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Thursday 15 October 2015

"The Golden Age Of American Rock 'n' Roll Volume 7" by VARIOUS ARTISTS (1998 Ace Records CD Remasters) - A Review by Mark Barry...



"...Book Of Love..."

The seventh instalment of Ace's "The Golden Age Of American Rock 'n' Roll" CD Series follows the same route as Volumes 1 to 6 – 30 cleverly sequenced Mono US 7" singles that hit the American Pop charts with a nice combo of the obvious and the obscure. "I Like It Like That Part 1" by Chris Kenner and "Hushabye" by The Mystics are in Stereo – while only Ernie K-Doe (6) and The Cascades (23) made the British charts. And all of this rare and hip material is presented to fans by a record company that gives a damn - with a hard-won reputation across four decades of reissue quality (best tape sources used – no needle drops). The full 18 volumes up to late 2015 are listed below. So lets avoid the 'Mother In Law' as we succumb to the 'Ling, Ting, Tong' and do 'The Caterpillar Crawl' (all in the best possible taste of course)...

UK and USA released November 1998 - "The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963" by VARIOUS ARTISTS on Ace Records CDCHD 700 (Barcode 029667170024) is a 30-track CD and breaks down as follows (72:32 minutes):

1. Book Of Love – THE MONOTONES
February 1958 US 7" single on Argo 5290 (peaked at 5)
May 1958 UK 7" single on London HLM 8265 (didn’t chart)

2. Susie-Q – DALE HAWKINS
May 1957 USA 7” single on Checker 863 (peaked at 27)
September 1957 UK 7" single on London HL 8482 (didn’t chart)
In the liner notes it states that Ace has 'taken the original master and re-created the reverb to produce a better quality master with extra length at the end'...

3. C. C. Rider – CHUCK WILLIS
March 1957 US 7" single on Atlantic 45-1130 (peaked at 12)
June 1957 UK 7" single on London HLE 8444 (didn’t chart)

4. Echo – THE EMOTIONS
December 1962 US 7" single on Kapp 490 (peaked at 76 in January 1963)
December 1962 UK 7" single on London HLT 9640 (didn’t chart)

5. Come On, Let's Go – RITCHIE VALENS
August 1958 US 7" single on Del-Fi 4106 (peaked at 42)
November 1958 UK 7" single on Pye International 7N 25000 (didn’t chart)
The American B-side is "Framed" – a Lieber Stoller song first recorded by The Robins in 1955

6. Mother-In-Law – ERNIE K-DOE
February 1961 USA 7" single on Minit 623 (peaked at 1)
April 1961 UK 7" single on London HLU 9330 (peaked at 29)
Real name Ernest Kador – song written, produced and featuring Allen Toussaint (on Piano)

7. Ling, Ting, Tong – THE FIVE KEYS
October 1954 USA 7" single on Capitol F 2945 (peaked at 28)
November 1954 UK 7" single on Capitol CL 14184 (didn’t chart)
Their first British 45 and very rare – listed at £500+

8. Sea Cruise – FRANKIE FORD
December 1958 USA 7" single on Ace 554 (peaked at 14)
April 1959 UK 7" single on London HL 8850 (didn’t chart)
Written by Huey "Piano" Smith

9. Just A Dream – JIMMY CLANTON And His Rockets
July 1958 USA 7" single on Ace 546 (peaked at 4)
September 1958 UK 7” single on London HLS 8699 (didn’t chart)
Credited as Jimmy Clanton in the UK

10. The Caterpillar Crawl – THE STRANGERS
March 1959 USA 7" single on Titan FF-1701 (peaked at 49)
Not released in the UK
An instrumental featuring Joel Scott Hill on Guitar

11. To Be Loved (Forever) – THE PENTAGONS
January 1961 USA 7" single on Donna 1337 (peaked at 48)
April 1961 UK 7" single on London HLU 9333 (didn’t chart)
Rare UK 45 booked at £100 - originally released in 1960 on Fleet International F-100 in the USA – B-side to “Down At The Beach”

12. Cherrystone – THE ADDRISI BROTHERS
May 1959 USA 7" single on Del-Fi 4116 (peaked at 62)
June 1959 UK 7" single on London HL 8922 (didn’t chart)
Don and Dick Addrisi

13. Unchained Melody – VITO & THE SALUTATIONS
September 1963 USA 7" single on Herald H-583 (peaked at 66)
Not released in the UK
Vito Balsamo – written in 1955, the song "Unchained Melody" has been a hit for a large number of artists – Les Baxter, Al Hibbler, Roy Hamilton, Jimmy Young and most famously by The Righteous Brothers in 1965 (many went to No. 1)

14. Pretty Girls Everywhere – EUGENE CHURCH and The Fellows
August 1958 USA 7" single on Class 235 (peaked at 80)
Not released in the UK
Eugene Church and Jesse Belvin were part of The Cliques whose song "The Girl In My Dreams" is on Volume 3 of this series (track 24)

15. Confidential – SONNY KNIGHT
September 1956 USA 7" single on Dot 45-15507 (peaked at 17)
January 1957 UK 7" single on London HLD 8362 (didn’t chart)
US 45 originally issued on Vita V-137 – it was the reissue on Dot 15507 (78") and Dot 45-15507 (7" single) that charted. The original gold-label tri-centre 45 in the UK on London is rare – booked at £350+

16. Watch Your Step – BOBBY PARKER
July 1961 USA 7" single on V-Tone 223 (peaked at 51)
July 1961 UK 7" single on London HLU 9393 (didn’t chart)
Guitarist with The Paul Williams Big Band who played as the live back up group for huge names in the Rock 'n' Roll field – Buddy Holly, Little Richard, Chuck Berry etc

17. Harlem Nocturne – THE VISCOUNTS
November 1959 USA 7" single on Madison M 123 (peaked at 52)
December 1959 UK 7" single on Top Rank JAR 254 (didn’t chart)
This instrumental was reissued in September 1965 in the USA on Amy 940 and charted at 39 – higher than the original Madison release

18. I Like It Like That, Part 1 – CHRIS KENNER
April 1961 USA 7" single on Instant 3229 (peaked at 2)
September 1961 UK 7" single on London HLU 9410 (didn't chart)
Chris Kenner also wrote, "Land Of 1000 Dances" - which was a hit for him in 1962 on Instant 3252, Cannibal and The Headhunters in 1965 on Rampart 642 and Wilson Pickett in 1966 on Atlantic 2348

19. Foot Stomping – Part 1 – THE FLARES
June 1961 USA 7" single on Felsted 8624 (peaked at 25)
October 1961 UK 7" single on London HLU 9441 (didn’t chart)
The US B-side is Part 2 – the UK issue is "Foot Stomping" b/w "Hotcha Cha-Cha Brown"

20. Money (That’s What I Want) – BARRETT STRONG
November 1959 USA 7" single on Anna 1111 (peaked at 23)
April 1960 UK 7" single on London HLU 9088 (didn’t chart)

The A-side is credited as written by Janie Bradford and Berry Gordy, Jr (of Motown) but Barrett Strong has always maintained that his name should have been in the writing credits. It was reissued on Tamla 54027 and was only the 2nd single issued in the UK with Motown connections - and was made famous by The Beatles who played it live and recorded in on their "With The Beatles" LP in November 1963

21. Tear Drops – LEE ANDREWS (and THE HEARTS)
November 1957 USA 7” single on Chess 1675 (peaked at 20)
January 1958 UK 7" single on London HLM 8546 (didn’t chart)
There was also an export issued pressed in the UK on London HL 7031 – both it and the stock copy on HLM 8546 are very rare – listed at £300+ each

22. Mr. Lee – THE BOBBETTES
June 1957 USA 7" single on Atlantic 45-1144 (peaked at 6)
September 1957 UK 7" single on London HLU 8477 (didn’t chart)
They provided backing vocals on Johnny Thunder's "Loop De Loop" on Diamond D-129 in late 1962

23. Rhythm Of The Rain – THE CASCADES
November 1962 USA 7" single on Valiant 6026 (peaked at 3)
January 1963 UK 7" single on Warner Brothers WB 88 (peaked at 5)

24. I Wonder What She’s Doing Tonight – BARRY and The Tamerlanes
August 1963 USA 7" single on Valiant 6034 (peaked at 21)
November 1963 UK 7" single on Warner Brothers WB 116 (didn’t chart)
Barry DeVorzon

25. Hushabye – THE MYSTICS
April 1959 USA 7" single on Laurie 3028 (peaked at 20)
July 1959 UK 7" single on HMV Records POP 646 (didn’t chart)

26. Clap Your Hands – THE BEAU-MARKS
April 1960 USA 7" single on Shad 5017 (peaked at 45)
May 1960 UK 7" single on Top Rank JAR 377 (didn't chart)

27. Sugar Bee – CLEVELAND CROCHET & Hill Billy Ramblers
December 1960 USA 7" single on Goldband G-1106 (peaked at 80)
Not released in the UK
Some copies credit '...& Hill Billy Ramblers' – others '...and Band' – first Cajun record to break Top 100

28. Shop Around – THE MIRACLES
October 1960 USA 7" single on Tamla 54043 (peaked at 2 in February 1961)
February 1961 UK 7" single on London HL 9276 (didn't chart)
Featuring Smokey Robinson

29. Daughter – THE BLENDERS
July 1963 USA 7” single on Witch 114 (peaked at 61)
Not released in the UK

30. Yea, Yea - THE KENDALL SISTERS
February 1958 USA 7” single on Argo 5291 (peaked at 73)
May 1958 UK 7” single on London HLM 8622 (didn’t chart)

NOTES: all tracks are in MONO except Tracks 18 and 25 - which are in STEREO

Volume 6 has an impressive 24-page booklet festooned with ROB FINNIS liner notes and cool pics - quality publicity photos of forgotten names like The Strangers, Chuck Willis, Jimmy Clanton, Dale Hawkins, The Pentagons and Sonny Knight. These snaps run alongside rare Trade Adverts for Ritchie Valens, The Addrisi Brothers, The Bobbettes, Lee Andrews, The Mystics, Ernie K-Doe and The Miracles. The two-page colour collage of British 45s in their labels bags that was a feature on Volumes 1 to 4 has been replaced with smaller pictures of various UK and US record labels throughout the text - Finnis connecting all the musical and historical dots. Compiled by Trevor Churchill, John Broven and Rob Finnis – the clever sequencing makes it feel like an old jukebox and it features a generous total playing time of 72+ minutes.

The DUNCAN COWELL Remasters are blindingly good – toppermost of the poppermost Audio quality on rarities like the echo-marvel of "Susie-Q" by Dale Hawkins or the 'ooh wee...' old man rhythm in my shoes of "Sea Cruise" by Frankie Ford. Despite the disparate sources – the Audio is uniformly great throughout and will warm the cockrels of collector's hearts.

Volume 7 opens with a crystal-clear Vocal group classic "Book Of Love" by The Monotones that is followed by a song that practically gave a young John Fogerty and CCR their entire sound – the wonderful "Susie-Q" by Dale Hawkins. Beautifully clear Audio also accompanies the rolling rhythms of Chuck Willis "C.C. Rider" (what a great R&B tune) while layered voices swoon "Echo" by a smitten vocal group The Emotions. You forget how cool the jiver "Come On, Let's Go" by Ritchie Valens is – sounding just brill on that tasty guitar solo - as does the tale of marital horror "Mother-In-Law" where Ernie K-Doe reckons she was 'sent from down below'. I’ve always loved The Five Keys as an R&B group and their bopper "Ling, Ting, Tong" comes with a infectious beat and dodgy lyrics about Chinamen.

As I said of Volumes 1 to 6 – what’s wicked about these Ace CD compilations is the oddities – finding gems you just don’t know. The 'you'd be mine' pleader "Just A Dream" by Jimmy Clanton is fab stuff – riddled with teenage 'won't forget you' angst and tattoo your name on my buttocks 'misery'. A Link Wray quivering guitar fills the stunning and slinky instrumental "The Caterpillar Crawl" while The Addrisi Brothers sound like a happy Everly Brothers doing a bop-winner on the impossibly catchy "Cherrystone". Bizarre is the only way to describe Vito & The Salutations indecently speedy butchery of "Unchained Melody" – a travesty quickly forgotten by a fantastic sounding Eugene Church who finds that "Pretty Girls Everywhere" are causing his teenage libido considerable botheration (you can’t even go to the beach man and 'they're everywhere!').

Sonny Knight's smoocher "Confidential" is a very clever choice – but it gets absolutely stomped on by Bobby Walker's "Watch Your Step" – a barnstormer of a tune with a wicked 60ts guitar line that makes you want to do the neck jerk and not give a damn. Equally smart is the echoed guitar instrumental of  "Harlem Nocturne" by The Viscounts while the crowd-pleasing 'name of the place' is "I Like It Like That" by Chris Kenner comes at you in wonderfully alive Stereo. I'd also forgotten what a powerhouse of a tune "Money (That's What I Want)" by Barrett Strong is – hardly surprising I suppose as it’s a derivative of the Ray Charles Atlantic Records classic "What I'd Say" (those Liverpudlians covered "Money" on their 2nd LP "With The Beatles" in late 1963).

Genius inclusions – the gorgeous Vocal Group "Tear Drops" by Lee Andrews tells us that he was wrong to take the chance with somebody new (my dear) – and I never tire of the party song "Mr. Lee" – a hugely popular tune by The Bobbettes (on the mighty Atlantic Records). It may be sappy by today's standards but its hard even now to resist the lovely "Rhythm Of The Rain" by The Cascades. The frisky "Daughter" by The Blenders advises its listeners that the girl must leave those boys alone (not sure she's gonna listen to mother on this one). We even get a little Eddie Cochran with the vocals of "Yea, Yea" by The Kendall Sisters where the rhythm could be Eddie but fronted by girls trying to resist 'one kiss' (not having a lot of luck either). But my fave on here is "Sugar Bee" by the wonderfully named Cleveland Crochet – a first time breakthrough Cajun 45 that features the most amazing overall sound – a guitar chug that’s both Creole and Captain Beefheart at the same time (if you can imagine such a thing). It’s a Rock 'n' Roll record – a Cajun tune – it’s guitar boogie – what a winner...

Like Volumes 1 to 6 – instalment No. 7 is an adventurous, period evocative, cleverly paced compilation. But most important of all – it’s blindingly great fun to listen to - stirring up so many fond memories. So even if you weren't there - you will feel all "American Graffiti" after a night in with this CD compilation. But most of all you get a real sense of why UK fans in the 50ts and 60ts looked to the USA with such awe. The Yanks had it all – the cool - the cars - the girls - the film stars and best of all - the music. And there are seventeen more volumes where this came from...

PS: Titles in "The Golden Age Of American Rock 'n' Roll" CD Series are:

1. The Golden Age Of American Rock 'n' Roll: Hard-To-Get Hot 100 Hits From 1954-63 (Ace CDCHD 289, November 1991)
2. The Golden Age Of American Rock 'n' Roll Volume 2: Hot 100 Hits From 1954-1963 (Ace CDCHD 445, March 1993)
3. The Golden Age Of American Rock 'n' Roll Volume 3: Hot 100 Hits From 1954-1963 (Ace CDCHD 497, January 1994)
4. The Golden Age Of American Rock 'n' Roll Volume 4: Hot 100 Hits From 1954-1963 (Ace CDCHD 500, October 1994)
5. The Golden Age Of American Rock 'n' Roll Volume 5: Hot 100 Hits From 1954-1963 (Ace CDCHD 600, October 1995)
6. The Golden Age Of American Rock 'n' Roll Volume 6: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 650, January 1997)
7. The Golden Age Of American Rock 'n' Roll Volume 7: Hot 100 Hits From 1954-1963 (Ace CDCHD 700, November 1998)
8. The Golden Age Of American Rock 'n' Roll Volume 8: Hot 100 Hits From 1954-1963 (Ace CDCHD 750, November 1999)
9. The Golden Age Of American Rock 'n' Roll Volume 9: Hot 100 Hits From 1954-1963 (Ace CDCHD 800, February 2001)
10. The Golden Age Of American Rock 'n' Roll Volume 10: Hot 100 Hits From 1954-1963 (Ace CDCHD 850, September 2002)
11. The Golden Age Of American Rock 'n' Roll Volume 11: Hot 100 Hits From 1954-1963 (Ace CDCHD 1200, September 2007)
12. The Golden Age Of American Rock 'n' Roll Volume 12: 30 Hot 100 Hits From 1954-1963 (Ace CDCHD 1280, February 2011)
13. The Golden Age Of American Rock 'n' Roll: Special Country Edition (Ace CDCHD 845, April 2002)
14. The Golden Age Of American Rock 'n' Roll: Special Novelty Edition (Ace CDCHD 890, November 2003)
15. The Golden Age Of American Rock 'n' Roll: Special Doo W*p Edition 1953-1963 (Ace CDCHD 1000, May 2004)
16. The Golden Age Of American Rock 'n' Roll: Special "Bubbling Under" Edition – Regional Hits That Just Missed The Hot 100 1959-1963 (Ace CDCHD 1050, March 2006)
17. The Golden Age Of American Rock 'n' Roll – The Follow-Up Hits: Hard-To-Get Hot 100 Hits (Ace CDCHD 1190, January 2008)
18.  The Golden Age Of American Rock 'n' Roll: Special Doo W*p Edition Volume 2 1956-1963 (Ace CDCHD 1230, May 2009)

This review and hundreds more like it can be found in my SOUNDS GOOD Music Book Series - BLUES, GOSPEL, RHYTHM 'n' BLUES and ROCK 'n' ROLL - Exceptional CD Remasters is available to buy/download at Amazon at the following link...


Tuesday 13 October 2015

"The Whole World's Shaking: Complete Recordings 1963-1966" by GEORGE FAME (2015 Universal/Polydor 5CD Box Set Remasters) - A Review by Mark Barry...



"...I Say Yeah Yeah..."

Lick your lips in glee ye Gods of Mod. Like myself there can't be many 60ts music lovers across the world that didn't get a tad excited in the trouser area this Monday morning (12 October 2015) at the arrival of "The Whole World's Shaking: Complete Recordings 1963-1966" by GEORGIE FAME in my overexcited post-box. Even when it was announced months back for pre-order – I thought to myself - now there's a winner I need for my bulging CD shelves (there's an awful lot of bulging going on in this review I'm afraid).

Four albums from the period (all expanded with B-sides and Rarities in gorgeous gatefold card repro sleeves), 106 tracks in total (18 Previously Unreleased), a 48-Page Hardback Book with mucho unpublished plates, Five Quality Art Cards and a foldout Black and White Poster of Georgie and Mick Jagger having a natter. There’s even an unexpected and stunning Vocal Lead from Long John Baldry amongst the unreleased (track 19, disc 1). We’ve a huge amount of detail to get through - so once more good people of Blighty unto the Rhythm 'n' Blues Allnighter ('I say yeh, yeh' to that)...

UK released Monday 12 October 2015 (16 October 2015 in the USA) – "The Whole World's Shaking: Complete Recordings 1963-1966" by GEORGIE FAME on Universal/Polydor 4739865 (Barcode 602547398659) is a 5CD Box Set and breaks down as follows:

Disc 1 - "Rhythm And Blues At The Flamingo" (78:51 minutes, 23 tracks):
1. Night Train
2. Let The Good Times Roll
3. Do The Dog
4. Eso Beso
5. Work Song
6. Parchman Farm [Side 2]
7. You Can't Sit Down
8. Humpty Dumpty
9. Shop Around
10. Baby, Please Don't Go
Tracks 1 to 10 are his debut album "Rhythm And Blues At The Flamingo" – released January 1964 in the UK on Columbia 33SX 1599 in Mono only. It failed to chart and produced one British 7" single in January 1964 - "Do The Dog" b/w "Shop Around" on Columbia DB 7193 (tracks 3 and 9) which also failed to chart. The album was recorded 'live' in September 1963 and Produced by Ian Samwell with Glyn Johns as the Engineer. MONO Mix on CD.

BONUS TRACKS:
11. Parker's Mood
12. Money (That's What I Want)
Tracks 11 and 12 are outtakes from the Mono LP sessions that first turned up in 2006 on the Japanese CD Reissue of the album on Polydor UIJY-93169
13. Molasses
Track 13 is a Previously Unreleased Stereo outtake from the LP sessions
14. Night Train
15. Bright Lights, Big City
16. Walking The Dog
17. Do-Re-Mi
18. Let The Sunshine In
19. You're Breaking My Heart
Tracks 14 to 19 were recorded by the BBC at the Camden Theatre in London in March 1964 in Stereo and first broadcast 5 September 1964 – they are previously unreleased on CD
20. Sister Sadie
21. Pig Foots
22. Funky Mama
23. Signifying Monkey
Tracks 20 to 23 were recorded live at The Blue Moon in Hayes, Middlesex in December 1964 (Mono Bootleg) and are Previously Unreleased.

Disc 2 – "Fame At Last" (59:43 minutes, 21 tracks):
1. Get On The Right Track, Baby
2. Let The Sunshine In
3. The Monkey Time
4. All About My Girl
5. Point Of No Return
6. Gimme That Wine
7. Pink Champagne [Side 2]
8. Monkeying Around
9. Pride And Joy
10. Green Onions
11. I Love The Life I Live
12. I'm In The Mood For Love (Moody's Mood For Love)
Tracks 1 to 12 are his 2nd album "Fame At Last" – released October 1964 in the UK on Columbia 33SX 1638 in Mono Only (peaked at 15 on the UK charts). Reissued in November 1969 on Starline SRS 5002 in Stereo – the Stereo Mix is used for this CD as is the word STEREO on the card repro sleeve.

BONUS TRACKS:
13. Do-Re-Mi
Track 13 is a non-album Mono B-side to "Green Onions" – a UK 7” single released April 1964 on Columbia DB 7255
14. I'm In Love With You
15. Bend A Little
Tracks 14 and 15 are the Mono A and B-sides to a July 1964 Promo-Only UK 7" single on Columbia DB 7328
16. Madness
17. Tom Hark Goes Blue Beat
18. Humpty Dumpty
19. One Whole Year, Baby
Tracks 16 to 19 are the 4-track "Rhythm And Blue Beat" UK 7" EP released May 1964 on Columbia SEG 8334 in Stereo
20. Yeh, Yeh
21. Preach And Teach
Tracks 20 and 21 are the Stereo A and B-sides of a December 1964 UK 7" single on Columbia DB 7428. It was also issued in the USA in January 1965 on Imperial 66086 - a No. 1 in the UK - it peaked at No. 21 in the USA.

The 12-track "Fame At Last" LP became his first US album release in December 1964 on Imperial LP 12282 in Stereo but was credited as "Yeh Yeh" (after the hit single) and featured a rejiggered track list with omissions and additions. Using the following track numbers on Disc 2 - this box set will allow fans to sequence that album as follows...

Side 1:
1. Let The Sunshine In (2)
2. Yeh Yeh (20)
3. Get On The Right Track, Baby (1)
4. The Monkey Time (3)
5. Preach And Teach (21)
6. Gimme That Wine (6)
Side 2:
1. I'm In The Mood For Love (12)
2. Pride And Joy (9)
3. I Love The Life I Live (11)
4. Point Of No Return (5)
5. Monkeying Around (8)
6. Pink Champagne (7)

Disc 3 – "Sweet Things" (61:39 minutes, 21 Tracks):
1. Sweet Thing
2. See Saw
3. Ride Your Pony
4. Funny How Time Slips Away
5. Sitting In The Park
6. Dr. Kitch
7. My Girl [Side 2]
8. Music Talk
9. The In Crowd
10. The World Is Round
11. The Whole World's Shaking
12. Last Night
Tracks 1 to 12 are the Mono album "Sweet Things" – released May 1966 in the UK on Columbia SX 6043 (peaked at No. 6 on the LP charts). MONO Mix on CD.

BONUS TRACKS:
13. In The Meantime
14. Telegram
Tracks 13 and 14 are the non-album Mono A and B-sides to a February 1965 UK 7" single on Columbia DB 7494 – peaked at 22
15. No, No (The River)
16. Blue Monday
17. So Long
18. Sick And Tired
Tracks 15 to 18 are the 4-track "Fats For Fame" UK 7" EP released May 1965 on Columbia SEG 8406 in Stereo
19. Like We Used To Be
20. It Ain’t Right
Tracks 19 and 20 are the non-album A&B-sides of a July 1965 UK 7" single on Columbia DB 7633 (the A is Mono, the B is Stereo) – peaked at No. 33 on the charts
21. Something
Track 21 is the non-album Mono A-side of an October 1965 UK 7" single on Columbia DB 7727 (its non-album B-side "Outrage" is Track 13 on Disc 4) – peaked at No. 23 on the charts

His 2nd American LP "Get Away" was issued 1966 in Mono only on Imperial LP 9331 and can be sequenced from Discs 3 and 4 using the following tracks...

Side 1:
1. Get Away (track 18, disc 4)
2. Sweet Thing (track 1, disc 3)
3. Ride Your Pony (track 3, disc 3)
4. Funny How Time Slips Away (track 4, disc 3)
5. Sitting In The Park (track 5, disc 3)
6. See Saw (track 2, disc 3)
Side 2:
1. Music Talk (track 8, disc 3)
2. Last Night (track 12, disc 3)
3. It's Got The Whole World Shakin' (track 11, disc 3)
4. El Bandido (track 19, disc 4)
5. The World Is Round (track 10, disc 3)
6. The "In" Crowd (track 9, disc 3)

Disc 4 – "Sound Venture" (59:41 minutes, 21 tracks):
1. Many Happy Returns
2. Down For The Count
3. It's For Love The Petals Fall
4. I Am Missing You
5. Funny How Time Slips Away
6. Lil' Pony
7. Lovey Dovey [Side 2]
8. Lil' Darlin'
9. Three Blind Mice
10. Dawn Yawn
11. Feed Me
12. Papa's Got A Brand New Bag
Tracks 1 to 12 are the Mono album "Sound Venture" – released October 1966 in the UK on Columbia SX 6076 (peaked at No. 9 on the LP charts).

BONUS TRACKS:
13. Outrage
Track 13 is the non-album Mono B-side of an October 1965 UK 7" single on Columbia DB 7727 (its non-album A-side "Something" is Track 21 on Disc 3)
14. Move It On Over
15. Walking The Dog
16. High Heel Sneakers
17. Rockin' Pneumonia And The Boogie Woogie Flu
Tracks 14 to 17 are the 4-track "Move It On Over" UK 7" EP released November 1965 on Columbia SEG 8454 in Stereo
18. Get Away
19. El Bandido
Tracks 18 and 19 are the non-album Mono A&B-sides of a June 1966 UK 7" single on Columbia DB 7946 (peaked at No. 1 on the charts)
20. Sunny
21. Don't Make Promises
Tracks 20 and 21 are the non-album Mono A&B-sides of a September 1966 UK 7" single on Columbia DB 8015 (peaked at No. 13 on the charts)

Disc 5 – "Bend A Little: Demos, Rarities, B-Sides & Outtakes" (62:01 minutes, 20 tracks):
1. Money (That’s What I Want (IBC Version)
2. Let The Sunshine in (IBC Version)
3. Lonely Avenue (IBC Version)
4. You're Driving Me Crazy (IBC Version)
5. Kidney Stew (IBC Version)
Tracks 1 to 5 are Mono Demos recorded in 1963 at the IBC Studios by Glyn Johns – Previously Unreleased
6. Moanin' – Mono, Previously Unreleased
7. Gimme That Wine (Alternate Version) – Mono, Previously Unreleased
8. Bend A Little – Stereo Instrumental, Previously Unreleased
9. Saturday Night Fish Fry – Stereo cover of a Louis Jordan song, Previously Unreleased
10. Lil Darlin' (Alternate Version) – Stereo, Previously Unreleased
11. You’re Driving Me Crazy (Alternate Version) – Lou Donaldson cover, Previously Unreleased
12. Soul Stomp – Earl Van Dyke cover in Stereo
13. This Is Always – Stereo
14. Jelly Jelly – Billy Eckstein cover in Mono
15. Black Head Chinaman – Prince Buster cover in Stereo
16. Incense – Instrumental Backing Track in Mono – Previously Unreleased
17. Tan Tan's Tune – an Eddie Thornton cover in Stereo
18. Red Number Nine – A Tony Colton song in Stereo
19. Humpty Dumpty (German Version)
20. Yeah, Yeh, Yeh (German Version)
Tracks 19 and 20 are the German Language versions released as the B and A of a 1965 German 7" single on Columbia C 22 909

PACKAGING:
The box is larger than I’d expected it to be – about 10" x 8" and glossy. Inside are four expanded albums in gatefold repro card artwork (all of them) with a 5th Rarities CD ("Bend A Little") – all five in a red bandana sat in a hollow with a black ribbon beneath for easy pull-out extraction. The gatefold card sleeves are amazingly rendered and each CD is a picture disc (see my note below in Sound on format). On top of those is a beautifully laid out 48-page hardback book (approx. 8" x 8") featuring new indepth interviews with Georgie, many period photos, repros of the album artwork, rare EPs, trade adverts, pictures of the band at the famous Flamingo Club all topped off with extensive liner notes from CHRIS WELCH. Beneath the hardback is a glossy card pouch (same size at the book) that uses the box set’s artwork as its sleeve. Inside are 5 black and white high quality art cards (Georgie in various mod jumper poses) and one foldout black and white poster (Georgie standing beside a fireplace talking to a young Mick Jagger). They're lovely to look at if not a tad superfluous.

However – and without blowing my own trumpet here (not a good idea at my age) – it’s seems extraordinary to me that on such a carefully laid out and classily presented package - no one has thought to produce a single catalogue number anywhere on anything. Even the bonus disc - which is full of exclusive English and German 7" singles and previously unreleased material - shows no catalogue numbers? The info I’ve laid out above isn’t in the book, on the gatefold card sleeves for the albums, on the postcards or on the other side of the poster? Having said that – Georgie goes into a song-by-song analysis in the book that helps place their musical history. Don't get me wrong - this thing looks gorgeous - but for the cost and info nerds like me someone some should done a bit more research...

SOUND:
And as with the Bowie "Five Years" box set of September 2015 – I'd swear that these discs are Japanese pressed SHM-CDs - but it doesn't say so anywhere on the packaging (a bonus for us if they are of course - any takers on this?). What I can say is that the TRISTAM POWELL (Georgie's son, Georgie's real name is Clive Powell) and ANDREW WALTER Remasters (done at Abbey Road) from original master tapes are stunning – the best this material has ever sounded (with the exception of the notoriously murky "Flamingo" set). Famous liner notes writer and compilation maker DEAN RUDLAND tells us in the Compiler's Note at the end of the hardback book that worldwide searches of tape libraries across EMI's vaults was only now possible with the acquisition of EMI by Universal some years back. In the process they've gotten the best Audio sources and discovered a session from 6 June 1963 with Glynn Johns at the Producer controls. It's not Fame's earliest recordings (the R&B label stuff) but it is his earliest in the style presented here. SHM-CDs or not - these discs sound splendido. Now let's get to the music...

MUSIC:
The Audio for "Rhythm And Blues At The Flamingo" has always been lo-fi to low-bucket – but as Georgie rattles off American city destinations in the opening James Brown cover of "Night Train" – it does at least sound more ballsy as the huge organ sound elicits enthusiastic hollers from the punters (you can just see the dudes and dudettes giving it some shimmy as you listen). It's easy to hear why "Do The Dog" failed as a single – it's joyful stuff for sure but it’s just 'too' rough and cluttered. I'd swear I can hear those drums on "Parchment Farm" a lot clearer and the R&B boogie of "Baby, Please Don't Go" brings it all home. The three outtakes from the 'live' session are more of the same – best of which is the new cover of Freddie Roach's "Molasses" – a 'yeah man' saxophone and organ grinder - and for me actually better than much of what's on the album!

I had expected the BBC Sessions to be weedy – nothing could be further from the truth – if anything they are everything the album should have been sonically. "Ladies And Gentlemen...This Is Rhythm And Blues!" the BBC announcer tells his audience in his best Radio 1 coolsville voice – the Blue Flames version of "Night Train" cooking both in terms of great Audio and tight playing. Once again Mr. Radio 1 introduces Jimmy Reed's "Bright Lights, Big City" and it allows Georgie's great vocals to shine – then things start to really cook as the fans clap along to the Rufus Thomas classic "Walking The Dog". The same happens with cool versions of "Do-Re-Mi" and "Let The Sunshine In" – ending on a genuine stunner – LONG JOHN BALDRY fronting the band for "You're Breaking My Heart" with Glenn Hughes soloing real slow and Bluesy on his Saxophone (yum yum). I had also expected the Bootleg to be Audio rubbish but I can hear why its been included – the Audio is better than good and the performances toppermost - especially the band cooking on a fast instrumental romp through Willie Dixon's "Pig Foot" (drop out here and there for sure but still wicked nonetheless).

The second Disc 2 kicks in – the Audio is shockingly good – all that brill R&B blasting out of your speakers – the whole sound stage for stuff like "Let The Sunshine In" and Motown's "The Monkey Time" – the girly vocals and brass jabs – all sparkling. The rhythm-section shuffle in "Pink Champagne" is fabulous – Fame's vocals fresh too. It's hard to do an instrumental diamond like "Green Onions" any kind of justice because its owned by Booker T & The M.G.'s – but Fame gives it a barnstorming arrangement that allows both the organ and Saxophone room to shine. The album closes on the Jazzy smooch of "I'm In The Mood For Love". Cool-city is the only way to describe the mod dancer B-side "Do-Re-Mi" (I can see why its so sought after by mod collectors) – unfortunately it's equally easy to hear why the sappy "I'm In Love With You" went only to demo-level only (the flip "Bend A Little" is far better). I'll admit that It's been decades since I last heard the Ska and Blue Beat EP – but what a blast the foursome are – and in great Audio too. It ends on the monster "Yeh, Yeh" (his first No. 1) with its superb "Preach And Teach" flip (surely a shoe in for one the great double-siders).

After the beautiful Stereo of "Fame At Last" – the return to the Mono of "Sweet Things" takes a bit of Aural getting used to – but the music is still hip. The funky-as-a-gnat's-knackers "See Saw" packs huge punch while "Sitting In The Park" is as echo-lovely as the Billy Stewart 1965 Chess original. We get all island Calypso with "Dr. Kitch" while Side 2 opens with a sweet version of Motown’s "My Girl". The drums on the 'so' 60ts "Music Talk" is a mod's wet dream as is his organ-drenched instrumental cover of the Ramsey Lewis nugget "The "In" Crowd". Both "The World Is Round" and the box set's namesake "The Whole World's Shaking" are fabulous Sixties R&B Jivers (I can just see the girls on the dancefloor blowing the sharp-dressed boys minds with their shimmy-shimmy-shake moves). Of the B-sides and EP Rarities I'm digging "In The Meantime" and "Sick And Tired" on the rarely seen or heard Fats Domino EP. But the best Audio is on the B-side "It Ain't Right" which is presented here in awesome Stereo – worth the entry price alone.

Disc 4 features Georgie Fame & The Harry South Big Band on the "Sound Venture" LP in the autumn of 1966. There's beautiful Mono clarity on "Down For The Count" as there is on his jazzy return to "Funny How Time Slips Away" (he did a slower version of it on "Sweet Things"). Massive punch too on the Clovers cover "Lovey Dovey" even though I don't like his version that much while the James Brown annihilator "Papa's Got A Brand New Bag" ends the album on a high (and rightly so). Fans will love the blindingly great instrumental B-side "Outrage" as they will the Stereo blast of Tommy Tucker's "Hi Heel Sneakers".

Collectors will breathe a sigh of relief that Disc 5 contains so much quality and not filler for the sake of it. The first five are from a recent find – 1963 Studio recordings produced by Glyn Johns as demos - including organised versions of Ray Charles' "Lonely Avenue" and Lou Donaldson's "You're Driving Me Crazy". Amongst the Previously Unreleased are slinky versions of "Moanin'" and the brassy "Bend A Little" which is in wicked Stereo with occasional girly vocals of "I really love you..." (what a find). We go old school 40ts R&B with Louis Jordan's "Saturday Night Fish Fry" – so well recorded it could be Joe Jackson in the 1980s. Slow jazz vibes sift in on a plume of cigarette smoke with "Lil Darlin'" (gorgeous Stereo) – but my faves here are the Tony Colton gambling song "Red Number Nine" and a stunning take on Earl Van Dyke’s "Soul Stomp" (again in amazing Stereo) – both brass/organ steppers that will have Mod dancers reaching for the talcum powder tins with a sense or urgency...

Beautifully presented and featuring stonkingly great Audio (discs 2 to 5 especially) – Georgie Fame has had this kind of homage due him for decades now. Well done to all involved and recommended like a slick 60ts tailored suit...

PS: there is also a 5LP Vinyl Version

This review and hundreds more like it are part of my SOUNDS GOOD Music Books Series - available to buy/lend on Amazon in COOL 1960s MUSIC (Exceptional CD Remasters) at the following link...


"The Gap Band/The Gap Band II/The Gap Band III" by THE GAP BAND (2015 Beat Goes On 2CD Remasters) - A Review by Mark Barry...



"...Oops, Up Side Your Head..."

Three huge Soul/Funk albums from the trio of brothers Charlie, Robert and Ronnie Wilson collectively known as THE GAP BAND – a churning-burning dancing machine from Tulsa in Oklahoma (of all places). These LPs peaked at 10, 3 and 1 on the American R&B album charts respectively back in the day and lay out in graphic gap-toothed family funkiness their dominance of the airwaves and dancefloors in 1979, 1980 and 1981. Three LPs onto 2CDs - and the Remasters sound brill too. Here are the Oops, Up Side Your Heads...

UK released August 2015 in the UK (September 2015 in the USA) – "The Gap Band/The Gap Band II/The Gap Band III" by THE GAP BAND on Beat Goes On BGOCD 1219 (Barcode 5017261212191) offers 3 LPs onto 2CDs and plays out as follows:

Disc 1 (61:21 minutes):
1. Shake
2. You Can Count On Me
3. Open Up Your Mind (Wide)
4. Messin' With My Mind
5. Baba Baba Boogie [Side 2]
6. I'm In Love
7. Got To Get Away
8. I Can Sing
Tracks 1 to 8 are their 3rd studio album "The Gap Band" – released April 1979 in the USA on Mercury SRM-1-3758 and 1980 in Europe on Mercury 9111 052

9. Steppin' (Out)
10. No Hiding Place
11. I Don't Believe You Want To Get Up And Dance (Oops!)
Tracks 9 to 10 are Side 1 of their 4th studio album "The Gap Band II" – released December 1979 in the USA on Mercury SRM-1-3804 and October 1980 in the UK on Mercury 9111 062

Disc 2 (65:19 minutes):
1. Who Do You Call
2. You Are My High
3. Party Lights
4. The Boys Are Back In Town
Tracks 1 to 4 are Side 2 of their 4th studio album "The Gap Band II" – released December 1979 in the USA on Mercury SRM-1-3804 and October 1980 in the UK on Mercury 9111 062

5. When I Look In Your Eyes
6. Yearning For Your Love
7. Burn Rubber On Me (Why You Wanna Hurt Me)
8. Nothin’ Comes To Sleepers
9. Are You Living [Side 2]
10. Sweet Caroline
11. Humpin’
12. The Way
13. Gash Gash Gash
Tracks 5 to 13 are their 5th studio album "The Gap Band III" – released January 1981 in the USA on Mercury SRM-1-4003 and in the UK on Mercury 6377 110

There is a card slipcase that lends the whole release a classiness – a 16-page booklet with full album credits and new liner notes from Mojo's Jazz columnist CHARLES WARING and new 2015 ANDREW THOMPSON Remasters (done at Sound Mastering in London) that blast all that polished Soul and Funk out into your living room with renewed flairs. These CDs sound amazing – great presence and will almost certainly make you want to do a Soul Train on your living room floor as you chant "Oops, Up Side Your Head" like a loon.

After their first two studio albums failed to ignite ("Magician's Holiday" in 1974 on Shelter and "The Gap Band" in 1977 on MCA) – they signed to Mercury Records with material that was bound to cook (and it did). Their Mercury Label debut in 1979 opens with the irresistible stepper "Shake" – a five-minute Funky call to arms to 'shake your booty' down at the local club. The Gap Band released it on Mercury 74053 as a 7" single and it was an immediate winner giving them a No. 4 placing on the R&B charts in May 1979. Things slow into smooch-city with "You Can Count On Me" while "Open Up Your Mind (Wide)" gave them their 2nd hit in August 1979 on Mercury 74080 (peaked at 13). "Messin' With My Mind" could easily have been another winning single ala Rufus with Chaka Khan. "I'm In Love" is a pretty ballad (just about) but far better is the album's hidden nugget "Got To Get Away" where the boys want to be shown 'the way to the future'...their next album did just that...

"The Gap Band II" hit Top Ten paydirt with the crowd-shouters "Steppin' Out" and especially "I Don't Believe You Want To Get Up And Dance (Oops, Up Side Your Head)". With its repeated chant "Oops, Up Side Your Head" throughout (probably should have been the name of the song) – I can remember entire dancehalls descending into rowing lines on the floor as people sang along to the lines and the singer's giggles. The song was played everywhere - a phenomenon - and caught the party mood of the early 80ts. They tried one of the album's boppers "Party Lights" on Mercury 76037 in July 1980 but it stalled at No. 36. It wasn't "Gap Band III" finally took the top slot on the album charts in January 1981 that its lead off single “Burn Rubber (Why You Wanna Hurt Me)” did the same. Other wicked steppers include “When I Look In Your Eyes” while the mid-tempo “Yearning For Your Love” ticked the punters in April 1981 so they gave it’s Isley Brothers guitar-Soul at No. 5 placing on the R&B charts. “Is that what it is!” the boys shout on the party-party finisher "Gash Gash Gash" while "Humpin’" tries it hardest and just about pulls it off.

It’s not all Soul-Funk genius for sure – but those great grooves and fun tunes still bring back memories - and this superb-sounding 2CD set is bound to tickle many pink and white and yellow and orange (and that’s just the shirts)...

"Live: Stompin' At The Savoy" by RUFUS and CHAKA KHAN (2015 Big Break Records CD Remasters) - A Review by Mark Barry...

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"...Ain't Nobody Does It Better..."

After one whole decade of superb Soul/Funk hits including no less than four US R&B No.1's ("You Got The Love", "Sweet Thing", "At Midnight (My Love Will Lift You Up)" and "Do You Love What You Feel" – all of which are included on this reissue in live form) – Rufus and Chaka Khan decided to bury the hatchet on their acrimonious split and get together for one more Funky hurrah in 1982. Out of three incendiary shows came this legendary double album released in the summer of 1983 (three sides live – the fourth studio – four brand new tracks). The 2LP set even produced a fifth number one in the monster smash in "Ain't Nobody" - a song now considered their 'anthem'.

In truth I'd forgotten just how good Rufus was as a functioning live band and just how complete this release is. What an utter barnstormer – whether they're slap-bassing the Hell out of Soulful tunes or just harmonizing on those gorgeous and sexy ballads – Rufus was a formidable machine on stage with two hugely talented voices out front – Chaka Khan and Tony Maiden. These guys were tight - almost uncannily so. And now with superlative new Audio and Presentation – once again England's Big Break Records (BBR are part of the much respected Cherry Red) have stepped up to the Reissue/Remaster plate and stumped up a classy CD that will have fans dancing in the aisles (the whole double album is fitted onto one disc). Here are the sweet things...

UK released August 2015 (September 2015 in the USA) – "Live: Stompin' At The Savoy" by RUFUS and CHAKA KHAN on Big Break Records WCDBBRX 0313 (Barcode 5013929061330) offers fans the full double-album onto 1CD (no bonus tracks) and plays out as follows (77:59 minutes):

1. You Got The Love
2. Once You Get Started
3. Dance With Me
4. Sweet Thing
5. Tell Me Something Good [Side 2]
6. Stop On By
7. Pack'd My Bags
8. I'm A Woman (I'm A Backbone)
9. At Midnight (My Love Will Lift You Up)
10. Ain't That Peculiar [Side 3]
11. Stay
12. What'cha Gonna Do For Me
13. Do You Love What You Feel
14. Ain't Nobody [Side 4 – Studio Recordings]
15. One Million Kisses
16. Try A Little Understanding
17. Don't Go To Strangers
Tracks 1 to 17 are the double-album "Live: Stompin' At The Savoy" – released August 1983 in the USA and UK on Warner Brothers 9-23679-1. Sides 1, 2 and 3 were recorded live February 12, 13 and 14 of 1982 at the Savoy Theatre in New York City and Produced by Russ Titelman. Side 4 is four new studio recordings (recorded digitally) – two of which were released as singles "Ain't Nobody" and "One Million Kisses". The 2LP set peaked at number 4 on the US R&B Album Charts and No. 50 in the UK Rock & Pop Charts.

RUFUS was:
CHAKA KHAN – Lead Vocals
TONY MAIDEN – Lead Vocals and Guitar
KEVIN MURPHY – Keyboards
DAVID "Hawk" WOLINSKI – Keyboards
BOBBY WATSON – Bass
JOHN ROBINSON – Drums

Addition Musicians Live:
Lenny Castro – Percussion
David Williams – Rhythm Guitar
Jerry Hay – Trumpet
Ernie Watts – Tenor Saxophone, Flute and All Saxophone Solo’s
Larry Williams – Alto Saxophone and Flute
Greg Herbig – Tenor Saxophone and Flute
Stephanie Sprull – Tambourine and Backing Vocals
Lee Maiden and Julia Tillman – Backing Vocals

Additional Musicians for the four Studio cuts on Side 4:
Joe Sample (of The Crusaders) plays piano on "Don't Go To Strangers"
James Newton Howard – Additional Synthesizer
Greg Phillinganes – Synthesizer Bass on "Try A Little Understanding"
Paulinho da Costa – Percussion

You get one of those cute round-corner jewel cases, a 16-page colour booklet with fantastically detailed liner notes from the noted American writer CHRISTIAN JOHN WIKANE which includes interviews several members of the band – Tony Maiden and John Robinson and the legendary Warner Brothers Producer RUSS TITELMAN whose credits include James Taylor, Little Feat, Ry Cooder, Randy Newman, Captain Beefheart, Dion, The B-52's and many more. The centre pages features a collage of the band in full flow at The Savoy, there's repros of the two big American 7" singles "Ain't Nobody" on Warner Brothers 7-29555 (with the live version of "Sweet Thing" on the flipside) and "One Million Kisses" on Warner Brothers 7-29406 with "Stay (Live)" on the flipside - as well as other snaps of Chaka smiling alongside her band.

But the big news is new NICK ROBBINS Remasters carried out at Sound Mastering in London that are just fantastic – the whole soundstage alive and beautifully rendered. I can't express enough just how tight this band was – these are not just workmanlike renditions – they're cooking and as he says in the liner notes – Producer Titelman is rightly proud of what he captured on those three nights in February 1982. Fans are going to love this.
"Stompin' At The Savoy" opens with a razor-sharp guitar-funky performance and a guaranteed crowd-pleaser – the first Rufus number 1 single from February 1974 "You Got The Love". Both it and "Once You Get Started" elicit deserved whoops from a clearly 'loving it' audience – and as the brass section and her huge voice kick in – it’s already a done deal. I’m reminded of the AWB’s live double "Person To Person" from 1977 on Atlantic Records – a band on fire and in the groove. "Once You Get Started" is also the first to feature Tony Maiden's great second vocals – the combo of him and Chaka pretty much defining what wicked Soul/Funk should be. The irresistible Funk Boogie of "Dance With Me" hit No. 5 in April 1976 – here the band get 'the hands going' while the gorgeous ballad "Sweet Thing" ends Side 1 with howls of pleasure from the crowd (for me one of their best moments).

Side 2 opens with voicebox guitar on "Tell Me Something Good" – the real breakthrough hit for Rufus in 1974 on ABC Records – a nasty slice of street Funk that has the backing singers, Chaka and that voicebox working it like pros. "Stop On By" (written by Bobby Womack and Truman Thomas) is truly stunning – Tony and Chaka working that duet vocal thing while the brass section anchor it with a sophistication and polish that's lasted 35 years. Things slow down into sweet smooch and then defiance with Chaka and the girls so damn good on "Pack'd My Bags" - while the Lalomie Washington stand-up-for-yourself anthem "I'm A Woman (I'm A Backbone)" strikes a guitar groove – the band so perfectly at one as that guitar solos. "At Midnight (My Love With Lift You Up)" brought them their third No.1 R&B smash in February 1977 on ABC Records – here it gets seriously funked-out.

They open Side 3 with a Funkified reworking of Marvin Gaye's "Ain't That Peculiar" which acted as reminder of the mighty Tamla Motown singer and predated Marvin's return to glory later in 1983 with "Sexual Healing". You wouldn't think something "Stay" would work live but the harmonising vocals and sweet playing makes it another mid-tempo nugget hidden deep inside this double. "...Everybody join in and clap your hands..." Tony urges on "What'cha Gonna Do For Me" which always reminds me of the Average White band who co-wrote it with another unsung 70s hero – Ned Doheny (see my review for his "Hard Candy" and "Prone" albums on a 2011 SuperBird CD Remaster). The live set and Side 3 ends on another David "Hawk" Wolinski winner (he wrote "Ain't Nobody") – the seven minutes of "Do You Love What You Feel" – their 4th No.1 in October 1979 on MCA Records.

The studio side opens with a monster – a song that probably defined them "Ain't Nobody". It was issued in July 1983 (a month before the album) and quickly slaughtered all in its Radio-friendly path rising to No. 1 in the USA and No. 8 in the UK (it was a global hit in fact). "Ain't Nobody" sounds fabulous here - as does the 2nd single off the album in January 1984 - the less inspiring "One Million Kisses" penned by the band's Keyboardist Kevin Murphy as a co-write with Jeffrey Osbourne. Fantastic audio comes into play with the uber-slick Funk of "Try A Little Understanding" written by Chaka and Tony Maiden. But for me the side ends in the best possible way – an inspired cover of Al Martino's 1954 hit "Don't Go To Strangers" (also popularised by Etta Jones in 1960). They apparently recorded it 'live' in the studio with an orchestral arrangement – and after only a few takes of the Jazzy interpretation - Joe Sample of The Crusaders was so moved by the spookily good performance that he said. "The holy ghost stepped into the room on that one!" The combo of Chaka letting rip vocally, Joe plinking away so classily on the keys and the lush melody and strings – it’s beautiful stuff and makes you wish they'd attempted a whole album of standards in this way, but alas...

"Live: Stompin' At The Savoy" by Rufus and Chaka Khan is a prestigious CD release for Big Break Records who have been steadily winning over Soul, Funk, Disco and Fusion fans for years now. Well done to all involved and for me a 'Soul Reissue of 2015' without any hesitation...

Big Break Records (BBR) CD Remasters I’ve reviewed to October 2015:

1. Is It Still Good To Ya – ASHFORD and SIMPSON (1978)
2. Stay Free – ASHFORD and SIMPSON (1979)
3. Central Heating – HEATWAVE (1977)
4. Hot Property - HEATWAVE (1979)
5. Candles - HEATWAVE (1980)
6. Turnin' On - HIGH INERGY (1977)
7. Harvest For The World - THE ISLEY BROTHERS (1976)
8. Go For Your Guns - THE ISLEY BROTHERS (1977)
9. In The Heart – KOOL & THE GANG (1983)
10. I Hope We Get To Love On Time - MARILYN McCOO & BILLY DAVIS (1976)
11. I Miss You - HAROLD MELVIN & THE BLUE NOTES (1972) [known as "Harold Melvin The Blue Notes" in the UK]
12. Black & Blue - HAROLD MELVIN & THE BLUE NOTES (1973)
13. Love Is The Message - MFSB (1973)
14. Universal Love – MFSB (1975)
15. All The Faces Of... - BUDDY MILES (1974)
16. For The First Time – STEPHANIE MILLS (1975)
17. I Can See Clearly Now - JOHNNY NASH (1972)
18. In Philadelphia - O'JAYS (1969)
19. Back Stabbers - O'JAYS (1972)
20. Ship Ahoy - O'JAYS (1973)
21. Down To Love Town – THE ORIGINALS (1977)
22. Ebony Woman - BILLY PAUL (1970 and 1973)
23. 360 Degrees Of Billy Paul - BILLY PAUL (1972)
24. War Of The Gods - BILLY PAUL (1973)
25. Platinum Hook – PLATINUM HOOK (1978)
26. Love For What It Is - ANITA POINTER (of The Pointer Sisters) (1987)
27. Live: Stompin’ At The Savoy – RUFUS and CHAKA KHAN (1983)
28. Summernights – SILVER CONVENTION (1977)
29. Smoked Sugar - SMOKED SUGAR (1975)
30. Soul Master – EDWIN STARR (1968)
31. Involved - EDWIN STARR (1971)
32. Switch - SWITCH (1978)
33. Watercolors – THE WATERS (1980)
34. Just As I Am - BILL WITHERS (1971 Debut LP on Sussex/A&M Records)
35. Heartbeats – YARBROUGH & PEOPLES (1983)

This review is part of my SOUNDS GOOD Music Book Series. One of those titles is SOUL, FUNK and JAZZ FUSION - Exceptional CD Remasters - an E-Book with over 245 entries and 2100 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap). 


INDEX - Entries and Artist Posts in Alphabetical Order