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Sunday 15 July 2018

"In Search Of The Lost Chord" by THE MOODY BLUES (July 2008 Universal/Deram CD 'Expanded Edition' Remaster) - A Review by Mark Barry...




This Review Along With Almost 300 Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites
1960s and 1970s MUSIC ON CD - Volume 3 of 3
- Exceptional CD Remasters
As well as 1960s and 1970s Rock and Pop - It Also Focuses On
Blues Rock, Prog Rock, Psych, Avant Garde, Underground
Folk-Rock, Singer-Songwriter, Country Rock and more
Just Click Below To Purchase for £3.95
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"...Best Way To Travel..."

The Moodies 3rd studio album "In Search Of The Lost Chord" saw the Blighty light of day in late July 1968 in Stereo (followed in the USA in October 1968) and has always been a firm fan fave.

Part Prog, Part Acid Trip, yet seriously melodic and lyrically reaching - their poppy debut "The Magnificent Moodies" of July 1965 must have seemed a long musical way back - because this Mellotron, Guitars and Flutes fusion saw the group embrace the far-out artwork of Philip Travers and the floating-on-astral-plains ideals of the day (gardens of delight baby, ultra violet lights and the earth turning slowly around as we all chant ‘om’ –if you know what I’m saying).

Shadows of "Revolver" and "Sgt. Peppers" collide with Ravi Shankar and Donovan and Island’s Nirvana to produce music that is dated in places for sure – but is still as innovative and beautiful as it was when first released. And this gorgeous sounding 40th Anniversary CD Remaster from 2008 only hammers home just how innovative it was. Here are the Voices In The Sky...

UK released July 2008 - "In Search Of The Lost Chord" by THE MOODY BLUES on Universal/Deram 530 706-9 (Barcode 600753070697) is an 'Expanded Edition CD Reissue with the 12-Track 1968 Stereo Albums plus Nine Bonus Tracks that plays out as follows (75:59 minutes):

1. Departure [Side 1]
2. Ride My See-Saw
3. Dr. Livingstone, I Presume
4. House Of Four Doors (Part 1)
5. Legend Of The Mind
6. House Of Four Doors (Part 2)
7. Voices In The Sky [Side 2]
8. The Best Way To Travel
9. Visions Of Paradise
10. The Actor
11. The Word
12. Om
Tracks 1 to 12 are the album "In Search Of The Lost Chord" - released July 1968 in the UK in Stereo on Deram SML 711 and October 1968 in the USA on Deram DES 18017. Produced by TONY CLARKE – it peaked at No. 5 in the UK and No. 23 in the USA LP charts.

BONUS TRACKS:
13. A Simple Game (Justin Hayward Vocal Mix)
14. The Best Way To Travel (Additional Vocal Mix)
15. Visions Of Paradise (Instrumental Version)
16. What Am I Doing Here? (Original Version)
17. The Word (Mellotron Mix)
18. Om (Extended Version, 6:07 minutes)
19. Doctor Livingstone I Presume
20. Thinking Is The Best Way To Travel
21. A Simple Game - Non-Album B-side to "Ride My See Saw", UK released 25 October 1968 on Deram DM 213)

The 20-page booklet is a surprisingly decent affair – MARK POWELL of Esoteric Recordings providing the hugely illuminating and enthusiastic liner notes. There are period colour photos of the five lads – Justin Hayward, John Lodge, Mike Pinder, Graeme Edge and Ray Thomas – as well as a Deramic Stereo Sound trade advert for the album, rare Euro pictures sleeves for singles like "Ride My See-Saw" and "Voices In The Sky" and of course the original LP artwork.

The Remaster of the Stereo Album by ALBERTO PARODI and JUSTIN HAYWARD has been taken from original Decca master tapes with MARK POWELL being the Audio Engineer on the Extra Tracks. This CD sounds amazing – real care taken – warm and kicking for all the right reasons. To the music...

Once you get past "Departure" (Graeme Edge's opening 44 seconds of spoken piffle) - you're greeted by the rocking John Lodge song "Ride My See-Saw" – a clear winner that screamed period 45 (and that’s what they did). After the American release of the album in October 1968, the Moodies returned to Decca's Studios in the UK to record Mike Pinder's "A Simple Game" (Track 21) - a song that was popped onto the B-side of the decidedly commercial "Ride My See-Saw" and rush-released (Deram DM 213 was issued 25 October 1968).

The fantastically hippy six thirty-six minutes of "Legends Of A Mind" tells us you can't take a trip on Astral Plains because Timothy Leary is dead (the 3CD Decca Underground Box Set of 2008 took its name from this trippy track - see separate review). The remaster is gorgeous really bring out those Hayward 12-String Guitar moments abled helped by Ray Thomas on Flute while Pinder brings up the Mellotron rear. After the magic of "The Best Way To Travel" with its clever stop-start melodies and far-out-man lyrics - "Visions Of Paradise" with its Flutes, Voices and subtle Sitar notes feels positively peaceful and beautiful. Side 2 ends on what I think is the records high point – the fabulous Nirvana vs. Donovan "Om" – nearly six minutes of the band layering Sitars, Flutes and Violins with gorgeously orchestrated voices – the whole clouds passing by my head thing floating on a soft Tabla beat. Heaven indeed...

An exemplary CD Reissue and for under five quid (if you’ll forgive the British Railways lost and found pun) – a bit of a aural find...

Saturday 14 July 2018

"Ry Cooder 1970-1987" by RY COODER (November 2013 Warner Brothers 11CD Clamshell Box Set) - A Review by Mark Barry...




This Review Along With 300+ Others Is Available In My
SOUNDS GOOD E-Book on all Amazon sites
1960s and 1970s MUSIC ON CD - Volume 1 of 3 - Exceptional CD Remasters
As well as 1960s and 1970s Rock and Pop - It Also Focuses On
Blues Rock, Prog Rock, Rock-Fusion, Psychedelic and Underground
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs
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"...Look At Granny Run...Granddaddy Close Behind…"

I’m going to add to the chorus of approval given this dinky and brill little box set and add a few more details. Having had it a few weeks now and listened to all the discs - I estimate that most of the first 7 are REMASTERS with the remainder sounding like those CDs already issued - which sound great anyway. His huge hit album “Bop Til You Drop” from 1979 was the world’s first all-digital recording and has always sounded clean if not a little flat somehow. The CD here is definitely not the “UFO Has Landed” remaster (see separate review) - but - with a judicious amount of volume - it does sound lovely anyway. Here’s the breakdown of what’s on offer and what’s missing...

"Ry Cooder 1970 - 1987” was released Monday 11 November 2013 on Warner Brothers 8122796241 (Barcode 081227962418) and is an 11CD mini clamshell box set with each album in 5” repro card sleeves – it breaks down as follows:

Disc 1 (30:13 minutes):
1. Alimony [Tommy Tucker cover]
2. France Chance [Joe Callicott cover]
3. One Meat Ball [Louis Singer & Hy Zaret song - Josh White cover]
4. Do Re Mi [Woody Guthrie cover]
5. Old Kentucky Home [Randy Newman cover]
6. How Can A Poor Man Stand Such Times And Live? [Blind Alfred Reed cover]
7. Available Space [Ry Cooder song] [Side 2]
8. Pig Meat [Huddie Ledbetter/Leadbelly cover]
9. Police Dog Blues [Arthur Blake cover]
10. Goin’ To Brownsville [Sleepy John Estes cover]
11. Dark Is The Night [Blind Willie Johnson cover]
Tracks 1 to 11 are his debut solo LP “Ry Cooder” – released December 1970 in the USA on Reprise RS 6402 and January 1971 in the UK on Reprise K 44093. Van Dyke Parks plays Piano (tracks not named).

Disc 2 (37:46 minutes):
1. How Can You Keep Moving (Unless You Migrate Too) [Traditional Song cover]
2. Billy The Kid [Traditional Song cover]
3. Money Honey [Jesse Stone song – Clyde McPhatter & The Drifters cover]
4. F.D.R. In Trinidad [Fitz MacLean cover]
5. Teardrops Will Fall [Dickey Doo, Marion Smith song]
6. Denomination Blues [Washington Philips cover]
7. On A Monday [Huddie Ledbetter/Leadbelly cover] [Side 2]
8. Hey Porter [Johnny Cash cover]
9. Great Dreams From Heaven [Joseph Spence cover]
10. Taxes On The Farmer Feed Us All [Traditional Song cover]
11. Vigilante Man [Woody Guthrie cover]
Tracks 1 to 11 are his 2nd album “Into The Purple Valley” – released February 1972 in the USA on Reprise RS 2052 and in the UK on Reprise K 44142

Disc 3 (39:07 minutes):
1. Boomer’s Story [Carson Robinson, Traditional Song cover]
2. Cherry Ball Blues [Ski James cover]
3. Crow Black Chicken [Lawrence Wilson cover]
4. Ax Sweet Mama [Sleepy John Estes cover]
5. Maria Elena [Bob Russell and Lorenzo Barcelata cover]
6. Dark End Of The Street [Chips Moman and Pan Penn song – James Carr cover] [Side 2]
7. Rally ‘Round The Flag [Traditional Song cover]
8. Comin’ In On A Wing And A Prayer [Harold Adamson, Jimmie McHugh song]
9. President Kentucky [Sleepy John Estes cover]
10. Good Morning Mr. Railroad Man [Traditional Song cover]
Tracks 1 to 10 are his 3rd album “Boomer’s Story” – released November 1972 in the USA on Reprise MS 2117 and in the UK on Reprise K 44224; Randy Newman plays piano on “Rally ‘Round The Flag”

Disc 4 (37:22 minutes):
1. Tamp ‘Em Up Solid [Traditional Song cover]
2. Tattler [Russ Titelman, Ry Cooder and Washington Philips song]
3. Married Man’s A Fool [Blind Willie McTell cover]
4. Jesus On The Mainline [Traditional Song cover]
5. It’s All Over Now [Bobby Womack cover]
6. Medley: I’m A Fool For A Cigarette/Feelin’ Good [J.B. Lenoir cover] [Side 2]
7. If Walls Could Talk [Bobby Miller cover]
8. Mexican Divorce [Coasters cover]
9. Ditty Wa Ditty [Arthur Blake cover]
Tracks 1 to 9 are his 4th album “Paradise And Lunch” – release May 1974 in the USA on Reprise MS 2179 and in the UK on Reprise K 44260; Earl Hines plays Piano on “Ditty Wa Ditty”

Disc 5 (39:59 minutes):
1. The Bourgeois Blues [Huddie Ledbetter/Leadbelly cover]
2. I Got Mine [Traditional Song cover]
3. Always Lift Him Up [Blind Alfred Reed cover]
4. He’ll Have To Go [Jim Reeves cover]
5. Smack Dab In The Middle [Jesse Stone song – Charles Calhoun cover]
6. Stand By Me [Ben E. King cover]
7. Yellow Roses [Hank Snow cover]
8. Chloe [Traditional Song cover]
9. Goodnight Irene [Huddie Ledbetter/Leadbelly cover]
Tracks 1 to 9 are his 5th album “Chicken Skin Music” – released October 1976 in the USA on Reprise MS 2254 and in the UK on Reprise K 54083

Disc 6 (43:57 minutes):
1. School Is Out
2. Alimony
3. Jesus On The Mainline
4. The Dark End Of The Street
5. Viva Sequin/Do Re Mi [Side 2]
6. Volver, Volver
7. How Can A Poor Man Stand Such Times And Live
8. Smack Dab In The Middle
Tracks 1 to 8 are his 6th LP “Show Time” – released August 1977 in the USA on Warner Brothers BS 3059 and in the UK on Warner Brothers K 56386
Note: Track 1 “School Is Out” is a Studio song – the rest of the album is LIVE recorded 14 and 15 December 1976 at The Great American Music Hall in San Francisco and credited to RY COODER/CHICKEN SKIN REVUE

Disc 7 (38:28 minutes):
1. Big Bad Bill Is Sweet William Now
2. Face To Face That I Shall Meet Him [Traditional Song cover]
3. The Pearls/Tia Juana [Jelly Roll Morton cover]
4. The Dream
5. Happy Meeting In Glory [Traditional Song cover]
6. In A Mist [Bix Beiderbecke cover]
7. Flashes [Bix Beiderbecke cover]
8. Davenport Blues [Bix Beiderbecke cover]
9. Shine
10. Nobody [Bert Williams cover]
11. We Shall Be Happy [Traditional Song cover]
Tracks 1 to 11 are the album “Jazz” – released June 1978 in the USA on Warner Brothers BSK 3197 and in the UK on Warner Brothers K 56488

Disc 8 (40:12 minutes):
1. Little Sister [Elvis Presley cover]
2. Go Home, Girl [Arthur Alexander cover]
3. The Very Thing That Makes You Rich
4. I Think It’s Going To Work Out Fine [Ike & Tina Turner cover]
5. Down In Hollywood [Ry Cooder song] [Side 2]
6. Look At Granny Run Run [Howard Tate cover]
7. Trouble You Can’t Fool Me [Frederick Knight cover]
8. Don’t You Mess Up A Good Thing [Fontella Bass & Bobby McClure cover]
9. I Can’t Win [The Invincibles cover]
Tracks 1 to 9 are the album “Bop Till You Drop” – released August 1979 in the USA on Warner Brothers BSK 3358 and in the UK on Warner Brothers K 56691. Bobby King sings Backing Vocals on 1, 2, 5, 6, 7 and Lead Vocals on 9. Chaka Khan sings Backing Vocals on 5 and 8.

Disc 9 (44:06 minutes):
1. 634-5789
2. Why Don’t You Try Me
3. Down In The Boondocks
4. Johnny Porter
5. The Way We Make A Broken Heart
6. Crazy ‘Bout An Automobile
7. The Girls from Texas
8. Borderline
9. Never Make Your Move Too Soon
Tracks 1 to 9 are the album “Borderline” – released October 1980 in the USA on Warner Brothers BSK 3489 and in the UK on Warner Brothers K 56846

Disc 10 (39:18 minutes):
1. UFO Has Landed In The Ghetto
2. I Need A Woman
3. Gypsy Woman
4. Blue Suede Shoes
5. Mama, Don’t Treat Your Daughter Mean
6. I’m Drinking Again
7. Which Came First
8. That’s The Way Love Turned Out For Me
Tracks 1 to 8 are the album “The Slide Area” – released April 1982 in the USA on Warner Brothers BSK 3651 and in the UK on Warner Brothers K 56976

Disc 11 (40:52 minutes):
1. Get Rhythm [Johnny Cash cover]
2. Low—Commotion
3. Going Back To Okinawa
4. 13 Question Method [Chuck Berry cover]
5. Women Will Rule The World
6. All Shook Up [Elvis Presley cover]
7. I Can Tell By The Way You Smell
8. Across The Border Line
9. Let’s Have A Ball
Tracks 1 to 9 are the album “Get Rhythm” – released December 1987 in the USA on Warner Brothers 25639-1 and in the UK on Warner Brothers WX 121

The CD labels reflect the original vinyl issues - 1 to 5 are the Riverboat Tan design, 6 is the Burbank Trees design and the rest the cream Warner Brothers issues (nice attention to detail). Of all the repro card sleeves only “Into The Purple Valley” is a gatefold (all the others were single sleeve issues anyway) but a few like “Boomer’s Story” are missing inserts. I say this because apart from the almost unreadable album covers - there’s little info to go on (no booklet) and on hearing this fantastic trawl through Americana, Blues, Jazz, Gospel, Texmex and old time Blues - you desperately want to know more about the song origins. Most of the info is available on the net of course, but it would have put this groovy box set into the stratosphere if had been given a little bit more effort on the presentation front.

You also notice the gaps - “The Long Riders” soundtrack from 1980 is missing, as is the fabulous “Paris, Texas” from 1985. But what is here is just so consistently good. Admittedly when you get to “Borderline” and “The Slide Area” the quality control had begun to taper off (as had sales) which is what made the rollicking “Get Rhythm” from 1987 such a huge hit and return to form. 

I’d like to point out that for fans the real gems in here are “Boomer’s Story”, “Paradise And Lunch” and “Chicken Skin Music” which are beautiful sounding now. The gorgeous Mexican-feel instrumental “Marie Elena” on “Boomer’s Story” has been a rave of mine for years - the wicked combo of “I’m A Fool For A Cigarette/Feelin’ Good” is fabulous fun too and his warbling accordion version of Ben E. King’s “Stand By Me” on “Chicken Skin Music” is so touching - a wonderfully moving reinterpretation. The old-timey Woody Guthrie feel to the instrumental “Great Dream From Heaven” on “In The Purple Valley” is the kind of gem that litters these albums - its so simple yet so effecting - his playing so sympathetic to the material throughout.

“Bop Till You Drop” is a near perfect album and is littered with cleverly chosen covers opening with his take on Presley’s “Little Sister” given that distinctive Cooder jerky rhythm makeover (with Bobby Kind’s backing vocals adding so much to the tune). Arthur Alexander’s “Go Home Girl” has a wonderful ache to it while “Down In Hollywood” (his only original on the album) has ballbreakingly funny lyrics about Gays in Tinseltown. This classic 1979 LP ends with Chaka Khan and Bobby Kind getting duet Gospel on “I Can’t Win” – a song brought to the world by Clifton Knight when he was with the US Soul Group The Invincibles (1966 on Loma Records). It’s beautifully done.

With its mixture of Traditionals and Bix Beiderbecke rhythms 1978’s “Jazz” goes all Old Timey (“Big Bad Bill Is Sweet William Now”) and is one of those records that got ignored on release but gets rediscovered as a masterpiece years later. It’s also beautifully produced – the remaster shining like a diamond here – slide guitars, trombones, big bass drums and banjos coming at you from every angle. “The Slide Area” and the fabulous “Get Rhythm” albums feature witty nuggets like “UFO Has Landed In The Ghetto” and “Women Will Rule The World” (go Hilary Clinton).

Great stuff - and at a little over two quid per album – “1970-1987” is a frankly bit of a steal in a sea of overpriced and stodgy Anniversary reissues.

On Ry Cooder’s blinding cover of Howard Tate’s “Look At Granny Run Run” (written by that genius duo of Jerry Ragovoy and Mort Shuman) our Ryland tells of Grandfather’s renewed libido because the Doctor has given him “a brand new pill...” Get this Americana Musical Tonic winging its way to someone you love as soon as possible...

Friday 13 July 2018

"Blazing Saddles" on BLU RAY - A Review of Mel Brooks' Fabulous 1974 Film Now On BLU RAY - A Review by Mark Barry...




"…Damn Near Lost A $400 Hand Cart!" 

Blazing Saddles on BLU RAY

I can vividly remember seeing "Blazing Saddles" at the cinema in Dublin in 1974. Even as the credits rolled - the entire audience was screaming – helpless with laughter as bullwhip-cracks accompanied a truly cheesy yee-haw song crammed with cornball lyrics like "...Conquer bad guys near and far…Bart was his name!"

But then as scene after scene unfolded and we began to realize that this latest Mel Brooks caper was a pisstake on racism using the Wild West idiom - we also sat there in utter astonishment - and even excitement. Here was a film breaking down barriers – tackling taboos and monsters - but using comedy to do it (like Chaplin did with "The Dictator").

It’s 1874 and the town of Rock Ridge is building a railroad through 200,000 acres of other people’s land and the local greedy District Attorney (a stunning turn by Harvey Corman as Hedley Lemarr) needs a way to frighten the locals so senseless – they’ll just up and leave. And one day while he’s watching hangings out his window by a one-eyed Cyclops – Hedley hits on the genius idea of making the new sheriff a black man.

Playing that part with just the right amount of inner-smirk is Cleavon Little as Bart – a smart Negro outfoxing all the rednecks as he rides into town sporting a Gold Sherriff Star, a Gucci side saddlebag and a shiny new outfit. He’s teamed up with Gene Wilder as The Wako Kid - once the fastest gunslinger in the West but now a drunk in jail. Cue an endless stream of ball-breakingly funny Wild West set pieces and fabulous one-liners about ‘nig*ers’ and hick white attitudes…

"You use your tongue prettier than a $20 whore!" Slim Pickens says after Hedley Lemarr recites a list of the worst scum ever he wants assembled for a posse. There’s a preacher at a town meeting that says of the impending doom – "We should act!" Then grabs his coat. "I'm leaving!" A bearded dusty prospector speaks 'Genuine Frontier Gibberish' you can’t understand. Slim Pickens helpfully suggests how to rid Rock Ridge of the simple folk getting in the way of the railroad - "We'll ride into town and kill every first born child!" and Hedley Lemarr replies "Too Jewish!"

Even something as simple as Cleavon standing on the town podium addressing an all-white crowd becomes loaded with black virility when he says "Excuse me while I whip this out!" and all the white women duck for cover. And then there’s Director and Co-Writer Mel Brooks as the Governor who can’t string two words together (has GOV on his jacket) and keeps lusting after his big-chested assistant (Robyn Hilton of Vixens fame). "Work! Work! Work!" he complains as he signs another dodgy Bill into law.

But best of all is the famous farting sequence where all the cowboys are sat around a campfire eating plates of beans - I remember some people in the audience very nearly suffered a coronary they laughed that hard. And equally as joyous is Alex Karras as the unstoppable MONGO –a huge monosyllabic klutz that punches horses who annoy him. And on it goes like "Airplane" – whomping you in the nuts with clever one-liners and unbelievably edgy gags - all of which lead up to a Randolph Scott joke and a very slapstick ending. Wow!

The print quality on the BLU RAY starts out very badly with a lot of heavy grain shimmering and even the occasional line down the negative. But after a short while it settles down. In truth (and rather disappointingly) - you’d have to say the picture is good rather than great. However even stretched to Full Aspect – "Blazing Saddles" still looks cool for a 1974 production. Audio is Dolby Digital: English 5.1, French 1-channel Mono and German 1-channel Mono. Subtitles are English, French and German.

Extras include: Additional Scenes, Scene-Specific Commentary by Mel Brooks, 2 Documentaries – Back In The Saddle and Intimate Portrait: Madeline Kahn (Excerpt), Black Bart: 1975 Pilot Episode Of The Proposed TV Series Spinoff and a Theatrical Trailer.

Re-watching "Blazing Saddles" on BLU RAY has been a joy. It’s easily in the top 5 funniest films ever made – still brilliantly anarchic – snotty – and fresh in a way that so many gross-out comedies of today can’t even get near.

Two black men are sent up the railway line they’ve been slaving on and sink in quicksand – Slim Pickens comes along and throws a rope. But it’s not over the two drowning Negroes - but onto the handcart (his line titles this review).

Do yourself a rootin’ tootin’ favour – and get this fabulous piece of un-pc cinematic crudity in-between your bowlegs…tarnation and varmit!

INDEX - Entries and Artist Posts in Alphabetical Order