recorded tough-rocker that feels like it should have been an album track - replacing the lesser "Someone Else's Heart" perhaps. One of my heroes Nick Lowe produced "Looking For A Love" - a storming cover of a Bobby Womack 1973 classic originally on United Artists that surprisingly (an unannounced)  turns out to be a Duet with Paul Carrack. Why in God's name was this not a B-side on a British 45-single? In any case, once again, the two bonuses on this CD (like all the others) has proved more than worthy of the moniker Bonus
 
In a strange way, I prefer "Argybargy" more (the album that preceded it). But on a Re-master re-hear and with its cool tippity-toppity bonuses, I'm indeed labelled with love once again. 
 
Squeeze was a great little band and this largely forgotten early Eighties LP of theirs is one of the reasons why. Tempted, give it a Mumbo Jumbo...
 
SQUEEZE A&M Re Master Pieces CD Reissue Series
Released January 1998 UK, February 1998 USA
Each Single CD Remaster Contained Two Previously Unreleased Bonuses
 
1. "Squeeze" 
Original UK LP March 1978 on A&M Records AMLH 68465
UK CD Reissue January 1998 on A&M 540 806-2 (Barcode 731454080620) 
Bonus Tracks "Deep Cuts" and "Heartbreak"
 
2. "Cool For Cats" 
UK LP April 1979 on A&M Records AMLH 68503 
UK CD January 1998 on A&M Records 540 804-2 (Barcode
Bonus Tracks "I Must Go" and "Ain't it Sad" 
 
3. "Argybargy" 
UK LP February 1980 on A&M Records AMLH 64802
UK CD January 1998 on A&M 540 803-2 (Barcode 731454080323) 
Bonus Tracks "Funny How It Goes" and "Go" 
 
4. "East Side Story..." 
UK LP May 1981 on A&M Records AMLH 64854
UK CD January 1998 on A&M 540 805-2 (Barcode 731454080521) 
Bonus Tracks "The Axe Now Fallen" and "Looking For A Love"
 
5. "Sweets From A Stranger"
UK LP May 1982 on A&M Records AMLH 64899
UK CD January 1998 on A&M 540 807-2 (Barcode 731454080729) 
Bonus Tracks "I Can't Get Up Anymore" and "When Love Goes To Sleep"
 
6. "Cosi Fan Tutti Frutti" 
UK LP August 1985 on A&M Records AMA 5805 
UK CD January 1998 on A&M 540 802-2 (Barcode 731454080224) 
Bonus Tracks "Love's A Four Letter Word" and "The Fortnight Saga"

"Argybargy" by SQUEEZE - Febuary 1980 UK Third Album on A&M Records featuring Glenn Tilbrook, Chris Difford, Jools Holland, John Bentley and Gilson Lavis with Production by John Cale of Velvet Underground fame (January 1998 UK A&M CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks - Part of the A&M Re Master Pieces Series and also in the November 1997 "Six In One..." 6CD Box Set) - A Review by Mark Barry...



 
"...Maid Marion On Her Tiptoed Feet..." 
 


 
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Released in February 1980 on A&M Records and with John Bentley replacing Harry Kakouli on Bass (Harry had been with the band for the first two LPs), the third Squeeze album "Argybargy" did well in Blighty peaking at No. 32 on the back of two hugely popular 45s.
 
But more importantly, it was their first LP to crack America where it hit a more modest No. 71. This began a long and fruitful nine-album chart run Stateside well into the Nineties and beyond and was the last LP by Deptford's finest to include the mighty trio of Glenn Tilbrook, Chris Difford and Jools Holland (Paul Carrack of Ace and Mike & The Mechanics fame would join them for platter number four - "East Side Story" in May 1981).
 
With two bona-fide 45-single winners in the shape of "Pulling Muscles (From The Shell)" and "Another Nail In My Heart" – hardly surprising too that the ever popular "Argybargy" is one of the few titles in the voluminous Squeeze album catalogue to be at the receiving end of a Universal 2CD Deluxe Edition. First released 2008 on A&M Records 9832835 – Barcode 602498328354 – itself reissued in 2012 on Mercury 060075327855 – Barcode 0600753278550 - CD1 of that beast offered a whopping nine-extras with fifteen more on CD 2 – including the two bonuses first offered here. But to what we do have...
 
Initially launched in and part of the November 1997 "Six Of One..." 6CD Box Set on A&M Records 540 801-2 (Barcode 731454080125) - "Argybargy" was then put out as an A&M Re Master Pieces single CD re-release in January 1998 (February 1998 USA) with its Two Bonus Tracks intact (both are pictured above). To the muscular details...
 
UK released 19 January 1998 (4 February 1998 in the USA) - "Argybargy" by SQUEEZE on A&M 540 803-2 (Barcode 731454080323) is an A&M Re Master Pieces CD Reissue and Remaster with Two Previously Unreleased Bonus Tracks that plays out as follows (44:25 minutes):
 
1. Pulling Muscles (From The Shell) [Side 1]
2. Another Nail In My Heart
3. Separate Beds
4. Misadventure
5. I Think I'm Go Go
6. Farfisa Beat [Side 2]
7. Here Comes That Feeling
8. Vicky Verky
9. If I Didn't Love You
10. Wrong Side Of The Moon
11. There At The Top
Tracks 1 to 11 are their third studio album "Argybargy" - released February 1980 in the UK on A&M Records AMLH 64802 and in the USA on A&M Records SP-4802. Produced by JOHN WOOD and SQUEEZE - it peaked at No. 32 in the UK and No. 71 in the USA.
 
NOTE on the US LP: 
Because "If I Didn't Love You" was issued as a third 45 in the States (not issued in the UK, there were only the two singles mentioned above) - it was decided to give that track more prominence on the American SP-4802 LP. So the USA album altered the run of tracks for Side 2 to the following – 9, 6, 7, 8, 10 and 11 – putting "If I Didn't Love You" first instead of "Farfisa Beat"
 
BONUS TRACKS (Both Previously Unreleased):
13. Funny How It Goes
14. Go
 
SQUEEZE was:
GLENN TILBROOK – Lead Guitar, Keyboards, Vocals
CHRIS DIFFORD – Rhythm Guitar, Vocals
JOOLS HOLLAND – Keyboards, Vocals
JOHN BENTLEY – Bass
GILSON LAVIS – Drums
 
Annotation - without the accompanying 52-page long book that came with that Box Set (a fabulous looking thing with huge swathes of memorabilia pictured), the skimpy gatefold slip of paper with barely any info that acts as an inlay for this CD is wildly inadequate. Pages 13 and 14 of the Box Set's 52-page booklet carried track-by-track comments for the third album from the band, and that could easily have been re-printed for here. A&M took the lazy way out and simply reissued the CDs as is from the box set. 
 
Bonuses/Missing - with a total playing time of 44:25 minutes, yes it's nice to have two new outtakes, but where's all the peripheral singles and their non-LP B-sides - a format this band was not only famous for but one that fans revelled in? When there was ample room, it's disappointing for sure. To the good stuff - Digitally Remastered by band founder GLENN TILBROOK and A&M's go-to Audio Engineer for the A&M Re Master Pieces Series ROGER WAKE - the original tapes certainly pack a lethal punch. But for such a huge step forward in songwriting and especially the brilliant words in each and every song, the absence too of the lyrics is kind of unforgivable.
 
The album opens with a total winner and probably one of their most loved songs (next to "Cool For Cats") - the Maid Marion On Tiptoed Feet of "Pulling Muscles (From The Shell)". With the LP issued in February, A&M Records UK were slow off the mark, not putting the 45-single out until April 1980 - AMS 7523 fitted out with the Non-LP B-side "What The Butler Saw". The flip-side song "...Butler..." had been rejected from the initial playlist for their second platter "Cool For Cats" (unfortunately it isn't here when there was shed loads of room). You really do miss the lyrics not being here either for their second 45 from the LP - "Another Nail In My Heart" - released as 45-single in January 1980 on A&M AMS 7507 with the Non-LP "Pretty Thing" on its flipside. Few bands use words like 'sympathetic arrangements' and 'little boy lies' - but Squeeze do (dig that great guitar solo too, now with a bit of oomph in it). 

The group's songwriting sophistication starts to really get in its stride with the almost hypnotic guitars of "Separate Beds" - a tune where Mum didn't like her (wouldn't peel the spuds). Time to decamp to Mrs. Smith's B&B for a spot of quality time - breakfast at 7:30 a.m. prompt mind (some crumpet my dears). "Misadventure" has that Elvis Costello British New Wave rock to it - a frantic bopper about the Isle Of Dogs with Miss Adventure and her lacy mates. The British LP's Side 1 comes to a close with "I Think I'm Go Go" - thinking about the Disco and why the need to go there at all - the synths and freckled face lyrics all clear in the Remaster especially as the song stretches out from the Buckingham Palace lyric. 
 
Side 2 opens with 2:57 minutes of the manic "Farfisa Beat" - Stereo Disco a-go-go does make-up and tight tee-shirts and mirror balls (so Elvis Costello in ways). "Up in the morning, politely yawning...egg on the shirt of my heart..." - the stop-start journey of "Here Comes That Feeling" making our hero stare up at the ceiling and wonder if he'll ever step outside this internal doom. The very Dave Edmunds bop of "Vicky Verky" is one of those great Squeeze dancers wrapped around a tale of pregnant girls and protective mothers trying to their best. "If I Didn't Love You" was issued Stateside as the third single from the LP (A&M Records 2229) with "Pretty Thing" on its flipside - the song actually name-checking singles and albums as being like the levels of love. We romp home with the happy-wappy "Wrong Side Of The Moon" - remembering to remember to forget - slick little guitar solo giving it some halfway through. "There At The Top" again feels like an Elvis Costello song - a lady looking at a map and a watch wondering which will get up the corporate ladder fastest. A very British New Wave track to end a really good album.
 
The Two Bonus Tracks have a history - "Funny How It Goes" (3:49 minutes) was presented along with two other songs "Someone Else's Heart" and "What The Butler Saw" as a 14-track album cut of the "Argybargy" album – but A&M and manager Miles Copeland rejected all three so chopping it down to the 11 we now have. "What The Butler Saw" would end up as the Non-LP B-side of the British 45-single "Pulling Muscles (From The Shell)" – not featured here unfortunately – and "Someone Else's Heart" would end up being re-recorded with Elvis Costello in tow for their fourth platter "East Side Story" in 1981. 
 
The two out-takes "Funny How It Goes" and "Go" (4:12 minutes) make their first appearance on CD here in 1998 – the first being a piano-pounder about chatting up women and its pitfalls. Faster and go-cat-go is the guitar and drums of "Go" - another killer tune that's very Clash or Jam on a neck-jerking bender. It feels slightly unfinished, but dig that groove and those clever keyboard flourishes over the driving guitar towards the end - like The Cars having a whig out. In other words both the Extras are actually worthy of the moniker Bonuses.
 
At a time when seriousness and political statements abounded (nay even demanded by the Musical Press) – bands like Squeeze, Madness and even The Specials offered unashamed fun – a trip down to the local for some "how's your father" slap and tickle with some risqué and poignant lyrical observations throw in for good measure. And would we have it any other way. A cool reissue of "Argybargy" and one to seek out if you don’t want to fork out for the 2CD DE variant...
 
SQUEEZE A&M Re Master Pieces CD Reissue Series
Released January 1998 UK, February 1998 USA
Each Single CD Remaster Contained Two Previously Unreleased Bonuses
 
1. "Squeeze" 
Original UK LP March 1978 on A&M Records AMLH 68465
UK CD Reissue January 1998 on A&M 540 806-2 (Barcode 731454080620) 
Bonus Tracks "Deep Cuts" and "Heartbreak"
 
2. "Cool For Cats" 
UK LP April 1979 on A&M Records AMLH 68503 
UK CD January 1998 on A&M Records 540 804-2 (Barcode
Bonus Tracks "I Must Go" and "Ain't it Sad" 
 
3. "Argybargy" 
UK LP February 1980 on A&M Records AMLH 64802
UK CD January 1998 on A&M 540 803-2 (Barcode 731454080323) 
Bonus Tracks "Funny How It Goes" and "Go" 
 
4. "East Side Story..." 
UK LP May 1981 on A&M Records AMLH 64854
UK CD January 1998 on A&M 540 805-2 (Barcode 731454080521) 
Bonus Tracks "The Axe Now Fallen" and "Looking For A Love"
 
5. "Sweets From A Stranger"
UK LP May 1982 on A&M Records AMLH 64899
UK CD January 1998 on A&M 540 807-2 (Barcode 731454080729) 
Bonus Tracks "I Can't Get Up Anymore" and "When Love Goes To Sleep"
 
6. "Cosi Fan Tutti Frutti" 
UK LP August 1985 on A&M Records AMA 5805 
UK CD January 1998 on A&M 540 802-2 (Barcode 731454080224) 
Bonus Tracks "Love's A Four Letter Word" and "The Fortnight Saga"

INDEX - Entries and Artist Posts in Alphabetical Order