"Amelie". A Review Of The 2001 Film Now Reissued In 2011 On BLU RAY.

"…The Thrill Of This Rare Contact… Made Her Heart Beat Like A Drum…"

Jean-Pierre Jeunet's delicious "Amelie" wowed many hearts back in 2001 and has remained a warmly remembered favourite ever since. Now in October 2011 - to celebrate its 10th Anniversary - "Le Fabuleux Destin d'Amelie Poulain" (its full French title) - finally makes its way onto BLU RAY - and I'm thrilled to say it's a peach.

First up - lovers off the film who already own the 2DVD Special Edition set from 2002 - will be glad to see that all of its extras have made the transfer to this Momentum Pictures Blu Ray reissue (see list below). The card-wrap on the outside of the keep case gives it a classy feel (and it's cheap too). But of course the best news is the picture quality, which is rarely anything less than BEAUTIFUL.

Some words on this because it's such a huge part of the movie. Jeunet was bitterly disappointed at how his 1991 film "Delicatessen" translated to screen - it seemed that none of the work he put in showed on the actual print. He took no chances with the densely populated and complicated "Amelie" - it was filmed entirely in digital - which meant that post-production could add or detract whatever he wanted with precision. The film therefore has a very deliberate pallet of colours - particularly GREEN and RED. It gives the whole look a treated feel - almost a glow - but it's exquisite - and subtle too. It's gorgeous to look at and was deliberately rendered to be so. The scene where Amelie walks in the attaching tunnels of the Paris Subway sees the walls look 'lime green' and the effect is beautiful (digitally changed).

There are so many great visual moments too - unplugging the aerial of a male neighbour who tricked her as he tries to watch football, her mother examining her puckered fingertips in the bathtub, explaining the sights and sounds of the market as she rushes a blind man down a street, skimming stones on the canal outside her home, her father examining her as a child and mistaking her excitement as a defective murmur (dialogue above), stealing the garden gnome, Blubber the suicidal goldfish, the book of discarded passport photos made by her equally odd male fancy (a wonderfully cast Mathieu Kassovitz) - all are realized and framed with a warmth that fills the entire film. BRUNO DELBONNEL received many nominations for Cinematography and won some too.
[Note: The natural default for the print is 2.35:1 - which means lines at the top and bottom of the screen - but even if you stretch it to 16:9 aspect (full screen) - the subtitles are still visible on the bottom of the screen (just about).]

Then there's the script. Co-written by the Director and GUILLAUME LAURANT - and told almost entirely in narration - right from the off its quirky, imaginative and on many occasions - ball-breakingly funny (a sex scene in the toilet of the Windmill Café between a jealous patron and hypochondriac woman is fantastically good). Being spoken in French too only adds to "The Big Lebowski" madness of it all as random events pepper the story of Amelie - a kindly yet mischievous dreamer who works as a waitress in a Paris cafe. The place is emotional central - peopled by a boss with half a leg and a man who bursts plastic bubbles under his table as he spies on a woman who spurned him.

There are two particular scenes of cinematic genius - first is when Amelie finds a tin box of toys hidden behind a tile in her bathroom wall put there by a little boy 40 years back. She then tracks down the now older Dominic Bretodeau (masterful acting by Maurice Benichou) and lures him to a phone booth where he finds this lost treasure. His tears and look of childlike wonder is cinema at its very best. He then talks about it at a bar afterwards with Amelie listening close by. His dialogue is full of heartbreak and wisdom.

Second - there's the elderly frail painter Raymond Dufayel (a superb turn by Serge Merlin) who hasn't ventured out of his apartment for decades (nicknamed `The Glass Man' because of his supposed frail bones). Raymond continually paints and repaints a Renoir classic - but never seems to get it just so. A local grocer's boy called Lucien who is belittled by his bully Dad - brings Raymond his groceries and goodies. There is a scene between Lucien (great casting in Jamel Debbouze) and the wiser Raymond where the older observer of life helps the young put-upon boy to vent his rage with humour - it's touching, inspiring and poignant.

But the movie belongs to AUDREY TAUTOU who quite effortlessly made millions of men fall in love with her - and pine helplessly for her presence ever since. There's that touch of Audrey Hepburn beauty and class about her - a very rare thing in cinema these days. She could boil an egg and guys would stand there drooling. It was her breakthrough role and rightly so.

Rewatching "Amelie" on BLU RAY has been a delight - and I'd forgotten how funny, charming and deliciously inventive it is - all the way through.

Do yourself a favour and crack-open this Crème Boulez of a film...it has layer after layer of flavour - and I for one loved every soppy calorie-filled minute of it.

ASPECT RATIO: 16:9 (Original Aspect Ratio 2.35:1)
REGION CODE: B
AUDIO: DTS-HD French 5.1
SUBTITLES: English

EXTRAS:
Commentary with Director Jean-Pierre Jeunet
Making Of Amelie
Director's Interview
Q&A with Director and Cast
The Look Of Amelie (including interviews with Jean-Pierre Jeunet and Bruno Delbonnel)
Audrey Tautou's Funny Faces
Screen Tests
Photo Gallery
Storyboards
Trailers

"Himself" by GILBERT O’SULLIVAN (2011 Salvo Records 'Expanded Edition' CD Remaster) - A Review by Mark Barry of his 1971 Debut LP on Mam Records...

This Review Along With Hundreds of Others Is Available In My

SOUNDS GOOD E-Book on all Amazon sites

CLASSIC 1970s ROCK and POP - Exceptional CD Remasters  

Just Click Below To Purchase for £3.95

Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)

"…Allow Me To Present Myself To You…"

Dubliners and Irish people of a certain age (as well as admirers from many other countries) will look at the sleeve of this early Seventies album by Waterford born singer-songwriter Raymond Gilbert O'Sullivan with huge affection – the music and lyrics having wedged themselves into their hearts. And at last – in 2011 - we finally get to see Gilbert's MAM Records catalogue receive a decent reissue campaign – and it’s artist-approved too. Here are the pudding bowl details...

UK released Monday 7 November 2011 (15 Nov 2011 in the USA) – "Himself" by GILBERT O’SULLIVAN on Salvo SALVOXCD1001 (Barcode 698458050120) is an 'Expanded Edition' CD Remaster and plays out as follows (63:19 minutes):

1. Intro

2. January Git

3. Bye-Bye

4. Permissive Twit

5. Matrimony

6. Independent Air

7. Nothing Rhymed

8. Too Much Attention [Side 2]

9. Susan Van Heusen

10. If I Don’t Get You (Back Again)

11. Thunder And Lightning

12. Houdini Said

13. Doing The Best That I Can

14. Outro

Tracks 1 to 14 are his 'UK' debut album "Himself" – released August 1971 on Mam Records MAM-SS 501. The American LP variant "Gilbert O’Sullivan Himself" on Mam/London MAM-4 was released a year later with a different cover and track list on Side 2. "Susan Van Heusen" and "Doing The Best I Can" from the UK LP were replaced with two hits singles - "Alone Again (Naturally)" and "We Will". Famously "Alone Again (Naturally)" went to Number 1 in the USA and stayed there for 6 weeks in July 1972. The "Himself" album itself reached Number 5 and 9 on the UK and US LP charts respectively.

BONUS TRACKS:

15. Disappear

16. What Can I Do – Tracks 15 and 16 are Previously Unreleased 'Original Demo' versions of his first 2 singles on CBS Records from 1967 and 1968 (credited as GILBERT)

17. Mr. Moody's Garden – the non-album B-side to the UK 7" single "I Wish I Could Cry" – released August 1971 on Columbia Records DB 8779

18. Everybody Knows – the non-album B-side to the UK 7" single "Nothing Rhymed" – released October 1970 on Mam Records MAM 3 (his 1st 45 on the label)

19. Underneath The Blanket Go – a non-album track issued as a UK 7" single A-Side on Mam Records MAM 13 in February 1971 with the "Himself" album track "Doing The Best I Can" as its B-side

20. We Will

21. I Didn’t Know What To Do – Tracks 20 and 21 are the A&B-sides of a non-album UK 7" single released July 1971 on Mam Records MAM 30

22. No Matter How I Try – a non-album UK 7" single released November 1971 on Mam Records MAM 53. Its B-side was the "Himself" album track "If I Don't Get You (Back Again)"

The original UK LP had a laminated gatefold sleeve with an inner lyric bag – both it and the 'car collage' inner gatefold shot are faithfully reproduced in high quality on the card digipak. There's a 'Gilbert O'Sullivan – A Singer And His Songs' logo sticker on the front which will undoubtedly accompany all of these expanded reissues. The 20-page booklet is gorgeous - tastefully laid out lyrics to all the songs (including the bonuses), photos from his own archives, trade adverts and a detailed paragraph on each single with reminiscences from Gilbert on the album's creation. There's glossy photos in here I’ve never seen. Even the CD is a pictured one. But the really big news for fans is the SOUND…

Remastered from original master tapes – the sound quality is a vast improvement on what went before (compilations and expensive Japanese imports). The album it has to be said is 'hissy' in many places and that's been accentuated a bit – but then so has the clarity of all the instruments. The sound quality for instance on the 2 singles "We Will" and the joyful "No Matter How I Try" is superlative (and without hiss). The "Intro" snippet (lyrics above) leads into the witty "January Git" and the sound improvement is very obvious. The jaunty "Matrimony" and "Houdini Said" are firm fan favourites and the Drum and flute combo in "Too Much Attention" has even been used by Dance DJs for a few years now. I also love the lesser-heard "Independent Air" track with its slinky beginning and big brassy finish.

But the album belongs to the song that made him – a tune that made the public sit up and take notice. "Nothing Rhymed" is an extraordinary melody. Even now – more than 4 decades after the event – the lyrics are sung back to him word-for-word at concerts by the audience – and unfortunately their poignant message is still relevant too "…will I glance at my screen and see real human beings…starve to death in front of my eyes…"

This is a lovely reissue really – and properly well done. He would of course wisely move on from the terrible 'pudding bowl' image of 1970 and 1971 to the success of his 2nd album "Back To Front" and the wonderful "Along Again (Naturally)" in 1972 (the next reissue in this series). But this is where his songwriting career started and Salvo are to be praised for handling it so well...

PS: Salvo of the UK continued their reissue campaign with his 2nd LP "Back To Front" from 1972, his 3^rd album "I'm A Writer, Not A Fighter" from 1973 and his 4^th Mam Records LP “A Stranger In My Own Back Yard” from 1974. They also went beyond into the CBS years of the 80ts. All are ‘Expanded’ Edition CD Remasters with Bonus Tracks and Repro Packaging (see my detailed online reviews for his 2nd, 3rd and 4^th LPs).

"Losers Weepers" by ETTA JAMES (October 2011 Ace/Kent-Soul 'Expanded Edition' CD Remaster) - A Review by Mark Barry...

-->

"…Let Wisdom Be Your Hammer…Let Progress Be Your Aim…" 

2011 has turned out to be a bumper year for fans of the American Soul legend Etta James. February saw the "Who's Blue" Kent Soul compilation give us 24 elusive tracks on Chess and Cadet Records spanning 1961 to 1976 - whilst 31 October saw the first official release on CD of "Call My Name" - a criminally forgotten Cadet Records LP from 1967. I’ve reviewed both of them.

And now this - another exclusive - a first-time-on-CD outing for a rare vinyl LP from 1970 on Cadet records – and imbued with copious amounts of bonus tracks relevant to the period. Here are the weepy details…

UK released Monday 31 Oct 2011 (15 Nov 2011 in the USA) - "Losers Weepers" by ETTA JAMES on Ace Records/Kent Soul CDKEND 361 (Barcode 029667236126) breaks down as follows (74:57 minutes):

1. Take Out Some Insurance

2. I Got It Bad And That Ain’t Good

3. I Think It’s You

4. Someone

5. Losers Weepers

6. Weepers

7. You’re The Fool

8. Hold Back The Tears

9. For All We Know

10. Look At The Rain

11. Ease Away A Little Bit At A Time

Tracks 1 to 11 are the Stereo LP "Losers Weepers" - released December 1970 in the USA on Cadet Records LPS-847

Track 12 is "The Love Of My Man" – a 1970 USA 7" single on Chess 2100 [A]

Tracks 13 to 17 are "Tighten Up Your Own Thing", "Quick Reaction And Satisfied", "Nothing From Nothing Leaves Nothing", "Sound Of Love" and "The Man I Love" are all from the album "Funk" – released January 1970 in the USA on Cadet Records LPS-847

Track 18 is "I Found A Love" – a 1972 USA 7" single on Chess 2125 [A]

Tracks 19 and 20 are "W.O.M.A.N." and "Tell It Like It Is" - are the A&B Sides of a 1972 USA 7" single on Chess 2128

Track 21 is "Never My Love" – a 1973 recording Previously Unreleased until the 2000 3CD set "The Chess Box"

Track 22 is "I Never Meant To Love Him" – a 1973 recording Previously Unreleased until the 1993 2CD set "The Essential Etta James"

[Note: Tracks 12, 14, 17 to 20 are MONO - all others are STEREO]

This CD release will allow fans to sequence almost all of the 7 x 7" singles released off and around the 2 x 1970 albums - "Losers Weepers" and "Funk":

1. Tighten Up Your Own Thing [13] b/w What Fools We Mortals Be [Not on here] on Cadet 5664 (1970)

2. Sound Of Love [16] b/w When I Stop Dreaming [Not on here] on Cadet 5671 (1970)

3. Losers Weepers [5] b/w Weepers [6] on Cadet 5676 (November 1970)

4. The Love Of My Man [12] b/w Nothing From Nothing Leaves Nothing [15] on Chess CH 2100 (1971)

5. I Think It’s You [3] b/w Take Out Some Insurance [1] on Chess CH 2112 (1971)

6. I Found A Love [18] b/w Nothing From Nothing Leaves Nothing [15] on Chess CH 2125 (May 1972)

7. W.O.M.A.N. [19] b/w Tell It Like It Is [20] on Chess CH 2128 (1972)

The first thing that hits you is the GORGEOUS SOUND QUALITY. Remastered by DUNCAN COWELL at Sound Mastering in London - I've sung this engineer's praises before - but again - he's outdone himself here. There's amazing clarity on every song - clean Stereo separation too and a huge presence on instruments - especially the brass and percussion. It's a blast from start to finish. The 12-page colour booklet is crammed with photos of 7" singles (most of the titles listed above), Cash Box magazine adverts and reviews from December 1970 - as well as a superbly detailed set of liner notes by noted writer and Soul lover DENNIS GARVEY. Like it’s predecessor ("Call My Name" on CDKEND 360) – this is a typically classy effort...

Highlights for me are the slow Soul of "I Think It's You" and the cover of the Jackie Edwards nugget "Look At The Rain". It’s also cool to get 5 tracks off the rare "Funk" album – especially the zippy 'message' soul of "Tighten Up Your Own Thing" (lyrics above). The bluesy "Nothing From Nothing Leaves Nothing" is hardly 'funk', but it’s a proper Soul gem. An organ-led slowy, it's a pleader written by Johnny Morrisette and hardly surprising it got used as a 45-side - twice. The cover of The Bee Gees "Sound Of Love" is the only real clunker for me - it feels a little forced and too melodramatic – a little too pop for Etta. But the non-album single "W.O.M.A.N." is fab sexy Soul – even in Mono. At seventy-five minutes, there are loads of goodies on here...plenty to satisfy.

To sum up - once again Ace Records have delivered on all fronts - keeping the great lady's recorded legacy alive for future generations to savour and enjoy. A job well done...

"Aqualung" by JETHRO TULL. A Review Of Their 1971 Album Now Remastered Onto A 40th Anniversary 2CD Set.

This review is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…He's Not The Kind You Have To Wind Up On Sunday…"

*** THIS REVIEW IS FOR THE 2CD VERSION ***

Little will prepare Tull fans for this. The sonic improvement and clarity on this 2CD remix/remaster is off-the-charts good - a truly fantastic improvement.

A little history is needed to explain this - the CD reissues of this acknowledge gem have been fraught with so-so versions - a duffer bare-bones 1st outing in 1987, a 25th Anniversary attempt in 1996 (which to my ears is one of the worst remasters I've ever heard) and a much better shot at it by the audiophile company DCC in the States a year later. Good rather than great. We'll at last - for it's 40th anniversary in 2011 - EMI UK finally gets it right.

Here are the details first - UK released Monday 31 Oct 2011, "Aqualung 40th Anniversary Special Edition" is a 2CD set on EMI/Chrysalis AQUAS 1 (5099908799920) and breaks down as follows:

Disc 1 (43:25 minutes):
Tracks 1 to 11 are their 4th album "Aqualung" - released 19 March 1971 in the UK on Chrysalis ILPS 9145 and 3 May 1971 in the USA on Reprise MS 2035. It reached number 4 and 7 on the UK and US LP charts. No 45's were released to support the album in the UK, but "Hymn 43" was put out as a 7" single in the USA with "Mother Goose" as its B-side on Reprise 1024.

Disc 2 (44:51 minutes):
Track 1 is "Lick Your Fingers Clean" - an album outtake that first appeared on the 1996 25th Anniversary reissue - this is a 2011 'New Mix'. It was supposed to be released as a single in 1971 on Chrysalis WIP 6098 in the UK, but was withdrawn
Track 2 is "Just Trying To Be" - first appeared as the last track on Side 2 of the July 1972 double album "Living In The Past". This is a 2011 'New Mix' at 1:37 minutes
Track 3 is "My God (Early Version)" - a 9:42 minute outtake complete with studio dialogue at the beginning
Track 4 is "Wond'ring Aloud" - a 1:51 minute outtake recorded 13 Dec 1970
Track 5 is "Wind Up" - an 'Early Version' at 5:21 minutes with Ian Anderson on piano. This is a 2011 'New Mix'
Track 6 is "Slipstream (Take 2)" - a 54-second outtake
Track 7 is "Up The 'Pool" - an 'Early Version' at 1:12 minutes (released version is Track 10)
Track 8 is "Wond'ring Aloud, Again" - a 7:07 minute 'Full Morgan Version' with the band and extra verses
Tracks 9 to 13 are "Life Is A Long Song", "Up The Pool", "Dr Bogenbroom", "From Later" and "Nursie". 11 to 13 are new 2011 remasters. All 5 tracks were recorded in May 1971 and made up the "Life Is A Long Song" 7" EP released September 1971 on Chrysalis WIP 6106 in the UK (the picture sleeve is featured in the booklet). They reappeared as Tracks 3 to 7 on Side 4 of the "Living In The Past" double LP in 1972.
Track 14 is a 52-second "US Radio Spot" featuring Ian Anderson talking about the album and God with music snippets from several tracks
Note: Tracks 3, 4, 6 7 and 8 are PREVIOUSLY UNRELEASED

The 2CDs are housed in a 3-way foldout card digipak with a 32-page booklet. Nice touches include the painting-artwork of Burton Silverman reproduced beneath the 2 see-through trays (the inner gatefold of the original vinyl LP), the CDs are green in colour as per the original Chrysalis labels and the booklet numbers the pages in Roman numerals in keeping with the original album artwork. There are knowledgeable and detailed liner notes by DOM WILSON featuring new interviews with principal songwriter and lead vocalist IAN ANDERSON. The booklet is peppered with new colour photos from the period and a nice collage shot of trade adverts, foreign pictures sleeves and promo-related stuff. But the really big news is the NEW SOUND...

Pages 26 and 27 give a detailed description by STEVEN WILSON on the lengths he went to in the remixing/remastering process to get the best possible sound out of the 8 and 16-track master tapes without compromising the integrity of the original recordings. Multi-track Transfers were done by KRIS BURTON and Mastering carried out by PETER MEW at Abbey Road (a name long associated with quality reissues - see Listmania and tags). The results are amazing.

Even as the opening riff of "Aqualung" rattles around your speakers accompanied by the sleazy "...sitting on a park bench..." lyrics - the audio quality is in your face, but not in a forced way. Suddenly the track has real muscle and the details leap out at you. It's breathing for the first time. "Cross-Eyed Mary" has superlative bass end now and the treated guitar 'so' good. But for me the real fireworks start with the double combo of the acoustic "Cheap Day Return" with the acoustic/rock of "Mother Goose". The improvement is GLORIOUS - and when the guitar kicked in half way through "Mother Goose" - I'll confess to blubbing out a little proggy tear. "Up To Me" is fantastically good too. The improvement continues on Side 2 - but even more so. The riff in "Hymn 43" is just huge now and the quiet lead into "Locomotive Breath" is not drenched in hiss - but clean and powerful. The album ends with "Wind Up" which has the best lyrics Anderson ever wrote about personal beliefs and it sounds just wonderful (lyrics above).

I had thought after the blast of the album that Disc 2 would be throwaway - not so. A truly lovely gem tucked away on the "Living In The Past" 1972 double is "Just Trying To Be" which I had on a 1999 Mobile Fidelity remaster (see review) - well here the sound quality is beautiful and far better. I was also taken aback by the full 7-minute band version of "Wond'ring Aloud, Again" which properly stretches out - it's a superb bonus. It takes the "Wond'ring Aloud" album track from "Aqualung" at 1:53 minutes length and adds on the "Wond'ring Again" outtake at 4:15 minutes length that turned up on the 1972 "Living In The Past" double and segues way them together with an extra bridge in the song and more lyrics (hence its new title here is a make up of both song titles). It's very cleverly done and because there's new bits in it - it's been called 'Previously Unreleased'. The roughest sounding outtake here is the 'Early Version' of "My God", but again his passion in the vocals is the reason for inclusion. And again the clarity on the 5-track "Life Is A Long Song" EP is far better than that on the MF release. Great stuff...

Niggles - the original album had an inner sleeve with lyrics - no show. This is a sloppy exclusion especially given the importance of words on this album.

I bought "Aqualung" when it came out in March 1971 as a spotty 12-year old and have loved it ever since. Finally this reissue does it justice. And the "Super Deluxe" box set has further 5.1 mixes that have received rave reviews too.

I suspect that Steven Wilson (of Porcupine Tree), Kris Burton and Peter Mew will be up for awards for their mastering skills on this reissue - a top job done and one of 'the' reissues of 2011.

Roll on "Living In The Past" the 1972 Double Album - it deserves the same lavish treatment...