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Sunday 18 October 2015

"Mother And Child" Original Soundtrack Music by ED SHEARMUR (2010 Varese Sarabande CD) - A Review by Mark Barry...



"...A Waltz For Karen..."

Sometimes you stumble on a Soundtrack that works on every level - moving, heartfelt and joyous - the music swells and sweeps you away. You may even find yourself crying for no reason. The melodies remind you of something beautiful that you've forgotten - something elusive - but you can't quite put your finger on what that is.

Thomas Newman achieves this on occasion with his gorgeous soundtrack music - stuff like "The Shawshank Redemption", "Road To Perdition" and "The Second Best Exotic Marigold Hotel" (see my review for the CD). John Barry too of course and Ennio Morricone - both on a stack of beautiful soundtracks. And now I think we can add Britain's Edward Shearmur to that expanding list of greats - a Londoner whose sessioned with Page and Plant and scored several respected soundtracks to date.

The "Mother And Child" movie is wonderful storytelling - a beautifully intricate and human tale. It's an unravelling mother/daughter/families story told through several interlocking couples and featuring a huge cast of great actors shining in a screenplay written and directed by Columbia Cinematographer and Filmmaker Rodrigo Garcia.

Garcia did "Lola" in 1989 and the excellent "Passengers" in 2008 (again with David Morse - see my review for the Blu Ray) and the decidedly off-the-cuff Glenn Close dressed-as-a-man movie "Albert Nobbs" in 2011 (set in turn of the century Dublin). Garcia also penned episodes for prestigious TV shows like "The Sopranos", "Six Feet Under" and had huge involvement in the magnificent Gabriel Byrne shrink-and-patients TV Series "In Treatment" for three Seasons (Byrne won a deserved Emmy).

The Original Soundtrack CD to "Mother And Child" appears to be only available in the USA on Varese Sarabande 302067 021 2 (Barcode 030206702125) and plays to 40:31 minutes (16 tracks). The inlay is a gatefold slip of paper that shows a collage of the principal actors - Annette Bening, Naomi Watts, Jimmy Smits, Samuel L. Jackson, Kerry Washington, S. Epatha Merkerson, Cherry Jones, Elpidia Carrillo, David Morse and Shareeka Epps. It was Executive Produced by Alejandro Gonzalez Inarritu who brought us the stunning "Birdman" in 2014 (see my review for the Blu Ray).

There's barely any info on how it was recorded let alone what instruments Shearmur plays - but the music is beautiful - and at times intensely moving. Different variants of a gorgeous Piano refrain – gut-string acoustic guitars - big chunky synth drones – mostly mellow and easy on the ear and heart. The lovely opening song "Little One" is written and sung by Lucy Schwartz (the only one with lyrics) - the rest are instrumentals by Shearmur that rearrange a reoccurring beautiful theme but played on differing instruments. There's a final track on here called "Karen's Letter" - and sublime is the only word to apply to it.

A musical gem - seek it out if you can...

Friday 16 October 2015

"The Golden Age Of American Rock 'n' Roll Volume 8" by VARIOUS ARTISTS (1999 Ace Records CD Remasters) - A Review by Mark Barry...



"...Red Hot Lincoln..."

The eight instalment of Ace's "The Golden Age Of American Rock 'n' Roll" CD Series follows the same route as Volumes 1 to 7 – 30 cleverly sequenced Mono US 7" singles that hit the American Pop charts with a nice combo of the obvious and the obscure. Unlike preceding volumes none are in Stereo while only 4 of these tracks actually made the British charts. And all of this rare and hip material is presented to fans on both sides of the pond by a record company that gives a damn - with a hard-won reputation across four decades of reissue quality (best tape sources used – no needle drops). The full 18 volumes up to late 2015 are listed below. So lets do the 'Mojo Workout' as we shunt to the 'Bongo Stomp' in our 'Red Hot Lincoln' (and at our age too)...

UK and USA released November 1999 - "The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963" by VARIOUS ARTISTS on Ace Records CDCHD 750 (Barcode 029667175029) is a 30-track CD and breaks down as follows (74:07 minutes):

1. Shout! Shout! (Knock Yourself Out) – ERNIE MARESCA
February 1962 US 7" single on Seville 117 (peaked at 6)
March 1962 UK 7" single on London HLU 9531 (didn’t chart)
Credited as "Shout Shout" in the UK - Maresca also wrote "No One Knows" and "A Lover's Prayer" for Dion & The Belmonts

2. Whispering Bells – THE DELL-VIKINGS
May 1957 USA 7” single on Dot 45-15592 (peaked at 9)
August 1957 UK 7" single on London HLD 8464 (didn’t chart)

3. We Belong Together – ROBERT and JOHNNY
February 1958 US 7" single on Old Town 1047 (peaked at 32)
Never released in the UK
Robert Carr and Johnny Mitchell

4. Sorry (I Ran All The Way Home) – THE IMPALAS
January 1959 US 7" single on Cub K 9022 (peaked at 2)
May 1959 UK 7" single on MGM Records MGM 105 (peaked at 28)

5. Way Down Yonder In New Orleans – FREDDY CANNON
August 1959 US 7" single on Swan 4043 (peaked at 3)
November 1959 UK 7" single on Top rank JAR 247 (peaked at 3)

6. So Fine – THE FIESTAS
February 1959 USA 7" single on Old Town 1062 (peaked at 11)
May 1959 UK 7" single on London HL 8870 (didn’t chart)

7. Bongo Stomp – LITTLE JOEY and THE FLIPS
June 1962 USA 7" single on Joy 45K-262 (peaked at 33)
July 1962 UK 7" single on Pye International 7N 25152 (didn’t chart)
Little Joey is Joey Hall

8. Wicked Ruby – DANNY ZELLA and his Zell Rocks
January 1959 USA 7" single on Fox ZTSC-10057 (peaked at 71)
Not released in the UK
An Instrumental - the B-side of "Black Sax"

9. Tragedy – THOMAS WAYNE with The DeLons
October 1958 USA 7" single on Fernwood 109 (peaked at 5)
April 1959 UK 7” single on London HLS 8846 (didn’t chart)
Produced by Scotty Moore – Elvis' Guitar Player – also issued in the UK on an Export issue 7" single London HL 7075

10. Here I Stand – WADE FLEMONS & The Newcomers
November 1958 USA 7" single on Vee-Jay VJ-295 (peaked at 80)
Not released in the UK

11. Gee – THE CROWS
May 1953 USA 7" single on Rama RR-5 (peaked at 14)
June 1954 UK 7" single on Columbia SCM 5119 (didn’t chart)
The UK 45 is incredibly rare – booked at £2000+ in the Record Collector Price Guide - while the 78" version on Columbia DB 3478 is booked at £150.00

12. Don’t Be Angry – NAPPY BROWN
March 1955 USA 7" single on Savoy 45-1155 (peaked at 25)
June 1955 UK 7" single on London HL 8145 (didn’t chart)
Real name Napoleon Brown – "Don't Be Angry" was covered shortly afterwards by two R&B Vocal Groups - The Crew Cuts on Mercury 70597 (peaked at 14) and after that (also in 1955) by The Cadets on Modern 956 (failed to chart)

13. One Summer Night – THE DANLEERS
June 1958 USA 7" single on Mercury 71322 (peaked at 7)
October 1958 UK 7" single on Mercury AMT 1003 (didn’t chart)
The British 45 is rare – booked at £200 – as is the 78" (same catalogue no) at £40

14. Lotta Lovin' – GENE VINCENT & His Blue Caps
July 1957 USA 7" single on Capitol 3763 (peaked at 13)
August 1957 UK 7" single on Capitol CL 14763 (didn’t chart)

15. Ballad Of A Girl And Boy – THE GRADUATES
January 1959 USA 7" single on Shan-Todd ST-0055 (peaked at 74)
Not released in the UK

16. Bullwhip Rock – THE CYCLONES
July 1958 USA 7" single on Trophy T-500 (peaked at 83)
Not released in the UK
The B-side of "Nelda Jane" by Bill Taylor and Cyclones

17. Mojo Workout (Dance) – LARRY BRIGHT
January 1960 USA 7" single on Tide T-006 (peaked at 92)
Not released in the UK
A derivative of the Muddy Waters classic "I Got My Mojo Working"

18. Zing! Went The Strings Of My Heart – THE FURYS
December 1962 USA 7" single on Mack IV 112 (peaked at 92)
May 1963 UK 7" single on Stateside SS 182 (didn't chart)
Written by James McEachin who would later become a TV actor in Tenafly and Perry Mason (also a successful novelist)

19. Air Travel – RAY and BOB
September 1961 USA 7" single on Ledo 1151 (peaked at 99)
Not released in the UK
Ray Appleberry and Bobby Swayne

20. Once Upon A Time – ROCHELL and THE CANDLES with Johnny Wyatt
November 1961 USA 7" single on Swingin’ 623 (peaked at 26)
Not released in the UK
Male quartet formed by Rochell Henderson

21. The Fool – SANFORD CLARK
June 1956 USA 7” single on Dot 15481 (peaked at 7)
October 1956 UK 7" single on London HLD 8320 (didn’t chart)

22. Speedoo – THE CADILLACS
October 1955 USA 7" single on Josie 785 (peaked at 17)
Not released in the UK

23. My Wife Can’t Cook – LONNIE RUSS
November 1962 USA 7" single on Four-J 501 [aka 4j 501] (peaked at 57)
February 1963 UK 7" single on Fontana 267263 TF (didn’t chart)

24. Running Bear – JOHNNY PRESTON
June 1959 USA 7" single on Mercury 71474 (peaked at 1)
January 1960 UK 7" single on Mercury AMT 1079 (peaked at 1)
Written by J.P. Richardson – aka The Big Bopper

25. The Mountain’s High - DICK and DEEDEE
July 1961 USA 7" single on Liberty F-55350 (peaked at 2)
September 1961 UK 7" single on London HLG 9408 (peaked at 37)
Dick St. John and Mary Spelling – it had been issued initially as the B-side to "I Want Someone" on Lama 7778 in April 1961 - when DJs flipped the record. Liberty F-55350 took over putting "The Mountain's High" on the A-side.

26. A Thousand Miles Away – THE HEARTBEATS
September 1956 USA 7" single on Hull H-720 (peaked at 53)
Not released in the UK
Vocal group that featured Johnny 'Shep' Sheppard who would become Shep & The Limelites – it was the B-side of "Oh Baby Don't" but DJs like Alan Freed flipped it and made "A Thousand Miles Away" the classic hit

27. Hey Girl, Hey Boy – OSCAR McLOLLIE and JEANETTE BAKER
April 1958 USA 7" single on Class 288 (peaked at 61)
Not released in the UK
Oscar McLollie was a Band Leader in the early 50ts – Jeanette Baker was in the Vocal group The Dots (Caddy Label)

28. Been So Long – THE PASTELS
January 1958 USA 7" single on Argo 5287 (peaked at 24)
Not released in the UK
Featuring DiFosco Ervin on Lead Vocals – later went solo as Big Dee Irwin and had a hit in April 1963 with "Swinging On A Star" on Dimension 1010

29. I Don’t Love You No More (I Don’t Care About You) – JIMMY NORMAN
April 1962 USA 7” single on Little Star 113 (peaked at 47)
Not released in the UK
Jimmy Norman Scott – was with the Vocal group The Viceroys

30. Hot Rod Lincoln – JOHNNY BOND
June 1960 USA 7” single on Republic 2005 (peaked at 26)
September 1960 UK 7” single on London HLU 9189 (didn’t chart)
Credited in the UK as "Hot Rod Jalopy"

NOTES: all tracks are in MONO

Volume 8 has an impressive 24-page booklet festooned with ROB FINNIS liner notes and cool pics - quality publicity photos of forgotten names like Robert & Johnny, Freddy Cannon, Danny Zella, The Graduates, Larry Bright and The Pastels. These snaps run alongside rare Trade Adverts for The Dell-Vikings, The Danleers, Nappy Brown, Rochell and The Candles, The Cadillacs and Lonnie Russ. The two-page colour collage of British 45s in their labels bags that was a feature on Volumes 1 to 4 has been replaced with smaller pictures of various UK and US record labels throughout the text - Finnis connecting all the musical and historical dots. Compiled by Trevor Churchill, John Broven and Rob Finnis – the clever sequencing makes it feel like an old jukebox and it features a generous total playing time of 74+ minutes.

The DUNCAN COWELL Remasters are blindingly good – toppermost of the poppermost Audio quality on rarities like the blasting boogie of "Way Down Yonder In New Orleans" by Freddy Cannon sounding like it was recorded yesterday (really loudly too) while the 'my baby’s so doggone neat...' of "So Fine" by The Fiestas sounds amazingly clean. The last two tracks on here - "I Don't Love You No More (I Don't Care About You)" by Jimmy Norman (complete with a witty false phonecall at the beginning) and the amazing 'we was passing cars like they were standing still' boogie of "Hot Rod Lincoln" by Johnny Bond will thrill Rhythm 'n' Blues and Rockabilly fans to the core. In fact despite the disparate sources – the Audio is uniformly great throughout and will warm the cockrels of collector's hearts.

Volume 8 opens with a Frat Rock classic guaranteed to see beer spilled on mummy’s clean carpet - "Shout, Shout (Knock Yourself Out)" by Ernie Maresca – a man who penned several hits for Dion & The Belmonts (mentions "Runaround Sue" in the lyrics of "Shout, Shout"). Vocals Groups come at you in tempos next – the bopping "Whispering Bells" by The Dell-Vikings while the lovely smooch of "We Belong Together" by Robert and Johnny feels like the kind of gem that's going to turn up in a teen romance movie real soon. You don't hear tracks like The Impalas "Sorry (I Ran All The Way Home)" anymore – but here is has fabulous audio. I’m loving the crazy cross-genre duo of "Bongo Stomp" by Little Joey & The Flips which comes on like a Jungle Rhythm Vocal R&B dancer with a man singing like a big girl's blouse – and the mad-as-a-dingbat rhythms in "Wicked Ruby" by Danny Zella who was six-foot-three and 20 stone (get out of the way ladies).

Beautifully clear Audio also accompanies the echo-laden smooch of "Tragedy" – an old-fashioned love song sung by the crooner Thomas Wayne while the spirit of Buddy Holly meets Vocal Groups pervades the wonderful vocal arrangements on "Here I Stand" by Wade Flemons – a record you try to pin down but can't (Finnis rates it as near perfect 50ts Pop and he has a point). The uber-rare "Gee" by the smitten 'love that girl' Crows vocal group is basic for sure but magical too. Time to bop and dance and give it some quivering lip with the fabulous jiver "Don’t Be Angry" by Nappy Brown – sounding just brill as that blasting Saxophone solo comes sailing in. And it doesn’t get more Street Corner Symphony than "Once Summer Night" by The Danleers – here in best ever Audio. Homegrown Hero Gene Vincent makes a welcome insertion with his great 'want your lovin' all the time' of "Lotta Lovin'" – properly great Rock 'n' Roll.

As I said of Volumes 1 to 7 – what’s wicked about these Ace CD compilations is the oddities – finding gems you just don’t know. The whip-crack-away Jerry Lee Lewis piano-pumping boogie of "Bullwhip Rock" by Cyclones is the kind of R&R instrumental that sends fans into frenzy (what a genius choice – Wayne Brooks, Jr. is the rocking pianist). Re-working the Muddy Waters classic "I Got My Mojo Working" – Larry Bright's fantastic "Mojo Workout (Dance)" sounds like an American Gene Vincent with just as much passion and gusto (stunning inclusion). Superb audio accompanies the weird yet wonderful 'take a little trip to China' of "Air Travel" sounding not unlike a souped-up version of Sam Cooke's "Another Saturday Night". And the 'she was mine...' Vocal Group romancer "Once Upon A Time" is a brilliant inclusion too – never heard it before but a winner nonetheless (collectors will dig this).

An Elvis quivering vocal and plinking guitar bolster up the heavily echoed voice of Sanford Clark as he explains that "The Fool" told his 'baby goodbye' (not a great move apparently) - while the sheer aural blast of "Speedoo" by The Cadillacs is bound to do your speakers some damage if you don't control that volume dial. Funny, politically incorrect and possibly even sexist claptrap – "My Wife Can't Cook" is great fun nonetheless as Lonnie Russ explains about his dearly beloved's lack of culinary skills with gravy and beans (a worry that). Loving the drama of the drums combined with the strangely miked vocals for "The Mountain's High" by Dick and DeeDee – another brilliant choice that most collectors won’t have. Beautiful is the only way to describe The Heartbeats gorgeous delivery of the Vocal Group ballad "A Thousand Miles Away" – Shep’s vocal soaring against a backdrop of perfectly pitched voices. Fun R&B comes in the shape of "Hey Girl, Hey Boy" by Oscar McLollie and Jeanette Baker giving it some 'da da' and 'wee wee' as they size each other up. But then you're clobbered with genuine Vocal Group majesty – the truly wonderful "Been So Long" by The Pastels - Finnis quite rightly describing it as having a 'timeless quality'...

Like Volumes 1 to 7 – instalment No. 8 is an adventurous, period evocative, cleverly paced compilation that barely puts a foot wrong. Loving the damn lot. And there are seventeen more volumes where this came from...

PS: Titles in "The Golden Age Of American Rock 'n' Roll" CD Series are:

1. The Golden Age Of American Rock 'n' Roll: Hard-To-Get Hot 100 Hits From 1954-63 (Ace CDCHD 289, November 1991)
2. The Golden Age Of American Rock 'n' Roll Volume 2: Hot 100 Hits From 1954-1963 (Ace CDCHD 445, March 1993)
3. The Golden Age Of American Rock 'n' Roll Volume 3: Hot 100 Hits From 1954-1963 (Ace CDCHD 497, January 1994)
4. The Golden Age Of American Rock 'n' Roll Volume 4: Hot 100 Hits From 1954-1963 (Ace CDCHD 500, October 1994)
5. The Golden Age Of American Rock 'n' Roll Volume 5: Hot 100 Hits From 1954-1963 (Ace CDCHD 600, October 1995)
6. The Golden Age Of American Rock 'n' Roll Volume 6: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 650, January 1997)
7. The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963 (Ace CDCHD 700, November 1998)
8. The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963 (Ace CDCHD 750, November 1999)
9. The Golden Age Of American Rock 'n' Roll Volume 9: Hot 100 Hits From 1954-1963 (Ace CDCHD 800, February 2001)
10. The Golden Age Of American Rock 'n' Roll Volume 10: Hot 100 Hits From 1954-1963 (Ace CDCHD 850, September 2002)
11. The Golden Age Of American Rock 'n' Roll Volume 11: Hot 100 Hits From 1954-1963 (Ace CDCHD 1200, September 2007)
12. The Golden Age Of American Rock 'n' Roll Volume 12: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 1280, February 2011)
13. The Golden Age Of American Rock 'n' Roll: Special Country Edition (Ace CDCHD 845, April 2002)
14. The Golden Age Of American Rock 'n' Roll: Special Novelty Edition (Ace CDCHD 890, November 2003)
15. The Golden Age Of American Rock 'n' Roll: Special Doo Wop Edition 1953-1963 (Ace CDCHD 1000, May 2004)
16. The Golden Age Of American Rock 'n' Roll: Special "Bubbling Under" Edition – Regional Hits That Just Missed The Hot 100 1959-1963 (Ace CDCHD 1050, March 2006)
17. The Golden Age Of American Rock 'n' Roll – The Follow-Up Hits: Hard-To-Get Hot 100 Hits (Ace CDCHD 1190, January 2008)
18.  The Golden Age Of American Rock 'n' Roll: Special Doo Wop Edition Volume 2 1956-1963 (Ace CDCHD 1230, May 2009) 

This review and hundreds more like it can be found in my SOUNDS GOOD Music Book Series - BLUES, GOSPEL, RHYTHM 'n' BLUES and ROCK 'n' ROLL - Exceptional CD Remasters is available to buy/download at Amazon at the following link...


Thursday 15 October 2015

"The Golden Age Of American Rock 'n' Roll Volume 7" by VARIOUS ARTISTS (1998 Ace Records CD Remasters) - A Review by Mark Barry...



"...Book Of Love..."

The seventh instalment of Ace's "The Golden Age Of American Rock 'n' Roll" CD Series follows the same route as Volumes 1 to 6 – 30 cleverly sequenced Mono US 7" singles that hit the American Pop charts with a nice combo of the obvious and the obscure. "I Like It Like That Part 1" by Chris Kenner and "Hushabye" by The Mystics are in Stereo – while only Ernie K-Doe (6) and The Cascades (23) made the British charts. And all of this rare and hip material is presented to fans by a record company that gives a damn - with a hard-won reputation across four decades of reissue quality (best tape sources used – no needle drops). The full 18 volumes up to late 2015 are listed below. So lets avoid the 'Mother In Law' as we succumb to the 'Ling, Ting, Tong' and do 'The Caterpillar Crawl' (all in the best possible taste of course)...

UK and USA released November 1998 - "The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963" by VARIOUS ARTISTS on Ace Records CDCHD 700 (Barcode 029667170024) is a 30-track CD and breaks down as follows (72:32 minutes):

1. Book Of Love – THE MONOTONES
February 1958 US 7" single on Argo 5290 (peaked at 5)
May 1958 UK 7" single on London HLM 8265 (didn’t chart)

2. Susie-Q – DALE HAWKINS
May 1957 USA 7” single on Checker 863 (peaked at 27)
September 1957 UK 7" single on London HL 8482 (didn’t chart)
In the liner notes it states that Ace has 'taken the original master and re-created the reverb to produce a better quality master with extra length at the end'...

3. C. C. Rider – CHUCK WILLIS
March 1957 US 7" single on Atlantic 45-1130 (peaked at 12)
June 1957 UK 7" single on London HLE 8444 (didn’t chart)

4. Echo – THE EMOTIONS
December 1962 US 7" single on Kapp 490 (peaked at 76 in January 1963)
December 1962 UK 7" single on London HLT 9640 (didn’t chart)

5. Come On, Let's Go – RITCHIE VALENS
August 1958 US 7" single on Del-Fi 4106 (peaked at 42)
November 1958 UK 7" single on Pye International 7N 25000 (didn’t chart)
The American B-side is "Framed" – a Lieber Stoller song first recorded by The Robins in 1955

6. Mother-In-Law – ERNIE K-DOE
February 1961 USA 7" single on Minit 623 (peaked at 1)
April 1961 UK 7" single on London HLU 9330 (peaked at 29)
Real name Ernest Kador – song written, produced and featuring Allen Toussaint (on Piano)

7. Ling, Ting, Tong – THE FIVE KEYS
October 1954 USA 7" single on Capitol F 2945 (peaked at 28)
November 1954 UK 7" single on Capitol CL 14184 (didn’t chart)
Their first British 45 and very rare – listed at £500+

8. Sea Cruise – FRANKIE FORD
December 1958 USA 7" single on Ace 554 (peaked at 14)
April 1959 UK 7" single on London HL 8850 (didn’t chart)
Written by Huey "Piano" Smith

9. Just A Dream – JIMMY CLANTON And His Rockets
July 1958 USA 7" single on Ace 546 (peaked at 4)
September 1958 UK 7” single on London HLS 8699 (didn’t chart)
Credited as Jimmy Clanton in the UK

10. The Caterpillar Crawl – THE STRANGERS
March 1959 USA 7" single on Titan FF-1701 (peaked at 49)
Not released in the UK
An instrumental featuring Joel Scott Hill on Guitar

11. To Be Loved (Forever) – THE PENTAGONS
January 1961 USA 7" single on Donna 1337 (peaked at 48)
April 1961 UK 7" single on London HLU 9333 (didn’t chart)
Rare UK 45 booked at £100 - originally released in 1960 on Fleet International F-100 in the USA – B-side to “Down At The Beach”

12. Cherrystone – THE ADDRISI BROTHERS
May 1959 USA 7" single on Del-Fi 4116 (peaked at 62)
June 1959 UK 7" single on London HL 8922 (didn’t chart)
Don and Dick Addrisi

13. Unchained Melody – VITO & THE SALUTATIONS
September 1963 USA 7" single on Herald H-583 (peaked at 66)
Not released in the UK
Vito Balsamo – written in 1955, the song "Unchained Melody" has been a hit for a large number of artists – Les Baxter, Al Hibbler, Roy Hamilton, Jimmy Young and most famously by The Righteous Brothers in 1965 (many went to No. 1)

14. Pretty Girls Everywhere – EUGENE CHURCH and The Fellows
August 1958 USA 7" single on Class 235 (peaked at 80)
Not released in the UK
Eugene Church and Jesse Belvin were part of The Cliques whose song "The Girl In My Dreams" is on Volume 3 of this series (track 24)

15. Confidential – SONNY KNIGHT
September 1956 USA 7" single on Dot 45-15507 (peaked at 17)
January 1957 UK 7" single on London HLD 8362 (didn’t chart)
US 45 originally issued on Vita V-137 – it was the reissue on Dot 15507 (78") and Dot 45-15507 (7" single) that charted. The original gold-label tri-centre 45 in the UK on London is rare – booked at £350+

16. Watch Your Step – BOBBY PARKER
July 1961 USA 7" single on V-Tone 223 (peaked at 51)
July 1961 UK 7" single on London HLU 9393 (didn’t chart)
Guitarist with The Paul Williams Big Band who played as the live back up group for huge names in the Rock 'n' Roll field – Buddy Holly, Little Richard, Chuck Berry etc

17. Harlem Nocturne – THE VISCOUNTS
November 1959 USA 7" single on Madison M 123 (peaked at 52)
December 1959 UK 7" single on Top Rank JAR 254 (didn’t chart)
This instrumental was reissued in September 1965 in the USA on Amy 940 and charted at 39 – higher than the original Madison release

18. I Like It Like That, Part 1 – CHRIS KENNER
April 1961 USA 7" single on Instant 3229 (peaked at 2)
September 1961 UK 7" single on London HLU 9410 (didn't chart)
Chris Kenner also wrote, "Land Of 1000 Dances" - which was a hit for him in 1962 on Instant 3252, Cannibal and The Headhunters in 1965 on Rampart 642 and Wilson Pickett in 1966 on Atlantic 2348

19. Foot Stomping – Part 1 – THE FLARES
June 1961 USA 7" single on Felsted 8624 (peaked at 25)
October 1961 UK 7" single on London HLU 9441 (didn’t chart)
The US B-side is Part 2 – the UK issue is "Foot Stomping" b/w "Hotcha Cha-Cha Brown"

20. Money (That’s What I Want) – BARRETT STRONG
November 1959 USA 7" single on Anna 1111 (peaked at 23)
April 1960 UK 7" single on London HLU 9088 (didn’t chart)

The A-side is credited as written by Janie Bradford and Berry Gordy, Jr (of Motown) but Barrett Strong has always maintained that his name should have been in the writing credits. It was reissued on Tamla 54027 and was only the 2nd single issued in the UK with Motown connections - and was made famous by The Beatles who played it live and recorded in on their "With The Beatles" LP in November 1963

21. Tear Drops – LEE ANDREWS (and THE HEARTS)
November 1957 USA 7” single on Chess 1675 (peaked at 20)
January 1958 UK 7" single on London HLM 8546 (didn’t chart)
There was also an export issued pressed in the UK on London HL 7031 – both it and the stock copy on HLM 8546 are very rare – listed at £300+ each

22. Mr. Lee – THE BOBBETTES
June 1957 USA 7" single on Atlantic 45-1144 (peaked at 6)
September 1957 UK 7" single on London HLU 8477 (didn’t chart)
They provided backing vocals on Johnny Thunder's "Loop De Loop" on Diamond D-129 in late 1962

23. Rhythm Of The Rain – THE CASCADES
November 1962 USA 7" single on Valiant 6026 (peaked at 3)
January 1963 UK 7" single on Warner Brothers WB 88 (peaked at 5)

24. I Wonder What She’s Doing Tonight – BARRY and The Tamerlanes
August 1963 USA 7" single on Valiant 6034 (peaked at 21)
November 1963 UK 7" single on Warner Brothers WB 116 (didn’t chart)
Barry DeVorzon

25. Hushabye – THE MYSTICS
April 1959 USA 7" single on Laurie 3028 (peaked at 20)
July 1959 UK 7" single on HMV Records POP 646 (didn’t chart)

26. Clap Your Hands – THE BEAU-MARKS
April 1960 USA 7" single on Shad 5017 (peaked at 45)
May 1960 UK 7" single on Top Rank JAR 377 (didn't chart)

27. Sugar Bee – CLEVELAND CROCHET & Hill Billy Ramblers
December 1960 USA 7" single on Goldband G-1106 (peaked at 80)
Not released in the UK
Some copies credit '...& Hill Billy Ramblers' – others '...and Band' – first Cajun record to break Top 100

28. Shop Around – THE MIRACLES
October 1960 USA 7" single on Tamla 54043 (peaked at 2 in February 1961)
February 1961 UK 7" single on London HL 9276 (didn't chart)
Featuring Smokey Robinson

29. Daughter – THE BLENDERS
July 1963 USA 7” single on Witch 114 (peaked at 61)
Not released in the UK

30. Yea, Yea - THE KENDALL SISTERS
February 1958 USA 7” single on Argo 5291 (peaked at 73)
May 1958 UK 7” single on London HLM 8622 (didn’t chart)

NOTES: all tracks are in MONO except Tracks 18 and 25 - which are in STEREO

Volume 6 has an impressive 24-page booklet festooned with ROB FINNIS liner notes and cool pics - quality publicity photos of forgotten names like The Strangers, Chuck Willis, Jimmy Clanton, Dale Hawkins, The Pentagons and Sonny Knight. These snaps run alongside rare Trade Adverts for Ritchie Valens, The Addrisi Brothers, The Bobbettes, Lee Andrews, The Mystics, Ernie K-Doe and The Miracles. The two-page colour collage of British 45s in their labels bags that was a feature on Volumes 1 to 4 has been replaced with smaller pictures of various UK and US record labels throughout the text - Finnis connecting all the musical and historical dots. Compiled by Trevor Churchill, John Broven and Rob Finnis – the clever sequencing makes it feel like an old jukebox and it features a generous total playing time of 72+ minutes.

The DUNCAN COWELL Remasters are blindingly good – toppermost of the poppermost Audio quality on rarities like the echo-marvel of "Susie-Q" by Dale Hawkins or the 'ooh wee...' old man rhythm in my shoes of "Sea Cruise" by Frankie Ford. Despite the disparate sources – the Audio is uniformly great throughout and will warm the cockrels of collector's hearts.

Volume 7 opens with a crystal-clear Vocal group classic "Book Of Love" by The Monotones that is followed by a song that practically gave a young John Fogerty and CCR their entire sound – the wonderful "Susie-Q" by Dale Hawkins. Beautifully clear Audio also accompanies the rolling rhythms of Chuck Willis "C.C. Rider" (what a great R&B tune) while layered voices swoon "Echo" by a smitten vocal group The Emotions. You forget how cool the jiver "Come On, Let's Go" by Ritchie Valens is – sounding just brill on that tasty guitar solo - as does the tale of marital horror "Mother-In-Law" where Ernie K-Doe reckons she was 'sent from down below'. I’ve always loved The Five Keys as an R&B group and their bopper "Ling, Ting, Tong" comes with a infectious beat and dodgy lyrics about Chinamen.

As I said of Volumes 1 to 6 – what’s wicked about these Ace CD compilations is the oddities – finding gems you just don’t know. The 'you'd be mine' pleader "Just A Dream" by Jimmy Clanton is fab stuff – riddled with teenage 'won't forget you' angst and tattoo your name on my buttocks 'misery'. A Link Wray quivering guitar fills the stunning and slinky instrumental "The Caterpillar Crawl" while The Addrisi Brothers sound like a happy Everly Brothers doing a bop-winner on the impossibly catchy "Cherrystone". Bizarre is the only way to describe Vito & The Salutations indecently speedy butchery of "Unchained Melody" – a travesty quickly forgotten by a fantastic sounding Eugene Church who finds that "Pretty Girls Everywhere" are causing his teenage libido considerable botheration (you can’t even go to the beach man and 'they're everywhere!').

Sonny Knight's smoocher "Confidential" is a very clever choice – but it gets absolutely stomped on by Bobby Walker's "Watch Your Step" – a barnstormer of a tune with a wicked 60ts guitar line that makes you want to do the neck jerk and not give a damn. Equally smart is the echoed guitar instrumental of  "Harlem Nocturne" by The Viscounts while the crowd-pleasing 'name of the place' is "I Like It Like That" by Chris Kenner comes at you in wonderfully alive Stereo. I'd also forgotten what a powerhouse of a tune "Money (That's What I Want)" by Barrett Strong is – hardly surprising I suppose as it’s a derivative of the Ray Charles Atlantic Records classic "What I'd Say" (those Liverpudlians covered "Money" on their 2nd LP "With The Beatles" in late 1963).

Genius inclusions – the gorgeous Vocal Group "Tear Drops" by Lee Andrews tells us that he was wrong to take the chance with somebody new (my dear) – and I never tire of the party song "Mr. Lee" – a hugely popular tune by The Bobbettes (on the mighty Atlantic Records). It may be sappy by today's standards but its hard even now to resist the lovely "Rhythm Of The Rain" by The Cascades. The frisky "Daughter" by The Blenders advises its listeners that the girl must leave those boys alone (not sure she's gonna listen to mother on this one). We even get a little Eddie Cochran with the vocals of "Yea, Yea" by The Kendall Sisters where the rhythm could be Eddie but fronted by girls trying to resist 'one kiss' (not having a lot of luck either). But my fave on here is "Sugar Bee" by the wonderfully named Cleveland Crochet – a first time breakthrough Cajun 45 that features the most amazing overall sound – a guitar chug that’s both Creole and Captain Beefheart at the same time (if you can imagine such a thing). It’s a Rock 'n' Roll record – a Cajun tune – it’s guitar boogie – what a winner...

Like Volumes 1 to 6 – instalment No. 7 is an adventurous, period evocative, cleverly paced compilation. But most important of all – it’s blindingly great fun to listen to - stirring up so many fond memories. So even if you weren't there - you will feel all "American Graffiti" after a night in with this CD compilation. But most of all you get a real sense of why UK fans in the 50ts and 60ts looked to the USA with such awe. The Yanks had it all – the cool - the cars - the girls - the film stars and best of all - the music. And there are seventeen more volumes where this came from...

PS: Titles in "The Golden Age Of American Rock 'n' Roll" CD Series are:

1. The Golden Age Of American Rock 'n' Roll: Hard-To-Get Hot 100 Hits From 1954-63 (Ace CDCHD 289, November 1991)
2. The Golden Age Of American Rock 'n' Roll Volume 2: Hot 100 Hits From 1954-1963 (Ace CDCHD 445, March 1993)
3. The Golden Age Of American Rock 'n' Roll Volume 3: Hot 100 Hits From 1954-1963 (Ace CDCHD 497, January 1994)
4. The Golden Age Of American Rock 'n' Roll Volume 4: Hot 100 Hits From 1954-1963 (Ace CDCHD 500, October 1994)
5. The Golden Age Of American Rock 'n' Roll Volume 5: Hot 100 Hits From 1954-1963 (Ace CDCHD 600, October 1995)
6. The Golden Age Of American Rock 'n' Roll Volume 6: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 650, January 1997)
7. The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963 (Ace CDCHD 700, November 1998)
8. The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963 (Ace CDCHD 750, November 1999)
9. The Golden Age Of American Rock 'n' Roll Volume 9: Hot 100 Hits From 1954-1963 (Ace CDCHD 800, February 2001)
10. The Golden Age Of American Rock 'n' Roll Volume 10: Hot 100 Hits From 1954-1963 (Ace CDCHD 850, September 2002)
11. The Golden Age Of American Rock 'n' Roll Volume 11: Hot 100 Hits From 1954-1963 (Ace CDCHD 1200, September 2007)
12. The Golden Age Of American Rock 'n' Roll Volume 12: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 1280, February 2011)
13. The Golden Age Of American Rock 'n' Roll: Special Country Edition (Ace CDCHD 845, April 2002)
14. The Golden Age Of American Rock 'n' Roll: Special Novelty Edition (Ace CDCHD 890, November 2003)
15. The Golden Age Of American Rock 'n' Roll: Special Doo W*p Edition 1953-1963 (Ace CDCHD 1000, May 2004)
16. The Golden Age Of American Rock 'n' Roll: Special "Bubbling Under" Edition – Regional Hits That Just Missed The Hot 100 1959-1963 (Ace CDCHD 1050, March 2006)
17. The Golden Age Of American Rock 'n' Roll – The Follow-Up Hits: Hard-To-Get Hot 100 Hits (Ace CDCHD 1190, January 2008)
18.  The Golden Age Of American Rock 'n' Roll: Special Doo W*p Edition Volume 2 1956-1963 (Ace CDCHD 1230, May 2009)

This review and hundreds more like it can be found in my SOUNDS GOOD Music Book Series - BLUES, GOSPEL, RHYTHM 'n' BLUES and ROCK 'n' ROLL - Exceptional CD Remasters is available to buy/download at Amazon at the following link...


Tuesday 13 October 2015

"The Whole World's Shaking: Complete Recordings 1963-1966" by GEORGE FAME (2015 Universal/Polydor 5CD Box Set Remasters) - A Review by Mark Barry...



"...I Say Yeah Yeah..."

Lick your lips in glee ye Gods of Mod. Like myself there can't be many 60ts music lovers across the world that didn't get a tad excited in the trouser area this Monday morning (12 October 2015) at the arrival of "The Whole World's Shaking: Complete Recordings 1963-1966" by GEORGIE FAME in my overexcited post-box. Even when it was announced months back for pre-order – I thought to myself - now there's a winner I need for my bulging CD shelves (there's an awful lot of bulging going on in this review I'm afraid).

Four albums from the period (all expanded with B-sides and Rarities in gorgeous gatefold card repro sleeves), 106 tracks in total (18 Previously Unreleased), a 48-Page Hardback Book with mucho unpublished plates, Five Quality Art Cards and a foldout Black and White Poster of Georgie and Mick Jagger having a natter. There’s even an unexpected and stunning Vocal Lead from Long John Baldry amongst the unreleased (track 19, disc 1). We’ve a huge amount of detail to get through - so once more good people of Blighty unto the Rhythm 'n' Blues Allnighter ('I say yeh, yeh' to that)...

UK released Monday 12 October 2015 (16 October 2015 in the USA) – "The Whole World's Shaking: Complete Recordings 1963-1966" by GEORGIE FAME on Universal/Polydor 4739865 (Barcode 602547398659) is a 5CD Box Set and breaks down as follows:

Disc 1 - "Rhythm And Blues At The Flamingo" (78:51 minutes, 23 tracks):
1. Night Train
2. Let The Good Times Roll
3. Do The Dog
4. Eso Beso
5. Work Song
6. Parchman Farm [Side 2]
7. You Can't Sit Down
8. Humpty Dumpty
9. Shop Around
10. Baby, Please Don't Go
Tracks 1 to 10 are his debut album "Rhythm And Blues At The Flamingo" – released January 1964 in the UK on Columbia 33SX 1599 in Mono only. It failed to chart and produced one British 7" single in January 1964 - "Do The Dog" b/w "Shop Around" on Columbia DB 7193 (tracks 3 and 9) which also failed to chart. The album was recorded 'live' in September 1963 and Produced by Ian Samwell with Glyn Johns as the Engineer. MONO Mix on CD.

BONUS TRACKS:
11. Parker's Mood
12. Money (That's What I Want)
Tracks 11 and 12 are outtakes from the Mono LP sessions that first turned up in 2006 on the Japanese CD Reissue of the album on Polydor UIJY-93169
13. Molasses
Track 13 is a Previously Unreleased Stereo outtake from the LP sessions
14. Night Train
15. Bright Lights, Big City
16. Walking The Dog
17. Do-Re-Mi
18. Let The Sunshine In
19. You're Breaking My Heart
Tracks 14 to 19 were recorded by the BBC at the Camden Theatre in London in March 1964 in Stereo and first broadcast 5 September 1964 – they are previously unreleased on CD
20. Sister Sadie
21. Pig Foots
22. Funky Mama
23. Signifying Monkey
Tracks 20 to 23 were recorded live at The Blue Moon in Hayes, Middlesex in December 1964 (Mono Bootleg) and are Previously Unreleased.

Disc 2 – "Fame At Last" (59:43 minutes, 21 tracks):
1. Get On The Right Track, Baby
2. Let The Sunshine In
3. The Monkey Time
4. All About My Girl
5. Point Of No Return
6. Gimme That Wine
7. Pink Champagne [Side 2]
8. Monkeying Around
9. Pride And Joy
10. Green Onions
11. I Love The Life I Live
12. I'm In The Mood For Love (Moody's Mood For Love)
Tracks 1 to 12 are his 2nd album "Fame At Last" – released October 1964 in the UK on Columbia 33SX 1638 in Mono Only (peaked at 15 on the UK charts). Reissued in November 1969 on Starline SRS 5002 in Stereo – the Stereo Mix is used for this CD as is the word STEREO on the card repro sleeve.

BONUS TRACKS:
13. Do-Re-Mi
Track 13 is a non-album Mono B-side to "Green Onions" – a UK 7” single released April 1964 on Columbia DB 7255
14. I'm In Love With You
15. Bend A Little
Tracks 14 and 15 are the Mono A and B-sides to a July 1964 Promo-Only UK 7" single on Columbia DB 7328
16. Madness
17. Tom Hark Goes Blue Beat
18. Humpty Dumpty
19. One Whole Year, Baby
Tracks 16 to 19 are the 4-track "Rhythm And Blue Beat" UK 7" EP released May 1964 on Columbia SEG 8334 in Stereo
20. Yeh, Yeh
21. Preach And Teach
Tracks 20 and 21 are the Stereo A and B-sides of a December 1964 UK 7" single on Columbia DB 7428. It was also issued in the USA in January 1965 on Imperial 66086 - a No. 1 in the UK - it peaked at No. 21 in the USA.

The 12-track "Fame At Last" LP became his first US album release in December 1964 on Imperial LP 12282 in Stereo but was credited as "Yeh Yeh" (after the hit single) and featured a rejiggered track list with omissions and additions. Using the following track numbers on Disc 2 - this box set will allow fans to sequence that album as follows...

Side 1:
1. Let The Sunshine In (2)
2. Yeh Yeh (20)
3. Get On The Right Track, Baby (1)
4. The Monkey Time (3)
5. Preach And Teach (21)
6. Gimme That Wine (6)
Side 2:
1. I'm In The Mood For Love (12)
2. Pride And Joy (9)
3. I Love The Life I Live (11)
4. Point Of No Return (5)
5. Monkeying Around (8)
6. Pink Champagne (7)

Disc 3 – "Sweet Things" (61:39 minutes, 21 Tracks):
1. Sweet Thing
2. See Saw
3. Ride Your Pony
4. Funny How Time Slips Away
5. Sitting In The Park
6. Dr. Kitch
7. My Girl [Side 2]
8. Music Talk
9. The In Crowd
10. The World Is Round
11. The Whole World's Shaking
12. Last Night
Tracks 1 to 12 are the Mono album "Sweet Things" – released May 1966 in the UK on Columbia SX 6043 (peaked at No. 6 on the LP charts). MONO Mix on CD.

BONUS TRACKS:
13. In The Meantime
14. Telegram
Tracks 13 and 14 are the non-album Mono A and B-sides to a February 1965 UK 7" single on Columbia DB 7494 – peaked at 22
15. No, No (The River)
16. Blue Monday
17. So Long
18. Sick And Tired
Tracks 15 to 18 are the 4-track "Fats For Fame" UK 7" EP released May 1965 on Columbia SEG 8406 in Stereo
19. Like We Used To Be
20. It Ain’t Right
Tracks 19 and 20 are the non-album A&B-sides of a July 1965 UK 7" single on Columbia DB 7633 (the A is Mono, the B is Stereo) – peaked at No. 33 on the charts
21. Something
Track 21 is the non-album Mono A-side of an October 1965 UK 7" single on Columbia DB 7727 (its non-album B-side "Outrage" is Track 13 on Disc 4) – peaked at No. 23 on the charts

His 2nd American LP "Get Away" was issued 1966 in Mono only on Imperial LP 9331 and can be sequenced from Discs 3 and 4 using the following tracks...

Side 1:
1. Get Away (track 18, disc 4)
2. Sweet Thing (track 1, disc 3)
3. Ride Your Pony (track 3, disc 3)
4. Funny How Time Slips Away (track 4, disc 3)
5. Sitting In The Park (track 5, disc 3)
6. See Saw (track 2, disc 3)
Side 2:
1. Music Talk (track 8, disc 3)
2. Last Night (track 12, disc 3)
3. It's Got The Whole World Shakin' (track 11, disc 3)
4. El Bandido (track 19, disc 4)
5. The World Is Round (track 10, disc 3)
6. The "In" Crowd (track 9, disc 3)

Disc 4 – "Sound Venture" (59:41 minutes, 21 tracks):
1. Many Happy Returns
2. Down For The Count
3. It's For Love The Petals Fall
4. I Am Missing You
5. Funny How Time Slips Away
6. Lil' Pony
7. Lovey Dovey [Side 2]
8. Lil' Darlin'
9. Three Blind Mice
10. Dawn Yawn
11. Feed Me
12. Papa's Got A Brand New Bag
Tracks 1 to 12 are the Mono album "Sound Venture" – released October 1966 in the UK on Columbia SX 6076 (peaked at No. 9 on the LP charts).

BONUS TRACKS:
13. Outrage
Track 13 is the non-album Mono B-side of an October 1965 UK 7" single on Columbia DB 7727 (its non-album A-side "Something" is Track 21 on Disc 3)
14. Move It On Over
15. Walking The Dog
16. High Heel Sneakers
17. Rockin' Pneumonia And The Boogie Woogie Flu
Tracks 14 to 17 are the 4-track "Move It On Over" UK 7" EP released November 1965 on Columbia SEG 8454 in Stereo
18. Get Away
19. El Bandido
Tracks 18 and 19 are the non-album Mono A&B-sides of a June 1966 UK 7" single on Columbia DB 7946 (peaked at No. 1 on the charts)
20. Sunny
21. Don't Make Promises
Tracks 20 and 21 are the non-album Mono A&B-sides of a September 1966 UK 7" single on Columbia DB 8015 (peaked at No. 13 on the charts)

Disc 5 – "Bend A Little: Demos, Rarities, B-Sides & Outtakes" (62:01 minutes, 20 tracks):
1. Money (That’s What I Want (IBC Version)
2. Let The Sunshine in (IBC Version)
3. Lonely Avenue (IBC Version)
4. You're Driving Me Crazy (IBC Version)
5. Kidney Stew (IBC Version)
Tracks 1 to 5 are Mono Demos recorded in 1963 at the IBC Studios by Glyn Johns – Previously Unreleased
6. Moanin' – Mono, Previously Unreleased
7. Gimme That Wine (Alternate Version) – Mono, Previously Unreleased
8. Bend A Little – Stereo Instrumental, Previously Unreleased
9. Saturday Night Fish Fry – Stereo cover of a Louis Jordan song, Previously Unreleased
10. Lil Darlin' (Alternate Version) – Stereo, Previously Unreleased
11. You’re Driving Me Crazy (Alternate Version) – Lou Donaldson cover, Previously Unreleased
12. Soul Stomp – Earl Van Dyke cover in Stereo
13. This Is Always – Stereo
14. Jelly Jelly – Billy Eckstein cover in Mono
15. Black Head Chinaman – Prince Buster cover in Stereo
16. Incense – Instrumental Backing Track in Mono – Previously Unreleased
17. Tan Tan's Tune – an Eddie Thornton cover in Stereo
18. Red Number Nine – A Tony Colton song in Stereo
19. Humpty Dumpty (German Version)
20. Yeah, Yeh, Yeh (German Version)
Tracks 19 and 20 are the German Language versions released as the B and A of a 1965 German 7" single on Columbia C 22 909

PACKAGING:
The box is larger than I’d expected it to be – about 10" x 8" and glossy. Inside are four expanded albums in gatefold repro card artwork (all of them) with a 5th Rarities CD ("Bend A Little") – all five in a red bandana sat in a hollow with a black ribbon beneath for easy pull-out extraction. The gatefold card sleeves are amazingly rendered and each CD is a picture disc (see my note below in Sound on format). On top of those is a beautifully laid out 48-page hardback book (approx. 8" x 8") featuring new indepth interviews with Georgie, many period photos, repros of the album artwork, rare EPs, trade adverts, pictures of the band at the famous Flamingo Club all topped off with extensive liner notes from CHRIS WELCH. Beneath the hardback is a glossy card pouch (same size at the book) that uses the box set’s artwork as its sleeve. Inside are 5 black and white high quality art cards (Georgie in various mod jumper poses) and one foldout black and white poster (Georgie standing beside a fireplace talking to a young Mick Jagger). They're lovely to look at if not a tad superfluous.

However – and without blowing my own trumpet here (not a good idea at my age) – it’s seems extraordinary to me that on such a carefully laid out and classily presented package - no one has thought to produce a single catalogue number anywhere on anything. Even the bonus disc - which is full of exclusive English and German 7" singles and previously unreleased material - shows no catalogue numbers? The info I’ve laid out above isn’t in the book, on the gatefold card sleeves for the albums, on the postcards or on the other side of the poster? Having said that – Georgie goes into a song-by-song analysis in the book that helps place their musical history. Don't get me wrong - this thing looks gorgeous - but for the cost and info nerds like me someone some should done a bit more research...

SOUND:
And as with the Bowie "Five Years" box set of September 2015 – I'd swear that these discs are Japanese pressed SHM-CDs - but it doesn't say so anywhere on the packaging (a bonus for us if they are of course - any takers on this?). What I can say is that the TRISTAM POWELL (Georgie's son, Georgie's real name is Clive Powell) and ANDREW WALTER Remasters (done at Abbey Road) from original master tapes are stunning – the best this material has ever sounded (with the exception of the notoriously murky "Flamingo" set). Famous liner notes writer and compilation maker DEAN RUDLAND tells us in the Compiler's Note at the end of the hardback book that worldwide searches of tape libraries across EMI's vaults was only now possible with the acquisition of EMI by Universal some years back. In the process they've gotten the best Audio sources and discovered a session from 6 June 1963 with Glynn Johns at the Producer controls. It's not Fame's earliest recordings (the R&B label stuff) but it is his earliest in the style presented here. SHM-CDs or not - these discs sound splendido. Now let's get to the music...

MUSIC:
The Audio for "Rhythm And Blues At The Flamingo" has always been lo-fi to low-bucket – but as Georgie rattles off American city destinations in the opening James Brown cover of "Night Train" – it does at least sound more ballsy as the huge organ sound elicits enthusiastic hollers from the punters (you can just see the dudes and dudettes giving it some shimmy as you listen). It's easy to hear why "Do The Dog" failed as a single – it's joyful stuff for sure but it’s just 'too' rough and cluttered. I'd swear I can hear those drums on "Parchment Farm" a lot clearer and the R&B boogie of "Baby, Please Don't Go" brings it all home. The three outtakes from the 'live' session are more of the same – best of which is the new cover of Freddie Roach's "Molasses" – a 'yeah man' saxophone and organ grinder - and for me actually better than much of what's on the album!

I had expected the BBC Sessions to be weedy – nothing could be further from the truth – if anything they are everything the album should have been sonically. "Ladies And Gentlemen...This Is Rhythm And Blues!" the BBC announcer tells his audience in his best Radio 1 coolsville voice – the Blue Flames version of "Night Train" cooking both in terms of great Audio and tight playing. Once again Mr. Radio 1 introduces Jimmy Reed's "Bright Lights, Big City" and it allows Georgie's great vocals to shine – then things start to really cook as the fans clap along to the Rufus Thomas classic "Walking The Dog". The same happens with cool versions of "Do-Re-Mi" and "Let The Sunshine In" – ending on a genuine stunner – LONG JOHN BALDRY fronting the band for "You're Breaking My Heart" with Glenn Hughes soloing real slow and Bluesy on his Saxophone (yum yum). I had also expected the Bootleg to be Audio rubbish but I can hear why its been included – the Audio is better than good and the performances toppermost - especially the band cooking on a fast instrumental romp through Willie Dixon's "Pig Foot" (drop out here and there for sure but still wicked nonetheless).

The second Disc 2 kicks in – the Audio is shockingly good – all that brill R&B blasting out of your speakers – the whole sound stage for stuff like "Let The Sunshine In" and Motown's "The Monkey Time" – the girly vocals and brass jabs – all sparkling. The rhythm-section shuffle in "Pink Champagne" is fabulous – Fame's vocals fresh too. It's hard to do an instrumental diamond like "Green Onions" any kind of justice because its owned by Booker T & The M.G.'s – but Fame gives it a barnstorming arrangement that allows both the organ and Saxophone room to shine. The album closes on the Jazzy smooch of "I'm In The Mood For Love". Cool-city is the only way to describe the mod dancer B-side "Do-Re-Mi" (I can see why its so sought after by mod collectors) – unfortunately it's equally easy to hear why the sappy "I'm In Love With You" went only to demo-level only (the flip "Bend A Little" is far better). I'll admit that It's been decades since I last heard the Ska and Blue Beat EP – but what a blast the foursome are – and in great Audio too. It ends on the monster "Yeh, Yeh" (his first No. 1) with its superb "Preach And Teach" flip (surely a shoe in for one the great double-siders).

After the beautiful Stereo of "Fame At Last" – the return to the Mono of "Sweet Things" takes a bit of Aural getting used to – but the music is still hip. The funky-as-a-gnat's-knackers "See Saw" packs huge punch while "Sitting In The Park" is as echo-lovely as the Billy Stewart 1965 Chess original. We get all island Calypso with "Dr. Kitch" while Side 2 opens with a sweet version of Motown’s "My Girl". The drums on the 'so' 60ts "Music Talk" is a mod's wet dream as is his organ-drenched instrumental cover of the Ramsey Lewis nugget "The "In" Crowd". Both "The World Is Round" and the box set's namesake "The Whole World's Shaking" are fabulous Sixties R&B Jivers (I can just see the girls on the dancefloor blowing the sharp-dressed boys minds with their shimmy-shimmy-shake moves). Of the B-sides and EP Rarities I'm digging "In The Meantime" and "Sick And Tired" on the rarely seen or heard Fats Domino EP. But the best Audio is on the B-side "It Ain't Right" which is presented here in awesome Stereo – worth the entry price alone.

Disc 4 features Georgie Fame & The Harry South Big Band on the "Sound Venture" LP in the autumn of 1966. There's beautiful Mono clarity on "Down For The Count" as there is on his jazzy return to "Funny How Time Slips Away" (he did a slower version of it on "Sweet Things"). Massive punch too on the Clovers cover "Lovey Dovey" even though I don't like his version that much while the James Brown annihilator "Papa's Got A Brand New Bag" ends the album on a high (and rightly so). Fans will love the blindingly great instrumental B-side "Outrage" as they will the Stereo blast of Tommy Tucker's "Hi Heel Sneakers".

Collectors will breathe a sigh of relief that Disc 5 contains so much quality and not filler for the sake of it. The first five are from a recent find – 1963 Studio recordings produced by Glyn Johns as demos - including organised versions of Ray Charles' "Lonely Avenue" and Lou Donaldson's "You're Driving Me Crazy". Amongst the Previously Unreleased are slinky versions of "Moanin'" and the brassy "Bend A Little" which is in wicked Stereo with occasional girly vocals of "I really love you..." (what a find). We go old school 40ts R&B with Louis Jordan's "Saturday Night Fish Fry" – so well recorded it could be Joe Jackson in the 1980s. Slow jazz vibes sift in on a plume of cigarette smoke with "Lil Darlin'" (gorgeous Stereo) – but my faves here are the Tony Colton gambling song "Red Number Nine" and a stunning take on Earl Van Dyke’s "Soul Stomp" (again in amazing Stereo) – both brass/organ steppers that will have Mod dancers reaching for the talcum powder tins with a sense or urgency...

Beautifully presented and featuring stonkingly great Audio (discs 2 to 5 especially) – Georgie Fame has had this kind of homage due him for decades now. Well done to all involved and recommended like a slick 60ts tailored suit...

PS: there is also a 5LP Vinyl Version

This review and hundreds more like it are part of my SOUNDS GOOD Music Books Series - available to buy/lend on Amazon in COOL 1960s MUSIC (Exceptional CD Remasters) at the following link...


INDEX - Entries and Artist Posts in Alphabetical Order