"Dire Straits" by DIRE STRAITS (September 2013 Universal/Vertigo JAPAN-ONLY PLATINUM SHM-CD in Mini LP Repro Artwork and Collector's Box) - A Review by Mark Barry...

"…Water To Be Found…" 

Dire Straits by DIRE STRAITS (2013 Japan-Only Platinum SHM-CD Remaster)

What with Blu Spec 2, Blu Ray Audio and SHM - it's hard to know your formats anymore (I remember when Quadrophonic LPs bothered my Garrard). Well here comes another format to replace the 30-year old basic CD - the PLATINUM SHM-CD as championed by Universal in Japan. And they might actually have something this time to genuinely rave about because this disc has beautiful sound quality (if not a little too clinically clean for some ears). Here are the gory digital/technical details...

The debut vinyl album was originally issued in the UK on Vertigo 9102 021 in June 1978 with a CD remaster in June 1996 and a further Japan-Only remaster onto SHM-CD in 2010. This Platinum SHM-CD version of "Dire Straits" by DIRE STRAITS was released 25 September 2013 in Japan on Universal/Vertigo UICY-40008 (Barcode 4988005782182). It's listed as up for deletion in April 2014.

PETER MATTHEWS did the Tape Research while RICHARD WHITTAKER carried out the DSD flat transfer in 2013 from original UK master tapes at FX Copyroom Studios in London. MANABU MATSUMURA then edited this into DSD after which YUMETOKI SUZUKI transferred that at Universal's Studios in Tokyo (176 4kHZ/24bit). The disc is a HR cut (High Resolution) and comes in an outer presentation box that has the album's artwork and a full box-sized wraparound Obi strip. Inside the box is a 5" card repro of the album artwork (itself with an Obi) with the album's original inner lyric sleeve.

The 16-page booklet is the usual plain white Japanese affair with liner notes in Japanese and the lyrics in English with some mastering details. The CD itself as you see from the photo is a garish almost blue-ice colour kept in a gauze sleeve (a list of other titles in this series is below). The repro is beautifully done - even down to the texture of the sleeve and inner bag. Their Japanese price is 3800 yen so they're not cheap - about £26 to £30 depending on exchange rates. Even though they won't fit on a conventional CD shelf, aesthetically you'd have to say that these 'mini box sets' are a very sweet thing to look at indeed - luxurious even (I've uploaded photos above) and concentrating at the moment on hugely collectable titles and classic rock bands. 

I owned the 2010 SHM-CD of "Dire Straits" which has fabulous sound quality - but I'd have to say that this 2013 version is better with incredibly clean sound - the rhythm section particularly pronounced on almost every track to a clarity that its never had before.

1. Down To The Waterline [Side 1]

2. Water Of Love

3. Setting Me Up

4. Six Blade Knife

5. Southbound Again

6. Sultans Of Swing [Side 2]

7. In the Gallery

8. Wild West End

9. Lions

The opening misty horn on "Down To The Waterline" is eerie and when the track hits 2:50 minutes you'd swear the bass and drums are going to kick your speakers in. There is the hiss that was there before but its not so pronounced that it would detract. Then you get the first of two slices of audio and musical heaven - "Water Of Love" is the first - the other is "Wild West End" (lyrics from it title this review). You can hear the squeaking of Dobro strings and the rhythm guitar is definitely more pronounced on "Water" and the steel guitar on "Wild West End" is simply glorious. What a beautiful song it is - and here it finally gets the sonic muscle and clarity its always deserved. 

Again on the slick "Six Blade Knife" (such a great track) - the rhythm section of bass and drums seem suddenly alive. I always thought it was my vinyl album that made "Southbound Again" so gruff (being at the end of Side 1) - but here its even gruffer - so it was on the tapes all along. The big hit "Sultans Of Swing" sounds amazing - as does the left-side rhythm guitar on the slinky "In The Gallery" (another album highlight). My only real criticism is that at times I found it all a little 'too' clinically clean and even restrained in places. I had to give some tracks a bit of welly on my Marantz CD and Amp combo and when I did - wow!

Having said that - I suspect that you will not need high-end gear to hear the very real difference here - quality all the way. And like many – I’ve overlooked this album in place of its more famous successors ‘Love Over Gold’ and ‘Brothers In Arms’. I’d genuinely forgotten how utterly brilliant the Dire Straits debut album was and still is...and this gorgeous version of it brings that out. A must own if you’re a fan...

So to sum up - it's a must own if you're a fan of this superb debut album. Part of me hates this because now they've got me thinking I need "Sticky Fingers", "What's Going On", "Who's Next", "Every Picture Tells A Story"...the list goes on (most remastered in 2013 for this format). As you can see from the list below, Platinum SHM-CD reissues are already gathering pace.

My bank manager will be pleased...

For info purposes, some titles released in Japan on the 

PLATINUM SHM-CD format:

At Fillmore East - THE ALLMAN BROTHERS (25 Sep 2013, 2013 remaster from US tapes)

Asia - ASIA (30 Oct 2013)

Blind Faith - BLIND FAITH (30 Oct 2013)

Doc At Radar Station - CAPTAIN BEEFHEART (27 May 2015)

Ice Cream For Crow - CAPTAIN BEEFHEART (27 May 2015)

Singles 1969-1973 - THE CARPENTERS (due 26 Mar 2014)

A Love Supreme - JOHN COLTRANE (27 Nov 2013)

Ballads - JOHN COLTRANE (27 Nov 2013)

Disraeli Gears - CREAM (1 disc, Mono & Stereo Mixes + 6 Bonus, 27 Nov 2013)

Fresh Cream - CREAM (2 disc set, Mono & Stereo mixes + 12 bonus, 18 Dec 2013)

Wheels Of Fire - CREAM (2 disc set + 4 bonus tracks, 18 Dec 2013)

Relaxin’ With The Miles Davis Quintet - MILES DAVIS (30 Oct 2013)

Layla... - DEREK & THE DOMINOES (25 Sep 2013, 2013 remaster from US tapes)

Dire Straits - DIRE STRAITS (24 Sep 2013)

Love Over Gold - DIRE STRAITS (27 Nov 2013)

Communiqué - DIRE STRAITS (27 August 2014)

Brothers In Arms - DIRE STRAITS (23 April 2014)

Pictures At An Exhibition - EMERSON, LAKE & PALMER (23 April 2014)

Waltz For Debby - BILL EVANS (30 Oct 2013)

Let's Stick Together - BRYAN FERRY (29 April 2015)

Boys & Girls - BRYAN FERRY (29 April 2015)

Ella and Louis - ELLA FITZGERALD and LOUIS ARMSTRONG (27 Nov 2013)

What’s Going On - MARVIN GAYE (25 Sep 2013 plus 6 bonus tracks)

The Lamb Lies Down On Broadway - GENESIS (27 November 2014)

Goodbye Yellow Brick Road - ELTON JOHN (2 disc set, 27 Nov 2013)

The Look Of Love - DIANA KRALL (27 Nov 2013)

Imagine - JOHN LENNON (3 December 2014)

Carmen Fantasie - ANNE-SOPHIE MUTTER (27 Nov 2013)

Tubular Bells - MIKE OLDFIELD (Plus 2 Bonus Tracks, 30 Oct 2013)

Meets The Rhythm Section - ART PEPPER (30 Oct 2013)

We Get Requests - OSCAR PETERSON (27 Nov 2013)

Regatta De Blanc - THE POLICE (27 Nov 2013)

Synchronicity - THE POLICE (18 Dec 2013 with “Murder By Numbers” bonus track)

Queen 2 - QUEEN (18 Dec 2013)

A Night At The Opera - QUEEN (25 Sep 2013)

News Of The World - QUEEN (30 Oct 2013)

Difficult To Care - RAINBOW (18 Dec 2013)

Saxophone Colossus - SONNY ROLLINS (30 Oct 2013)

Sticky Fingers - THE ROLLING STONES (30 Oct 2013)

Exile On Main St. - THE ROLLING STONES (25 Sep 2013, 2LP set on 1CD)

Goat’s Head Soup - THE ROLLING STONES (27 Nov 2013)

It’s Only Rock ‘n’ Roll - THE ROLLING STONES (18 Dec 2013)

Black And Blue - THE ROLLING STONES (27 Nov 2013)

Love You Live - THE ROLLING STONES (2 disc set, 18 Dec 2013)

Some Girls - THE ROLLING STONES (30 Oct 2013)

Tattoo You - THE ROLLING STONES (25 Sep 2013)

Avalon - ROXY MUSIC (28 Jan 2015)

Never Mind The Bollocks... - SEX PISTOLS (12-track version, 2013 remaster, 27 Nov 2013)

The Great Rock ‘n’ Roll Swindle - SEX PISTOLS (18 Dec 2013)

Aja - STEELY DAN (25 Sep 2013)

Gaucho - STEELY DAN (30 Oct 2013)

Every Picture Tells A Story - ROD STEWART (27 Nov 2013)

Breakfast In America - SUPERTRAMP (27 Nov 2013)

Phaedra - TANGERINE DREAM (25 February 2015)

The Original Soundtrack - 10cc (Plus 4 Bonus Tracks, 30 Oct 2013)

Tommy - THE WHO (27 August 2014)

Who’s Next - THE WHO (25 Sep 2013 - no bonus tracks - 2010 remaster)

Quadrophenia - THE WHO (2 disc set, 18 Dec 2013)

Argus - WISHBONE ASH (Plus 4 Bonus Tracks, 30 Oct 2013)

Talking Book - STEVIE WONDER (25 Sep 2013)

Innervisions - STEVIE WONDER (30 Oct 2013)

Fulfillingness First Finale - STEVIE WONDER (27 Nov 2013)

Songs In The Key Of Life - STEVIE WONDER (2 disc set, 18 Dec 2013)

"MY BROKEN HEART (75 Days In The NHS)" by MARK BARRY - A Book Of 75 Rhyming Verses Now Available As A PAPERBACK and DOWNLOAD ON AMAZON...NHS 75th Anniversary...

MY BROKEN HEART (75 Days In The NHS)

 

75th Anniversary of the NHS (2023)

This is a direct link to the download on Amazon UK
(it can be downloaded to most PCs and devices - the Kindle software is free)

Paperback Version is £9.95

 

    http://www.amazon.co.uk/gp/product/B00H2LZKHI

Here are the gory details... 

“My Broken Heart (75 Days In The NHS)” is a series of 75 rhyming verses (one poem for each day) accompanied by photographs of a unique experience I don’t recommend you emulate (a heart attack with a right-sided carotid artery complication).

I was 54 when it happened. Despite a serious cycling regime to and from the West End of London (over 100 miles a week) - a history of ischemic heart disease on my Mum’s side and a lifetime of cream-cakes, greasy chips and chewy snacks in cinemas on my side - had finally caught up with literally over-sized Dubliner’s ticker. Angina blocked arteries led to a stroke which required a full-on open heart quadruple bypass operation. To add serious insult to a life-threatening injury - I’d also been diagnosed with a dissected and carotid artery in early November 2012 (bulging vein on your head, neck spasms) which would take 3 months to heal. So even though I got into the British Cardiovascular repair system on 28 Nov 2012 - I had to wait until 5 February 2013 for the actual operation - 70 days of physical pain and mental torture leading up to 5 more days of post-op agony (and many more months recovering). It was doubly cruel because my Angina was continuing to deteriorate and hurt on a daily and nightly basis. So my stay in two British hospitals (Whipps Cross in East London and St. Barts in the City of London) became a marathon and something of an emotional nightmare. 

The average sinner will spend only 6 or 7 days in the Cardio Ward of a British hospital so they don’t really get any time to dwell on the brutality of what’s about to happen to them (a nurse actually told me the less knowledge you have the better). In truth I had far too much time on my hands and far too many mental demons to deal with and dissipate. Mistakes made - unfulfilled promise - putting my family under the cosh at this late stage in my life - the money problems I'd leave behind. But - and I mean this - the whole experience was also oddly cathartic - joyful even - and strangely releasing in ways. A lot of love pours down on you when your life’s in danger - people come out of the woodwork. The chatty side-stepping stops and they tell you to your face that they really do like you - and don’t die you careless stupid fucker. My dedications page (as you can imagine) is very long. 

I kept notes on a daily basis - experiencing great British characters, unintentionally witty moments, low and high points and even epiphanies. Over the duration you're subjected to MRI scans, Endo-Cardiogram checks, ECG monitors, CTI scans, cannulas in your veins, electrodes on your chest, constipation, suppositories up your bum, catheters up your willy, the decibels of non-stop monitors, squirts of liquid morphine, sprays of Glyceryl Trinitrate and an industrial-sized Barber's Shaver on your legs. And this is before the operation. 

The pictures are almost all mine and are from the real world and wards. Bryan Taylor is real (RIP) - the singing Jamaican porter - Ali the helpful orderly - the fantastic nurses and doctors - the unkillable Geordie - the opportunistic Jewish Mum - the ultra-efficient German ambulance crew who kept getting lost - church bells chiming on the hour like a beacon of hope on dreary days...all real. Long-term hospital is like this - full of frights and nut-jobs and jaunts to machines in wheelchairs and drugs and blood tests and urine and endless bug killer gel on your hands and cold toilet seats and professionalism generally saving your life. But mostly it’s about mental will - the sheer bloodymindedness you need to live - to see it through - to rejoin your family and savour that second chance sublime. 

And besides - you have to admire a man who rhymes Altoids with Haemorrhoids.

And his consistent use of the word fuck as an adjective.

All in all money well spent by the nutty British and The National Health Service on a dodgy Catholic immigrant. (The Daily Mail will be pleased).

Enjoy - I know I didn't.

AVAILABLE in PAPERBACK on AMAZON 

 

 

Here are 5 examples with their photos...

                           NURSES

Nurse Margaret places my patch in the morning

Alternating between each shoulder blade - 

Deponit 5 gives me daytime relief from Angina

Clearing out tubes not making the grade - 

Nurse Oni hauls laundry off the InvaCare Mattress   

Then swishes with a Clinell Sanitising wipe -

She then folds a flap into the end of my linen sheet 

So my feet don’t slip out or get cold at night - 

Nurse Zara administers my nightly stomach injection

It leaves a line of bruises below the waist -

But she raises a ridge of skin so the stabbing pain

Is kept to a minimum and evenly displaced - 

Nurse Morris gets me an extra blanket at ten p.m. 

Because these crittall windows let in cold -

Sister Frances visits to see if I’m mentally coping   

Leaves me leaflets so my resolve will hold -

Given cigarettes to calm his nerves in World War II

Old English Bill is a still a Hampstead gent -

Nurse Rajani helps him through a racking coughing fit

Fluffing his pillows after an exhausting vent -

Another Nurse drops off a tea and two custard creams  

To diabetic Sid whose feeling lonely and glum - 

Nurses - I watch their everyday dedication and constancy 

And am completely...and humbly...overcome...

               STUFF and NONSENSE

My generation has some God-awful clothing     

Fashion crimes we’ve used and abused -

Tucked away in our cabinets is an Afghan coat   

Sat on top of two scuffed-up Jesus shoes -

We scatter talcum Powder in battered slippers 

Keeping the pong of stinky feet at bay - 

We wear body-length robes in fetching colours  

Pocket those bugger-filled tissues away -

Richard huffs at the plot of “The Da Vinci Code” 

Edward constantly twirls his wedding ring -

Raj looks at photos of his children on his mobile  

And smiles when their ring-tones ping -

John’s got his Dickens and William Wordsworth 

Likes his writers to be British old-school -

Charles is obsessed with politics in the newspapers 

Whacks the photo of another Liberal fool -

We blitz our cabinets with love and home-thoughts 

Position family photos and get-well cards - 

Some have an iPhone, an iPod and mini headphones 

The whole techno nine and a half yards -

Jonathan has sent me a box of pliable earwax squares 

An Olympus Voice Recorder from Mary Ann -

Cathy has sent me an Irish author’s new book to read

And there’s spiral jotters from my sister Fran -

People come pouring out of the human woodwork

When your dicky heart’s in genuine danger -

I carry their talismans around with me for good luck

They’re my Tonto and I’m The Lone Ranger - 

It’s amazing how dependent on objects you become  

Defined by old habits and nonsensical stuff - 

But when your very life hangs in the medical balance 

No amount of love's ammunition is ever enough...

  DENNIS THE MENACE and GNASHER

There’s a beaming Polish Gent in Bed Number 12

Chipper as a breakfast platter full of kippers -
Each day he cartwheels left and slips gingerly into   

His Dennis The Menace & Gnasher slippers - 

“I’ve not had a bowel movement since Wednesday!”

He announces to all with odd European glee -

Then proceeds to flick through snaps on his Nokia   

Of his equally cute/contented posse of three - 

But his face truly explodes when his wife comes in  

And they proper giggle like two newly weds - 

Dangling his upbeat pair of personalised footwear

As they chinwag by the raised hospital beds -

Happily his lab-tests prove he’ll get away with stents 

And won’t need the wiry sawed-open chest -

I watch him hug his proud-as-punch wife and children  

Come visiting Daddy in their Sunday best...

                         REMINDERS

There's a picture of our Dino with lovely Georgia

A special-needs girl who is now his friend -
He’s in a tailored-suit and she’s in a prom-dress
Eating cake on the grass at evening’s end -

It’s a thrill to think that each has found a love
A buddy to see them through this life -
And even though they’re so naive and vulnerable
They can share their confusion and strife -  

You see our first-born is hand-flapping Autistic
He’s twenty-two but a child in his mind -
So any self-expression is proper gold dust for us
Pages, drawings and scribbles he’s signed -

Dean wrote me a homemade Father’s Day Card
Visited when my nerves were in tatters -
I now keep his heroic efforts on my bedside cabinet
To remind me of what really matters... 

(For our son, The Beautiful Dean)

                        PISSING FOR ENGLAND

A highly animated gastroenterologist comes into the I.T.C.

Asking after Mr Barry and his marvellous bladder -

Apparently I’ve displaced an unheard of 23 litres of urine 

Pissing for England in an equally pleased catheter  -

You wake up and realise there’s lots of paraphernalia attached 

Plastic tubes are stuck in every available hole -

There’s four colour-coded electrodes connected to your heart 

And a length of wire buried like a fleshy mole - 

You blow out that copper line that seems over forty-foot long 

Looks like a sci-fi prop from The Matrix set -

Then they begin to kickstart the parts of your lithesome body 

They’ve properly violated and thoroughly upset -

There’s a circular wad of tubing rammed up your flaccid willy

And every time your battered bladder opens it stings -

You feel like Golem coughing up all manner of odious phlegm 

With breath like an Ork in The Lord Of The Rings - 

They break open three suppositories up the crack of my arse

To help my bowels sonically connect with a toilet pan -

I’m down in X-Ray when I decorate the loo with sniffy piping 

Stretching from wee Bognor Regis to mainland Japan -

A nurse pulls the curtain round and tells me its time to extract  

The four wires that would have given my ticker a start -

But the yellow one gets stuck on the way out and she exclaims 

“I’ll just give this one a wee bit of a yank sweetheart!” 

A surgeon arrives in the evening looking genuinely Godlike  

Tells me the operation was a full-on success story -

Asks if I’m feeling better - I tell him - “I’m David Bowie Mate! 

Banging Aladdin Sane and ready for Hunky Dory!”

"Hats" by THE BLUE NILE (2012 Virgin/Linn Records 'Deluxe Edition' 2CD Reissue and Remaster) - A Review by Mark Barry...

"...I Know A Place...Where Everything's Alright..." 

I can't be rational about "Hats" - few who love THE BLUE NILE can be. But little will prepare fans for this beautifully remastered reissue of their 1989 masterpiece - sonically up there with the very best 2012 has to offer. Here are the finite details...

Released Monday 19 November 2012 in the UK - "Hats" by THE BLUE NILE on Virgin/Linn Records LKHCDR 2 (5099901730029) is a 2CD 'Deluxe edition' Remaster/Reissue and plays out as follows:

Disc 1 (38:48 minutes):

1. Over The Hillside 

2. The Downtown Lights

3. Let's Go Out Tonight

4. Headlights On The Parade [Side 2]

5. From A Late Night Train

6. Seven A.M.

7. Saturday Night

Tracks 1 to 7 are their second album "Hats" - released October 1989 on LP, MC and CD in the UK on Linn Records LKH 2. The first CD issue carried with it a single page inlay with virtually no details and sound quality that was good rather than great. This is the first remaster of the album - handled by Calum Malcolm (a member of the original line-up and long-time Producer for the group) along with Band members Paul Buchanan and Robert Bell (US customers should use the barcode number provided above to get the right issue when searching on Amazon.com).

Like the other title in this reissue campaign (their debut "A Walk Across The Rooftops" from 1984) - the remaster is again breathtaking. The danger would have been to amp everything up - but it's not like that. It's subtle, clean and beautifully realized. "Hats" was put out initially on Linn Records - Linn were (and still are) a high-end turntable manufacturer - and audio quality is their 'thing'. Well those initial production values have served this subtle remaster well - because the detail now is fantastic.

As the echoed drums of "Over The Hillside" fade in with that synth and drums - the smack is immediate - 'so' sweet. It continues with the album's first hit "The Downtown Lights" (later covered by Rod Stewart and Annie Lennox) - when the guitars begin to crescendo towards its six and half minute end - it's so much more powerful. But then comes the album's first real moment of magic - the hurting yet gorgeously romantic "Let's Go Out Tonight" - a song I've seen people cry to when I was at their live gigs. The slow trumpet and acoustic sounds swirl around the room - "...why don't you say...what's so wrong tonight..." - beautifully done - a song that was old now made new again (lyrics from it title this review).

The kick out of the bopping "Headlights On The Parade" is again amplified - especially the bass and walls of synth-counter-melodies that arrive when Buchanan sings the chorus. But then comes the two album sleepers which in my opinion benefit the most from this sonic upgrade - "From A Late Night Train" and "Seven A.M." - their ethereal and aching nature suddenly feel more poignant than ever - so deftly handled. And last - probably everyone's favourite - the impossibly gorgeous "Saturday Night". By now my stroke-addled eyes are bloodied and the cheeks puffy - I'm mush for this song. I fell in love with my wife and partner of 23 years to this melody - walking down streets with my Sony Discman singing "...an ordinary girl...can make the world alright...meet me outside the cherry lights...you and I walk away..." I defy the hardest of hearts not to be moved by it.

But again (like "A Walk Across The Rooftops") the packaging and bonus disc are a combination of missed opportunities and genuine discoveries. The minimalist gatefold card digipak is pretty for sure (the internal flaps are the plain blue colour of the sleeve too) - but the 16-page booklet is fluffy and vague rather than being informative. There's a series of colour photos from the time - but with no history - no liner notes - no lyrics - no input from the band - not even any real info on the 'bonus' stuff (the last page literally). Frankly - an acknowledged masterpiece like "Hats" deserved a little more effort than this. But things improve a lot with some shocking new discoveries on the 'bonus disc'...

Disc 2 - Bonus Disc (33:19 minutes):

Exclusions first - the 'Bob Clearmountain Remix' of "Headlights On The Parade" and the beautiful duet with Rickie Lee Jones on "Easter Parade" (both tracks on the 12's and CD singles of 1990) are missing. The non-album track "Halfway To Paradise" and the Edit of "Saturday Night" that were on varying CD singles are both AWOL too. But what is on here is surprisingly good...

Track 2 is "Christmas" - a Previously Unreleased five-minute studio song. There's no annotation as to where it came from and its hissy - but its also pretty - lyrically festive as the title suggests. But if I'm to be honest - I don't think it's as good as the previously unreleased track "St. Catherine's Day" on the "Walk" reissue (which sounds suspiciously like an outtake from the "Hats" period - perhaps put on there to bolster up proceedings). Having said that - and having lived with it a day or two now - it's gently growing on me. Fans will make up their own mind of course...

Track 6 is "The Wires Are Down" - a six-minute non-album song that turned on the 12" and 3" CD single of "The Downtown Lights" in 1989. The sound quality on that was always weedy - here its remastered form is an absolute revelation. Suddenly sounding all grown up - "The Wires Are Down" is a genuine bonus track now - and one of the highlights on Disc 2. But there's even better...

Although not stated as 'new' - Tracks 1, 3, 4 and 5 are previously unreleased versions. First up is "Seven A.M. - Live In The Studio". Fans will know that there was a non-album version on the 1990 "Saturday Night" CD single called "Seven A.M. (Live U.S.A.)" - this is NOT that track. "Live In The Studio" is a fully-fledged new version with fabulous sound quality. Track 5 is a "Live In Tennessee" version of "Headlights On The Parade" recorded with Larry Saltzman, Steve Gaboury and Nigel Thomas on some unknown date. Again - it is well recorded - and a good version with crowd appreciation at the end. But then comes the real prizes - two new versions of people's favourites - "Let's Go Out Tonight" and "Saturday Night". They're called "Vocal 2" in each case and offer early versions of the songs - the "Saturday Night" take in particular hears Buchanan go off into lyric rapping at the end and accentuates the strings throughout - it's properly gorgeous. Joyful surprises...

To sum up - the remaster of the original album is an absolute triumph - 10 out of 10. Ok - the side is let down somewhat by the bare-knuckles packaging and those sloppy omissions on Disc 2 - and it doesn't take a Mensa membership card to work out that the playing times of both discs could have been amalgamated into one (with more added on too) - and the second disc could have been a DVD featuring those rare videos - but - and I must reiterate this - what's on offer is superb - and worth the upgrade.

"Hats" has been name-checked by influential music-industry-types and world-famous musicians for decades now as their 'what to grab when the bomb drops' album - and I'm thrilled to say that this 2CD reissue of it does that affection genuinely proud. Melodious, sad and life affirming - "Hats" is a beautiful thing. And it's just been made better.

Now if we could just get those stroppy Scottish buggers to tour again...

PS: there is also a 2CD Virgin/Linn DELUXE EDITION of "A Walk Across The Rooftops" - their debut album from 1984 - and "Peace At Last" from 1996 (originally on Warner Brothers) - see separate reviews...

"A Walk Across The Rooftops" by THE BLUE NILE (2012 Virgin/Linn 'Deluxe Edition' 2CD Remaster) - A Review by Mark Barry...

"...Ocean's Deep..."

I was quite literally trembling with excitement as I ripped the shrinkwrap off this reissue. I've loved Scotland's BLUE NILE for decades now (saw them live 3 times - religious experiences all of them) - and 'Remasters' of their first two masterpieces is enough to make me animated in the trouser area. But typical of Virgin's supposed 'DELUXE EDITIONS' (the useless reissue of Peter Gabriel's "So" jumps to mind) - it's a case of the sublime and seriously missed chances. Here are the finite details...

Released Monday 19 November 2012 in the UK - "A Walk Across The Rooftops" by THE BLUE NILE on Virgin/Linn Records LKHCDR 1 (5099901730326) is a 2CD 'Deluxe Edition' Remaster and breaks down as follows:

Disc 1 (38:04 minutes):

1. A Walk Across The Rooftops

2. Tinseltown In The Rain

3. From Rags To Riches

4. Stay [Side 2]

5. Easter Parade

6. Heatwave

7. Automobile Noise

Tracks 1 to 7 are their debut album "A Walk Across The Rooftops" - released April 1984 on LP in the UK on Linn Records LKH 1. It was first issued on CD in mid-1989 with a page inlay and not great sound. This is the first remaster of the album - handled by Calum Malcolm (a member of the original line-up and long-time Producer for the group) along with Band members Paul Buchanan and Robert Bell (US customers should use the barcode number provided above to get the right issue when searching on Amazon.com).

The remaster is breathtaking. The danger would have been to amp everything up - but it's not like that. It's subtle, clean and beautifully realized. You may still have to crank the volume knob a bit - but the sonic clarity on every song is 'so' good. Linn were a high-end turntable manufacturer (still are) and the album was their first - used almost as an example of sonic greatness. That initial production has stood the album well. From the moment "A Walk Across The Rooftops" fades in with synths to when it opens up with that bass in the background - is just incredible. "From Rags To Riches" completely comes alive and "Automobile Noise" sounds newly minted. "Heatwave" is fantastic - full of detail - the differing instruments suddenly in your speakers. And I've waited over 20 years to hear the sublime electro-funk of "Stay" in proper audiophile quality - so I'll confess to some pogo-shapes being thrown in my home as I listened to it. But the peach on here is "Easter Parade" which is now HUGE but in an opened-up way. Superbly done. In fact the album stills sound strangely other-worldly - but in a luscious way. What a starting point (and their follow-up "Hats" would only trump it ten-fold).

I wish I could be so enthusiastic about the packaging and the bonus disc. The minimalist gatefold card digipak is pretty for sure - but the 12-page booklet is a joke. There's 10-pages filled with a singular photo on each (none any use nor explained). There's no history - no liner notes - no lyrics - no input from the band - not even any real info on the 'bonus' stuff. It has more than a feel of what you can get away with rather than an appreciation of a masterpiece. Nothing under the see-through CD trays either. Which brings us to the 'bonus disc'...

Disc 2 (32:58 minutes):

Tracks 1 and 5 "I Love This Life" and "The Second Act" are the A & B-sides of their debut 7" single on RSO Records RSO 84 released in October 1981. They were first made digitally available on the "I Would Never" CD single in August 2004 on Sanctuary Records (a track lifted off the "High" album) - but the sound quality wasn't the greatest. Here they're fully remastered and even though "The Second Act" is hissier than the A - the sonic improvement on both is very real (both tracks have been sought after for years by Electro-Pop fans).

Track 3 is "St. Catherine's Day". Starved of anything new for nearly 3 decades - Blue Nile fans will flip for this lone previously unreleased song. Feeling a lot like an outtake from 1989's "Hats" 5 years later - there's no annotation as to where it came from or why it sounds so fully-formed now. But I will say that it's been worth the wait because it's beautiful in that plaintive melancholic Blue Nile way. It's a genuine nugget on here and easily worth the price of entry alone (lyrics from it title this review). There are times when I just can't stop playing this...

Track 7 is "Regret" - it originally turned up as a UK non-album B-side to the 12" single of the "Tinseltown In The Rain" from 1984 on Linn Records LKS 2-12. It's only LP/CD appearance to my knowledge was on the 1991 compilation called "The Tree And The Bird And The Fish And The Bell - Glasgow Songs By Glasgow Artists" which in itself has been hard to get for years. It's a truly gorgeous song and brill to now hear it remastered to perfection (see PS below regarding a tie-in).

Which leaves us with the absences and seemingly 'new' inclusions. Exclusions first - fans will be gutted to see that "Saddle The Horses" (a non-album B-side to "Stay" in 1984) is missing - still unavailable on CD anywhere. Where's "Easter Parade" recorded with Rickie Lee Jones during the "Hats" period? Worse is the AWOL status of "Heatwave (Instrumental)" and the stunning 'Extended Remix' of "Stay" when it was reissued in 1989. That version beefed up the acoustic and electric guitars to incredible effect and has been one of my favourite 12" singles in the world ever since - and it isn't bloody on here!

For the life of me I can't find the three versions offered here anywhere in the band's Discography - and though not stated as 'new' - typically they're a very mixed bag. The "Mix" of "Tinseltown In The Rain" (Track 4) runs to 6:31 minutes - a full half-minute longer than any other previous version and is the best of the three here (you have to love Virgin who would call a track "Mix" and leave no other info about it). The "Little Mix" of "Stay" (Track 6) at 3:34 minutes is not great - while the "Rhythm Mix" of "Heatwave" (Track 2) at 5:50 minutes is too busy with distorted guitars ruining its original vibe. These are personal opinions of course - others may love them - but for me it's grating to know that there are released vinyl versions out there which are far better and should have been included here. It also doesn't take a Mensa member to work out that the playing times of both discs could have been amalgamated into one (with more added on too) - and the second disc could have been a DVD featuring those rare early videos. But alas...

To sum up - the remaster of the original album is an absolute triumph - 10 out of 10 - but the side is let down by the bare-knuckles packaging and those sloppy omissions on Disc 2 (docked a star for that).

PS: In September 2012 - I reviewed the BLU RAY reissue of Paul Greengrass' magnificent 9/11 movie - "United 93". In the review I mention a YouTube video apparently collated and posted by a fan who wanted to say something about the atrocity on its 10th Anniversary. The video uses "Regret" by THE BLUE NILE played against a backdrop of black and white images from that tragic event. Recorded years before in a country some 6000 miles away (and of course about something entirely different) the song somehow fits perfectly - both musically and lyrically. I urge you to check it out on YouTube. More to the point (and I'll openly admit to this) - it moved me to tears - as did the best bits of this reissue...

PPS: see also my review for the 2CD reissues of "Hats" and "Peace At Last"