"Prisoners" on BLU RAY – A Review Of The 2013 Film…

Here is a link to Amazon UK to get this BLU RAY at the best price:

http://www.amazon.co.uk/gp/product/B00GBZVOEY

“…He Knows Where They Are!” – Prisoners on BLU RAY

Young parents Keller and Grace Dover walk over to the suburban home of Franklin and Nancy Birch in the November cold for a Thanksgiving Dinner involving neighbours, laughter and bad trumpet playing (Hugh Jackman, Maria Bello, Terence Howard and Viola Davis). Their respective daughters of 7 and 6 Anna and Eliza happily play upstairs with a pet while the adults below drink and reminisce. That is until both children go outside to play - and unaccompanied - addle up to the back of a muddied RV parked suspiciously by the kerb in broad daylight...

Although I thoroughly despise material that uses children being hurt as entertainment - "Prisoners" beats the pants off so many supposed thrillers because it reeks of intelligence (a fantastic and clever script) and has a cast that emotionally rivets you to the screen every second they're up there. It's also prepared to be silent - ordinary even - thereby making some scenes disturbingly close to how real life actually is. It's unnerving, creepy and stomach churning in places too (there are monsters out there).

In order for this to work you need major league actors - and lots of them - and right down to a repentant Paedophile Priest - even the small parts are perfectly cast. Hugh Jackman plays Keller Dover - a redecorator/builder and a 'prepare for the worst' deer-shooting survivalist - while his wife Grace believes she'll and her family will be 'safe' with him. Mild-mannered neighbours and friends Franklin and Nancy Birch have the opposite dynamic - the wife is the boss while her husband is more reflective.  But when a local simpleton Alex Jones is found singing in the front seat of the squalid RV and arrested but won't talk - both sets of parents have their patience and nerves tested. Frustrated by the cops lack of progress and working to the letter of the law - and with the days passing and time running out for their abducted daughters - Alpha Male Keller decides to take matters into his own hands...

Into this emotional cauldron comes Detective Loki who’s solved every case he's ever been given. He may at times seem too detached from the parent's pain and rage - but he's a man who spots things and sees through the lies in people (a mesmerizing Jake Gyllenhaal). Obsessive yet law-abiding - he instinctively feels that spaced out Alex Jones who can't say much but can still drive an RV easily - is lying - sickly concealing the whereabouts of the girls and enjoying the cat and mouse game too (an Oscar performance yet again from Paul Dano - the preacher in "There Will Be Blood"). But is he? And what about his heart-broken mother (subtle brilliance from Melissa Leo) who has defended this social outcast all her life - despite her religion-obsessed husband leaving years back and abandoning them both. Keller even goes after her. In the meantime Grace Dover (a ragged looking Maria Bello) simply breaks at the enormity of her child being lost - while the stoical Nancy folds her arms, grits her teeth and reconciles herself to what both fathers must do - go over demarcation lines you really shouldn't cross...

The genius of Aaron Guzikowski's script and Dennis Villeneuve's Direction is that one whole hour in - and you're absolutely none the wiser as to who is the bad guy and who isn't. And it has to be said that some of the violence is horrible and cringing. But what keeps you watching is the sheer visceral power of the actors. The dance between Jackman and Gyllenhaal is fantastic cinema - both men barely holding on to any humanity or faith as the frustration mounts and suspicions arise (exactly the sick kind of mental torture the abductor wants to inflict on them). And you also sit there questioning just how far a determined parent would go to get their child back (abusing a man who may or may not be an innocent).

Special mention has to be made of the picture quality of the BLU RAY. Defaulted to Full Aspect (which fills up the whole screen) - "Prisoners" is starkly gorgeous and truly beautiful throughout. Often without any music - the blunt and stainless steel cold angles ratchet up the tension to unbearable levels (fear of what is happening to the children). It's the Cinematography genius of ROGER DEAKINS ("The Shawshank Redemption" and "True Grit"). Scene after scene is filled with it: casing a house in the pouring rain at night - Jones walking his dog as Keller spies on him from a nearby truck - the decaying body tied to a chair in the basement of a suspect's house - Detective Loki interviewing a sex offender you can't see behind a filthy pane of glass - Loki's tired bulging eyes and unkempt stubble (hasn't slept for days) as he leans forward into a computer monitor scouring the screen for any detail that will help - closing in on the jagged bark of a tree... The framing of everything is the unsung hero of the movie - adding unbelievable depth and genuine unease that serves right up until the superb and clever ending.

There are two Extras - the short "Every Moment Counts" and the more extensive "Powerful Performers" which features enthusiastic interviews with all the principal actors, Director Dennis Villeneuve and Producers Kara Davis and Broderick Johnson. But don't watch "Powerful Performers" before you watch the movie - it rather clumsily gives away far too much in terms of the twisting plot.

The brilliant and unsettling "Prisoners" had my wife and I on the edge of our seats unable to press the pause button to desperately go to the loo. Now that's how you put the 'thrill' in thriller.

Job done I'd say...

“Collected” by STEELY DAN – A Review Of The 2009 Universal (Germany) 3CD Compilation…

STEELY DAN is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

“…You Go Back Jack…” - Collected by STEELY DAN

I suspect like many Steely Dan fans – anything that enhances our listening pleasure of this most brill of groups – is fair game. I say this because I’ve noticed a rather odd phenomenon that’s taking place with Universal out of Europe (in this case I think it’s Germany). Their compilations seem to be remastered when they don’t say so - or just better mastered than those in the UK, USA and even (dare we say it) – Japan.

So I took a ten-pound chance on this 2009 “Collected” 3CD set by STEELY DAN (Universal 532 112-2 - Barcode 600753211229). And lo and behold – it sounds better. I swear to God! 

Anyway – here are the detailed pretzels combined with the sonic logic…

Disc 1 (67:17 minutes):

Tracks 1 to 5 are from their debut album “Can’t Buy A Thrill” (1972)

Track 6 is from their 2nd album “Countdown To Ecstasy” (1973)

Tracks 7 and 8 are from their 3rd album “Pretzel Logic” (1974)

Tracks 9, 10 and 11 are from their 4th album “Katy Lied” (1975)

Track 12 is from their 5th album “The Royal Scam” (1976)

Track 13 is from their 6th album “Aja” (1977)

Tracks 14 and 15 are from their 7th album “Gaucho” (1980)

(Track 7 “Rikki Don’t Lose That Number” loses its album intro and runs to 4:08)

Disc 2 (67:04 minutes):

Tracks 1 and 2 are from “Can’t Buy A Thrill” (1972)

Tracks 3, 4 and 5 are from “Pretzel Logic” (1974)

Tracks 6 to 10 are from “Katy Lied” (1975)

Tracks 11 and 12 are from “The Royal Scam” (1976)

Track 13 was an exclusive song on the 2LP set “Greatest Hits 1972-1978” (1978)

Track 14 and 15 are from “Aja” (1977)

Tracks 16 and 17 are from “Gaucho” (1980)

Disc 3 (71:28 minutes):

Tracks 1 to 3 are from “Countdown To Ecstasy” (1973)

Tracks 4 and 5 are from “Pretzel Logic” (1974)

Track 6 is from “Katy Lied” (1975)

Tracks 7, 8 and 9 are from “The Royal Scam” (1976)

Tracks 10, 11 and 12 are from “Aja” (1978)

Track 13 is “FM (No Static At All)” exclusive to the 2LP Soundtrack “FM” (1978)

(It’s what’s know as the “Saxophone” version – the album also has “A Guitar And Strings Version” and “Reprise”)

Track 14 is from “Gaucho” (1980)

Track 15 is “Everybody’s Gone To The Movies (Demo)” that first appeared as a Previously Unreleased track on the 1993 “Citizen Dan” 4CD Box Set

The 3-way foldout card digipak houses an inlay in the left wallet with the 3 CDs spread across the other flaps. It doesn’t say who wrote the liner notes in the rather tasteful 8-page mini booklet and the only reference to sound is “Mastering: QS Sound Lab”. And even though each song is exactly the same length as the 1998 versions – my reason for the review is the SOUND…

I’ve A/B played many of the songs against the 1998 Remasters and the three 2008 Japanese SHM-CDs I own (I also have an SACD of “Gaucho”). And I’d swear the sound is inexplicably better on many tracks. It doesn’t sound ramped up for the sake of it – just clearer – more revealing somehow. “Do It Again” is a song I’ve heard a thousand times over 40 years – yet here its end section is detailed in rhythmic ways that I’ve not heard before.

If I was to single out a few –“Rose Darling” and “Bad Sneakers” on Disc 1 sound gloriously detailed all of a sudden – “Any Major Dude Will Tell You” and the gorgeously musical “Greatest Hits” loner “Here At The Western World” has extra oomph that it’s frankly always needed. The funky wallop off “Daddy Don’t Live In That New York City No More” and “Green Earrings” is now huge as is the fabulous “Josie” with it’s chugging guitar over on the right. “Third World Man” sounds stupendous – but then it always did (wow city goes to Larry Charlton’s perfect guitar solo). “Bodhisattva” and “Sign In Stranger” on Disc 3 are punchy as is the wonderful “Home At Last” for the magisterial “Aja”.

Fans will also notice that the set is ‘not’ chronologically lined-up and I’d argue is so much better for it. All 3 discs cleverly start at 1972 and end at 1980 – so they feel like mini compilations in themselves with genius running-orders. The only clunker on here is the terrible ‘Demo’ of “Everyone’s Gone To The Movies” which ends Disc 3 in a disjointed and unseemly way. Might have been better to include a better sounding “The Caves Of Altamira” - or better still - their rare debut 7” on Probe Records “Dallas” b/w “Sail The Waterway” - neither track being remastered for CD anywhere in the world.

If you wanted a cheaper option – the “Show Biz Kids” double-CD is dirt-cheap now – but I’d say the extra few bob spent on this is cash well spent.

And if ever a band deserved your hard earned – then the incomparable Steely Dan is that group.

PS: Other artists in this Universal Euro Series are:

J.J. Cale, Creedence Clearwater Revival, Golden Earring, The Moody Blues, Cat Stevens and 10cc.

I’ve bought the 10cc set - sounds better than the 1997 remasters on some tracks. It covers 1972 to 1992 and also includes UK label stuff, Godley & Crème, Graham Gouldman Solo and even Hotlegs.

And I hear the J.J. Cale triple sounds brill too…

"The Bucket List" on BLU RAY – A Review Of The 2007 Rob Reiner Film...

"…Joy To Others…" - The Bucket List on BLU RAY

Car mechanic Carter Chambers (Morgan Freeman) is at the garage tinkering with a Chevrolet Camaro – cigarette in his gob like it always has been for 45 years. He smiles as his younger co-worker quizzes him on five former American Presidents whose surnames begin with H (Carter has a thing for accumulating knowledge). He of course gets their names right. But then mid explanation on the next question (which man actually invented the radio) - his Doctor phones with test results - and the cigarette that was placed between Carter’s fingers to take the call falls to the greasy floor…

Meanwhile in a courtroom far away – four-times married multi-millionaire Edward Penniman Cole (Jack Nicholson) is assimilating hospital number 16 into his privatized portfolio. Sipping his Indonesian Kopi Luwak (the most expensive coffee in the world) from a Gold mobile dispenser - he asks his puppet assistant to give the panel of trustees "the spiel…" Their financially failing Hospital needs him and no matter what their 'moral posturing' maybe - in his moneymaking medical palaces there are two beds to every room for patients (no exceptions). But in the middle of another crass speech about how he’s running a hospital and not a health spa - Edward suddenly starts to cough something into his handkerchief that isn’t phlegm…

Next both wildly different men find themselves lumped together in the same room of a Hospital Edward Cole owns. But because of bad PR – the grouchy Cole can’t get a private room to be away from “the living dead over there”. Gradually across chemo, operations, puking and diarrhoea - they become reluctant buddies of sorts. One day Edward finds a yellow jotter page on the floor on which Carter has written "The Bucket List". It’s what his former college tutor told him to write as a young man – things you want to do before you 'kick the bucket'…

Recovered momentarily and now with a diagnosis of 6 months and one year respectively – Edward persuades Carter not to go home to his Nurse wife Veronica and his three kids to be swallowed by pity and grief – but to take a shot at all the things he’s wanted to do. After all money is not a problem. And despite his wife’s misgivings – Carter knows Edward is right. It’s now or never. So they skydive, get a tattoo, drive a Mustang Shelby 360, laugh until they cry, kiss the most beautiful woman in the world, witness something majestic…and so on.

Part of the joy of "The Bucket List" is watching two acting giants given great material - let rip with it – and that’s what you get here. The chemistry and obvious respect between Freeman and Nicholson leaps off every frame and Director Rob Reiner never interferes – even when the film is being silly and a little preposterous. In fact in the first 30 or 40 minutes as they navigate the physical and mental agonies of terminal illness in a Hospital – “The Bucket List” is truly touching movie-making - with a razor-sharp script and life observations that don’t feel obvious nor too cutesy.

Even in the second-half where the story demands they do their comedy party pieces – the conversations between them on Cole’s private jet and in a luxurious hotel bathtub are filled with classy one-liners and power delivery (beautifully scripted by Justin Zackham). And it’s funny too (most of which is provided by the incomparable Jack Nicholson). By the time it gets to The Shawshank Redemption Morgan Freeman voiceover end - when a Chock-Full-Of-Nuts tin is being carried up a mountain - you’re a willing convert.

This is major Hollywood movie and the picture quality on the BLU RAY is simply glorious. Defaulted to 1.85:1 Full Aspect – the frame fills the entire screen and there isn’t a shot that doesn’t look immaculate and impressive. Even the CGI of the chat about his daughter Emily on top of the Pyramids is convincing (title above) - as is the motorbike ride on the Great Wall of China and their walks around the Taj Mahal. Audio is Dolby Digital English, French and Spanish 5.1 for each - while the Subtitles offered are English, French and Spanish.

The Extras are delightful – interviews with both leads, Director Ron Reiner, the Screenwriter, a Making of and John Mayer’s gorgeous acoustic balled "Say".

As he treks through snow keeping a promise to a man he first despised but then grew to love - Carter Chambers says of Edward Cole - "When he died…his eyes were shut...and his heart was open…"

"The Bucket List" has been a joy to re-watch on BLU RAY. Do yourself a solid – and open your bruised ticker to this modern-day nugget...

"Cadillac Records" on BLU RAY – A Review Of The 2008 Darnell Martin Film...

"…Hoochie Coochie Men (And The Occasional Woman)…" – Cadillac Records On BLU RAY

It's Summer 1941 in Chicago and a snotty 24-year old immigrant from Poland called Leonard Chess (a fantastic turn by Adrian Brody) is working in a junk yard promising his white girlfriend she’ll one day be riding around in a Cadillac once he gets his new business up and running. Leonard is going to open up a bar and club for Negro Artists to play and drink in – it will be called the Macomba Lounge. Her white father just sneers at this dreamer and his big ideas…

Meanwhile down South in Stovall, Mississippi a car drives up to a shack and two men exit – one of them is the legendary Folk Music collector for the Library of Congress Alan Lomax. The black man they’ve come to see is Morgan McKinleyfield – MUDDY WATERS (a stunning outing for Geoffrey Wright). Right there at his plywood home they record him – and for the first time Muddy Waters hears his own voice and unique slide technique. It’s all the mighty man needs – he packs his guitar case and meagre belongings and heads for the metropolis where a Blues Man can get noticed…

Quite apart from the obvious brilliance and groundbreaking nature of the music – there are three things that make "Cadillac Records" rock as a film.

First up is the extraordinary casting; not only is each character spot on - in some cases they actually seem to physically be the original singers. Geoffrey Wright gets the lion’s share as the mercurial and stunning Muddy Waters whose Blues made women go weak at the knees and men worship at his coiffeur (and gave the label the star and start it needed). There’s Cedric The Entertainer as the big burly double-bass playing genius songwriter WILLIE DIXON - who some would say was the true Hero of Chess Records ("My Babe", "I'm Your Hoochie Coochie Man", "Bring It On Home", "Help Me", "Little Red Rooster", "Wang Dang Doodle" and more – he wrote them all). There’s Mos Def as the lyrically-brilliant hit-writing CHUCK BERRY who dragged the label out of the declining Blues scene into the exploding Rock 'n' Roll era (despite his miserly ways and penchant for the younger ladies). And straight off the street at 17 years of age is the wildly volatile Columbus Short as the electrifying harmonica prodigy LITTLE WALTER (rated by many as the best harp player who ever lived). But it's England's Eamonn Walker as HOWLIN' WOLF and America's Beyoncé Knowles as ETTA JAMES that send the whole proceedings into the stratosphere. They bring both of these huge forces of nature to electrifying musical life right in front of you (Etta also gave Chess a lead into the burgeoning Sixties Soul market). Lesser-known names (but just as important) like Jimmie Rogers, Hubert Sumlin and James Cotton are all represented too.

The second aspect to the movie’s success is the music: using sympathetic Blues men like Chris Thomas King to remake the well-known classics – it gives their creation in the studio a stunning sense of new excitement. You feel those slide licks and harmonica warbles and power vocals - you feel the crowd and the band in those sweaty clubs heaving with the sound of freedom and sex.

And although it’s not historically accurate when it comes to the actual story of the label and its founder – the third winner is that Writer/Director Darnell Martin doesn’t shirk the darker side. We get graphic depictions of Muddy’s home-wrecking womanizing and spendthrift ways, Little Walter’s gun-totting murderous madness and descent into alcoholism, Etta’s stunning voice but volatile nature and eventual terrible drug habit - and even Leonard’s liberal attitude towards payola (Chuck Berry’s song-writing credits and therefore royalties were split and given to others like DJ Alan Freed).

The BLU RAY picture is lovely throughout and when the pink, blue and red Cadillacs are on screen – all shining chrome and garish paintjobs – they look good enough to lick. The Aspect Ratio is 2.35:1 so there are bars on the top and bottom of the screen – but even stretched to Full Aspect – it looks great.

Audio is English TRUEHD 5.1, Russian (VO) and Spanish. Subtitles include Arabic, Bulgarian, Croatian, Czech, Danish, Dutch, English, English For The Hard Of Hearing, Finnish, French, Greek, Hebrew, Hindi, Hungarian, Icelandic, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovene, Spanish, Swedish and Turkish.

Extras include a Full Commentary by Writer/Director Darnell Martin, Deleted Scenes, Playing Chess: The Making Of Cadillac Records, Once Upon A Blues: Cadillac Records By Design

I wholeheartedly admit that "Cadillac Records" is the kind of film that makes me cry and long for those musical giants. I’ve been collected the label’s musical legacy for over 45 years now and have reviewed large numbers of ‘Chess” compilations online.

"I'm Your Hoochie Coochie Man" was first released as a 7” single in America on Chess 1560 in 1954. It featuring Muddy Waters punching out braggart lyrics like "I got a Mojo too…I'm gonna mess with you…"

And I for one am so glad he did.

Yeah Baby Yeah!